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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F91ECC it is the complementary color #06E133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F91ECC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F91ECC shade: #FE1EC7, #FF30DA, #FF42ED, #FF54FF and #FF66FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F91ECC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F91ECC shade: #F91ECC, #E80CB9, #D700A6, #C60093 and #B50080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F91ECC shade: #F91FCC, #F91F92, #F91F57 and #F91F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F91ECC shade: #F91FCC, #EB1FF9, #B01FF9, #761FF9 and #3B1FF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F91ECC shade matches the following richer shades: #F91FCC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F91ECC shade: #F91FCC, #E732C2, #D444B7, #C257AC and #AF6AA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F91ECC shade: #B11FF9, #EB1FF9, #F91FCE, #F91F94 and #F91F59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F91ECC shade: #C1059A, #E906BB, #F91FCC, #FA47D6 and #FB70DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F91ECC shade: #F91ECC, #F9761F and #1FF9CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F91ECC shade: #F91ECC, #CEF91F and #1FCEF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F91ECC shade: #F91ECC, #F9761F, #1FF94B and #1FA2F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F91ECC shade: #F91ECC, #F9B81F, #1FF94B and #1F61F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 18 / 2

HEX #F91ECC

RGB 249 30 204

HSL 312.33, 0.95%, 0.55%

LAB 57.49, 88.01, -36.69

 

Complementary color

CMYK 97 / 0 / 77 / 12

HEX #06E133

RGB 6 225 51

HSL 132.33, 0.95%, 0.45%

LAB 78.54, -76.39, 66.77

 

CMYK 0 / 88 / 22 / 0

HEX #FE1EC7

RGB 254 30 199

HSL 314.73, 0.99%, 0.56%

LAB 58.15, 88.38, -32.73

 

CMYK 0 / 81 / 15 / 0

HEX #FF30DA

RGB 255 48 218

HSL 310.72, 1%, 0.59%

LAB 60.28, 87.74, -40.21

 

CMYK 0 / 74 / 7 / 0

HEX #FF42ED

RGB 255 66 237

HSL 305.71, 1%, 0.63%

LAB 62.74, 85.87, -47

 

CMYK 0 / 67 / 0 / 0

HEX #FF54FF

RGB 255 84 255

HSL 300, 1%, 0.66%

LAB 65.61, 82.94, -52.42

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 0 / 88 / 18 / 2

HEX #F91ECC

RGB 249 30 204

HSL 312.33, 0.95%, 0.55%

LAB 57.49, 88.01, -36.69

 

CMYK 0 / 95 / 20 / 9

HEX #E80CB9

RGB 232 12 185

HSL 312.82, 0.9%, 0.48%

LAB 52.86, 84.52, -33.18

 

CMYK 0 / 100 / 23 / 16

HEX #D700A6

RGB 215 0 166

HSL 313.67, 1%, 0.42%

LAB 48.51, 80, -29.04

 

CMYK 0 / 100 / 26 / 22

HEX #C60093

RGB 198 0 147

HSL 315.45, 1%, 0.39%

LAB 44.39, 74.56, -24.29

 

CMYK 0 / 100 / 29 / 29

HEX #B50080

RGB 181 0 128

HSL 317.57, 1%, 0.35%

LAB 40.22, 69.05, -19.37

 

CMYK 0 / 88 / 18 / 2

HEX #F91FCC

RGB 249 31 204

HSL 312.39, 0.95%, 0.55%

LAB 57.54, 87.87, -36.61

 

CMYK 0 / 88 / 41 / 2

HEX #F91F92

RGB 249 31 146

HSL 328.35, 0.95%, 0.55%

LAB 55.27, 81.75, -6.26

 

CMYK 0 / 88 / 65 / 2

HEX #F91F57

RGB 249 31 87

HSL 344.59, 0.95%, 0.55%

LAB 53.82, 77.68, 27.09

 

CMYK 0 / 88 / 88 / 2

HEX #F91F1F

RGB 249 31 31

HSL 0, 0.95%, 0.55%

LAB 53.19, 75.86, 56.97

 

CMYK 0 / 88 / 18 / 2

HEX #F91FCC

RGB 249 31 204

HSL 312.39, 0.95%, 0.55%

LAB 57.54, 87.87, -36.61

 

CMYK 6 / 88 / 0 / 2

HEX #EB1FF9

RGB 235 31 249

HSL 296.15, 0.95%, 0.55%

LAB 57.54, 91.55, -62.15

 

CMYK 29 / 88 / 0 / 2

HEX #B01FF9

RGB 176 31 249

HSL 279.91, 0.95%, 0.55%

LAB 48.32, 82.81, -77.52

 

CMYK 53 / 88 / 0 / 2

HEX #761FF9

RGB 118 31 249

HSL 263.94, 0.95%, 0.55%

LAB 40.69, 76.27, -90.34

 

CMYK 76 / 88 / 0 / 2

HEX #3B1FF9

RGB 59 31 249

HSL 247.71, 0.95%, 0.55%

LAB 35.5, 72.38, -99.11

 

CMYK 0 / 88 / 18 / 2

HEX #F91FCC

RGB 249 31 204

HSL 312.39, 0.95%, 0.55%

LAB 57.54, 87.87, -36.61

 

CMYK 0 / 88 / 18 / 2

HEX #F91FCC

RGB 249 31 204

HSL 312.39, 0.95%, 0.55%

LAB 57.54, 87.87, -36.61

 

CMYK 0 / 78 / 16 / 9

HEX #E732C2

RGB 231 50 194

HSL 312.27, 0.79%, 0.55%

LAB 55.24, 79.22, -34.69

 

