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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8ED4ACE it is the complementary color #0712B5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8ED4ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8ED4ACE shade: #FDED45CE, #FFFF58CE, #FFFF6BCE, #FFFF7ECE and #FFFF91CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8ED4ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8ED4ACE shade: #F8ED4ACE, #E7DB37CE, #D6C924CE, #C5B711CE and #B4A500CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8ED4ACE shade: #F8ED49, #F8BE49, #F88F49, #F85F49 and #F84949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8ED4ACE shade: #F8ED49, #D4F849, #A5F849, #76F849 and #49F84C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8ED4ACE shade matches the following richer shades: #F8ED49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8ED4ACE shade: #F8ED49, #E9E058, #DAD367, #CBC577 and #BBB886

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8ED4ACE shade: #F88F49, #F8BE49, #F8ED49, #D5F849 and #A6F849

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8ED4ACE shade: #E6D808, #F7E921, #F8ED49, #FAF171 and #FBF599

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8ED4ACE shade: #F8ED4A, #49F860 and #A649F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8ED4ACE shade: #F8ED4A, #49F8ED and #ED49F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8ED4ACE shade: #F8ED4A, #49F860, #4955F8 and #F849E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8ED4ACE shade: #F8ED4A, #49F895, #4955F8 and #F849AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 57 / 2

HEX #F8ED4ACE

RGBA 248 237 74 0.81

HSLA 56.21, 0.93%, 0.63%, 0.81

LABA 92.14, -14.09, 75.85, 0.81

 

Complementary color

CMYK 78 / 73 / 0 / 24

HEX #0712B5CE

RGBA 7 18 181 0.81

HSLA 236.21, 0.93%, 0.37%, 0.81

LABA 23.05, 56.55, -80.54, 0.81

 

CMYK 0 / 5 / 59 / 1

HEX #FDED45CE

RGBA 253 237 69 0.81

HSLA 54.78, 0.98%, 0.63%, 0.81

LABA 92.52, -12.26, 78.06, 0.81

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF58CE

RGBA 255 255 88 0.81

HSLA 60, 1%, 0.67%, 0.81

LABA 97.42, -19.26, 76.23, 0.81

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF6BCE

RGBA 255 255 107 0.81

HSLA 60, 1%, 0.71%, 0.81

LABA 97.57, -18.11, 68.89, 0.81

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF7ECE

RGBA 255 255 126 0.81

HSLA 60, 1%, 0.75%, 0.81

LABA 97.75, -16.7, 60.86, 0.81

 

CMYK 0 / 0 / 35 / 0

HEX #FFFF91CE

RGBA 255 255 145 0.81

HSLA 60, 1%, 0.78%, 0.81

LABA 97.96, -15.02, 52.34, 0.81

 

CMYK 0 / 4 / 57 / 2

HEX #F8ED4ACE

RGBA 248 237 74 0.81

HSLA 56.21, 0.93%, 0.63%, 0.81

LABA 92.14, -14.09, 75.85, 0.81

 

CMYK 0 / 4 / 62 / 8

HEX #E7DB37CE

RGBA 231 219 55 0.81

HSLA 55.91, 0.79%, 0.56%, 0.81

LABA 85.97, -13.06, 75.79, 0.81

 

CMYK 0 / 5 / 67 / 13

HEX #D6C924CE

RGBA 214 201 36 0.81

HSLA 55.62, 0.71%, 0.49%, 0.81

LABA 79.73, -11.87, 75, 0.81

 

CMYK 0 / 6 / 74 / 18

HEX #C5B711CE

RGBA 197 183 17 0.81

HSLA 55.33, 0.84%, 0.42%, 0.81

LABA 73.4, -10.47, 73.06, 0.81

 

CMYK 0 / 7 / 81 / 24

HEX #B4A500CE

RGBA 180 165 0 0.81

HSLA 55, 1%, 0.35%, 0.81

LABA 66.99, -8.86, 69.75, 0.81

 

