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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8B74ACE it is the complementary color #0748B5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8B74ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8B74ACE shade: #FDB745CE, #FFC958CE, #FFDB6BCE, #FFED7ECE and #FFFF91CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8B74ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8B74ACE shade: #F8B74ACE, #E7A537CE, #D69324CE, #C58111CE and #B46F00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8B74ACE shade: #F8B749, #F88849, #F85849 and #F84949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8B74ACE shade: #F8B749, #F8E649, #DBF849, #ACF849 and #7DF849

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8B74ACE shade matches the following richer shades: #F8B749

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8B74ACE shade: #F8B749, #E9B358, #DAAF67, #CBAB77 and #BBA786

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8B74ACE shade: #F85849, #F88649, #F8B549, #F8E449 and #DEF849

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8B74ACE shade: #E69308, #F7A721, #F8B749, #FAC771 and #FBD699

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8B74ACE shade: #F8B74A, #69F849 and #6F49F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8B74ACE shade: #F8B74A, #49F8B5 and #B549F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8B74ACE shade: #F8B74A, #69F849, #498CF8 and #D849F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8B74ACE shade: #F8B74A, #49F85D, #498CF8 and #F849E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 57 / 2

HEX #F8B74ACE

RGBA 248 183 74 0.81

HSLA 37.59, 0.93%, 0.63%, 0.81

LABA 78.65, 13.39, 62.32, 0.81

 

Complementary color

CMYK 78 / 49 / 0 / 24

HEX #0748B5CE

RGBA 7 72 181 0.81

HSLA 217.59, 0.93%, 0.37%, 0.81

LABA 34.02, 26.18, -62.4, 0.81

 

CMYK 0 / 22 / 59 / 1

HEX #FDB745CE

RGBA 253 183 69 0.81

HSLA 37.17, 0.98%, 0.63%, 0.81

LABA 79.14, 15.25, 65.07, 0.81

 

CMYK 0 / 17 / 53 / 0

HEX #FFC958CE

RGBA 255 201 88 0.81

HSLA 40.6, 1%, 0.67%, 0.81

LABA 83.83, 7.69, 62.01, 0.81

 

CMYK 0 / 11 / 47 / 0

HEX #FFDB6BCE

RGBA 255 219 107 0.81

HSLA 45.41, 1%, 0.71%, 0.81

LABA 88.44, -0.31, 58.67, 0.81

 

CMYK 0 / 6 / 41 / 0

HEX #FFED7ECE

RGBA 255 237 126 0.81

HSLA 51.63, 1%, 0.75%, 0.81

LABA 93.16, -7.89, 55.44, 0.81

 

CMYK 0 / 0 / 35 / 0

HEX #FFFF91CE

RGBA 255 255 145 0.81

HSLA 60, 1%, 0.78%, 0.81

LABA 97.96, -15.02, 52.34, 0.81

 

CMYK 0 / 21 / 57 / 2

HEX #F8B74ACE

RGBA 248 183 74 0.81

HSLA 37.59, 0.93%, 0.63%, 0.81

LABA 78.65, 13.39, 62.32, 0.81

 

CMYK 0 / 23 / 62 / 8

HEX #E7A537CE

RGBA 231 165 55 0.81

HSLA 37.5, 0.79%, 0.56%, 0.81

LABA 72.35, 14.87, 63.12, 0.81

 

CMYK 0 / 25 / 67 / 13

HEX #D69324CE

RGBA 214 147 36 0.81

HSLA 37.42, 0.71%, 0.49%, 0.81

LABA 65.97, 16.56, 63.36, 0.81

 

CMYK 0 / 28 / 74 / 18

HEX #C58111CE

RGBA 197 129 17 0.81

HSLA 37.33, 0.84%, 0.42%, 0.81

LABA 59.54, 18.5, 62.51, 0.81

 

CMYK 0 / 31 / 81 / 24

HEX #B46F00CE

RGBA 180 111 0 0.81

HSLA 37, 1%, 0.35%, 0.81

LABA 53.03, 20.7, 60.15, 0.81

 

