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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8D3B0 it is the complementary color #072C4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8D3B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8D3B0 shade: #FDD3AB, #FFE5BE, #FFF7D1, #FFFFE4 and #FFFFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8D3B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8D3B0 shade: #F8D3B0, #E7C19D, #D6AF8A, #C59D77 and #B48B64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8D3B0 shade: #F8D3AF, #F8BFAF and #F8AFAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8D3B0 shade: #F8D3AF, #F8E6AF, #F6F8AF, #E3F8AF and #CFF8AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8D3B0 shade matches the following richer shades: #F8D3AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8D3B0 shade: #F8D3AF, #F1D3B6, #EAD3BD, #E3D3C4 and #DCD3CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8D3B0 shade: #F8AFB3, #F8BFAF, #F8D2AF, #F8E6AF and #F7F8AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8D3B0 shade: #F1A863, #F5BE89, #F8D3AF, #FBE8D5 and #FFFDFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8D3B0 shade: #F8D3B0, #C6F8AF and #B5AFF8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8D3B0 shade: #F8D3B0, #AFF8D2 and #D2AFF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8D3B0 shade: #F8D3B0, #C6F8AF, #AFD5F8 and #E1AFF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8D3B0 shade: #F8D3B0, #B0F8AF, #AFD5F8 and #F7AFF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 29 / 3

HEX #F8D3B0

RGB 248 211 176

HSL 29.17, 0.84%, 0.83%

LAB 86.84, 7.92, 22.15

 

Complementary color

CMYK 91 / 44 / 0 / 69

HEX #072C4F

RGB 7 44 79

HSL 209.17, 0.84%, 0.17%

LAB 17.51, 2.23, -25.06

 

CMYK 0 / 17 / 32 / 1

HEX #FDD3AB

RGB 253 211 171

HSL 29.27, 0.95%, 0.83%

LAB 87.2, 9.18, 25.32

 

CMYK 0 / 10 / 25 / 0

HEX #FFE5BE

RGB 255 229 190

HSL 36, 1%, 0.87%

LAB 92.14, 3.11, 22.28

 

CMYK 0 / 3 / 18 / 0

HEX #FFF7D1

RGB 255 247 209

HSL 49.57, 1%, 0.91%

LAB 96.98, -3.35, 19.25

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF7

RGB 255 255 247

HSL 60, 1%, 0.98%

LAB 99.8, -1.37, 3.81

 

CMYK 0 / 15 / 29 / 3

HEX #F8D3B0

RGB 248 211 176

HSL 29.17, 0.84%, 0.83%

LAB 86.84, 7.92, 22.15

 

CMYK 0 / 16 / 32 / 9

HEX #E7C19D

RGB 231 193 157

HSL 29.19, 0.61%, 0.76%

LAB 80.5, 8.44, 23.2

 

CMYK 0 / 18 / 36 / 16

HEX #D6AF8A

RGB 214 175 138

HSL 29.21, 0.48%, 0.69%

LAB 74.06, 9.03, 24.32

 

CMYK 0 / 20 / 40 / 23

HEX #C59D77

RGB 197 157 119

HSL 29.23, 0.4%, 0.62%

LAB 67.51, 9.7, 25.52

 

CMYK 0 / 23 / 44 / 29

HEX #B48B64

RGB 180 139 100

HSL 29.25, 0.35%, 0.55%

LAB 60.86, 10.48, 26.82

 

CMYK 0 / 15 / 29 / 3

HEX #F8D3AF

RGB 248 211 175

HSL 29.59, 0.84%, 0.83%

LAB 86.82, 7.79, 22.64

 

CMYK 0 / 23 / 29 / 3

HEX #F8BFAF

RGB 248 191 175

HSL 13.15, 0.84%, 0.83%

LAB 82.01, 18.25, 15.96

 

CMYK 0 / 29 / 29 / 3

HEX #F8AFAF

RGB 248 175 175

HSL 0, 0.84%, 0.83%

LAB 78.29, 26.68, 10.71

 

CMYK 0 / 15 / 29 / 3

HEX #F8D3AF

RGB 248 211 175

HSL 29.59, 0.84%, 0.83%

LAB 86.82, 7.79, 22.64

 

CMYK 0 / 7 / 29 / 3

HEX #F8E6AF

RGB 248 230 175

HSL 45.21, 0.84%, 0.83%

LAB 91.53, -1.96, 29.07

 

CMYK 1 / 0 / 29 / 3

HEX #F6F8AF

RGB 246 248 175

HSL 61.64, 0.84%, 0.83%

LAB 95.92, -11.7, 34.94

 

CMYK 8 / 0 / 29 / 3

HEX #E3F8AF

RGB 227 248 175

HSL 77.26, 0.84%, 0.83%

LAB 94.55, -18.66, 32.87

 

CMYK 17 / 0 / 29 / 3

HEX #CFF8AF

RGB 207 248 175

HSL 93.7, 0.84%, 0.83%

LAB 93.23, -25.75, 30.86

 

CMYK 0 / 15 / 29 / 3

HEX #F8D3AF

RGB 248 211 175

HSL 29.59, 0.84%, 0.83%

LAB 86.82, 7.79, 22.64

 

CMYK 0 / 15 / 29 / 3

HEX #F8D3AF

RGB 248 211 175

HSL 29.59, 0.84%, 0.83%

LAB 86.82, 7.79, 22.64

 

CMYK 0 / 12 / 24 / 5

HEX #F1D3B6

RGB 241 211 182

HSL 29.49, 0.68%, 0.83%

LAB 86.34, 6.11, 18.21

 

