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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F90DF2 it is the complementary color #06F20D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F90DF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F90DF2 shade: #FE0DED, #FF1FFF, #FF31FF, #FF43FF and #FF55FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F90DF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F90DF2 shade: #F90DF2, #E800DF, #D700CC, #C600B9 and #B500A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F90DF2 shade: #F90BF2, #F90BB2, #F90B72, #F90B32 and #F90B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F90DF2 shade: #F90BF2, #C00BF9, #800BF9, #400BF9 and #0B0BF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F90DF2 shade matches the following richer shades: #F90BF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F90DF2 shade: #F90BF2, #E520DF, #D034CC, #BC48B9 and #A85CA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F90DF2 shade: #7E0BF9, #BD0BF9, #F90BF5, #F90BB5 and #F90B76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F90DF2 shade: #AD04A8, #D505CF, #F90BF2, #FA34F4 and #FB5CF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F90DF2 shade: #F90DF2, #F93F0B and #0BF99E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F90DF2 shade: #F90DF2, #F5F90B and #0BF5F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F90DF2 shade: #F90DF2, #F93F0B, #0BF90F and #0BC5F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F90DF2 shade: #F90DF2, #F9860B, #0BF90F and #0B7EF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 3 / 2

HEX #F90DF2

RGB 249 13 242

HSL 301.78, 0.95%, 0.51%

LAB 58.82, 94.74, -56.06

 

Complementary color

CMYK 98 / 0 / 95 / 5

HEX #06F20D

RGB 6 242 13

HSL 121.78, 0.95%, 0.49%

LAB 83.74, -82.45, 78.91

 

CMYK 0 / 95 / 7 / 0

HEX #FE0DED

RGB 254 13 237

HSL 304.23, 0.99%, 0.52%

LAB 59.41, 94.88, -52.28

 

CMYK 0 / 88 / 0 / 0

HEX #FF1FFF

RGB 255 31 255

HSL 300, 1%, 0.56%

LAB 61.19, 95.7, -59.46

 

CMYK 0 / 81 / 0 / 0

HEX #FF31FF

RGB 255 49 255

HSL 300, 1%, 0.6%

LAB 62.23, 92.63, -57.79

 

CMYK 0 / 74 / 0 / 0

HEX #FF43FF

RGB 255 67 255

HSL 300, 1%, 0.63%

LAB 63.75, 88.24, -55.37

 

CMYK 0 / 67 / 0 / 0

HEX #FF55FF

RGB 255 85 255

HSL 300, 1%, 0.67%

LAB 65.73, 82.6, -52.23

 

CMYK 0 / 95 / 3 / 2

HEX #F90DF2

RGB 249 13 242

HSL 301.78, 0.95%, 0.51%

LAB 58.82, 94.74, -56.06

 

CMYK 0 / 100 / 4 / 9

HEX #E800DF

RGB 232 0 223

HSL 302.33, 1%, 0.45%

LAB 54.54, 90.22, -52.38

 

CMYK 0 / 100 / 5 / 16

HEX #D700CC

RGB 215 0 204

HSL 303.07, 1%, 0.42%

LAB 50.46, 84.84, -48.19

 

CMYK 0 / 100 / 7 / 22

HEX #C600B9

RGB 198 0 185

HSL 303.94, 1%, 0.39%

LAB 46.32, 79.37, -43.91

 

CMYK 0 / 100 / 8 / 29

HEX #B500A6

RGB 181 0 166

HSL 304.97, 1%, 0.35%

LAB 42.12, 73.81, -39.53

 

CMYK 0 / 96 / 3 / 2

HEX #F90BF2

RGB 249 11 242

HSL 301.76, 0.95%, 0.51%

LAB 58.78, 94.87, -56.13

 

CMYK 0 / 96 / 29 / 2

HEX #F90BB2

RGB 249 11 178

HSL 317.9, 0.95%, 0.51%

LAB 55.68, 87.05, -24.49

 

CMYK 0 / 96 / 54 / 2

HEX #F90B72

RGB 249 11 114

HSL 334.03, 0.95%, 0.51%

LAB 53.59, 81.54, 10.5

 

CMYK 0 / 96 / 80 / 2

HEX #F90B32

RGB 249 11 50

HSL 350.17, 0.95%, 0.51%

LAB 52.52, 78.61, 47

 

CMYK 0 / 96 / 96 / 2

HEX #F90B0B

RGB 249 11 11

HSL 0, 0.95%, 0.51%

LAB 52.29, 77.97, 63.38

 

CMYK 0 / 96 / 3 / 2

HEX #F90BF2

RGB 249 11 242

HSL 301.76, 0.95%, 0.51%

LAB 58.78, 94.87, -56.13

 

CMYK 23 / 96 / 0 / 2

HEX #C00BF9

RGB 192 11 249

HSL 285.63, 0.95%, 0.51%

LAB 49.84, 87.61, -74.94

 

CMYK 49 / 96 / 0 / 2

HEX #800BF9

RGB 128 11 249

HSL 269.5, 0.95%, 0.51%

LAB 40.68, 80.75, -90.31

 

CMYK 74 / 96 / 0 / 2

HEX #400BF9

RGB 64 11 249

HSL 253.36, 0.95%, 0.51%

LAB 34.33, 77.1, -101.04

 

CMYK 96 / 96 / 0 / 2

HEX #0B0BF9

RGB 11 11 249

HSL 240, 0.95%, 0.51%

LAB 32.15, 76.14, -104.75

 

CMYK 0 / 96 / 3 / 2

HEX #F90BF2

RGB 249 11 242

HSL 301.76, 0.95%, 0.51%

LAB 58.78, 94.87, -56.13

 

CMYK 0 / 96 / 3 / 2

HEX #F90BF2

RGB 249 11 242

HSL 301.76, 0.95%, 0.51%

LAB 58.78, 94.87, -56.13

 

