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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8C63ACE it is the complementary color #0739C5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8C63ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8C63ACE shade: #FDC635CE, #FFD848CE, #FFEA5BCE, #FFFC6ECE and #FFFF81CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8C63ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8C63ACE shade: #F8C63ACE, #E7B427CE, #D6A214CE, #C59001CE and #B47E00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8C63ACE shade: #F8C63A, #F8933A, #F8603A and #F83A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8C63ACE shade: #F8C63A, #F7F83A, #C3F83A, #90F83A and #5DF83A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8C63ACE shade matches the following richer shades: #F8C63A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8C63ACE shade: #F8C63A, #E7BE4B, #D7B65B, #C6AE6C and #B6A77C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8C63ACE shade: #F8603A, #F8933A, #F8C53A, #F8F83A and #C5F83A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8C63ACE shade: #D8A108, #F6BA12, #F8C63A, #F9D162 and #FBDD8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8C63ACE shade: #F8C63A, #47F83A and #793AF8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8C63ACE shade: #F8C63A, #3AF8C5 and #C53AF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8C63ACE shade: #F8C63A, #47F83A, #3A6DF8 and #EB3AF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8C63ACE shade: #F8C63A, #3AF866, #3A6DF8 and #F83ACC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 62 / 2

HEX #F8C63ACE

RGBA 248 198 58 0.81

HSLA 44.21, 0.93%, 0.6%, 0.81

LABA 82.19, 4.89, 71.92, 0.81

 

Complementary color

CMYK 78 / 58 / 0 / 18

HEX #0739C5CE

RGBA 7 57 197 0.81

HSLA 224.21, 0.93%, 0.4%, 0.81

LABA 31.81, 42.13, -75.44, 0.81

 

CMYK 0 / 18 / 64 / 1

HEX #FDC635CE

RGBA 253 198 53 0.81

HSLA 43.5, 0.98%, 0.6%, 0.81

LABA 82.66, 6.83, 74.19, 0.81

 

CMYK 0 / 12 / 58 / 0

HEX #FFD848CE

RGBA 255 216 72 0.81

HSLA 47.21, 1%, 0.64%, 0.81

LABA 87.41, -0.81, 72.15, 0.81

 

CMYK 0 / 7 / 52 / 0

HEX #FFEA5BCE

RGBA 255 234 91 0.81

HSLA 52.32, 1%, 0.68%, 0.81

LABA 92.07, -8.86, 69.54, 0.81

 

CMYK 0 / 1 / 46 / 0

HEX #FFFC6ECE

RGBA 255 252 110 0.81

HSLA 58.76, 1%, 0.72%, 0.81

LABA 96.82, -16.46, 66.81, 0.81

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF81CE

RGBA 255 255 129 0.81

HSLA 60, 1%, 0.75%, 0.81

LABA 97.78, -16.46, 59.54, 0.81

 

CMYK 0 / 16 / 62 / 2

HEX #F8C63ACE

RGBA 248 198 58 0.81

HSLA 44.21, 0.93%, 0.6%, 0.81

LABA 82.19, 4.89, 71.92, 0.81

 

CMYK 0 / 18 / 67 / 8

HEX #E7B427CE

RGBA 231 180 39 0.81

HSLA 44.06, 0.8%, 0.53%, 0.81

LABA 75.93, 6.4, 71.67, 0.81

 

CMYK 0 / 20 / 73 / 13

HEX #D6A214CE

RGBA 214 162 20 0.81

HSLA 43.92, 0.83%, 0.46%, 0.81

LABA 69.6, 8.13, 70.36, 0.81

 

CMYK 0 / 22 / 81 / 18

HEX #C59001CE

RGBA 197 144 1 0.81

HSLA 43.78, 0.99%, 0.39%, 0.81

LABA 63.19, 10.09, 67.75, 0.81

 

