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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F919C9 it is the complementary color #06E636. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F919C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F919C9 shade: #FE19C4, #FF2BD7, #FF3DEA, #FF4FFD and #FF61FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F919C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F919C9 shade: #F919C9, #E807B6, #D700A3, #C60090 and #B5007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F919C9 shade: #F91AC9, #F91A8D, #F91A51 and #F91A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F919C9 shade: #F91AC9, #ED1AF9, #B11AF9, #751AF9 and #391AF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F919C9 shade matches the following richer shades: #F91AC9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F919C9 shade: #F91AC9, #E62DBF, #D340B4, #C053A9 and #AD669E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F919C9 shade: #AF1AF9, #EA1AF9, #F91ACD, #F91A91 and #F91A56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F919C9 shade: #BC0595, #E406B5, #F91AC9, #FA42D3 and #FB6BDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F919C9 shade: #F919C9, #F9731A and #1AF9CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F919C9 shade: #F919C9, #CDF91A and #1ACDF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F919C9 shade: #F919C9, #F9731A, #1AF947 and #1AA0F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F919C9 shade: #F919C9, #F9B61A, #1AF947 and #1A5DF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 19 / 2

HEX #F919C9

RGB 249 25 201

HSL 312.86, 0.95%, 0.54%

LAB 57.13, 88.31, -35.54

 

Complementary color

CMYK 97 / 0 / 77 / 10

HEX #06E636

RGB 6 230 54

HSL 132.86, 0.95%, 0.46%

LAB 80.12, -77.57, 67.39

 

CMYK 0 / 90 / 23 / 0

HEX #FE19C4

RGB 254 25 196

HSL 315.2, 0.99%, 0.55%

LAB 57.8, 88.68, -31.55

 

CMYK 0 / 83 / 16 / 0

HEX #FF2BD7

RGB 255 43 215

HSL 311.32, 1%, 0.58%

LAB 59.79, 88.36, -39.27

 

CMYK 0 / 76 / 8 / 0

HEX #FF3DEA

RGB 255 61 234

HSL 306.49, 1%, 0.62%

LAB 62.12, 86.81, -46.31

 

CMYK 0 / 69 / 1 / 0

HEX #FF4FFD

RGB 255 79 253

HSL 300.68, 1%, 0.65%

LAB 64.92, 84.3, -52.41

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 0 / 90 / 19 / 2

HEX #F919C9

RGB 249 25 201

HSL 312.86, 0.95%, 0.54%

LAB 57.13, 88.31, -35.54

 

CMYK 0 / 97 / 22 / 9

HEX #E807B6

RGB 232 7 182

HSL 313.33, 0.94%, 0.47%

LAB 52.6, 84.52, -31.84

 

CMYK 0 / 100 / 24 / 16

HEX #D700A3

RGB 215 0 163

HSL 314.51, 1%, 0.42%

LAB 48.38, 79.65, -27.46

 

CMYK 0 / 100 / 27 / 22

HEX #C60090

RGB 198 0 144

HSL 316.36, 1%, 0.39%

LAB 44.26, 74.22, -22.67

 

CMYK 0 / 100 / 31 / 29

HEX #B5007D

RGB 181 0 125

HSL 318.56, 1%, 0.35%

LAB 40.09, 68.72, -17.71

 

CMYK 0 / 90 / 19 / 2

HEX #F91AC9

RGB 249 26 201

HSL 312.91, 0.95%, 0.54%

LAB 57.17, 88.19, -35.48

 

CMYK 0 / 90 / 43 / 2

HEX #F91A8D

RGB 249 26 141

HSL 329.06, 0.95%, 0.54%

LAB 54.87, 82.04, -3.88

 

CMYK 0 / 90 / 67 / 2

HEX #F91A51

RGB 249 26 81

HSL 345.2, 0.95%, 0.54%

LAB 53.46, 78.14, 30.22

 

CMYK 0 / 90 / 90 / 2

HEX #F91A1A

RGB 249 26 26

HSL 0, 0.95%, 0.54%

LAB 52.9, 76.54, 58.83

 

CMYK 0 / 90 / 19 / 2

HEX #F91AC9

RGB 249 26 201

HSL 312.91, 0.95%, 0.54%

LAB 57.17, 88.19, -35.48

 

CMYK 5 / 90 / 0 / 2

HEX #ED1AF9

RGB 237 26 249

HSL 296.77, 0.95%, 0.54%

LAB 57.64, 92.56, -61.98

 

CMYK 29 / 90 / 0 / 2

HEX #B11AF9

RGB 177 26 249

HSL 280.63, 0.95%, 0.54%

LAB 48.17, 83.84, -77.77

 

CMYK 53 / 90 / 0 / 2

HEX #751AF9

RGB 117 26 249

HSL 264.48, 0.95%, 0.54%

LAB 40.18, 77.36, -91.19

 

CMYK 77 / 90 / 0 / 2

HEX #391AF9

RGB 57 26 249

HSL 248.34, 0.95%, 0.54%

LAB 34.9, 73.76, -100.11

 

CMYK 0 / 90 / 19 / 2

HEX #F91AC9

RGB 249 26 201

HSL 312.91, 0.95%, 0.54%

LAB 57.17, 88.19, -35.48

 

CMYK 0 / 90 / 19 / 2

HEX #F91AC9

RGB 249 26 201

HSL 312.91, 0.95%, 0.54%

LAB 57.17, 88.19, -35.48

 

CMYK 0 / 80 / 17 / 10

HEX #E62DBF

RGB 230 45 191

HSL 312.65, 0.79%, 0.54%

LAB 54.51, 79.83, -34.11

 

