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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F90B1D it is the complementary color #06F4E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F90B1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F90B1D shade: #FE0B18, #FF1D2B, #FF2F3E, #FF4151 and #FF5364

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F90B1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F90B1D shade: #F90B1D, #E8000A, #D70000, #C60000 and #B50000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F90B1D shade: #F90B1D and #F90B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F90B1D shade: #F90B1D, #F90B5D, #F90B9D, #F90BDD and #D40BF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F90B1D shade matches the following richer shades: #F90B1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F90B1D shade: #F90B1D, #E5202E, #D03440, #BC4851 and #A85C62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F90B1D shade: #F90B9E, #F90B5E, #F90B1F, #F9370B and #F9760B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F90B1D shade: #AD0411, #D50515, #F90B1D, #FA3443 and #FB5C68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F90B1D shade: #F90B1D, #DDF90B and #0B7EF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F90B1D shade: #F90B1D, #1FF90B and #0B1FF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F90B1D shade: #F90B1D, #DDF90B, #0BF9E5 and #270BF9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F90B1D shade: #F90B1D, #96F90B, #0BF9E5 and #6E0BF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 88 / 2

HEX #F90B1D

RGB 249 11 29

HSL 355.46, 0.95%, 0.51%

LAB 52.36, 78.17, 57.22

 

Complementary color

CMYK 98 / 0 / 7 / 4

HEX #06F4E2

RGB 6 244 226

HSL 175.46, 0.95%, 0.49%

LAB 87.11, -51.44, -4.98

 

CMYK 0 / 96 / 91 / 0

HEX #FE0B18

RGB 254 11 24

HSL 356.79, 0.99%, 0.52%

LAB 53.36, 79.31, 60.4

 

CMYK 0 / 89 / 83 / 0

HEX #FF1D2B

RGB 255 29 43

HSL 356.28, 1%, 0.56%

LAB 54.36, 77.92, 52.82

 

CMYK 0 / 82 / 76 / 0

HEX #FF2F3E

RGB 255 47 62

HSL 355.67, 1%, 0.59%

LAB 55.73, 75.05, 44.13

 

CMYK 0 / 75 / 68 / 0

HEX #FF4151

RGB 255 65 81

HSL 354.95, 1%, 0.63%

LAB 57.69, 70.96, 35.68

 

CMYK 0 / 67 / 61 / 0

HEX #FF5364

RGB 255 83 100

HSL 354.07, 1%, 0.66%

LAB 60.22, 65.83, 27.95

 

CMYK 0 / 96 / 88 / 2

HEX #F90B1D

RGB 249 11 29

HSL 355.46, 0.95%, 0.51%

LAB 52.36, 78.17, 57.22

 

CMYK 0 / 100 / 96 / 9

HEX #E8000A

RGB 232 0 10

HSL 357.41, 1%, 0.45%

LAB 48.48, 74.66, 59.8

 

CMYK 0 / 100 / 100 / 16

HEX #D70000

RGB 215 0 0

HSL 0, 1%, 0.42%

LAB 44.87, 70.43, 59.1

 

CMYK 0 / 100 / 100 / 22

HEX #C60000

RGB 198 0 0

HSL 0, 1%, 0.39%

LAB 41.23, 66.22, 55.56

 

CMYK 0 / 100 / 100 / 29

HEX #B50000

RGB 181 0 0

HSL 0, 1%, 0.35%

LAB 37.52, 61.93, 51.94

 

CMYK 0 / 96 / 88 / 2

HEX #F90B1D

RGB 249 11 29

HSL 355.46, 0.95%, 0.51%

LAB 52.36, 78.17, 57.22

 

CMYK 0 / 96 / 96 / 2

HEX #F90B0B

RGB 249 11 11

HSL 0, 0.95%, 0.51%

LAB 52.29, 77.97, 63.38

 

CMYK 0 / 96 / 88 / 2

HEX #F90B1D

RGB 249 11 29

HSL 355.46, 0.95%, 0.51%

LAB 52.36, 78.17, 57.22

 

CMYK 0 / 96 / 63 / 2

HEX #F90B5D

RGB 249 11 93

HSL 339.33, 0.95%, 0.51%

LAB 53.13, 80.3, 22.59

 

CMYK 0 / 96 / 37 / 2

HEX #F90B9D

RGB 249 11 157

HSL 323.19, 0.95%, 0.51%

LAB 54.88, 84.97, -13.37

 

CMYK 0 / 96 / 11 / 2

HEX #F90BDD

RGB 249 11 221

HSL 307.06, 0.95%, 0.51%

LAB 57.65, 92.08, -46.11

 

CMYK 15 / 96 / 0 / 2

HEX #D40BF9

RGB 212 11 249

HSL 290.67, 0.95%, 0.51%

LAB 53.03, 90.32, -69.61

 

CMYK 0 / 96 / 88 / 2

HEX #F90B1D

RGB 249 11 29

HSL 355.46, 0.95%, 0.51%

LAB 52.36, 78.17, 57.22

 

CMYK 0 / 96 / 88 / 2

HEX #F90B1D

RGB 249 11 29

HSL 355.46, 0.95%, 0.51%

LAB 52.36, 78.17, 57.22

 

CMYK 0 / 86 / 80 / 10

HEX #E5202E

RGB 229 32 46

HSL 355.74, 0.79%, 0.51%

LAB 49.36, 70.84, 44.68

 

