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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8B9AA it is the complementary color #074655. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8B9AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F8B9AA: #FDB9A5, #FFCBB8, #FFDDCB, #FFEFDE and #FFFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8B9AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F8B9AA: #F8B9AA, #E7A797, #D69584, #C58371 and #B4715E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 31 / 3

HEX #F8B9AA

RGB 248 185 170

HSL 11.54, 0.85%, 0.82%

LAB 80.49, 20.77, 16.51

 

Complementary color

CMYK 92 / 18 / 0 / 67

HEX #074655

RGB 7 70 85

HSL 191.54, 0.85%, 0.18%

LAB 26.97, -12.48, -14.22

 

CMYK 0 / 27 / 35 / 1

HEX #FDB9A5

RGB 253 185 165

HSL 13.64, 0.96%, 0.82%

LAB 80.9, 22.03, 19.84

 

CMYK 0 / 20 / 28 / 0

HEX #FFCBB8

RGB 255 203 184

HSL 16.06, 1%, 0.86%

LAB 85.72, 15.74, 16.48

 

CMYK 0 / 13 / 20 / 0

HEX #FFDDCB

RGB 255 221 203

HSL 20.77, 1%, 0.9%

LAB 90.45, 9.02, 13.16

 

CMYK 0 / 6 / 13 / 0

HEX #FFEFDE

RGB 255 239 222

HSL 30.91, 1%, 0.94%

LAB 95.27, 2.65, 10.15

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF1

RGB 255 255 241

HSL 60, 1%, 0.97%

LAB 99.66, -2.38, 6.67

 

CMYK 0 / 25 / 31 / 3

HEX #F8B9AA

RGB 248 185 170

HSL 11.54, 0.85%, 0.82%

LAB 80.49, 20.77, 16.51

 

CMYK 0 / 28 / 35 / 9

HEX #E7A797

RGB 231 167 151

HSL 12, 0.63%, 0.75%

LAB 74.1, 21.51, 17.61

 

CMYK 0 / 30 / 38 / 16

HEX #D69584

RGB 214 149 132

HSL 12.44, 0.5%, 0.68%

LAB 67.62, 22.35, 18.81

 

CMYK 0 / 34 / 43 / 23

HEX #C58371

RGB 197 131 113

HSL 12.86, 0.42%, 0.61%

LAB 61.04, 23.29, 20.14

 

CMYK 0 / 37 / 48 / 29

HEX #B4715E

RGB 180 113 94

HSL 13.26, 0.36%, 0.54%

LAB 54.37, 24.35, 21.62

 

CMYK 0 / 25 / 31 / 3

HEX #F8B9AA

RGB 248 185 170

HSL 11.54, 0.85%, 0.82%

LAB 80.49, 20.77, 16.51

 

CMYK 0 / 21 / 31 / 3

HEX #F8C5AA

RGB 248 197 170

HSL 20.77, 0.85%, 0.82%

LAB 83.33, 14.46, 20.46

 

CMYK 0 / 15 / 31 / 3

HEX #F8D2AA

RGB 248 210 170

HSL 30.77, 0.85%, 0.82%

LAB 86.48, 7.68, 24.79

 

CMYK 0 / 10 / 31 / 3

HEX #F8DFAA

RGB 248 223 170

HSL 40.77, 0.85%, 0.82%

LAB 89.69, 0.98, 29.15

 

CMYK 0 / 5 / 31 / 3

HEX #F8ECAA

RGB 248 236 170

HSL 50.77, 0.85%, 0.82%

LAB 92.95, -5.6, 33.52

 

CMYK 0 / 25 / 31 / 3

HEX #F8B9AA

RGB 248 185 170

HSL 11.54, 0.85%, 0.82%

LAB 80.49, 20.77, 16.51

 

CMYK 0 / 25 / 32 / 83

HEX #2C211E

RGB 44 33 30

HSL 12.86, 0.19%, 0.15%

LAB 13.93, 4.7, 4.04

 

CMYK 0 / 25 / 32 / 63

HEX #5F4741

RGB 95 71 65

HSL 12, 0.19%, 0.31%

LAB 32.53, 9.28, 7.57

 

CMYK 0 / 25 / 32 / 43

HEX #926D64

RGB 146 109 100

HSL 11.74, 0.19%, 0.48%

LAB 49.46, 13.37, 10.75

 

CMYK 0 / 25 / 31 / 23

HEX #C59387

RGB 197 147 135

HSL 11.61, 0.35%, 0.65%

LAB 65.35, 17.17, 13.7

 

CMYK 0 / 25 / 31 / 3

HEX #F8B9AA

RGB 248 185 170

HSL 11.54, 0.85%, 0.82%

LAB 80.49, 20.77, 16.51

 

CMYK 12 / 0 / 31 / 3

HEX #DAF8AA

RGB 218 248 170

HSL 83.08, 0.85%, 0.82%

LAB 93.86, -22.56, 34.34

 

CMYK 31 / 25 / 0 / 3

HEX #AABAF8

RGB 170 186 248

HSL 227.69, 0.85%, 0.82%

LAB 76.34, 8.5, -32.47

 

CMYK 0 / 25 / 31 / 3

HEX #F8B9AA

RGB 248 185 170

HSL 11.54, 0.85%, 0.82%

LAB 80.49, 20.77, 16.51

 

CMYK 31 / 0 / 26 / 3

HEX #AAF8B8

RGB 170 248 184

HSL 130.77, 0.85%, 0.82%

LAB 91.3, -36.46, 23.32

 

CMYK 26 / 31 / 0 / 3

HEX #B8AAF8

RGB 184 170 248

HSL 250.77, 0.85%, 0.82%

LAB 73.36, 21.35, -37

 

CMYK 0 / 25 / 31 / 3

HEX #F8B9AA

RGB 248 185 170

HSL 11.54, 0.85%, 0.82%

LAB 80.49, 20.77, 16.51

 

CMYK 12 / 0 / 31 / 3

HEX #DAF8AA

RGB 218 248 170

HSL 83.08, 0.85%, 0.82%

LAB 93.86, -22.56, 34.34

 

CMYK 31 / 6 / 0 / 3

HEX #AAE9F8

RGB 170 233 248

HSL 191.54, 0.85%, 0.82%

LAB 88.73, -16.27, -13.64

 

CMYK 20 / 31 / 0 / 3

HEX #C7AAF8

RGB 199 170 248

HSL 262.31, 0.85%, 0.82%

LAB 74.62, 25.75, -34.95

 

CMYK 0 / 25 / 31 / 3

HEX #F8B9AA

RGB 248 185 170

HSL 11.54, 0.85%, 0.82%

LAB 80.49, 20.77, 16.51

 

CMYK 22 / 0 / 31 / 3

HEX #C2F8AA

RGB 194 248 170

HSL 101.54, 0.85%, 0.82%

LAB 92.36, -30.94, 32.07

 

CMYK 31 / 6 / 0 / 3

HEX #AAE9F8

RGB 170 233 248

HSL 191.54, 0.85%, 0.82%

LAB 88.73, -16.27, -13.64

 

CMYK 10 / 31 / 0 / 3

HEX #DFAAF8

RGB 223 170 248

HSL 280.77, 0.85%, 0.82%

LAB 76.81, 33.01, -31.39

 

Description

Color code: HEX #F8B9AA | qconv.com Color code: HEX #F8B9AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 185 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 185 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 31 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 31% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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