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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8E174 it is the complementary color #071E8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8E174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8E174 shade: #FDE16F, #FFF382, #FFFF95, #FFFFA8 and #FFFFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8E174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8E174 shade: #F8E174, #E7CF61, #D6BD4E, #C5AB3B and #B49928

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8E174 shade: #F8E072, #F8BD72, #F89972, #F87572 and #F87272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8E174 shade: #F8E072, #EBF872, #C7F872, #A3F872 and #7FF872

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8E174 shade matches the following richer shades: #F8E072

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8E174 shade: #F8E072, #ECD97E, #E0D18A, #D4C996 and #C8C1A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8E174 shade: #F89872, #F8BC72, #F8DF72, #EDF872 and #C9F872

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8E174 shade: #F3CF24, #F6D84B, #F8E072, #FAE99A and #FCF1C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8E174 shade: #F8E174, #72F875 and #AA72F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8E174 shade: #F8E174, #72F8DF and #DF72F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8E174 shade: #F8E174, #72F875, #728BF8 and #F872F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8E174 shade: #F8E174, #72F89D, #728BF8 and #F872CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 53 / 3

HEX #F8E174

RGB 248 225 116

HSL 49.55, 0.9%, 0.71%

LAB 89.42, -5.5, 55.52

 

Complementary color

CMYK 95 / 78 / 0 / 45

HEX #071E8B

RGB 7 30 139

HSL 229.55, 0.9%, 0.29%

LAB 19.38, 37.45, -60.97

 

CMYK 0 / 11 / 56 / 1

HEX #FDE16F

RGB 253 225 111

HSL 48.17, 0.97%, 0.71%

LAB 89.8, -3.87, 58.37

 

CMYK 0 / 5 / 49 / 0

HEX #FFF382

RGB 255 243 130

HSL 54.24, 1%, 0.75%

LAB 94.73, -10.52, 55.45

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBB

RGB 255 255 187

HSL 60, 1%, 0.87%

LAB 98.58, -10.32, 32.6

 

CMYK 0 / 9 / 53 / 3

HEX #F8E174

RGB 248 225 116

HSL 49.55, 0.9%, 0.71%

LAB 89.42, -5.5, 55.52

 

CMYK 0 / 10 / 58 / 9

HEX #E7CF61

RGB 231 207 97

HSL 49.25, 0.74%, 0.64%

LAB 83.17, -4.75, 56.64

 

CMYK 0 / 12 / 64 / 16

HEX #D6BD4E

RGB 214 189 78

HSL 48.97, 0.62%, 0.57%

LAB 76.83, -3.87, 57.66

 

CMYK 0 / 13 / 70 / 23

HEX #C5AB3B

RGB 197 171 59

HSL 48.7, 0.54%, 0.5%

LAB 70.39, -2.83, 58.45

 

CMYK 0 / 15 / 78 / 29

HEX #B49928

RGB 180 153 40

HSL 48.43, 0.64%, 0.43%

LAB 63.87, -1.58, 58.76

 

CMYK 0 / 10 / 54 / 3

HEX #F8E072

RGB 248 224 114

HSL 49.25, 0.91%, 0.71%

LAB 89.15, -5.16, 56.12

 

CMYK 0 / 24 / 54 / 3

HEX #F8BD72

RGB 248 189 114

HSL 33.58, 0.91%, 0.71%

LAB 80.5, 12.85, 45.78

 

CMYK 0 / 38 / 54 / 3

HEX #F89972

RGB 248 153 114

HSL 17.46, 0.91%, 0.71%

LAB 72.2, 31.74, 35.42

 

CMYK 0 / 53 / 54 / 3

HEX #F87572

RGB 248 117 114

HSL 1.34, 0.91%, 0.71%

LAB 64.88, 49.86, 25.9

 

CMYK 0 / 54 / 54 / 3

HEX #F87272

RGB 248 114 114

HSL 0, 0.91%, 0.71%

LAB 64.33, 51.29, 25.16

 

CMYK 0 / 10 / 54 / 3

HEX #F8E072

RGB 248 224 114

HSL 49.25, 0.91%, 0.71%

LAB 89.15, -5.16, 56.12

 

CMYK 5 / 0 / 54 / 3

HEX #EBF872

RGB 235 248 114

HSL 65.82, 0.91%, 0.71%

LAB 94.32, -22.12, 61.84

 

CMYK 20 / 0 / 54 / 3

HEX #C7F872

RGB 199 248 114

HSL 81.94, 0.91%, 0.71%

LAB 91.91, -35.81, 58.43

 

CMYK 34 / 0 / 54 / 3

HEX #A3F872

RGB 163 248 114

HSL 98.06, 0.91%, 0.71%

LAB 89.92, -48.39, 55.61

 

CMYK 49 / 0 / 54 / 3

HEX #7FF872

RGB 127 248 114

HSL 114.18, 0.91%, 0.71%

LAB 88.38, -59.2, 53.41

 

CMYK 0 / 10 / 54 / 3

HEX #F8E072

RGB 248 224 114

HSL 49.25, 0.91%, 0.71%

LAB 89.15, -5.16, 56.12

 

CMYK 0 / 10 / 54 / 3

HEX #F8E072

RGB 248 224 114

HSL 49.25, 0.91%, 0.71%

LAB 89.15, -5.16, 56.12

 

CMYK 0 / 8 / 47 / 7

HEX #ECD97E

RGB 236 217 126

HSL 49.64, 0.74%, 0.71%

LAB 86.49, -5.41, 46.96

 

