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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F91344 it is the complementary color #06ECBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F91344. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F91344: #FE133F, #FF2552, #FF3765, #FF4978 and #FF5B8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F91344. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F91344: #F91344, #E80131, #D7001E, #C6000B and #B50000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 73 / 2

HEX #F91344

RGB 249 19 68

HSL 347.22, 0.95%, 0.53%

LAB 52.97, 78.46, 37.3

 

Complementary color

CMYK 97 / 0 / 21 / 7

HEX #06ECBB

RGB 6 236 187

HSL 167.22, 0.95%, 0.47%

LAB 83.77, -58.35, 10.6

 

CMYK 0 / 93 / 75 / 0

HEX #FE133F

RGB 254 19 63

HSL 348.77, 0.99%, 0.54%

LAB 53.92, 79.49, 41.53

 

CMYK 0 / 85 / 68 / 0

HEX #FF2552

RGB 255 37 82

HSL 347.61, 1%, 0.57%

LAB 55.27, 77.9, 32.13

 

CMYK 0 / 78 / 60 / 0

HEX #FF3765

RGB 255 55 101

HSL 346.2, 1%, 0.61%

LAB 57.01, 74.87, 23.15

 

CMYK 0 / 71 / 53 / 0

HEX #FF4978

RGB 255 73 120

HSL 344.51, 1%, 0.64%

LAB 59.33, 70.74, 15.1

 

CMYK 0 / 64 / 45 / 0

HEX #FF5B8B

RGB 255 91 139

HSL 342.44, 1%, 0.68%

LAB 62.17, 65.7, 8.03

 

CMYK 0 / 92 / 73 / 2

HEX #F91344

RGB 249 19 68

HSL 347.22, 0.95%, 0.53%

LAB 52.97, 78.46, 37.3

 

CMYK 0 / 100 / 79 / 9

HEX #E80131

RGB 232 1 49

HSL 347.53, 0.99%, 0.46%

LAB 48.76, 75.26, 42.61

 

CMYK 0 / 100 / 86 / 16

HEX #D7001E

RGB 215 0 30

HSL 351.63, 1%, 0.42%

LAB 45, 70.79, 47.98

 

CMYK 0 / 100 / 94 / 22

HEX #C6000B

RGB 198 0 11

HSL 356.67, 1%, 0.39%

LAB 41.26, 66.32, 51.79

 

CMYK 0 / 100 / 100 / 29

HEX #B50000

RGB 181 0 0

HSL 0, 1%, 0.35%

LAB 37.52, 61.93, 51.94

 

CMYK 0 / 92 / 73 / 2

HEX #F91344

RGB 249 19 68

HSL 347.22, 0.95%, 0.53%

LAB 52.97, 78.46, 37.3

 

CMYK 0 / 92 / 87 / 2

HEX #F91520

RGB 249 21 32

HSL 357.11, 0.95%, 0.53%

LAB 52.71, 77.27, 56.17

 

CMYK 0 / 81 / 92 / 2

HEX #F92F15

RGB 249 47 21

HSL 6.84, 0.95%, 0.53%

LAB 54.27, 72.5, 61.56

 

CMYK 0 / 66 / 92 / 2

HEX #F95515

RGB 249 85 21

HSL 16.84, 0.95%, 0.53%

LAB 58.69, 60.27, 64.44

 

CMYK 0 / 51 / 92 / 2

HEX #F97B15

RGB 249 123 21

HSL 26.84, 0.95%, 0.53%

LAB 65.25, 43.17, 68.93

 

CMYK 0 / 92 / 73 / 2

HEX #F91344

RGB 249 19 68

HSL 347.22, 0.95%, 0.53%

LAB 52.97, 78.46, 37.3

 

CMYK 0 / 93 / 73 / 82

HEX #2D030C

RGB 45 3 12

HSL 347.14, 0.88%, 0.09%

LAB 5.87, 21.56, 4.24

 

CMYK 0 / 93 / 73 / 62

HEX #60071A

RGB 96 7 26

HSL 347.19, 0.86%, 0.2%

LAB 18.86, 38.17, 15.19

 

CMYK 0 / 93 / 73 / 42

HEX #930B28

RGB 147 11 40

HSL 347.21, 0.86%, 0.31%

LAB 30.87, 52.49, 23.07

 

CMYK 0 / 92 / 73 / 22

HEX #C60F36

RGB 198 15 54

HSL 347.21, 0.86%, 0.42%

LAB 42.18, 65.82, 30.38

 

CMYK 0 / 92 / 73 / 2

HEX #F91344

RGB 249 19 68

HSL 347.22, 0.95%, 0.53%

LAB 52.97, 78.46, 37.3

 

CMYK 0 / 2 / 92 / 2

HEX #F9F515

RGB 249 245 21

HSL 58.95, 0.95%, 0.53%

LAB 94.1, -19.07, 90.28

 

CMYK 92 / 35 / 0 / 2

HEX #15A1F9

RGB 21 161 249

HSL 203.16, 0.95%, 0.53%

LAB 63.74, -2.72, -53.15

 

CMYK 0 / 92 / 73 / 2

HEX #F91344

RGB 249 19 68

HSL 347.22, 0.95%, 0.53%

LAB 52.97, 78.46, 37.3

 

CMYK 72 / 0 / 92 / 2

HEX #46F915

RGB 70 249 21

HSL 107.11, 0.95%, 0.53%

LAB 86.56, -78.5, 80.61

 

CMYK 92 / 72 / 0 / 2

HEX #1546F9

RGB 21 70 249

HSL 227.11, 0.95%, 0.53%

LAB 40.21, 53.1, -91.32

 

CMYK 0 / 92 / 73 / 2

HEX #F91344

RGB 249 19 68

HSL 347.22, 0.95%, 0.53%

LAB 52.97, 78.46, 37.3

 

CMYK 0 / 2 / 92 / 2

HEX #F9F515

RGB 249 245 21

HSL 58.95, 0.95%, 0.53%

LAB 94.1, -19.07, 90.28

 

CMYK 92 / 0 / 20 / 2

HEX #15F9C7

RGB 21 249 199

HSL 166.84, 0.95%, 0.53%

LAB 87.99, -59.98, 10.37

 

CMYK 92 / 90 / 0 / 2

HEX #1519F9

RGB 21 25 249

HSL 238.95, 0.95%, 0.53%

LAB 33.34, 73.16, -102.75

 

CMYK 0 / 92 / 73 / 2

HEX #F91344

RGB 249 19 68

HSL 347.22, 0.95%, 0.53%

LAB 52.97, 78.46, 37.3

 

CMYK 26 / 0 / 92 / 2

HEX #B8F915

RGB 184 249 21

HSL 77.11, 0.95%, 0.53%

LAB 90.78, -46.7, 85.8

 

CMYK 92 / 0 / 20 / 2

HEX #15F9C7

RGB 21 249 199

HSL 166.84, 0.95%, 0.53%

LAB 87.99, -59.98, 10.37

 

CMYK 66 / 92 / 0 / 2

HEX #5515F9

RGB 85 21 249

HSL 256.84, 0.95%, 0.53%

LAB 36.57, 76.22, -97.27

 

Description

Color code: HEX #F91344 | qconv.com Color code: HEX #F91344 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 19 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 19 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 73 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 73% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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