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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8DB4DCE it is the complementary color #0724B2CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8DB4DCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8DB4DCE shade: #FDDB48CE, #FFED5BCE, #FFFF6ECE, #FFFF81CE and #FFFF94CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8DB4DCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8DB4DCE shade: #F8DB4DCE, #E7C93ACE, #D6B727CE, #C5A514CE and #B49301CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8DB4DCE shade: #F8DB4F, #F8AD4F, #F8804F, #F8524F and #F84F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8DB4DCE shade: #F8DB4F, #E7F84F, #B9F84F, #8CF84F and #5EF84F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8DB4DCE shade matches the following richer shades: #F8DB4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8DB4DCE shade: #F8DB4F, #E9D15E, #DAC76C, #CBBE7B and #BCB48A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8DB4DCE shade: #F87F4F, #F8AC4F, #F8D94F, #EAF84F and #BDF84F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8DB4DCE shade: #EAC40A, #F6D327, #F8DB4F, #F9E376 and #FBEB9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8DB4DCE shade: #F8DB4D, #4FF852 and #954FF8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8DB4DCE shade: #F8DB4D, #4FF8D9 and #D94FF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8DB4DCE shade: #F8DB4D, #4FF852, #4F6EF8 and #F84FF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8DB4DCE shade: #F8DB4D, #4FF884, #4F6EF8 and #F84FC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 56 / 2

HEX #F8DB4DCE

RGBA 248 219 77 0.81

HSLA 49.82, 0.92%, 0.64%, 0.81

LABA 87.56, -5, 70.21, 0.81

 

Complementary color

CMYK 78 / 65 / 0 / 24

HEX #0724B2CE

RGBA 7 36 178 0.81

HSLA 229.82, 0.92%, 0.36%, 0.81

LABA 25.32, 47.68, -74.95, 0.81

 

CMYK 0 / 11 / 58 / 1

HEX #FDDB48CE

RGBA 253 219 72 0.81

HSLA 48.73, 0.98%, 0.64%, 0.81

LABA 87.98, -3.16, 72.64, 0.81

 

CMYK 0 / 6 / 52 / 0

HEX #FFED5BCE

RGBA 255 237 91 0.81

HSLA 53.41, 1%, 0.68%, 0.81

LABA 92.83, -10.35, 70.34, 0.81

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF6ECE

RGBA 255 255 110 0.81

HSLA 60, 1%, 0.72%, 0.81

LABA 97.59, -17.91, 67.66, 0.81

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF81CE

RGBA 255 255 129 0.81

HSLA 60, 1%, 0.75%, 0.81

LABA 97.78, -16.46, 59.54, 0.81

 

CMYK 0 / 0 / 34 / 0

HEX #FFFF94CE

RGBA 255 255 148 0.81

HSLA 60, 1%, 0.79%, 0.81

LABA 98, -14.73, 50.97, 0.81

 

CMYK 0 / 9 / 56 / 2

HEX #F8DB4DCE

RGBA 248 219 77 0.81

HSLA 49.82, 0.92%, 0.64%, 0.81

LABA 87.56, -5, 70.21, 0.81

 

CMYK 0 / 11 / 61 / 8

HEX #E7C93ACE

RGBA 231 201 58 0.81

HSLA 49.6, 0.78%, 0.57%, 0.81

LABA 81.33, -3.86, 70.54, 0.81

 

CMYK 0 / 12 / 66 / 13

HEX #D6B727CE

RGBA 214 183 39 0.81

HSLA 49.37, 0.69%, 0.5%, 0.81

LABA 75.02, -2.54, 70.23, 0.81

 

CMYK 0 / 13 / 73 / 18

HEX #C5A514CE

RGBA 197 165 20 0.81

HSLA 49.15, 0.82%, 0.43%, 0.81

LABA 68.63, -0.99, 68.85, 0.81

 

CMYK 0 / 15 / 81 / 24

HEX #B49301CE

RGBA 180 147 1 0.81

HSLA 48.94, 0.99%, 0.35%, 0.81

LABA 62.15, 0.78, 66.17, 0.81

 

