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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8CF263F it is the complementary color #0730D93F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8CF263F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8CF263F shade: #FDCF213F, #FFE1343F, #FFF3473F, #FFFF5A3F and #FFFF6D3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8CF263F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8CF263F shade: #F8CF263F, #E7BD133F, #D6AB003F, #C599003F and #B487003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8CF263F shade: #F8CF25, #F89625, #F85D25 and #F82525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8CF263F shade: #F8CF25, #E9F825, #B0F825, #77F825 and #3EF825

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8CF263F shade matches the following richer shades: #F8CF25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8CF263F shade: #F8CF25, #E6C437, #D4B94A, #C2AE5C and #B0A36E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8CF263F shade: #F85E25, #F89625, #F8CE25, #EAF825 and #B2F825

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8CF263F shade: #C5A006, #EDC007, #F8CF25, #FAD84D and #FBE175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8CF263F shade: #F8CF26, #25F825 and #7A25F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8CF263F shade: #F8CF26, #25F8CE and #CE25F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8CF263F shade: #F8CF26, #25F825, #2550F8 and #F825F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8CF263F shade: #F8CF26, #25F865, #2550F8 and #F825B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 21 / 1

HEX #F8CF263F

RGBA 248 207 38 0.25

HSLA 48.29, 0.94%, 0.56%, 0.25

LABA 84.34, -0.33, 79.59, 0.25

 

Complementary color

CMYK 24 / 19 / 0 / 4

HEX #0730D93F

RGBA 7 48 217 0.25

HSLA 228.29, 0.94%, 0.44%, 0.25

LABA 32.19, 54.25, -86.44, 0.25

 

CMYK 0 / 5 / 22 / 0

HEX #FDCF213F

RGBA 253 207 33 0.25

HSLA 47.45, 0.98%, 0.56%, 0.25

LABA 84.8, 1.68, 81.28, 0.25

 

CMYK 0 / 3 / 20 / 0

HEX #FFE1343F

RGBA 255 225 52 0.25

HSLA 51.13, 1%, 0.6%, 0.25

LABA 89.56, -6.1, 80.65, 0.25

 

CMYK 0 / 1 / 18 / 0

HEX #FFF3473F

RGBA 255 243 71 0.25

HSLA 56.09, 1%, 0.64%, 0.25

LABA 94.23, -14.28, 79.08, 0.25

 

CMYK 0 / 0 / 16 / 0

HEX #FFFF5A3F

RGBA 255 255 90 0.25

HSLA 60, 1%, 0.68%, 0.25

LABA 97.44, -19.15, 75.5, 0.25

 

CMYK 0 / 0 / 14 / 0

HEX #FFFF6D3F

RGBA 255 255 109 0.25

HSLA 60, 1%, 0.71%, 0.25

LABA 97.59, -17.98, 68.07, 0.25

 

CMYK 0 / 4 / 21 / 1

HEX #F8CF263F

RGBA 248 207 38 0.25

HSLA 48.29, 0.94%, 0.56%, 0.25

LABA 84.34, -0.33, 79.59, 0.25

 

CMYK 0 / 5 / 23 / 2

HEX #E7BD133F

RGBA 231 189 19 0.25

HSLA 48.11, 0.85%, 0.49%, 0.25

LABA 78.13, 1.29, 77.74, 0.25

 

CMYK 0 / 5 / 25 / 4

HEX #D6AB003F

RGBA 214 171 0 0.25

HSLA 47.94, 1%, 0.42%, 0.25

LABA 71.84, 3.1, 74.7, 0.25

 

CMYK 0 / 6 / 25 / 6

HEX #C599003F

RGBA 197 153 0 0.25

HSLA 46.6, 1%, 0.39%, 0.25

LABA 65.48, 5.19, 69.46, 0.25

 

CMYK 0 / 6 / 25 / 7

HEX #B487003F

RGBA 180 135 0 0.25

HSLA 45, 1%, 0.35%, 0.25

LABA 59, 7.36, 64.14, 0.25

 