CMYK 0 / 75 / 69 / 18

HEX #D03440

RGB 208 52 64

HSL 355.38, 0.62%, 0.51%

LAB 47.28, 60.58, 30.94

 

CMYK 0 / 62 / 57 / 26

HEX #BC4851

RGB 188 72 81

HSL 355.34, 0.46%, 0.51%

LAB 46.87, 47.4, 19.49

 

CMYK 0 / 45 / 42 / 34

HEX #A85C62

RGB 168 92 98

HSL 355.26, 0.3%, 0.51%

LAB 48.08, 31.61, 10.42

 

CMYK 0 / 96 / 37 / 2

HEX #F90B9E

RGB 249 11 158

HSL 322.94, 0.95%, 0.51%

LAB 54.92, 85.06, -13.91

 

CMYK 0 / 96 / 62 / 2

HEX #F90B5E

RGB 249 11 94

HSL 339.08, 0.95%, 0.51%

LAB 53.15, 80.35, 22.01

 

CMYK 0 / 96 / 88 / 2

HEX #F90B1F

RGB 249 11 31

HSL 354.96, 0.95%, 0.51%

LAB 52.37, 78.21, 56.35

 

CMYK 0 / 78 / 96 / 2

HEX #F9370B

RGB 249 55 11

HSL 11.09, 0.95%, 0.51%

LAB 54.97, 70.34, 64.75

 

CMYK 0 / 53 / 96 / 2

HEX #F9760B

RGB 249 118 11

HSL 26.97, 0.95%, 0.51%

LAB 64.26, 45.5, 70.24

 

CMYK 0 / 98 / 90 / 32

HEX #AD0411

RGB 173 4 17

HSL 355.38, 0.95%, 0.35%

LAB 36.01, 59.62, 43.33

 

CMYK 0 / 98 / 90 / 16

HEX #D50515

RGB 213 5 21

HSL 355.38, 0.95%, 0.43%

LAB 44.67, 69.7, 51.71

 

CMYK 0 / 96 / 88 / 2

HEX #F90B1D

RGB 249 11 29

HSL 355.46, 0.95%, 0.51%

LAB 52.36, 78.17, 57.22

 

CMYK 0 / 79 / 73 / 2

HEX #FA3443

RGB 250 52 67

HSL 355.45, 0.95%, 0.59%

LAB 55.26, 72.66, 40.56

 

CMYK 0 / 63 / 59 / 2

HEX #FB5C68

RGB 251 92 104

HSL 355.47, 0.95%, 0.67%

LAB 60.93, 61.3, 26.44

 

CMYK 0 / 96 / 88 / 2

HEX #F90B1D

RGB 249 11 29

HSL 355.46, 0.95%, 0.51%

LAB 52.36, 78.17, 57.22

 

CMYK 11 / 0 / 96 / 2

HEX #DDF90B

RGB 221 249 11

HSL 67.06, 0.95%, 0.51%

LAB 93.08, -32.48, 89.57

 

CMYK 96 / 49 / 0 / 2

HEX #0B7EF9

RGB 11 126 249

HSL 211.01, 0.95%, 0.51%

LAB 53.85, 17.99, -69.01

 

CMYK 0 / 96 / 88 / 2

HEX #F90B1D

RGB 249 11 29

HSL 355.46, 0.95%, 0.51%

LAB 52.36, 78.17, 57.22

 

CMYK 88 / 0 / 96 / 2

HEX #1FF90B

RGB 31 249 11

HSL 114.96, 0.95%, 0.51%

LAB 86.04, -83.16, 81.02

 

CMYK 96 / 88 / 0 / 2

HEX #0B1FF9

RGB 11 31 249

HSL 234.96, 0.95%, 0.51%

LAB 33.75, 71.21, -102.06

 

CMYK 0 / 96 / 88 / 2

HEX #F90B1D

RGB 249 11 29

HSL 355.46, 0.95%, 0.51%

LAB 52.36, 78.17, 57.22

 

CMYK 11 / 0 / 96 / 2

HEX #DDF90B

RGB 221 249 11

HSL 67.06, 0.95%, 0.51%

LAB 93.08, -32.48, 89.57

 

CMYK 96 / 0 / 8 / 2

HEX #0BF9E5

RGB 11 249 229

HSL 174.96, 0.95%, 0.51%

LAB 88.68, -52.58, -4.24

 

CMYK 84 / 96 / 0 / 2

HEX #270BF9

RGB 39 11 249

HSL 247.06, 0.95%, 0.51%

LAB 32.94, 76.47, -103.4

 

CMYK 0 / 96 / 88 / 2

HEX #F90B1D

RGB 249 11 29

HSL 355.46, 0.95%, 0.51%

LAB 52.36, 78.17, 57.22

 

CMYK 40 / 0 / 96 / 2

HEX #96F90B

RGB 150 249 11

HSL 84.96, 0.95%, 0.51%

LAB 89.05, -58.76, 84.7

 

CMYK 96 / 0 / 8 / 2

HEX #0BF9E5

RGB 11 249 229

HSL 174.96, 0.95%, 0.51%

LAB 88.68, -52.58, -4.24

 

CMYK 56 / 96 / 0 / 2

HEX #6E0BF9

RGB 110 11 249

HSL 264.96, 0.95%, 0.51%

LAB 38.54, 79.39, -93.93

 

Description

Color code: HEX #F90B1D | qconv.com Color code: HEX #F90B1D | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 11 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 11 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 88 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 88% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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