CMYK 0 / 7 / 38 / 12

HEX #E0D18A

RGB 224 209 138

HSL 49.53, 0.58%, 0.71%

LAB 83.59, -4.86, 37.1

 

CMYK 0 / 5 / 29 / 17

HEX #D4C996

RGB 212 201 150

HSL 49.35, 0.42%, 0.71%

LAB 80.72, -3.97, 26.92

 

CMYK 0 / 4 / 19 / 22

HEX #C8C1A2

RGB 200 193 162

HSL 48.95, 0.26%, 0.71%

LAB 77.89, -2.67, 16.51

 

CMYK 0 / 39 / 54 / 3

HEX #F89872

RGB 248 152 114

HSL 17.01, 0.91%, 0.71%

LAB 71.98, 32.26, 35.14

 

CMYK 0 / 24 / 54 / 3

HEX #F8BC72

RGB 248 188 114

HSL 33.13, 0.91%, 0.71%

LAB 80.26, 13.38, 45.48

 

CMYK 0 / 10 / 54 / 3

HEX #F8DF72

RGB 248 223 114

HSL 48.81, 0.91%, 0.71%

LAB 88.9, -4.65, 55.83

 

CMYK 4 / 0 / 54 / 3

HEX #EDF872

RGB 237 248 114

HSL 64.93, 0.91%, 0.71%

LAB 94.46, -21.34, 62.05

 

CMYK 19 / 0 / 54 / 3

HEX #C9F872

RGB 201 248 114

HSL 81.04, 0.91%, 0.71%

LAB 92.03, -35.08, 58.6

 

CMYK 0 / 15 / 85 / 5

HEX #F3CF24

RGB 243 207 36

HSL 49.57, 0.9%, 0.55%

LAB 83.87, -2.51, 79.48

 

CMYK 0 / 12 / 70 / 4

HEX #F6D84B

RGB 246 216 75

HSL 49.47, 0.9%, 0.63%

LAB 86.61, -4.42, 69.96

 

CMYK 0 / 10 / 54 / 3

HEX #F8E072

RGB 248 224 114

HSL 49.25, 0.91%, 0.71%

LAB 89.15, -5.16, 56.12

 

CMYK 0 / 7 / 38 / 2

HEX #FAE99A

RGB 250 233 154

HSL 49.38, 0.91%, 0.79%

LAB 92.1, -5.17, 40.48

 

CMYK 0 / 4 / 23 / 1

HEX #FCF1C1

RGB 252 241 193

HSL 48.81, 0.91%, 0.87%

LAB 94.93, -3.67, 24.56

 

CMYK 0 / 9 / 53 / 3

HEX #F8E174

RGB 248 225 116

HSL 49.55, 0.9%, 0.71%

LAB 89.42, -5.5, 55.52

 

CMYK 54 / 0 / 53 / 3

HEX #72F875

RGB 114 248 117

HSL 121.34, 0.91%, 0.71%

LAB 87.97, -62.17, 51.43

 

CMYK 31 / 54 / 0 / 3

HEX #AA72F8

RGB 170 114 248

HSL 265.07, 0.91%, 0.71%

LAB 59.3, 48.66, -59.24

 

CMYK 0 / 9 / 53 / 3

HEX #F8E174

RGB 248 225 116

HSL 49.55, 0.9%, 0.71%

LAB 89.42, -5.5, 55.52

 

CMYK 54 / 0 / 10 / 3

HEX #72F8DF

RGB 114 248 223

HSL 168.81, 0.91%, 0.71%

LAB 89.88, -42.7, 0.84

 

CMYK 10 / 54 / 0 / 3

HEX #DF72F8

RGB 223 114 248

HSL 288.81, 0.91%, 0.71%

LAB 65.36, 61.88, -49.25

 

CMYK 0 / 9 / 53 / 3

HEX #F8E174

RGB 248 225 116

HSL 49.55, 0.9%, 0.71%

LAB 89.42, -5.5, 55.52

 

CMYK 54 / 0 / 53 / 3

HEX #72F875

RGB 114 248 117

HSL 121.34, 0.91%, 0.71%

LAB 87.97, -62.17, 51.43

 

CMYK 54 / 44 / 0 / 3

HEX #728BF8

RGB 114 139 248

HSL 228.81, 0.91%, 0.71%

LAB 60.62, 21.56, -57.4

 

CMYK 0 / 54 / 1 / 3

HEX #F872F5

RGB 248 114 245

HSL 301.34, 0.91%, 0.71%

LAB 68.45, 67.78, -42.52

 

CMYK 0 / 9 / 53 / 3

HEX #F8E174

RGB 248 225 116

HSL 49.55, 0.9%, 0.71%

LAB 89.42, -5.5, 55.52

 

CMYK 54 / 0 / 37 / 3

HEX #72F89D

RGB 114 248 157

HSL 139.25, 0.91%, 0.71%

LAB 88.52, -56.26, 32.83

 

CMYK 54 / 44 / 0 / 3

HEX #728BF8

RGB 114 139 248

HSL 228.81, 0.91%, 0.71%

LAB 60.62, 21.56, -57.4

 

CMYK 0 / 54 / 17 / 3

HEX #F872CD

RGB 248 114 205

HSL 319.25, 0.91%, 0.71%

LAB 66.82, 61.54, -22.83

 

Description

Color code: HEX #F8E174 | qconv.com Color code: HEX #F8E174 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 225 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 225 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 53 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 53% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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