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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8D223 it is the complementary color #072DDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8D223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8D223 shade: #FDD21E, #FFE431, #FFF644, #FFFF57 and #FFFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8D223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8D223 shade: #F8D223, #E7C010, #D6AE00, #C59C00 and #B48A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8D223 shade: #F8D220, #F89720, #F85D20, #F82320 and #F82020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8D223 shade: #F8D220, #E4F820, #AAF820, #70F820 and #36F820

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8D223 shade matches the following richer shades: #F8D220

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8D223 shade: #F8D220, #E6C633, #D3BA46, #C0AE58 and #AEA26B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8D223 shade: #F85E20, #F89720, #F8D120, #E6F820 and #ADF820

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8D223 shade: #C09F06, #E8C007, #F8D220, #F9DA48 and #FBE270

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8D223 shade: #F8D223, #20F824 and #7A20F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8D223 shade: #F8D223, #20F8D1 and #D120F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8D223 shade: #F8D223, #20F824, #2048F8 and #F820F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8D223 shade: #F8D223, #20F865, #2048F8 and #F820B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 86 / 3

HEX #F8D223

RGB 248 210 35

HSL 49.3, 0.94%, 0.55%

LAB 85.08, -1.93, 80.88

 

Complementary color

CMYK 97 / 80 / 0 / 14

HEX #072DDC

RGB 7 45 220

HSL 229.3, 0.94%, 0.45%

LAB 32.01, 56.77, -88.47

 

CMYK 0 / 17 / 88 / 1

HEX #FDD21E

RGB 253 210 30

HSL 48.43, 0.98%, 0.55%

LAB 85.54, 0.09, 82.45

 

CMYK 0 / 11 / 81 / 0

HEX #FFE431

RGB 255 228 49

HSL 52.14, 1%, 0.6%

LAB 90.31, -7.68, 82.11

 

CMYK 0 / 4 / 73 / 0

HEX #FFF644

RGB 255 246 68

HSL 57.11, 1%, 0.63%

LAB 94.99, -15.87, 80.77

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF57

RGB 255 255 87

HSL 60, 1%, 0.67%

LAB 97.42, -19.31, 76.59

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 0 / 15 / 86 / 3

HEX #F8D223

RGB 248 210 35

HSL 49.3, 0.94%, 0.55%

LAB 85.08, -1.93, 80.88

 

CMYK 0 / 17 / 93 / 9

HEX #E7C010

RGB 231 192 16

HSL 49.12, 0.87%, 0.48%

LAB 78.88, -0.31, 78.73

 

CMYK 0 / 19 / 100 / 16

HEX #D6AE00

RGB 214 174 0

HSL 48.79, 1%, 0.42%

LAB 72.61, 1.52, 75.24

 

CMYK 0 / 21 / 100 / 23

HEX #C59C00

RGB 197 156 0

HSL 47.51, 1%, 0.39%

LAB 66.25, 3.57, 70

 

CMYK 0 / 23 / 100 / 29

HEX #B48A00

RGB 180 138 0

HSL 46, 1%, 0.35%

LAB 59.78, 5.7, 64.67

 

CMYK 0 / 15 / 87 / 3

HEX #F8D220

RGB 248 210 32

HSL 49.44, 0.94%, 0.55%

LAB 85.07, -1.99, 81.5

 

CMYK 0 / 39 / 87 / 3

HEX #F89720

RGB 248 151 32

HSL 33.06, 0.94%, 0.55%

LAB 71, 28.71, 70.37

 

CMYK 0 / 63 / 87 / 3

HEX #F85D20

RGB 248 93 32

HSL 16.94, 0.94%, 0.55%

LAB 59.79, 56.82, 61.58

 

CMYK 0 / 86 / 87 / 3

HEX #F82320

RGB 248 35 32

HSL 0.83, 0.94%, 0.55%

LAB 53.24, 74.93, 56.49

 

CMYK 0 / 87 / 87 / 3

HEX #F82020

RGB 248 32 32

HSL 0, 0.94%, 0.55%

LAB 53.05, 75.45, 56.34

 

CMYK 0 / 15 / 87 / 3

HEX #F8D220

RGB 248 210 32

HSL 49.44, 0.94%, 0.55%

LAB 85.07, -1.99, 81.5

 

CMYK 8 / 0 / 87 / 3

HEX #E4F820

RGB 228 248 32

HSL 65.56, 0.94%, 0.55%

LAB 93.33, -28.9, 87.42

 

CMYK 31 / 0 / 87 / 3

HEX #AAF820

RGB 170 248 32

HSL 81.67, 0.94%, 0.55%

LAB 89.76, -51.14, 83.02

 

CMYK 55 / 0 / 87 / 3

HEX #70F820

RGB 112 248 32

HSL 97.78, 0.94%, 0.55%

LAB 87.33, -69.11, 79.99

 

CMYK 78 / 0 / 87 / 3

HEX #36F820

RGB 54 248 32

HSL 113.89, 0.94%, 0.55%

LAB 86.02, -80.16, 78.35

 

CMYK 0 / 15 / 87 / 3

HEX #F8D220

RGB 248 210 32

HSL 49.44, 0.94%, 0.55%

LAB 85.07, -1.99, 81.5

 

CMYK 0 / 15 / 87 / 3

HEX #F8D220

RGB 248 210 32

HSL 49.44, 0.94%, 0.55%

LAB 85.07, -1.99, 81.5

 

