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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8CFDF it is the complementary color #073020. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8CFDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8CFDF shade: #FDCFDA, #FFE1ED, #FFF3FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8CFDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8CFDF shade: #F8CFDF, #E7BDCC, #D6ABB9, #C599A6 and #B48793

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8CFDF shade: #F8CEDE, #F8CED3 and #F8CECE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8CFDF shade: #F8CEDE, #F8CEEA, #F8CEF5, #F0CEF8 and #E4CEF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8CFDF shade matches the following richer shades: #F8CEDE and #FDC9DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8CFDF shade: #F8CEDE, #F3D2DF, #EFD7E0, #EADCE1 and #E6E0E2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8CFDF shade: #F8CEF5, #F8CEEA, #F8CEDF, #F8CED4 and #F8D4CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8CFDF shade: #EE86AE, #F3AAC6, #F8CEDE, #FDF2F6 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8CFDF shade: #F8CFDF, #F8F0CE and #CEF0F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8CFDF shade: #F8CFDF, #DFF8CE and #CEDFF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8CFDF shade: #F8CFDF, #F8F0CE, #CEF8E7 and #CED6F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8CFDF shade: #F8CFDF, #F4F8CE, #CEF8E7 and #D2CEF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 10 / 3

HEX #F8CFDF

RGB 248 207 223

HSL 336.59, 0.75%, 0.89%

LAB 86.95, 16.92, -2.5

 

Complementary color

CMYK 85 / 0 / 33 / 81

HEX #073020

RGB 7 48 32

HSL 156.59, 0.75%, 0.11%

LAB 16.81, -18.72, 6.3

 

CMYK 0 / 18 / 14 / 1

HEX #FDCFDA

RGB 253 207 218

HSL 345.65, 0.92%, 0.9%

LAB 87.28, 17.86, 0.67

 

CMYK 0 / 12 / 7 / 0

HEX #FFE1ED

RGB 255 225 237

HSL 336, 1%, 0.94%

LAB 92.23, 12.26, -2.06

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 17 / 10 / 3

HEX #F8CFDF

RGB 248 207 223

HSL 336.59, 0.75%, 0.89%

LAB 86.95, 16.92, -2.5

 

CMYK 0 / 18 / 12 / 9

HEX #E7BDCC

RGB 231 189 204

HSL 338.57, 0.47%, 0.82%

LAB 80.6, 17.39, -1.86

 

CMYK 0 / 20 / 14 / 16

HEX #D6ABB9

RGB 214 171 185

HSL 340.47, 0.34%, 0.75%

LAB 74.14, 17.9, -1.18

 

CMYK 0 / 22 / 16 / 23

HEX #C599A6

RGB 197 153 166

HSL 342.27, 0.28%, 0.69%

LAB 67.58, 18.45, -0.46

 

CMYK 0 / 25 / 18 / 29

HEX #B48793

RGB 180 135 147

HSL 344, 0.23%, 0.62%

LAB 60.9, 19.06, 0.31

 

CMYK 0 / 17 / 10 / 3

HEX #F8CEDE

RGB 248 206 222

HSL 337.14, 0.75%, 0.89%

LAB 86.69, 17.29, -2.36

 

CMYK 0 / 17 / 15 / 3

HEX #F8CED3

RGB 248 206 211

HSL 352.86, 0.75%, 0.89%

LAB 86.41, 15.53, 3.06

 

CMYK 0 / 17 / 17 / 3

HEX #F8CECE

RGB 248 206 206

HSL 0, 0.75%, 0.89%

LAB 86.28, 14.75, 5.54

 

CMYK 0 / 17 / 10 / 3

HEX #F8CEDE

RGB 248 206 222

HSL 337.14, 0.75%, 0.89%

LAB 86.69, 17.29, -2.36

 

CMYK 0 / 17 / 6 / 3

HEX #F8CEEA

RGB 248 206 234

HSL 320, 0.75%, 0.89%

LAB 87.02, 19.3, -8.24

 

CMYK 0 / 17 / 1 / 3

HEX #F8CEF5

RGB 248 206 245

HSL 304.29, 0.75%, 0.89%

LAB 87.33, 21.23, -13.59

 

CMYK 3 / 17 / 0 / 3

HEX #F0CEF8

RGB 240 206 248

HSL 288.57, 0.75%, 0.89%

LAB 86.72, 19.16, -16.16

 

CMYK 8 / 17 / 0 / 3

HEX #E4CEF8

RGB 228 206 248

HSL 271.43, 0.75%, 0.89%

LAB 85.71, 15.28, -17.79

 

CMYK 0 / 17 / 10 / 3

HEX #F8CEDE

RGB 248 206 222

HSL 337.14, 0.75%, 0.89%

LAB 86.69, 17.29, -2.36

 

CMYK 0 / 21 / 13 / 1

HEX #FDC9DD

RGB 253 201 221

HSL 336.92, 0.93%, 0.89%

LAB 85.94, 21.48, -2.87

 

CMYK 0 / 17 / 10 / 3

HEX #F8CEDE

RGB 248 206 222

HSL 337.14, 0.75%, 0.89%

LAB 86.69, 17.29, -2.36

 

CMYK 0 / 14 / 8 / 5

HEX #F3D2DF

RGB 243 210 223

HSL 336.36, 0.58%, 0.89%

LAB 87.23, 13.62, -2.15

 