CMYK 0 / 4 / 71 / 3

HEX #F8ED49

RGB 248 237 73

HSL 56.23, 0.93%, 0.63%

LAB 92.13, -14.14, 76.19

 

CMYK 0 / 23 / 71 / 3

HEX #F8BE49

RGB 248 190 73

HSL 40.11, 0.93%, 0.63%

LAB 80.33, 9.69, 64.46

 

CMYK 0 / 42 / 71 / 3

HEX #F88F49

RGB 248 143 73

HSL 24, 0.93%, 0.63%

LAB 69.53, 34.26, 53.15

 

CMYK 0 / 62 / 71 / 3

HEX #F85F49

RGB 248 95 73

HSL 7.54, 0.93%, 0.63%

LAB 60.45, 57.3, 43.07

 

CMYK 0 / 71 / 71 / 3

HEX #F84949

RGB 248 73 73

HSL 0, 0.93%, 0.63%

LAB 57.27, 65.9, 39.41

 

CMYK 0 / 4 / 71 / 3

HEX #F8ED49

RGB 248 237 73

HSL 56.23, 0.93%, 0.63%

LAB 92.13, -14.14, 76.19

 

CMYK 15 / 0 / 71 / 3

HEX #D4F849

RGB 212 248 73

HSL 72.34, 0.93%, 0.63%

LAB 92.4, -33.81, 75.55

 

CMYK 33 / 0 / 71 / 3

HEX #A5F849

RGB 165 248 73

HSL 88.46, 0.93%, 0.63%

LAB 89.68, -51.12, 71.94

 

CMYK 52 / 0 / 71 / 3

HEX #76F849

RGB 118 248 73

HSL 104.57, 0.93%, 0.63%

LAB 87.71, -65.47, 69.31

 

CMYK 71 / 0 / 69 / 3

HEX #49F84C

RGB 73 248 76

HSL 121.03, 0.93%, 0.63%

LAB 86.54, -74.87, 66.65

 

CMYK 0 / 4 / 71 / 3

HEX #F8ED49

RGB 248 237 73

HSL 56.23, 0.93%, 0.63%

LAB 92.13, -14.14, 76.19

 

CMYK 0 / 4 / 71 / 3

HEX #F8ED49

RGB 248 237 73

HSL 56.23, 0.93%, 0.63%

LAB 92.13, -14.14, 76.19

 

CMYK 0 / 4 / 62 / 9

HEX #E9E058

RGB 233 224 88

HSL 56.28, 0.77%, 0.63%

LAB 87.65, -13.08, 65.52

 

CMYK 0 / 3 / 53 / 15

HEX #DAD367

RGB 218 211 103

HSL 56.35, 0.61%, 0.63%

LAB 83.16, -11.65, 53.6

 

CMYK 0 / 3 / 41 / 20

HEX #CBC577

RGB 203 197 119

HSL 55.71, 0.45%, 0.63%

LAB 78.44, -9.1, 39.8

 

CMYK 0 / 2 / 28 / 27

HEX #BBB886

RGB 187 184 134

HSL 56.6, 0.28%, 0.63%

LAB 73.91, -6.9, 25.85

 

CMYK 0 / 42 / 71 / 3

HEX #F88F49

RGB 248 143 73

HSL 24, 0.93%, 0.63%

LAB 69.53, 34.26, 53.15

 

CMYK 0 / 23 / 71 / 3

HEX #F8BE49

RGB 248 190 73

HSL 40.11, 0.93%, 0.63%

LAB 80.33, 9.69, 64.46

 

CMYK 0 / 4 / 71 / 3

HEX #F8ED49

RGB 248 237 73

HSL 56.23, 0.93%, 0.63%

LAB 92.13, -14.14, 76.19

 

CMYK 14 / 0 / 71 / 3

HEX #D5F849

RGB 213 248 73

HSL 72, 0.93%, 0.63%

LAB 92.47, -33.42, 75.64

 

CMYK 33 / 0 / 71 / 3

HEX #A6F849

RGB 166 248 73

HSL 88.11, 0.93%, 0.63%

LAB 89.73, -50.78, 72.01

 

