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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8BCCD it is the complementary color #074332. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8BCCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8BCCD shade: #FDBCC8, #FFCEDB, #FFE0EE, #FFF2FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8BCCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8BCCD shade: #F8BCCD, #E7AABA, #D698A7, #C58694 and #B47481

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8BCCD shade: #F8BACB, #F8BABB and #F8BABA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8BCCD shade: #F8BACB, #F8BADC, #F8BAED, #F2BAF8 and #E1BAF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8BCCD shade matches the following richer shades: #F8BACB and #FEB4C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8BCCD shade: #F8BACB, #F2C0CE, #EBC6D1, #E5CCD3 and #DFD3D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8BCCD shade: #F8BAEC, #F8BADC, #F8BACB, #F8BABB and #F8C9BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8BCCD shade: #F06F94, #F494AF, #F8BACB, #FCDFE7 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8BCCD shade: #F8BCCD, #F8F3BA and #BAE4F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8BCCD shade: #F8BCCD, #CBF8BA and #BACBF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8BCCD shade: #F8BCCD, #F8F3BA, #BAF8E6 and #BABFF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8BCCD shade: #F8BCCD, #EAF8BA, #BAF8E6 and #C7BAF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 17 / 3

HEX #F8BCCD

RGB 248 188 205

HSL 343, 0.81%, 0.85%

LAB 82.02, 24.07, -0.12

 

Complementary color

CMYK 90 / 0 / 25 / 74

HEX #074332

RGB 7 67 50

HSL 163, 0.81%, 0.15%

LAB 24.61, -23.03, 5.2

 

CMYK 0 / 26 / 21 / 1

HEX #FDBCC8

RGB 253 188 200

HSL 348.92, 0.94%, 0.86%

LAB 82.39, 25.1, 3.17

 

CMYK 0 / 19 / 14 / 0

HEX #FFCEDB

RGB 255 206 219

HSL 344.08, 1%, 0.9%

LAB 87.25, 19.24, 0.13

 

CMYK 0 / 12 / 7 / 0

HEX #FFE0EE

RGB 255 224 238

HSL 332.9, 1%, 0.94%

LAB 92.02, 12.95, -2.9

 

CMYK 0 / 5 / 0 / 0

HEX #FFF2FF

RGB 255 242 255

HSL 300, 1%, 0.97%

LAB 96.81, 6.61, -4.68

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 24 / 17 / 3

HEX #F8BCCD

RGB 248 188 205

HSL 343, 0.81%, 0.85%

LAB 82.02, 24.07, -0.12

 

CMYK 0 / 26 / 19 / 9

HEX #E7AABA

RGB 231 170 186

HSL 344.26, 0.56%, 0.79%

LAB 75.63, 24.7, 0.65

 

CMYK 0 / 29 / 22 / 16

HEX #D698A7

RGB 214 152 167

HSL 345.48, 0.43%, 0.72%

LAB 69.14, 25.38, 1.47

 

CMYK 0 / 32 / 25 / 23

HEX #C58694

RGB 197 134 148

HSL 346.67, 0.35%, 0.65%

LAB 62.56, 26.13, 2.38

 

CMYK 0 / 36 / 28 / 29

HEX #B47481

RGB 180 116 129

HSL 347.81, 0.3%, 0.58%

LAB 55.87, 26.96, 3.38

 

CMYK 0 / 25 / 18 / 3

HEX #F8BACB

RGB 248 186 203

HSL 343.55, 0.82%, 0.85%

LAB 81.5, 24.83, 0.2

 

CMYK 0 / 25 / 25 / 3

HEX #F8BABB

RGB 248 186 187

HSL 359.03, 0.82%, 0.85%

LAB 81.11, 22.5, 8.24

 

CMYK 0 / 25 / 25 / 3

HEX #F8BABA

RGB 248 186 186

HSL 0, 0.82%, 0.85%

LAB 81.08, 22.36, 8.75

 

CMYK 0 / 25 / 18 / 3

HEX #F8BACB

RGB 248 186 203

HSL 343.55, 0.82%, 0.85%

LAB 81.5, 24.83, 0.2

 

CMYK 0 / 25 / 11 / 3

HEX #F8BADC

RGB 248 186 220

HSL 327.1, 0.82%, 0.85%

LAB 81.97, 27.5, -8.26

 

CMYK 0 / 25 / 4 / 3

HEX #F8BAED

RGB 248 186 237

HSL 310.65, 0.82%, 0.85%

LAB 82.48, 30.37, -16.62

 

CMYK 2 / 25 / 0 / 3

HEX #F2BAF8

RGB 242 186 248

HSL 294.19, 0.82%, 0.85%

LAB 82.26, 30.41, -22.9

 

CMYK 9 / 25 / 0 / 3

HEX #E1BAF8

RGB 225 186 248

HSL 277.74, 0.82%, 0.85%

LAB 80.68, 25.02, -25.43

 

CMYK 0 / 25 / 18 / 3

HEX #F8BACB

RGB 248 186 203

HSL 343.55, 0.82%, 0.85%

LAB 81.5, 24.83, 0.2

 

CMYK 0 / 29 / 21 / 0

HEX #FEB4C9

RGB 254 180 201

HSL 342.97, 0.97%, 0.85%

LAB 80.7, 29.8, 0.18

 

CMYK 0 / 25 / 18 / 3

HEX #F8BACB

RGB 248 186 203

HSL 343.55, 0.82%, 0.85%

LAB 81.5, 24.83, 0.2

 