CMYK 0 / 26 / 71 / 3

HEX #F8B749

RGB 248 183 73

HSL 37.71, 0.93%, 0.63%

LAB 78.64, 13.34, 62.74

 

CMYK 0 / 45 / 71 / 3

HEX #F88849

RGB 248 136 73

HSL 21.6, 0.93%, 0.63%

LAB 68.05, 37.84, 51.55

 

CMYK 0 / 65 / 71 / 3

HEX #F85849

RGB 248 88 73

HSL 5.14, 0.93%, 0.63%

LAB 59.36, 60.21, 41.83

 

CMYK 0 / 71 / 71 / 3

HEX #F84949

RGB 248 73 73

HSL 0, 0.93%, 0.63%

LAB 57.27, 65.9, 39.41

 

CMYK 0 / 26 / 71 / 3

HEX #F8B749

RGB 248 183 73

HSL 37.71, 0.93%, 0.63%

LAB 78.64, 13.34, 62.74

 

CMYK 0 / 7 / 71 / 3

HEX #F8E649

RGB 248 230 73

HSL 53.83, 0.93%, 0.63%

LAB 90.34, -10.69, 74.44

 

CMYK 12 / 0 / 71 / 3

HEX #DBF849

RGB 219 248 73

HSL 69.94, 0.93%, 0.63%

LAB 92.87, -31.07, 76.17

 

CMYK 31 / 0 / 71 / 3

HEX #ACF849

RGB 172 248 73

HSL 86.06, 0.93%, 0.63%

LAB 90.04, -48.69, 72.42

 

CMYK 50 / 0 / 71 / 3

HEX #7DF849

RGB 125 248 73

HSL 102.17, 0.93%, 0.63%

LAB 87.96, -63.58, 69.64

 

CMYK 0 / 26 / 71 / 3

HEX #F8B749

RGB 248 183 73

HSL 37.71, 0.93%, 0.63%

LAB 78.64, 13.34, 62.74

 

CMYK 0 / 26 / 71 / 3

HEX #F8B749

RGB 248 183 73

HSL 37.71, 0.93%, 0.63%

LAB 78.64, 13.34, 62.74

 

CMYK 0 / 23 / 62 / 9

HEX #E9B358

RGB 233 179 88

HSL 37.66, 0.77%, 0.63%

LAB 76.23, 10.03, 53

 

CMYK 0 / 20 / 53 / 15

HEX #DAAF67

RGB 218 175 103

HSL 37.57, 0.61%, 0.63%

LAB 73.9, 7.03, 42.54

 

CMYK 0 / 16 / 41 / 20

HEX #CBAB77

RGB 203 171 119

HSL 37.14, 0.45%, 0.63%

LAB 71.66, 4.56, 31.1

 

CMYK 0 / 11 / 28 / 27

HEX #BBA786

RGB 187 167 134

HSL 37.36, 0.28%, 0.63%

LAB 69.41, 2.15, 19.74

 

CMYK 0 / 65 / 71 / 3

HEX #F85849

RGB 248 88 73

HSL 5.14, 0.93%, 0.63%

LAB 59.36, 60.21, 41.83

 

CMYK 0 / 46 / 71 / 3

HEX #F88649

RGB 248 134 73

HSL 20.91, 0.93%, 0.63%

LAB 67.64, 38.86, 51.1

 

CMYK 0 / 27 / 71 / 3

HEX #F8B549

RGB 248 181 73

HSL 37.03, 0.93%, 0.63%

LAB 78.16, 14.39, 62.24

 

CMYK 0 / 8 / 71 / 3

HEX #F8E449

RGB 248 228 73

HSL 53.14, 0.93%, 0.63%

LAB 89.82, -9.7, 73.94

 

CMYK 10 / 0 / 71 / 3

HEX #DEF849

RGB 222 248 73

HSL 68.91, 0.93%, 0.63%

LAB 93.08, -29.89, 76.44

 