CMYK 0 / 70 / 15 / 17

HEX #D340B4

RGB 211 64 180

HSL 312.65, 0.63%, 0.54%

LAB 52.74, 68.57, -30.73

 

CMYK 0 / 57 / 12 / 25

HEX #C053A9

RGB 192 83 169

HSL 312.66, 0.46%, 0.54%

LAB 52.13, 54.16, -25.49

 

CMYK 0 / 41 / 9 / 32

HEX #AD669E

RGB 173 102 158

HSL 312.68, 0.3%, 0.54%

LAB 52.79, 36.8, -18.25

 

CMYK 30 / 90 / 0 / 2

HEX #AF1AF9

RGB 175 26 249

HSL 280.09, 0.95%, 0.54%

LAB 47.87, 83.58, -78.26

 

CMYK 6 / 90 / 0 / 2

HEX #EA1AF9

RGB 234 26 249

HSL 295.96, 0.95%, 0.54%

LAB 57.14, 92.08, -62.8

 

CMYK 0 / 90 / 18 / 2

HEX #F91ACD

RGB 249 26 205

HSL 311.84, 0.95%, 0.54%

LAB 57.35, 88.67, -37.48

 

CMYK 0 / 90 / 42 / 2

HEX #F91A91

RGB 249 26 145

HSL 327.98, 0.95%, 0.54%

LAB 54.99, 82.38, -6.08

 

CMYK 0 / 90 / 65 / 2

HEX #F91A56

RGB 249 26 86

HSL 343.86, 0.95%, 0.54%

LAB 53.55, 78.38, 27.34

 

CMYK 0 / 97 / 21 / 26

HEX #BC0595

RGB 188 5 149

HSL 312.79, 0.95%, 0.38%

LAB 42.72, 72.39, -28.26

 

CMYK 0 / 97 / 21 / 11

HEX #E406B5

RGB 228 6 181

HSL 312.7, 0.95%, 0.46%

LAB 51.79, 83.73, -32.58

 

CMYK 0 / 90 / 19 / 2

HEX #F91AC9

RGB 249 26 201

HSL 312.91, 0.95%, 0.54%

LAB 57.17, 88.19, -35.48

 

CMYK 0 / 74 / 16 / 2

HEX #FA42D3

RGB 250 66 211

HSL 312.72, 0.95%, 0.62%

LAB 60.71, 81.22, -35.63

 

CMYK 0 / 57 / 12 / 2

HEX #FB6BDC

RGB 251 107 220

HSL 312.92, 0.95%, 0.7%

LAB 66.67, 67.68, -31.42

 

CMYK 0 / 90 / 19 / 2

HEX #F919C9

RGB 249 25 201

HSL 312.86, 0.95%, 0.54%

LAB 57.13, 88.31, -35.54

 

CMYK 0 / 54 / 90 / 2

HEX #F9731A

RGB 249 115 26

HSL 23.95, 0.95%, 0.54%

LAB 63.73, 47.12, 66.56

 

CMYK 90 / 0 / 18 / 2

HEX #1AF9CD

RGB 26 249 205

HSL 168.16, 0.95%, 0.54%

LAB 88.15, -58.3, 7.5

 

CMYK 0 / 90 / 19 / 2

HEX #F919C9

RGB 249 25 201

HSL 312.86, 0.95%, 0.54%

LAB 57.13, 88.31, -35.54

 

CMYK 18 / 0 / 90 / 2

HEX #CDF91A

RGB 205 249 26

HSL 71.84, 0.95%, 0.54%

LAB 92.04, -38.61, 86.67

 

CMYK 90 / 18 / 0 / 2

HEX #1ACDF9

RGB 26 205 249

HSL 191.84, 0.95%, 0.54%

LAB 76.51, -26.08, -33.17

 

CMYK 0 / 90 / 19 / 2

HEX #F919C9

RGB 249 25 201

HSL 312.86, 0.95%, 0.54%

LAB 57.13, 88.31, -35.54

 

CMYK 0 / 54 / 90 / 2

HEX #F9731A

RGB 249 115 26

HSL 23.95, 0.95%, 0.54%

LAB 63.73, 47.12, 66.56

 

CMYK 90 / 0 / 71 / 2

HEX #1AF947

RGB 26 249 71

HSL 132.11, 0.95%, 0.54%

LAB 86.22, -80.72, 67.91

 

CMYK 90 / 36 / 0 / 2

HEX #1AA0F9

RGB 26 160 249

HSL 203.95, 0.95%, 0.54%

LAB 63.51, -1.91, -53.52

 

CMYK 0 / 90 / 19 / 2

HEX #F919C9

RGB 249 25 201

HSL 312.86, 0.95%, 0.54%

LAB 57.13, 88.31, -35.54

 

CMYK 0 / 27 / 90 / 2

HEX #F9B61A

RGB 249 182 26

HSL 41.97, 0.95%, 0.54%

LAB 78.27, 12.79, 77.44

 

CMYK 90 / 0 / 71 / 2

HEX #1AF947

RGB 26 249 71

HSL 132.11, 0.95%, 0.54%

LAB 86.22, -80.72, 67.91

 

CMYK 90 / 63 / 0 / 2

HEX #1A5DF9

RGB 26 93 249

HSL 221.97, 0.95%, 0.54%

LAB 45.48, 39.36, -82.64

 

Description

Color code: HEX #F919C9 | qconv.com Color code: HEX #F919C9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 25 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 25 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 19 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 19% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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