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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8C984CE it is the complementary color #07367BCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8C984CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8C984CE shade: #FDC97FCE, #FFDB92CE, #FFEDA5CE, #FFFFB8CE and #FFFFCBCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8C984CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8C984CE shade: #F8C984CE, #E7B771CE, #D6A55ECE, #C5934BCE and #B48138CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8C984CE shade: #F8CA87, #F8AB87, #F88D87 and #F88787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8C984CE shade: #F8CA87, #F8E987, #E9F887, #CAF887 and #ACF887

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8C984CE shade matches the following richer shades: #F8CA87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8C984CE shade: #F8CA87, #EEC891, #E3C69B, #D9C4A5 and #CFC2B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8C984CE shade: #F88C87, #F8AA87, #F8C987, #F8E787 and #EBF887

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8C984CE shade: #F3A839, #F6B960, #F8CA87, #FADBAE and #FDECD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8C984CE shade: #F8C984, #9FF887 and #9B87F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8C984CE shade: #F8C984, #87F8C9 and #C987F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8C984CE shade: #F8C984, #9FF887, #87B6F8 and #DF87F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8C984CE shade: #F8C984, #87F890, #87B6F8 and #F887EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 38 / 2

HEX #F8C984CE

RGBA 248 201 132 0.81

HSLA 35.69, 0.89%, 0.75%, 0.81

LABA 83.65, 8.18, 40.66, 0.81

 

Complementary color

CMYK 76 / 45 / 0 / 42

HEX #07367BCE

RGBA 7 54 123 0.81

HSLA 215.69, 0.89%, 0.25%, 0.81

LABA 24.04, 14.52, -43.25, 0.81

 

CMYK 0 / 17 / 40 / 1

HEX #FDC97FCE

RGBA 253 201 127 0.81

HSLA 35.24, 0.97%, 0.75%, 0.81

LABA 84.06, 9.72, 43.8, 0.81

 

CMYK 0 / 11 / 35 / 0

HEX #FFDB92CE

RGBA 255 219 146 0.81

HSLA 40.18, 1%, 0.79%, 0.81

LABA 88.92, 3.04, 40.47, 0.81

 

CMYK 0 / 6 / 29 / 0

HEX #FFEDA5CE

RGBA 255 237 165 0.81

HSLA 48, 1%, 0.82%, 0.81

LABA 93.69, -4.04, 37.12, 0.81

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFB8CE

RGBA 255 255 184 0.81

HSLA 60, 1%, 0.86%, 0.81

LABA 98.53, -10.7, 34.03, 0.81

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFCBCE

RGBA 255 255 203 0.81

HSLA 60, 1%, 0.9%, 0.81

LABA 98.86, -8.19, 24.92, 0.81

 

CMYK 0 / 15 / 38 / 2

HEX #F8C984CE

RGBA 248 201 132 0.81

HSLA 35.69, 0.89%, 0.75%, 0.81

LABA 83.65, 8.18, 40.66, 0.81

 

CMYK 0 / 17 / 41 / 8

HEX #E7B771CE

RGBA 231 183 113 0.81

HSLA 35.59, 0.71%, 0.67%, 0.81

LABA 77.31, 9.01, 41.97, 0.81

 

CMYK 0 / 19 / 45 / 13

HEX #D6A55ECE

RGBA 214 165 94 0.81

HSLA 35.5, 0.59%, 0.6%, 0.81

LABA 70.88, 9.97, 43.33, 0.81

 

CMYK 0 / 21 / 50 / 18

HEX #C5934BCE

RGBA 197 147 75 0.81

HSLA 35.41, 0.51%, 0.53%, 0.81

LABA 64.36, 11.08, 44.72, 0.81

 

CMYK 0 / 23 / 56 / 24

HEX #B48138CE

RGBA 180 129 56 0.81

HSLA 35.32, 0.53%, 0.46%, 0.81

LABA 57.74, 12.4, 46.05, 0.81

 