CMYK 0 / 17 / 85 / 3

HEX #F8CF25

RGB 248 207 37

HSL 48.34, 0.94%, 0.56%

LAB 84.34, -0.36, 79.82

 

CMYK 0 / 40 / 85 / 3

HEX #F89625

RGB 248 150 37

HSL 32.13, 0.94%, 0.56%

LAB 70.8, 29.34, 68.76

 

CMYK 0 / 63 / 85 / 3

HEX #F85D25

RGB 248 93 37

HSL 15.92, 0.94%, 0.56%

LAB 59.82, 56.93, 59.7

 

CMYK 0 / 85 / 85 / 3

HEX #F82525

RGB 248 37 37

HSL 0, 0.94%, 0.56%

LAB 53.4, 74.64, 54.35

 

CMYK 0 / 17 / 85 / 3

HEX #F8CF25

RGB 248 207 37

HSL 48.34, 0.94%, 0.56%

LAB 84.34, -0.36, 79.82

 

CMYK 6 / 0 / 85 / 3

HEX #E9F825

RGB 233 248 37

HSL 64.27, 0.94%, 0.56%

LAB 93.71, -26.77, 86.97

 

CMYK 29 / 0 / 85 / 3

HEX #B0F825

RGB 176 248 37

HSL 80.47, 0.94%, 0.56%

LAB 90.09, -48.86, 82.49

 

CMYK 52 / 0 / 85 / 3

HEX #77F825

RGB 119 248 37

HSL 96.68, 0.94%, 0.56%

LAB 87.58, -67.11, 79.34

 

CMYK 75 / 0 / 85 / 3

HEX #3EF825

RGB 62 248 37

HSL 112.89, 0.94%, 0.56%

LAB 86.15, -78.92, 77.54

 

CMYK 0 / 17 / 85 / 3

HEX #F8CF25

RGB 248 207 37

HSL 48.34, 0.94%, 0.56%

LAB 84.34, -0.36, 79.82

 

CMYK 0 / 17 / 85 / 3

HEX #F8CF25

RGB 248 207 37

HSL 48.34, 0.94%, 0.56%

LAB 84.34, -0.36, 79.82

 

CMYK 0 / 15 / 76 / 10

HEX #E6C437

RGB 230 196 55

HSL 48.34, 0.78%, 0.56%

LAB 79.94, -1.84, 70.23

 

CMYK 0 / 13 / 65 / 17

HEX #D4B94A

RGB 212 185 74

HSL 48.26, 0.62%, 0.56%

LAB 75.57, -2.88, 57.99

 

CMYK 0 / 10 / 53 / 24

HEX #C2AE5C

RGB 194 174 92

HSL 48.24, 0.46%, 0.56%

LAB 71.22, -3.42, 44.28

 

CMYK 0 / 7 / 38 / 31

HEX #B0A36E

RGB 176 163 110

HSL 48.18, 0.29%, 0.56%

LAB 66.94, -3.2, 29.26

 

CMYK 0 / 62 / 85 / 3

HEX #F85E25

RGB 248 94 37

HSL 16.21, 0.94%, 0.56%

LAB 59.97, 56.5, 59.83

 

CMYK 0 / 40 / 85 / 3

HEX #F89625

RGB 248 150 37

HSL 32.13, 0.94%, 0.56%

LAB 70.8, 29.34, 68.76

 

CMYK 0 / 17 / 85 / 3

HEX #F8CE25

RGB 248 206 37

HSL 48.06, 0.94%, 0.56%

LAB 84.09, 0.15, 79.62

 

CMYK 6 / 0 / 85 / 3

HEX #EAF825

RGB 234 248 37

HSL 63.98, 0.94%, 0.56%

LAB 93.78, -26.36, 87.06

 

CMYK 28 / 0 / 85 / 3

HEX #B2F825

RGB 178 248 37

HSL 79.91, 0.94%, 0.56%

LAB 90.2, -48.13, 82.62

 