CMYK 0 / 68 / 14 / 17

HEX #D444B7

RGB 212 68 183

HSL 312.08, 0.63%, 0.55%

LAB 53.55, 67.81, -31.21

 

CMYK 0 / 55 / 11 / 24

HEX #C257AC

RGB 194 87 172

HSL 312.34, 0.47%, 0.55%

LAB 53.24, 53.35, -25.5

 

CMYK 0 / 39 / 8 / 31

HEX #AF6AA1

RGB 175 106 161

HSL 312.17, 0.3%, 0.55%

LAB 54.02, 35.82, -18.11

 

CMYK 29 / 88 / 0 / 2

HEX #B11FF9

RGB 177 31 249

HSL 280.18, 0.95%, 0.55%

LAB 48.47, 82.94, -77.27

 

CMYK 6 / 88 / 0 / 2

HEX #EB1FF9

RGB 235 31 249

HSL 296.15, 0.95%, 0.55%

LAB 57.54, 91.55, -62.15

 

CMYK 0 / 88 / 17 / 2

HEX #F91FCE

RGB 249 31 206

HSL 311.83, 0.95%, 0.55%

LAB 57.63, 88.11, -37.61

 

CMYK 0 / 88 / 41 / 2

HEX #F91F94

RGB 249 31 148

HSL 327.8, 0.95%, 0.55%

LAB 55.34, 81.93, -7.35

 

CMYK 0 / 88 / 64 / 2

HEX #F91F59

RGB 249 31 89

HSL 344.04, 0.95%, 0.55%

LAB 53.86, 77.78, 25.94

 

CMYK 0 / 97 / 20 / 24

HEX #C1059A

RGB 193 5 154

HSL 312.45, 0.95%, 0.39%

LAB 43.91, 73.96, -29.34

 

CMYK 0 / 97 / 20 / 9

HEX #E906BB

RGB 233 6 187

HSL 312.16, 0.95%, 0.47%

LAB 53, 85.37, -34.13

 

CMYK 0 / 88 / 18 / 2

HEX #F91FCC

RGB 249 31 204

HSL 312.39, 0.95%, 0.55%

LAB 57.54, 87.87, -36.61

 

CMYK 0 / 72 / 14 / 2

HEX #FA47D6

RGB 250 71 214

HSL 312.07, 0.95%, 0.63%

LAB 61.38, 80.1, -36.28

 

CMYK 0 / 55 / 11 / 2

HEX #FB70DF

RGB 251 112 223

HSL 312.09, 0.95%, 0.71%

LAB 67.59, 65.95, -31.66

 

CMYK 0 / 88 / 18 / 2

HEX #F91ECC

RGB 249 30 204

HSL 312.33, 0.95%, 0.55%

LAB 57.49, 88.01, -36.69

 

CMYK 0 / 53 / 88 / 2

HEX #F9761F

RGB 249 118 31

HSL 23.94, 0.95%, 0.55%

LAB 64.32, 45.77, 65.5

 

CMYK 88 / 0 / 17 / 2

HEX #1FF9CE

RGB 31 249 206

HSL 168.17, 0.95%, 0.55%

LAB 88.21, -57.8, 7.07

 

CMYK 0 / 88 / 18 / 2

HEX #F91ECC

RGB 249 30 204

HSL 312.33, 0.95%, 0.55%

LAB 57.49, 88.01, -36.69

 

CMYK 17 / 0 / 88 / 2

HEX #CEF91F

RGB 206 249 31

HSL 71.83, 0.95%, 0.55%

LAB 92.12, -38.12, 85.99

 

CMYK 88 / 17 / 0 / 2

HEX #1FCEF9

RGB 31 206 249

HSL 191.83, 0.95%, 0.55%

LAB 76.84, -26.33, -32.65

 

CMYK 0 / 88 / 18 / 2

HEX #F91ECC

RGB 249 30 204

HSL 312.33, 0.95%, 0.55%

LAB 57.49, 88.01, -36.69

 

CMYK 0 / 53 / 88 / 2

HEX #F9761F

RGB 249 118 31

HSL 23.94, 0.95%, 0.55%

LAB 64.32, 45.77, 65.5

 

CMYK 88 / 0 / 70 / 2

HEX #1FF94B

RGB 31 249 75

HSL 132.11, 0.95%, 0.55%

LAB 86.28, -80.07, 66.57

 

CMYK 88 / 35 / 0 / 2

HEX #1FA2F9

RGB 31 162 249

HSL 203.94, 0.95%, 0.55%

LAB 64.14, -2.79, -52.52

 

CMYK 0 / 88 / 18 / 2

HEX #F91ECC

RGB 249 30 204

HSL 312.33, 0.95%, 0.55%

LAB 57.49, 88.01, -36.69

 

CMYK 0 / 26 / 88 / 2

HEX #F9B81F

RGB 249 184 31

HSL 42.11, 0.95%, 0.55%

LAB 78.76, 11.83, 76.77

 

CMYK 88 / 0 / 70 / 2

HEX #1FF94B

RGB 31 249 75

HSL 132.11, 0.95%, 0.55%

LAB 86.28, -80.07, 66.57

 

CMYK 88 / 61 / 0 / 2

HEX #1F61F9

RGB 31 97 249

HSL 221.83, 0.95%, 0.55%

LAB 46.55, 37.09, -80.88

 

Description

Color code: HEX #F91ECC | qconv.com Color code: HEX #F91ECC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 30 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 30 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 18 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 18% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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