CMYK 0 / 19 / 46 / 3

HEX #F8CA87

RGB 248 202 135

HSL 35.58, 0.89%, 0.75%

LAB 83.94, 7.95, 39.5

 

CMYK 0 / 31 / 46 / 3

HEX #F8AB87

RGB 248 171 135

HSL 19.12, 0.89%, 0.75%

LAB 76.58, 24.2, 29.92

 

CMYK 0 / 43 / 46 / 3

HEX #F88D87

RGB 248 141 135

HSL 3.19, 0.89%, 0.75%

LAB 70, 39.82, 21.08

 

CMYK 0 / 46 / 46 / 3

HEX #F88787

RGB 248 135 135

HSL 0, 0.89%, 0.75%

LAB 68.78, 42.87, 19.39

 

CMYK 0 / 19 / 46 / 3

HEX #F8CA87

RGB 248 202 135

HSL 35.58, 0.89%, 0.75%

LAB 83.94, 7.95, 39.5

 

CMYK 0 / 6 / 46 / 3

HEX #F8E987

RGB 248 233 135

HSL 52.04, 0.89%, 0.75%

LAB 91.68, -7.86, 49.23

 

CMYK 6 / 0 / 46 / 3

HEX #E9F887

RGB 233 248 135

HSL 67.96, 0.89%, 0.75%

LAB 94.4, -21.04, 52.32

 

CMYK 19 / 0 / 46 / 3

HEX #CAF887

RGB 202 248 135

HSL 84.42, 0.89%, 0.75%

LAB 92.33, -32.6, 49.3

 

CMYK 31 / 0 / 46 / 3

HEX #ACF887

RGB 172 248 135

HSL 100.35, 0.89%, 0.75%

LAB 90.62, -43.04, 46.81

 

CMYK 0 / 19 / 46 / 3

HEX #F8CA87

RGB 248 202 135

HSL 35.58, 0.89%, 0.75%

LAB 83.94, 7.95, 39.5

 

CMYK 0 / 19 / 46 / 3

HEX #F8CA87

RGB 248 202 135

HSL 35.58, 0.89%, 0.75%

LAB 83.94, 7.95, 39.5

 

CMYK 0 / 16 / 39 / 7

HEX #EEC891

RGB 238 200 145

HSL 35.48, 0.73%, 0.75%

LAB 82.66, 6.08, 32.52

 

CMYK 0 / 13 / 32 / 11

HEX #E3C69B

RGB 227 198 155

HSL 35.83, 0.56%, 0.75%

LAB 81.34, 4.02, 25.34

 

CMYK 0 / 10 / 24 / 15

HEX #D9C4A5

RGB 217 196 165

HSL 35.77, 0.41%, 0.75%

LAB 80.15, 2.59, 18.27

 

CMYK 0 / 6 / 15 / 19

HEX #CFC2B0

RGB 207 194 176

HSL 34.84, 0.24%, 0.75%

LAB 79.03, 1.56, 10.69

 

CMYK 0 / 44 / 46 / 3

HEX #F88C87

RGB 248 140 135

HSL 2.65, 0.89%, 0.75%

LAB 69.8, 40.33, 20.79

 

CMYK 0 / 31 / 46 / 3

HEX #F8AA87

RGB 248 170 135

HSL 18.58, 0.89%, 0.75%

LAB 76.35, 24.73, 29.61

 

CMYK 0 / 19 / 46 / 3

HEX #F8C987

RGB 248 201 135

HSL 35.04, 0.89%, 0.75%

LAB 83.69, 8.46, 39.19

 

CMYK 0 / 7 / 46 / 3

HEX #F8E787

RGB 248 231 135

HSL 50.97, 0.89%, 0.75%

LAB 91.17, -6.86, 48.6

 

CMYK 5 / 0 / 46 / 3

HEX #EBF887

RGB 235 248 135

HSL 66.9, 0.89%, 0.75%

LAB 94.55, -20.27, 52.53

 