CMYK 0 / 12 / 68 / 3

HEX #F8DB4F

RGB 248 219 79

HSL 49.7, 0.92%, 0.64%

LAB 87.57, -4.9, 69.45

 

CMYK 0 / 30 / 68 / 3

HEX #F8AD4F

RGB 248 173 79

HSL 33.37, 0.92%, 0.64%

LAB 76.32, 18.9, 57.69

 

CMYK 0 / 48 / 68 / 3

HEX #F8804F

RGB 248 128 79

HSL 17.4, 0.92%, 0.64%

LAB 66.49, 42.18, 46.82

 

CMYK 0 / 67 / 68 / 3

HEX #F8524F

RGB 248 82 79

HSL 1.07, 0.92%, 0.64%

LAB 58.56, 62.87, 37.57

 

CMYK 0 / 68 / 68 / 3

HEX #F84F4F

RGB 248 79 79

HSL 0, 0.92%, 0.64%

LAB 58.14, 64.01, 37.07

 

CMYK 0 / 12 / 68 / 3

HEX #F8DB4F

RGB 248 219 79

HSL 49.7, 0.92%, 0.64%

LAB 87.57, -4.9, 69.45

 

CMYK 7 / 0 / 68 / 3

HEX #E7F84F

RGB 231 248 79

HSL 66.04, 0.92%, 0.64%

LAB 93.75, -26.01, 75.22

 

CMYK 25 / 0 / 68 / 3

HEX #B9F84F

RGB 185 248 79

HSL 82.37, 0.92%, 0.64%

LAB 90.79, -43.66, 71.27

 

CMYK 44 / 0 / 68 / 3

HEX #8CF84F

RGB 140 248 79

HSL 98.34, 0.92%, 0.64%

LAB 88.58, -58.79, 68.3

 

CMYK 62 / 0 / 68 / 3

HEX #5EF84F

RGB 94 248 79

HSL 114.67, 0.92%, 0.64%

LAB 87.04, -70.69, 66.21

 

CMYK 0 / 12 / 68 / 3

HEX #F8DB4F

RGB 248 219 79

HSL 49.7, 0.92%, 0.64%

LAB 87.57, -4.9, 69.45

 

CMYK 0 / 12 / 68 / 3

HEX #F8DB4F

RGB 248 219 79

HSL 49.7, 0.92%, 0.64%

LAB 87.57, -4.9, 69.45

 

CMYK 0 / 10 / 60 / 9

HEX #E9D15E

RGB 233 209 94

HSL 49.64, 0.76%, 0.64%

LAB 83.83, -5.15, 58.78

 

CMYK 0 / 9 / 50 / 15

HEX #DAC76C

RGB 218 199 108

HSL 49.64, 0.6%, 0.64%

LAB 80.09, -5.11, 47.57

 

CMYK 0 / 6 / 39 / 20

HEX #CBBE7B

RGB 203 190 123

HSL 50.25, 0.43%, 0.64%

LAB 76.65, -5.05, 35.48

 

CMYK 0 / 4 / 27 / 26

HEX #BCB48A

RGB 188 180 138

HSL 50.4, 0.27%, 0.64%

LAB 73, -3.86, 22.5

 

CMYK 0 / 49 / 68 / 3

HEX #F87F4F

RGB 248 127 79

HSL 17.04, 0.92%, 0.64%

LAB 66.29, 42.68, 46.6

 

CMYK 0 / 31 / 68 / 3

HEX #F8AC4F

RGB 248 172 79

HSL 33.02, 0.92%, 0.64%

LAB 76.09, 19.42, 57.44

 

CMYK 0 / 13 / 68 / 3

HEX #F8D94F

RGB 248 217 79

HSL 48.99, 0.92%, 0.64%

LAB 87.07, -3.89, 68.94

 

CMYK 6 / 0 / 68 / 3

HEX #EAF84F

RGB 234 248 79

HSL 64.97, 0.92%, 0.64%

LAB 93.97, -24.81, 75.51

 