CMYK 0 / 21 / 15 / 5

HEX #F2C0CE

RGB 242 192 206

HSL 343.2, 0.66%, 0.85%

LAB 82.4, 20, -0.18

 

CMYK 0 / 16 / 11 / 8

HEX #EBC6D1

RGB 235 198 209

HSL 342.16, 0.48%, 0.85%

LAB 83.26, 14.84, -0.6

 

CMYK 0 / 11 / 8 / 10

HEX #E5CCD3

RGB 229 204 211

HSL 343.2, 0.32%, 0.85%

LAB 84.25, 9.9, -0.28

 

CMYK 0 / 5 / 4 / 13

HEX #DFD3D6

RGB 223 211 214

HSL 345, 0.16%, 0.85%

LAB 85.57, 4.65, -0.01

 

CMYK 0 / 25 / 5 / 3

HEX #F8BAEC

RGB 248 186 236

HSL 311.61, 0.82%, 0.85%

LAB 82.45, 30.2, -16.13

 

CMYK 0 / 25 / 11 / 3

HEX #F8BADC

RGB 248 186 220

HSL 327.1, 0.82%, 0.85%

LAB 81.97, 27.5, -8.26

 

CMYK 0 / 25 / 18 / 3

HEX #F8BACB

RGB 248 186 203

HSL 343.55, 0.82%, 0.85%

LAB 81.5, 24.83, 0.2

 

CMYK 0 / 25 / 25 / 3

HEX #F8BABB

RGB 248 186 187

HSL 359.03, 0.82%, 0.85%

LAB 81.11, 22.5, 8.24

 

CMYK 0 / 19 / 25 / 3

HEX #F8C9BA

RGB 248 201 186

HSL 14.52, 0.82%, 0.85%

LAB 84.63, 14.47, 13.78

 

CMYK 0 / 54 / 38 / 6

HEX #F06F94

RGB 240 111 148

HSL 342.79, 0.81%, 0.69%

LAB 63.37, 53.18, 4.25

 

CMYK 0 / 39 / 28 / 4

HEX #F494AF

RGB 244 148 175

HSL 343.13, 0.81%, 0.77%

LAB 71.9, 39.38, 1.45

 

CMYK 0 / 25 / 18 / 3

HEX #F8BACB

RGB 248 186 203

HSL 343.55, 0.82%, 0.85%

LAB 81.5, 24.83, 0.2

 

CMYK 0 / 12 / 8 / 1

HEX #FCDFE7

RGB 252 223 231

HSL 343.45, 0.83%, 0.93%

LAB 91.34, 11.27, -0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 24 / 17 / 3

HEX #F8BCCD

RGB 248 188 205

HSL 343, 0.81%, 0.85%

LAB 82.02, 24.07, -0.12

 

CMYK 0 / 2 / 25 / 3

HEX #F8F3BA

RGB 248 243 186

HSL 55.16, 0.82%, 0.85%

LAB 94.99, -7.07, 28.16

 

CMYK 25 / 8 / 0 / 3

HEX #BAE4F8

RGB 186 228 248

HSL 199.35, 0.82%, 0.85%

LAB 88.31, -9.22, -14.19

 

CMYK 0 / 24 / 17 / 3

HEX #F8BCCD

RGB 248 188 205

HSL 343, 0.81%, 0.85%

LAB 82.02, 24.07, -0.12

 

CMYK 18 / 0 / 25 / 3

HEX #CBF8BA

RGB 203 248 186

HSL 103.55, 0.82%, 0.85%

LAB 93.18, -25.48, 25.18

 

CMYK 25 / 18 / 0 / 3

HEX #BACBF8

RGB 186 203 248

HSL 223.55, 0.82%, 0.85%

LAB 81.8, 3.88, -24.01

 

CMYK 0 / 24 / 17 / 3

HEX #F8BCCD

RGB 248 188 205

HSL 343, 0.81%, 0.85%

LAB 82.02, 24.07, -0.12

 

CMYK 0 / 2 / 25 / 3

HEX #F8F3BA

RGB 248 243 186

HSL 55.16, 0.82%, 0.85%

LAB 94.99, -7.07, 28.16

 

CMYK 25 / 0 / 7 / 3

HEX #BAF8E6

RGB 186 248 230

HSL 162.58, 0.82%, 0.85%

LAB 93.14, -23.02, 2.34

 

CMYK 25 / 23 / 0 / 3

HEX #BABFF8

RGB 186 191 248

HSL 235.16, 0.82%, 0.85%

LAB 78.74, 10.37, -28.69

 

CMYK 0 / 24 / 17 / 3

HEX #F8BCCD

RGB 248 188 205

HSL 343, 0.81%, 0.85%

LAB 82.02, 24.07, -0.12

 

CMYK 6 / 0 / 25 / 3

HEX #EAF8BA

RGB 234 248 186

HSL 73.55, 0.82%, 0.85%

LAB 95.23, -14.64, 28.32

 

CMYK 25 / 0 / 7 / 3

HEX #BAF8E6

RGB 186 248 230

HSL 162.58, 0.82%, 0.85%

LAB 93.14, -23.02, 2.34

 

CMYK 20 / 25 / 0 / 3

HEX #C7BAF8

RGB 199 186 248

HSL 252.58, 0.82%, 0.85%

LAB 78.48, 16.98, -28.99

 

Description

Color code: HEX #F8BCCD | qconv.com Color code: HEX #F8BCCD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 188 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 188 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 17 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 17% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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