CMYK 0 / 31 / 77 / 5

HEX #F3A839

RGB 243 168 57

HSL 35.81, 0.89%, 0.59%

LAB 74.42, 18.43, 64.8

 

CMYK 0 / 25 / 61 / 4

HEX #F6B960

RGB 246 185 96

HSL 35.6, 0.89%, 0.67%

LAB 79.12, 12.8, 52.87

 

CMYK 0 / 19 / 46 / 3

HEX #F8CA87

RGB 248 202 135

HSL 35.58, 0.89%, 0.75%

LAB 83.94, 7.95, 39.5

 

CMYK 0 / 12 / 30 / 2

HEX #FADBAE

RGB 250 219 174

HSL 35.53, 0.88%, 0.83%

LAB 88.94, 4.29, 26.1

 

CMYK 0 / 7 / 16 / 1

HEX #FDECD4

RGB 253 236 212

HSL 35.12, 0.91%, 0.91%

LAB 94.15, 1.94, 13.7

 

CMYK 0 / 19 / 47 / 3

HEX #F8C984

RGB 248 201 132

HSL 35.69, 0.89%, 0.75%

LAB 83.65, 8.18, 40.66

 

CMYK 36 / 0 / 46 / 3

HEX #9FF887

RGB 159 248 135

HSL 107.26, 0.89%, 0.75%

LAB 89.98, -47.24, 45.86

 

CMYK 38 / 46 / 0 / 3

HEX #9B87F8

RGB 155 135 248

HSL 250.62, 0.89%, 0.75%

LAB 62.57, 33.28, -54.12

 

CMYK 0 / 19 / 47 / 3

HEX #F8C984

RGB 248 201 132

HSL 35.69, 0.89%, 0.75%

LAB 83.65, 8.18, 40.66

 

CMYK 46 / 0 / 19 / 3

HEX #87F8C9

RGB 135 248 201

HSL 155.04, 0.89%, 0.75%

LAB 90.09, -42.92, 12.66

 

CMYK 19 / 46 / 0 / 3

HEX #C987F8

RGB 201 135 248

HSL 275.04, 0.89%, 0.75%

LAB 66.92, 45.4, -46.96

 

CMYK 0 / 19 / 47 / 3

HEX #F8C984

RGB 248 201 132

HSL 35.69, 0.89%, 0.75%

LAB 83.65, 8.18, 40.66

 

CMYK 36 / 0 / 46 / 3

HEX #9FF887

RGB 159 248 135

HSL 107.26, 0.89%, 0.75%

LAB 89.98, -47.24, 45.86

 

CMYK 46 / 27 / 0 / 3

HEX #87B6F8

RGB 135 182 248

HSL 215.04, 0.89%, 0.75%

LAB 73.14, 1.56, -37.59

 

CMYK 10 / 46 / 0 / 3

HEX #DF87F8

RGB 223 135 248

HSL 286.73, 0.89%, 0.75%

LAB 69.32, 51.5, -43.02

 

CMYK 0 / 19 / 47 / 3

HEX #F8C984

RGB 248 201 132

HSL 35.69, 0.89%, 0.75%

LAB 83.65, 8.18, 40.66

 

CMYK 46 / 0 / 42 / 3

HEX #87F890

RGB 135 248 144

HSL 124.78, 0.89%, 0.75%

LAB 89.06, -53.06, 40.13

 

CMYK 46 / 27 / 0 / 3

HEX #87B6F8

RGB 135 182 248

HSL 215.04, 0.89%, 0.75%

LAB 73.14, 1.56, -37.59

 

CMYK 0 / 46 / 4 / 3

HEX #F887EF

RGB 248 135 239

HSL 304.78, 0.89%, 0.75%

LAB 71.9, 56.95, -33.85

 

Description

Color code: HEX #F8C984CE | qconv.com Color code: HEX #F8C984CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 201 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 201 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 38 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 38% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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