CMYK 0 / 19 / 97 / 23

HEX #C5A006

RGB 197 160 6

HSL 48.38, 0.94%, 0.4%

LAB 67.3, 1.48, 69.95

 

CMYK 0 / 19 / 97 / 7

HEX #EDC007

RGB 237 192 7

HSL 48.26, 0.94%, 0.48%

LAB 79.45, 2.2, 80.39

 

CMYK 0 / 17 / 85 / 3

HEX #F8CF25

RGB 248 207 37

HSL 48.34, 0.94%, 0.56%

LAB 84.34, -0.36, 79.82

 

CMYK 0 / 14 / 69 / 2

HEX #FAD84D

RGB 250 216 77

HSL 48.21, 0.95%, 0.64%

LAB 86.98, -2.65, 69.68

 

CMYK 0 / 10 / 53 / 2

HEX #FBE175

RGB 251 225 117

HSL 48.36, 0.94%, 0.72%

LAB 89.69, -4.22, 55.43

 

CMYK 0 / 17 / 85 / 3

HEX #F8CF26

RGB 248 207 38

HSL 48.29, 0.94%, 0.56%

LAB 84.34, -0.33, 79.59

 

CMYK 85 / 0 / 85 / 3

HEX #25F825

RGB 37 248 37

HSL 120, 0.94%, 0.56%

LAB 85.84, -81.72, 77.14

 

CMYK 51 / 85 / 0 / 3

HEX #7A25F8

RGB 122 37 248

HSL 264.17, 0.94%, 0.56%

LAB 41.59, 74.79, -88.27

 

CMYK 0 / 17 / 85 / 3

HEX #F8CF26

RGB 248 207 38

HSL 48.29, 0.94%, 0.56%

LAB 84.34, -0.33, 79.59

 

CMYK 85 / 0 / 17 / 3

HEX #25F8CE

RGB 37 248 206

HSL 168.06, 0.94%, 0.56%

LAB 87.96, -57.06, 6.72

 

CMYK 17 / 85 / 0 / 3

HEX #CE25F8

RGB 206 37 248

HSL 288.06, 0.94%, 0.56%

LAB 53.19, 85.77, -68.84

 

CMYK 0 / 17 / 85 / 3

HEX #F8CF26

RGB 248 207 38

HSL 48.29, 0.94%, 0.56%

LAB 84.34, -0.33, 79.59

 

CMYK 85 / 0 / 85 / 3

HEX #25F825

RGB 37 248 37

HSL 120, 0.94%, 0.56%

LAB 85.84, -81.72, 77.14

 

CMYK 85 / 68 / 0 / 3

HEX #2550F8

RGB 37 80 248

HSL 227.77, 0.94%, 0.56%

LAB 42.62, 47.53, -86.77

 

CMYK 0 / 85 / 0 / 3

HEX #F825F8

RGB 248 37 248

HSL 300, 0.94%, 0.56%

LAB 59.94, 92.63, -57.63

 

CMYK 0 / 17 / 85 / 3

HEX #F8CF26

RGB 248 207 38

HSL 48.29, 0.94%, 0.56%

LAB 84.34, -0.33, 79.59

 

CMYK 85 / 0 / 59 / 3

HEX #25F865

RGB 37 248 101

HSL 138.2, 0.94%, 0.56%

LAB 86.24, -76.66, 56.15

 

CMYK 85 / 68 / 0 / 3

HEX #2550F8

RGB 37 80 248

HSL 227.77, 0.94%, 0.56%

LAB 42.62, 47.53, -86.77

 

CMYK 0 / 85 / 25 / 3

HEX #F825B9

RGB 248 37 185

HSL 317.91, 0.94%, 0.56%

LAB 56.86, 84.47, -26.74

 

Description

Color code: HEX #F8CF263F | qconv.com Color code: HEX #F8CF263F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 207 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 207 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 21 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 21% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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