CMYK 24 / 0 / 68 / 3

HEX #BDF84F

RGB 189 248 79

HSL 80.95, 0.92%, 0.64%

LAB 91.02, -42.2, 71.58

 

CMYK 0 / 16 / 96 / 8

HEX #EAC40A

RGB 234 196 10

HSL 49.82, 0.92%, 0.48%

LAB 80.18, -1.14, 80.49

 

CMYK 0 / 14 / 84 / 4

HEX #F6D327

RGB 246 211 39

HSL 49.86, 0.92%, 0.56%

LAB 85.16, -3.2, 79.96

 

CMYK 0 / 12 / 68 / 3

HEX #F8DB4F

RGB 248 219 79

HSL 49.7, 0.92%, 0.64%

LAB 87.57, -4.9, 69.45

 

CMYK 0 / 9 / 53 / 2

HEX #F9E376

RGB 249 227 118

HSL 49.92, 0.92%, 0.72%

LAB 90.04, -5.95, 55.33

 

CMYK 0 / 6 / 37 / 2

HEX #FBEB9E

RGB 251 235 158

HSL 49.68, 0.92%, 0.8%

LAB 92.75, -5.35, 39.34

 

CMYK 0 / 12 / 69 / 3

HEX #F8DB4D

RGB 248 219 77

HSL 49.82, 0.92%, 0.64%

LAB 87.56, -5, 70.21

 

CMYK 68 / 0 / 67 / 3

HEX #4FF852

RGB 79 248 82

HSL 121.07, 0.92%, 0.64%

LAB 86.7, -73.34, 64.61

 

CMYK 40 / 68 / 0 / 3

HEX #954FF8

RGB 149 79 248

HSL 264.85, 0.92%, 0.64%

LAB 50.4, 62.1, -73.72

 

CMYK 0 / 12 / 69 / 3

HEX #F8DB4D

RGB 248 219 77

HSL 49.82, 0.92%, 0.64%

LAB 87.56, -5, 70.21

 

CMYK 68 / 0 / 13 / 3

HEX #4FF8D9

RGB 79 248 217

HSL 168.99, 0.92%, 0.64%

LAB 88.83, -50.08, 2.33

 

CMYK 13 / 68 / 0 / 3

HEX #D94FF8

RGB 217 79 248

HSL 288.99, 0.92%, 0.64%

LAB 59.09, 75.5, -59.27

 

CMYK 0 / 12 / 69 / 3

HEX #F8DB4D

RGB 248 219 77

HSL 49.82, 0.92%, 0.64%

LAB 87.56, -5, 70.21

 

CMYK 68 / 0 / 67 / 3

HEX #4FF852

RGB 79 248 82

HSL 121.07, 0.92%, 0.64%

LAB 86.7, -73.34, 64.61

 

CMYK 68 / 56 / 0 / 3

HEX #4F6EF8

RGB 79 110 248

HSL 228.99, 0.92%, 0.64%

LAB 51.37, 33.11, -72.39

 

CMYK 0 / 68 / 1 / 3

HEX #F84FF5

RGB 248 79 245

HSL 301.07, 0.92%, 0.64%

LAB 63.46, 81.57, -50.37

 

CMYK 0 / 12 / 69 / 3

HEX #F8DB4D

RGB 248 219 77

HSL 49.82, 0.92%, 0.64%

LAB 87.56, -5, 70.21

 

CMYK 68 / 0 / 47 / 3

HEX #4FF884

RGB 79 248 132

HSL 138.82, 0.92%, 0.64%

LAB 87.22, -67.27, 43.26

 

CMYK 68 / 56 / 0 / 3

HEX #4F6EF8

RGB 79 110 248

HSL 228.99, 0.92%, 0.64%

LAB 51.37, 33.11, -72.39

 

CMYK 0 / 68 / 22 / 3

HEX #F84FC2

RGB 248 79 194

HSL 319.17, 0.92%, 0.64%

LAB 61.17, 74.32, -25.28

 

Description

Color code: HEX #F8DB4DCE | qconv.com Color code: HEX #F8DB4DCE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 219 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 219 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 56 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 56% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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