CMYK 0 / 24 / 81 / 24

HEX #B47E00CE

RGBA 180 126 0 0.81

HSLA 42, 1%, 0.35%, 0.81

LABA 56.71, 12.35, 62.58, 0.81

HEX #B47E00CE

CMYK 0 / 20 / 77 / 3

HEX #F8C63A

RGB 248 198 58

HSL 44.21, 0.93%, 0.6%

LAB 82.19, 4.89, 71.92

 

CMYK 0 / 41 / 77 / 3

HEX #F8933A

RGB 248 147 58

HSL 28.11, 0.93%, 0.6%

LAB 70.27, 31.54, 60.62

 

CMYK 0 / 61 / 77 / 3

HEX #F8603A

RGB 248 96 58

HSL 12, 0.93%, 0.6%

LAB 60.45, 56.25, 50.83

 

CMYK 0 / 77 / 77 / 3

HEX #F83A3A

RGB 248 58 58

HSL 0, 0.93%, 0.6%

LAB 55.37, 70.13, 45.54

 

CMYK 0 / 20 / 77 / 3

HEX #F8C63A

RGB 248 198 58

HSL 44.21, 0.93%, 0.6%

LAB 82.19, 4.89, 71.92

 

CMYK 0 / 0 / 77 / 3

HEX #F7F83A

RGB 247 248 58

HSL 60.32, 0.93%, 0.6%

LAB 94.83, -20.47, 83.38

 

CMYK 21 / 0 / 77 / 3

HEX #C3F83A

RGB 195 248 58

HSL 76.74, 0.93%, 0.6%

LAB 91.25, -41.06, 78.8

 

CMYK 42 / 0 / 77 / 3

HEX #90F83A

RGB 144 248 58

HSL 92.84, 0.93%, 0.6%

LAB 88.62, -58.88, 75.4

 

CMYK 63 / 0 / 77 / 3

HEX #5DF83A

RGB 93 248 58

HSL 108.95, 0.93%, 0.6%

LAB 86.88, -72.41, 73.13

 

CMYK 0 / 20 / 77 / 3

HEX #F8C63A

RGB 248 198 58

HSL 44.21, 0.93%, 0.6%

LAB 82.19, 4.89, 71.92

 

CMYK 0 / 20 / 77 / 3

HEX #F8C63A

RGB 248 198 58

HSL 44.21, 0.93%, 0.6%

LAB 82.19, 4.89, 71.92

 

CMYK 0 / 18 / 68 / 9

HEX #E7BE4B

RGB 231 190 75

HSL 44.23, 0.76%, 0.6%

LAB 78.65, 2.63, 61.37

 

CMYK 0 / 15 / 58 / 16

HEX #D7B65B

RGB 215 182 91

HSL 44.03, 0.61%, 0.6%

LAB 75.24, 1.11, 49.97

 

CMYK 0 / 12 / 45 / 22

HEX #C6AE6C

RGB 198 174 108

HSL 44, 0.44%, 0.6%

LAB 71.8, -0.25, 36.96

 

CMYK 0 / 8 / 32 / 29

HEX #B6A77C

RGB 182 167 124

HSL 44.48, 0.28%, 0.6%

LAB 68.78, -1.17, 24.25

 

CMYK 0 / 61 / 77 / 3

HEX #F8603A

RGB 248 96 58

HSL 12, 0.93%, 0.6%

LAB 60.45, 56.25, 50.83

 

CMYK 0 / 41 / 77 / 3

HEX #F8933A

RGB 248 147 58

HSL 28.11, 0.93%, 0.6%

LAB 70.27, 31.54, 60.62

 

CMYK 0 / 21 / 77 / 3

HEX #F8C53A

RGB 248 197 58

HSL 43.89, 0.93%, 0.6%

LAB 81.94, 5.41, 71.69

 

CMYK 0 / 0 / 77 / 3

HEX #F8F83A

RGB 248 248 58

HSL 60, 0.93%, 0.6%

LAB 94.91, -20.06, 83.48

 

CMYK 21 / 0 / 77 / 3

HEX #C5F83A

RGB 197 248 58

HSL 76.11, 0.93%, 0.6%

LAB 91.37, -40.3, 78.96

 