CMYK 0 / 86 / 3 / 10

HEX #E520DF

RGB 229 32 223

HSL 301.83, 0.79%, 0.51%

LAB 55.09, 86.56, -51.53

 

CMYK 0 / 75 / 2 / 18

HEX #D034CC

RGB 208 52 204

HSL 301.54, 0.62%, 0.51%

LAB 52.09, 75.3, -45.67

 

CMYK 0 / 62 / 2 / 26

HEX #BC48B9

RGB 188 72 185

HSL 301.55, 0.46%, 0.51%

LAB 50.49, 60.58, -37.43

 

CMYK 0 / 45 / 1 / 34

HEX #A85CA6

RGB 168 92 166

HSL 301.58, 0.3%, 0.51%

LAB 50.37, 42.02, -26.72

 

CMYK 49 / 96 / 0 / 2

HEX #7E0BF9

RGB 126 11 249

HSL 268.99, 0.95%, 0.51%

LAB 40.43, 80.59, -90.73

 

CMYK 24 / 96 / 0 / 2

HEX #BD0BF9

RGB 189 11 249

HSL 284.87, 0.95%, 0.51%

LAB 49.37, 87.23, -75.72

 

CMYK 0 / 96 / 2 / 2

HEX #F90BF5

RGB 249 11 245

HSL 301.01, 0.95%, 0.51%

LAB 58.95, 95.28, -57.54

 

CMYK 0 / 96 / 27 / 2

HEX #F90BB5

RGB 249 11 181

HSL 317.14, 0.95%, 0.51%

LAB 55.8, 87.37, -26.04

 

CMYK 0 / 96 / 53 / 2

HEX #F90B76

RGB 249 11 118

HSL 333.03, 0.95%, 0.51%

LAB 53.69, 81.81, 8.23

 

CMYK 0 / 98 / 3 / 32

HEX #AD04A8

RGB 173 4 168

HSL 301.78, 0.95%, 0.35%

LAB 40.89, 72.3, -42.77

 

CMYK 0 / 98 / 3 / 16

HEX #D505CF

RGB 213 5 207

HSL 301.73, 0.95%, 0.43%

LAB 50.4, 84.55, -50.03

 

CMYK 0 / 96 / 3 / 2

HEX #F90BF2

RGB 249 11 242

HSL 301.76, 0.95%, 0.51%

LAB 58.78, 94.87, -56.13

 

CMYK 0 / 79 / 2 / 2

HEX #FA34F4

RGB 250 52 244

HSL 301.82, 0.95%, 0.59%

LAB 61.06, 89.46, -53.61

 

CMYK 0 / 63 / 2 / 2

HEX #FB5CF6

RGB 251 92 246

HSL 301.89, 0.95%, 0.67%

LAB 65.61, 77.75, -47.51

 

CMYK 0 / 95 / 3 / 2

HEX #F90DF2

RGB 249 13 242

HSL 301.78, 0.95%, 0.51%

LAB 58.82, 94.74, -56.06

 

CMYK 0 / 75 / 96 / 2

HEX #F93F0B

RGB 249 63 11

HSL 13.11, 0.95%, 0.51%

LAB 55.81, 67.99, 65.2

 

CMYK 96 / 0 / 37 / 2

HEX #0BF99E

RGB 11 249 158

HSL 157.06, 0.95%, 0.51%

LAB 87.14, -69.29, 30.19

 

CMYK 0 / 95 / 3 / 2

HEX #F90DF2

RGB 249 13 242

HSL 301.78, 0.95%, 0.51%

LAB 58.82, 94.74, -56.06

 

CMYK 2 / 0 / 96 / 2

HEX #F5F90B

RGB 245 249 11

HSL 61.01, 0.95%, 0.51%

LAB 94.82, -22.73, 91.65

 

CMYK 96 / 2 / 0 / 2

HEX #0BF5F9

RGB 11 245 249

HSL 181.01, 0.95%, 0.51%

LAB 88.07, -45.26, -15.57

 

CMYK 0 / 95 / 3 / 2

HEX #F90DF2

RGB 249 13 242

HSL 301.78, 0.95%, 0.51%

LAB 58.82, 94.74, -56.06

 

CMYK 0 / 75 / 96 / 2

HEX #F93F0B

RGB 249 63 11

HSL 13.11, 0.95%, 0.51%

LAB 55.81, 67.99, 65.2

 

CMYK 96 / 0 / 94 / 2

HEX #0BF90F

RGB 11 249 15

HSL 121.01, 0.95%, 0.51%

LAB 85.93, -84.09, 80.52

 

CMYK 96 / 21 / 0 / 2

HEX #0BC5F9

RGB 11 197 249

HSL 193.11, 0.95%, 0.51%

LAB 74.09, -22.57, -36.92

 

CMYK 0 / 95 / 3 / 2

HEX #F90DF2

RGB 249 13 242

HSL 301.78, 0.95%, 0.51%

LAB 58.82, 94.74, -56.06

 

CMYK 0 / 46 / 96 / 2

HEX #F9860B

RGB 249 134 11

HSL 31.01, 0.95%, 0.51%

LAB 67.44, 37.57, 72.29

 

CMYK 96 / 0 / 94 / 2

HEX #0BF90F

RGB 11 249 15

HSL 121.01, 0.95%, 0.51%

LAB 85.93, -84.09, 80.52

 

CMYK 96 / 49 / 0 / 2

HEX #0B7EF9

RGB 11 126 249

HSL 211.01, 0.95%, 0.51%

LAB 53.85, 17.99, -69.01

 

Description

Color code: HEX #F90DF2 | qconv.com Color code: HEX #F90DF2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 13 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 13 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 3 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 3% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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