CMYK 0 / 6 / 97 / 10

HEX #E6D808

RGB 230 216 8

HSL 56.22, 0.93%, 0.47%

LAB 84.97, -13, 84.03

 

CMYK 0 / 6 / 87 / 3

HEX #F7E921

RGB 247 233 33

HSL 56.07, 0.93%, 0.55%

LAB 90.85, -13.89, 85.87

 

CMYK 0 / 4 / 71 / 3

HEX #F8ED49

RGB 248 237 73

HSL 56.23, 0.93%, 0.63%

LAB 92.13, -14.14, 76.19

 

CMYK 0 / 4 / 55 / 2

HEX #FAF171

RGB 250 241 113

HSL 56.06, 0.93%, 0.71%

LAB 93.64, -12.88, 61.8

 

CMYK 0 / 2 / 39 / 2

HEX #FBF599

RGB 251 245 153

HSL 56.33, 0.92%, 0.79%

LAB 95.21, -10.86, 44.98

 

CMYK 0 / 4 / 70 / 3

HEX #F8ED4A

RGB 248 237 74

HSL 56.21, 0.93%, 0.63%

LAB 92.14, -14.09, 75.85

 

CMYK 71 / 0 / 61 / 3

HEX #49F860

RGB 73 248 96

HSL 127.89, 0.93%, 0.63%

LAB 86.7, -72.96, 58.94

 

CMYK 33 / 71 / 0 / 3

HEX #A649F8

RGB 166 73 248

HSL 271.89, 0.93%, 0.63%

LAB 51.44, 67.88, -71.95

 

CMYK 0 / 4 / 70 / 3

HEX #F8ED4A

RGB 248 237 74

HSL 56.21, 0.93%, 0.63%

LAB 92.14, -14.09, 75.85

 

CMYK 71 / 0 / 4 / 3

HEX #49F8ED

RGB 73 248 237

HSL 176.23, 0.93%, 0.63%

LAB 89.24, -45.71, -7.51

 

CMYK 4 / 71 / 0 / 3

HEX #ED49F8

RGB 237 73 248

HSL 296.23, 0.93%, 0.63%

LAB 61.26, 81.73, -55.63

 

CMYK 0 / 4 / 70 / 3

HEX #F8ED4A

RGB 248 237 74

HSL 56.21, 0.93%, 0.63%

LAB 92.14, -14.09, 75.85

 

CMYK 71 / 0 / 61 / 3

HEX #49F860

RGB 73 248 96

HSL 127.89, 0.93%, 0.63%

LAB 86.7, -72.96, 58.94

 

CMYK 71 / 66 / 0 / 3

HEX #4955F8

RGB 73 85 248

HSL 235.89, 0.93%, 0.63%

LAB 45.21, 47.48, -82.47

 

CMYK 0 / 71 / 9 / 3

HEX #F849E1

RGB 248 73 225

HSL 307.89, 0.93%, 0.63%

LAB 61.79, 80.56, -41.86

 

CMYK 0 / 4 / 70 / 3

HEX #F8ED4A

RGB 248 237 74

HSL 56.21, 0.93%, 0.63%

LAB 92.14, -14.09, 75.85

 

CMYK 71 / 0 / 40 / 3

HEX #49F895

RGB 73 248 149

HSL 146.06, 0.93%, 0.63%

LAB 87.35, -65.42, 35.09

 

CMYK 71 / 66 / 0 / 3

HEX #4955F8

RGB 73 85 248

HSL 235.89, 0.93%, 0.63%

LAB 45.21, 47.48, -82.47

 

CMYK 0 / 71 / 31 / 3

HEX #F849AC

RGB 248 73 172

HSL 326.06, 0.93%, 0.63%

LAB 59.62, 73.73, -15

 

Description

Color code: HEX #F8ED4ACE | qconv.com Color code: HEX #F8ED4ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 237 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 237 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 57 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 57% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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