CMYK 0 / 25 / 96 / 15

HEX #D8A108

RGB 216 161 8

HSL 44.13, 0.93%, 0.44%

LAB 69.55, 9.39, 72.22

 

CMYK 0 / 24 / 93 / 4

HEX #F6BA12

RGB 246 186 18

HSL 44.21, 0.93%, 0.52%

LAB 78.9, 9.3, 79.14

 

CMYK 0 / 20 / 77 / 3

HEX #F8C63A

RGB 248 198 58

HSL 44.21, 0.93%, 0.6%

LAB 82.19, 4.89, 71.92

 

CMYK 0 / 16 / 61 / 2

HEX #F9D162

RGB 249 209 98

HSL 44.11, 0.93%, 0.68%

LAB 85.31, 1.72, 59.05

 

CMYK 0 / 12 / 45 / 2

HEX #FBDD8A

RGB 251 221 138

HSL 44.07, 0.93%, 0.76%

LAB 88.95, -0.35, 44.42

 

CMYK 0 / 20 / 77 / 3

HEX #F8C63A

RGB 248 198 58

HSL 44.21, 0.93%, 0.6%

LAB 82.19, 4.89, 71.92

 

CMYK 71 / 0 / 77 / 3

HEX #47F83A

RGB 71 248 58

HSL 115.89, 0.93%, 0.6%

LAB 86.39, -76.51, 72.49

 

CMYK 51 / 77 / 0 / 3

HEX #793AF8

RGB 121 58 248

HSL 259.89, 0.93%, 0.6%

LAB 44.04, 67.18, -84.24

 

CMYK 0 / 20 / 77 / 3

HEX #F8C63A

RGB 248 198 58

HSL 44.21, 0.93%, 0.6%

LAB 82.19, 4.89, 71.92

 

CMYK 77 / 0 / 21 / 3

HEX #3AF8C5

RGB 58 248 197

HSL 163.89, 0.93%, 0.6%

LAB 88, -57.45, 11.48

 

CMYK 21 / 77 / 0 / 3

HEX #C53AF8

RGB 197 58 248

HSL 283.89, 0.93%, 0.6%

LAB 53.68, 78.93, -68.12

 

CMYK 0 / 20 / 77 / 3

HEX #F8C63A

RGB 248 198 58

HSL 44.21, 0.93%, 0.6%

LAB 82.19, 4.89, 71.92

 

CMYK 71 / 0 / 77 / 3

HEX #47F83A

RGB 71 248 58

HSL 115.89, 0.93%, 0.6%

LAB 86.39, -76.51, 72.49

 

CMYK 77 / 56 / 0 / 3

HEX #3A6DF8

RGB 58 109 248

HSL 223.89, 0.93%, 0.6%

LAB 50.23, 31.23, -74.28

 

CMYK 5 / 77 / 0 / 3

HEX #EB3AF8

RGB 235 58 248

HSL 295.89, 0.93%, 0.6%

LAB 59.4, 85.8, -58.61

 

CMYK 0 / 20 / 77 / 3

HEX #F8C63A

RGB 248 198 58

HSL 44.21, 0.93%, 0.6%

LAB 82.19, 4.89, 71.92

 

CMYK 77 / 0 / 59 / 3

HEX #3AF866

RGB 58 248 102

HSL 133.89, 0.93%, 0.6%

LAB 86.5, -74.41, 56.08

 

CMYK 77 / 56 / 0 / 3

HEX #3A6DF8

RGB 58 109 248

HSL 223.89, 0.93%, 0.6%

LAB 50.23, 31.23, -74.28

 

CMYK 0 / 77 / 18 / 3

HEX #F83ACC

RGB 248 58 204

HSL 313.89, 0.93%, 0.6%

LAB 59.29, 82.1, -33.89

 

Description

Color code: HEX #F8C63ACE | qconv.com Color code: HEX #F8C63ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 198 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 198 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 62 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 62% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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