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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8AE7B it is the complementary color #075184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8AE7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8AE7B shade: #FDAE76, #FFC089, #FFD29C, #FFE4AF and #FFF6C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8AE7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8AE7B shade: #F8AE7B, #E79C68, #D68A55, #C57842 and #B4662F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8AE7B shade: #F8AF7C, #F88D7C and #F87C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8AE7B shade: #F8AF7C, #F8D07C, #F8F27C, #DDF87C and #BCF87C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8AE7B shade matches the following richer shades: #F8AF7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8AE7B shade: #F8AF7C, #EDB187, #E2B392, #D7B59E and #CCB7A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8AE7B shade: #F87C8D, #F88D7C, #F8AE7C, #F8CF7C and #F8F07C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8AE7B shade: #F47F2E, #F69755, #F8AF7C, #FAC7A3 and #FCDFCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8AE7B shade: #F8AE7B, #AEF87C and #7C7CF8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8AE7B shade: #F8AE7B, #7CF8AE and #AE7CF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8AE7B shade: #F8AE7B, #AEF87C, #7CC7F8 and #C77CF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8AE7B shade: #F8AE7B, #89F87C, #7CC7F8 and #EC7CF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 50 / 3

HEX #F8AE7B

RGB 248 174 123

HSL 24.48, 0.9%, 0.73%

LAB 77.08, 21.5, 36.9

 

Complementary color

CMYK 95 / 39 / 0 / 48

HEX #075184

RGB 7 81 132

HSL 204.48, 0.9%, 0.27%

LAB 33.13, -0.24, -34.27

 

CMYK 0 / 31 / 53 / 1

HEX #FDAE76

RGB 253 174 118

HSL 24.89, 0.97%, 0.73%

LAB 77.56, 23.05, 40.22

 

CMYK 0 / 25 / 46 / 0

HEX #FFC089

RGB 255 192 137

HSL 27.97, 1%, 0.77%

LAB 82.25, 16.12, 36.44

 

CMYK 0 / 18 / 39 / 0

HEX #FFD29C

RGB 255 210 156

HSL 32.73, 1%, 0.81%

LAB 86.88, 8.72, 32.7

 

CMYK 0 / 11 / 31 / 0

HEX #FFE4AF

RGB 255 228 175

HSL 39.75, 1%, 0.84%

LAB 91.61, 1.69, 29.29

 

CMYK 0 / 4 / 24 / 0

HEX #FFF6C2

RGB 255 246 194

HSL 51.15, 1%, 0.88%

LAB 96.44, -4.95, 26.16

 

CMYK 0 / 30 / 50 / 3

HEX #F8AE7B

RGB 248 174 123

HSL 24.48, 0.9%, 0.73%

LAB 77.08, 21.5, 36.9

 

CMYK 0 / 32 / 55 / 9

HEX #E79C68

RGB 231 156 104

HSL 24.57, 0.73%, 0.66%

LAB 70.71, 22.6, 38.4

 

CMYK 0 / 36 / 60 / 16

HEX #D68A55

RGB 214 138 85

HSL 24.65, 0.61%, 0.59%

LAB 64.27, 23.85, 40

 

CMYK 0 / 39 / 66 / 23

HEX #C57842

RGB 197 120 66

HSL 24.73, 0.53%, 0.52%

LAB 57.75, 25.28, 41.69

 

CMYK 0 / 43 / 74 / 29

HEX #B4662F

RGB 180 102 47

HSL 24.81, 0.59%, 0.45%

LAB 51.16, 26.91, 43.4

 

CMYK 0 / 29 / 50 / 3

HEX #F8AF7C

RGB 248 175 124

HSL 24.68, 0.9%, 0.73%

LAB 77.32, 21.06, 36.7

 

CMYK 0 / 43 / 50 / 3

HEX #F88D7C

RGB 248 141 124

HSL 8.23, 0.9%, 0.73%

LAB 69.8, 38.79, 26.87

 