CMYK 0 / 36 / 97 / 10

HEX #E69308

RGB 230 147 8

HSL 37.57, 0.93%, 0.47%

LAB 67.8, 22.94, 71.76

 

CMYK 0 / 32 / 87 / 3

HEX #F7A721

RGB 247 167 33

HSL 37.57, 0.93%, 0.55%

LAB 74.52, 19.94, 72.84

 

CMYK 0 / 26 / 71 / 3

HEX #F8B749

RGB 248 183 73

HSL 37.71, 0.93%, 0.63%

LAB 78.64, 13.34, 62.74

 

CMYK 0 / 20 / 55 / 2

HEX #FAC771

RGB 250 199 113

HSL 37.66, 0.93%, 0.71%

LAB 83.11, 8.37, 49.48

 

CMYK 0 / 15 / 39 / 2

HEX #FBD699

RGB 251 214 153

HSL 37.35, 0.92%, 0.79%

LAB 87.44, 4.78, 34.92

 

CMYK 0 / 26 / 70 / 3

HEX #F8B74A

RGB 248 183 74

HSL 37.59, 0.93%, 0.63%

LAB 78.65, 13.39, 62.32

 

CMYK 58 / 0 / 71 / 3

HEX #69F849

RGB 105 248 73

HSL 109.03, 0.93%, 0.63%

LAB 87.3, -68.71, 68.76

 

CMYK 55 / 71 / 0 / 3

HEX #6F49F8

RGB 111 73 248

HSL 253.03, 0.93%, 0.63%

LAB 45.53, 58.88, -81.84

 

CMYK 0 / 26 / 70 / 3

HEX #F8B74A

RGB 248 183 74

HSL 37.59, 0.93%, 0.63%

LAB 78.65, 13.39, 62.32

 

CMYK 71 / 0 / 27 / 3

HEX #49F8B5

RGB 73 248 181

HSL 157.03, 0.93%, 0.63%

LAB 87.91, -59.21, 19.65

 

CMYK 27 / 71 / 0 / 3

HEX #B549F8

RGB 181 73 248

HSL 277.03, 0.93%, 0.63%

LAB 53.35, 70.66, -68.76

 

CMYK 0 / 26 / 70 / 3

HEX #F8B74A

RGB 248 183 74

HSL 37.59, 0.93%, 0.63%

LAB 78.65, 13.39, 62.32

 

CMYK 58 / 0 / 71 / 3

HEX #69F849

RGB 105 248 73

HSL 109.03, 0.93%, 0.63%

LAB 87.3, -68.71, 68.76

 

CMYK 71 / 44 / 0 / 3

HEX #498CF8

RGB 73 140 248

HSL 217.03, 0.93%, 0.63%

LAB 58.93, 13.91, -60.22

 

CMYK 13 / 71 / 0 / 3

HEX #D849F8

RGB 216 73 248

HSL 289.03, 0.93%, 0.63%

LAB 58.17, 77.49, -60.74

 

CMYK 0 / 26 / 70 / 3

HEX #F8B74A

RGB 248 183 74

HSL 37.59, 0.93%, 0.63%

LAB 78.65, 13.39, 62.32

 

CMYK 71 / 0 / 63 / 3

HEX #49F85D

RGB 73 248 93

HSL 126.86, 0.93%, 0.63%

LAB 86.67, -73.28, 60.16

 

CMYK 71 / 44 / 0 / 3

HEX #498CF8

RGB 73 140 248

HSL 217.03, 0.93%, 0.63%

LAB 58.93, 13.91, -60.22

 

CMYK 0 / 71 / 8 / 3

HEX #F849E4

RGB 248 73 228

HSL 306.86, 0.93%, 0.63%

LAB 61.93, 80.99, -43.32

 

Description

Color code: HEX #F8B74ACE | qconv.com Color code: HEX #F8B74ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 183 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 183 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 57 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 57% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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