CMYK 0 / 14 / 78 / 10

HEX #E6C633

RGB 230 198 51

HSL 49.27, 0.78%, 0.55%

LAB 80.43, -3.02, 71.98

 

CMYK 0 / 12 / 67 / 17

HEX #D3BA46

RGB 211 186 70

HSL 49.36, 0.62%, 0.55%

LAB 75.71, -4.06, 59.8

 

CMYK 0 / 9 / 54 / 25

HEX #C0AE58

RGB 192 174 88

HSL 49.62, 0.45%, 0.55%

LAB 71, -4.6, 45.93

 

CMYK 0 / 7 / 39 / 32

HEX #AEA26B

RGB 174 162 107

HSL 49.25, 0.29%, 0.55%

LAB 66.44, -3.84, 30.19

 

CMYK 0 / 62 / 87 / 3

HEX #F85E20

RGB 248 94 32

HSL 17.22, 0.94%, 0.55%

LAB 59.95, 56.4, 61.7

 

CMYK 0 / 39 / 87 / 3

HEX #F89720

RGB 248 151 32

HSL 33.06, 0.94%, 0.55%

LAB 71, 28.71, 70.37

 

CMYK 0 / 16 / 87 / 3

HEX #F8D120

RGB 248 209 32

HSL 49.17, 0.94%, 0.55%

LAB 84.82, -1.48, 81.3

 

CMYK 7 / 0 / 87 / 3

HEX #E6F820

RGB 230 248 32

HSL 65, 0.94%, 0.55%

LAB 93.48, -28.09, 87.59

 

CMYK 30 / 0 / 87 / 3

HEX #ADF820

RGB 173 248 32

HSL 80.83, 0.94%, 0.55%

LAB 89.92, -50.07, 83.21

 

CMYK 0 / 17 / 97 / 25

HEX #C09F06

RGB 192 159 6

HSL 49.35, 0.94%, 0.39%

LAB 66.53, -0.22, 69.17

 

CMYK 0 / 17 / 97 / 9

HEX #E8C007

RGB 232 192 7

HSL 49.33, 0.94%, 0.47%

LAB 78.97, 0.04, 79.82

 

CMYK 0 / 15 / 87 / 3

HEX #F8D220

RGB 248 210 32

HSL 49.44, 0.94%, 0.55%

LAB 85.07, -1.99, 81.5

 

CMYK 0 / 12 / 71 / 2

HEX #F9DA48

RGB 249 218 72

HSL 49.49, 0.94%, 0.63%

LAB 87.36, -4.32, 71.92

 

CMYK 0 / 10 / 55 / 2

HEX #FBE270

RGB 251 226 112

HSL 49.21, 0.95%, 0.71%

LAB 89.89, -5.11, 57.97

 

CMYK 0 / 15 / 86 / 3

HEX #F8D223

RGB 248 210 35

HSL 49.3, 0.94%, 0.55%

LAB 85.08, -1.93, 80.88

 

CMYK 87 / 0 / 85 / 3

HEX #20F824

RGB 32 248 36

HSL 121.11, 0.94%, 0.55%

LAB 85.79, -82.15, 77.29

 

CMYK 51 / 87 / 0 / 3

HEX #7A20F8

RGB 122 32 248

HSL 265, 0.94%, 0.55%

LAB 41.13, 76.16, -89.03

 

CMYK 0 / 15 / 86 / 3

HEX #F8D223

RGB 248 210 35

HSL 49.3, 0.94%, 0.55%

LAB 85.08, -1.93, 80.88

 

CMYK 87 / 0 / 16 / 3

HEX #20F8D1

RGB 32 248 209

HSL 169.17, 0.94%, 0.55%

LAB 87.99, -56.61, 5.2

 

CMYK 16 / 87 / 0 / 3

HEX #D120F8

RGB 209 32 248

HSL 289.17, 0.94%, 0.55%

LAB 53.35, 87.16, -68.57

 

CMYK 0 / 15 / 86 / 3

HEX #F8D223

RGB 248 210 35

HSL 49.3, 0.94%, 0.55%

LAB 85.08, -1.93, 80.88

 

CMYK 87 / 0 / 85 / 3

HEX #20F824

RGB 32 248 36

HSL 121.11, 0.94%, 0.55%

LAB 85.79, -82.15, 77.29

 

CMYK 87 / 71 / 0 / 3

HEX #2048F8

RGB 32 72 248

HSL 228.89, 0.94%, 0.55%

LAB 40.77, 52, -89.84

 

CMYK 0 / 87 / 1 / 3

HEX #F820F5

RGB 248 32 245

HSL 300.83, 0.94%, 0.55%

LAB 59.51, 92.97, -56.65

 

CMYK 0 / 15 / 86 / 3

HEX #F8D223

RGB 248 210 35

HSL 49.3, 0.94%, 0.55%

LAB 85.08, -1.93, 80.88

 

CMYK 87 / 0 / 59 / 3

HEX #20F865

RGB 32 248 101

HSL 139.17, 0.94%, 0.55%

LAB 86.2, -77.03, 56.09

 

CMYK 87 / 71 / 0 / 3

HEX #2048F8

RGB 32 72 248

HSL 228.89, 0.94%, 0.55%

LAB 40.77, 52, -89.84

 

CMYK 0 / 87 / 27 / 3

HEX #F820B4

RGB 248 32 180

HSL 318.89, 0.94%, 0.55%

LAB 56.37, 84.74, -24.6

 

Description

Color code: HEX #F8D223 | qconv.com Color code: HEX #F8D223 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 210 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 210 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 86 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 86% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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