CMYK 0 / 10 / 19 / 8

HEX #EAD3BD

RGB 234 211 189

HSL 29.33, 0.52%, 0.83%

LAB 85.88, 4.53, 13.8

 

CMYK 0 / 7 / 14 / 11

HEX #E3D3C4

RGB 227 211 196

HSL 29.03, 0.36%, 0.83%

LAB 85.46, 3.06, 9.41

 

CMYK 0 / 4 / 8 / 14

HEX #DCD3CB

RGB 220 211 203

HSL 28.24, 0.2%, 0.83%

LAB 85.06, 1.72, 5.05

 

CMYK 0 / 29 / 28 / 3

HEX #F8AFB3

RGB 248 175 179

HSL 356.71, 0.84%, 0.83%

LAB 78.39, 27.21, 8.67

 

CMYK 0 / 23 / 29 / 3

HEX #F8BFAF

RGB 248 191 175

HSL 13.15, 0.84%, 0.83%

LAB 82.01, 18.25, 15.96

 

CMYK 0 / 15 / 29 / 3

HEX #F8D2AF

RGB 248 210 175

HSL 28.77, 0.84%, 0.83%

LAB 86.58, 8.31, 22.31

 

CMYK 0 / 7 / 29 / 3

HEX #F8E6AF

RGB 248 230 175

HSL 45.21, 0.84%, 0.83%

LAB 91.53, -1.96, 29.07

 

CMYK 0 / 0 / 29 / 3

HEX #F7F8AF

RGB 247 248 175

HSL 60.82, 0.84%, 0.83%

LAB 96, -11.33, 35.05

 

CMYK 0 / 30 / 59 / 5

HEX #F1A863

RGB 241 168 99

HSL 29.15, 0.84%, 0.67%

LAB 74.58, 19.91, 45.95

 

CMYK 0 / 22 / 44 / 4

HEX #F5BE89

RGB 245 190 137

HSL 29.44, 0.84%, 0.75%

LAB 80.76, 13.22, 34.31

 

CMYK 0 / 15 / 29 / 3

HEX #F8D3AF

RGB 248 211 175

HSL 29.59, 0.84%, 0.83%

LAB 86.82, 7.79, 22.64

 

CMYK 0 / 8 / 15 / 2

HEX #FBE8D5

RGB 251 232 213

HSL 30, 0.83%, 0.91%

LAB 93.03, 3.42, 11.56

 

CMYK 0 / 1 / 2 / 0

HEX #FFFDFB

RGB 255 253 251

HSL 30, 1%, 0.99%

LAB 99.41, 0.32, 1.18

 

CMYK 0 / 15 / 29 / 3

HEX #F8D3B0

RGB 248 211 176

HSL 29.17, 0.84%, 0.83%

LAB 86.84, 7.92, 22.15

 

CMYK 20 / 0 / 29 / 3

HEX #C6F8AF

RGB 198 248 175

HSL 101.1, 0.84%, 0.83%

LAB 92.68, -28.85, 30.02

 

CMYK 27 / 29 / 0 / 3

HEX #B5AFF8

RGB 181 175 248

HSL 244.93, 0.84%, 0.83%

LAB 74.36, 17.71, -35.47

 

CMYK 0 / 15 / 29 / 3

HEX #F8D3B0

RGB 248 211 176

HSL 29.17, 0.84%, 0.83%

LAB 86.84, 7.92, 22.15

 

CMYK 29 / 0 / 15 / 3

HEX #AFF8D2

RGB 175 248 210

HSL 148.77, 0.84%, 0.83%

LAB 92.09, -30.22, 11.09

 

CMYK 15 / 29 / 0 / 3

HEX #D2AFF8

RGB 210 175 248

HSL 268.77, 0.84%, 0.83%

LAB 76.76, 26.32, -31.56

 

CMYK 0 / 15 / 29 / 3

HEX #F8D3B0

RGB 248 211 176

HSL 29.17, 0.84%, 0.83%

LAB 86.84, 7.92, 22.15

 

CMYK 20 / 0 / 29 / 3

HEX #C6F8AF

RGB 198 248 175

HSL 101.1, 0.84%, 0.83%

LAB 92.68, -28.85, 30.02

 

CMYK 29 / 14 / 0 / 3

HEX #AFD5F8

RGB 175 213 248

HSL 208.77, 0.84%, 0.83%

LAB 83.69, -4.6, -21.2

 

CMYK 9 / 29 / 0 / 3

HEX #E1AFF8

RGB 225 175 248

HSL 281.1, 0.84%, 0.83%

LAB 78.14, 30.94, -29.33

 

CMYK 0 / 15 / 29 / 3

HEX #F8D3B0

RGB 248 211 176

HSL 29.17, 0.84%, 0.83%

LAB 86.84, 7.92, 22.15

 

CMYK 29 / 0 / 29 / 3

HEX #B0F8AF

RGB 176 248 175

HSL 119.18, 0.84%, 0.83%

LAB 91.44, -36.09, 28.14

 

CMYK 29 / 14 / 0 / 3

HEX #AFD5F8

RGB 175 213 248

HSL 208.77, 0.84%, 0.83%

LAB 83.69, -4.6, -21.2

 

CMYK 0 / 29 / 0 / 3

HEX #F7AFF8

RGB 247 175 248

HSL 299.18, 0.84%, 0.83%

LAB 80.3, 37.81, -25.83

 

Description

Color code: HEX #F8D3B0 | qconv.com Color code: HEX #F8D3B0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 211 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 211 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 29 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 29% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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