CMYK 0 / 10 / 6 / 6

HEX #EFD7E0

RGB 239 215 224

HSL 337.5, 0.43%, 0.89%

LAB 88.13, 9.8, -1.4

 

CMYK 0 / 6 / 4 / 8

HEX #EADCE1

RGB 234 220 225

HSL 338.57, 0.25%, 0.89%

LAB 88.98, 5.65, -0.74

 

CMYK 0 / 3 / 2 / 10

HEX #E6E0E2

RGB 230 224 226

HSL 340, 0.11%, 0.89%

LAB 89.69, 2.39, -0.26

 

CMYK 0 / 17 / 1 / 3

HEX #F8CEF5

RGB 248 206 245

HSL 304.29, 0.75%, 0.89%

LAB 87.33, 21.23, -13.59

 

CMYK 0 / 17 / 6 / 3

HEX #F8CEEA

RGB 248 206 234

HSL 320, 0.75%, 0.89%

LAB 87.02, 19.3, -8.24

 

CMYK 0 / 17 / 10 / 3

HEX #F8CEDF

RGB 248 206 223

HSL 335.71, 0.75%, 0.89%

LAB 86.71, 17.45, -2.85

 

CMYK 0 / 17 / 15 / 3

HEX #F8CED4

RGB 248 206 212

HSL 351.43, 0.75%, 0.89%

LAB 86.43, 15.68, 2.57

 

CMYK 0 / 15 / 17 / 3

HEX #F8D4CE

RGB 248 212 206

HSL 8.57, 0.75%, 0.89%

LAB 87.73, 11.62, 7.61

 

CMYK 0 / 44 / 27 / 7

HEX #EE86AE

RGB 238 134 174

HSL 336.92, 0.75%, 0.73%

LAB 68.23, 44.37, -3.45

 

CMYK 0 / 30 / 19 / 5

HEX #F3AAC6

RGB 243 170 198

HSL 336.99, 0.75%, 0.81%

LAB 77.21, 30.77, -3.44

 

CMYK 0 / 17 / 10 / 3

HEX #F8CEDE

RGB 248 206 222

HSL 337.14, 0.75%, 0.89%

LAB 86.69, 17.29, -2.36

 

CMYK 0 / 4 / 3 / 1

HEX #FDF2F6

RGB 253 242 246

HSL 338.18, 0.73%, 0.97%

LAB 96.43, 4.37, -0.62

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 17 / 10 / 3

HEX #F8CFDF

RGB 248 207 223

HSL 336.59, 0.75%, 0.89%

LAB 86.95, 16.92, -2.5

 

CMYK 0 / 3 / 17 / 3

HEX #F8F0CE

RGB 248 240 206

HSL 48.57, 0.75%, 0.89%

LAB 94.62, -2.76, 17.41

 

CMYK 17 / 3 / 0 / 3

HEX #CEF0F8

RGB 206 240 248

HSL 191.43, 0.75%, 0.89%

LAB 92.67, -9.36, -7.56

 

CMYK 0 / 17 / 10 / 3

HEX #F8CFDF

RGB 248 207 223

HSL 336.59, 0.75%, 0.89%

LAB 86.95, 16.92, -2.5

 

CMYK 10 / 0 / 17 / 3

HEX #DFF8CE

RGB 223 248 206

HSL 95.71, 0.75%, 0.89%

LAB 94.86, -15.51, 17.47

 

CMYK 17 / 10 / 0 / 3

HEX #CEDFF8

RGB 206 223 248

HSL 215.71, 0.75%, 0.89%

LAB 88.29, -0.63, -14.08

 

CMYK 0 / 17 / 10 / 3

HEX #F8CFDF

RGB 248 207 223

HSL 336.59, 0.75%, 0.89%

LAB 86.95, 16.92, -2.5

 

CMYK 0 / 3 / 17 / 3

HEX #F8F0CE

RGB 248 240 206

HSL 48.57, 0.75%, 0.89%

LAB 94.62, -2.76, 17.41

 

CMYK 17 / 0 / 7 / 3

HEX #CEF8E7

RGB 206 248 231

HSL 155.71, 0.75%, 0.89%

LAB 94.32, -16.71, 3.68

 

CMYK 17 / 14 / 0 / 3

HEX #CED6F8

RGB 206 214 248

HSL 228.57, 0.75%, 0.89%

LAB 86, 4.09, -17.52

 

CMYK 0 / 17 / 10 / 3

HEX #F8CFDF

RGB 248 207 223

HSL 336.59, 0.75%, 0.89%

LAB 86.95, 16.92, -2.5

 

CMYK 2 / 0 / 17 / 3

HEX #F4F8CE

RGB 244 248 206

HSL 65.71, 0.75%, 0.89%

LAB 96.34, -8.2, 19.77

 

CMYK 17 / 0 / 7 / 3

HEX #CEF8E7

RGB 206 248 231

HSL 155.71, 0.75%, 0.89%

LAB 94.32, -16.71, 3.68

 

CMYK 15 / 17 / 0 / 3

HEX #D2CEF8

RGB 210 206 248

HSL 245.71, 0.75%, 0.89%

LAB 84.29, 9.57, -20.07

 

Description

Color code: HEX #F8CFDF | qconv.com Color code: HEX #F8CFDF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 207 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 207 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 10 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 10% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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