CMYK 0 / 50 / 50 / 3

HEX #F87C7C

RGB 248 124 124

HSL 0, 0.9%, 0.73%

LAB 66.39, 47.31, 22.3

 

CMYK 0 / 29 / 50 / 3

HEX #F8AF7C

RGB 248 175 124

HSL 24.68, 0.9%, 0.73%

LAB 77.32, 21.06, 36.7

 

CMYK 0 / 16 / 50 / 3

HEX #F8D07C

RGB 248 208 124

HSL 40.65, 0.9%, 0.73%

LAB 85.26, 3.82, 46.67

 

CMYK 0 / 2 / 50 / 3

HEX #F8F27C

RGB 248 242 124

HSL 57.1, 0.9%, 0.73%

LAB 93.85, -13.29, 57.04

 

CMYK 11 / 0 / 50 / 3

HEX #DDF87C

RGB 221 248 124

HSL 73.06, 0.9%, 0.73%

LAB 93.43, -26.66, 56.07

 

CMYK 24 / 0 / 50 / 3

HEX #BCF87C

RGB 188 248 124

HSL 89.03, 0.9%, 0.73%

LAB 91.36, -38.8, 53.09

 

CMYK 0 / 29 / 50 / 3

HEX #F8AF7C

RGB 248 175 124

HSL 24.68, 0.9%, 0.73%

LAB 77.32, 21.06, 36.7

 

CMYK 0 / 29 / 50 / 3

HEX #F8AF7C

RGB 248 175 124

HSL 24.68, 0.9%, 0.73%

LAB 77.32, 21.06, 36.7

 

CMYK 0 / 25 / 43 / 7

HEX #EDB187

RGB 237 177 135

HSL 24.71, 0.74%, 0.73%

LAB 76.8, 16.71, 30

 

CMYK 0 / 21 / 35 / 11

HEX #E2B392

RGB 226 179 146

HSL 24.75, 0.58%, 0.73%

LAB 76.37, 12.57, 23.35

 

CMYK 0 / 16 / 27 / 16

HEX #D7B59E

RGB 215 181 158

HSL 24.21, 0.42%, 0.73%

LAB 76.05, 8.8, 16.28

 

CMYK 0 / 10 / 17 / 20

HEX #CCB7A9

RGB 204 183 169

HSL 24, 0.26%, 0.73%

LAB 75.8, 5.2, 9.84

 

CMYK 0 / 50 / 43 / 3

HEX #F87C8D

RGB 248 124 141

HSL 351.77, 0.9%, 0.73%

LAB 66.74, 48.92, 13.2

 

CMYK 0 / 43 / 50 / 3

HEX #F88D7C

RGB 248 141 124

HSL 8.23, 0.9%, 0.73%

LAB 69.8, 38.79, 26.87

 

CMYK 0 / 30 / 50 / 3

HEX #F8AE7C

RGB 248 174 124

HSL 24.19, 0.9%, 0.73%

LAB 77.09, 21.58, 36.4

 

CMYK 0 / 17 / 50 / 3

HEX #F8CF7C

RGB 248 207 124

HSL 40.16, 0.9%, 0.73%

LAB 85.02, 4.34, 46.37

 

CMYK 0 / 3 / 50 / 3

HEX #F8F07C

RGB 248 240 124

HSL 56.13, 0.9%, 0.73%

LAB 93.33, -12.31, 56.43

 

CMYK 0 / 48 / 81 / 4

HEX #F47F2E

RGB 244 127 46

HSL 24.55, 0.9%, 0.57%

LAB 65.44, 39.77, 60.79

 

CMYK 0 / 39 / 65 / 4

HEX #F69755

RGB 246 151 85

HSL 24.6, 0.9%, 0.65%

LAB 71.13, 29.96, 49.04

 

CMYK 0 / 29 / 50 / 3

HEX #F8AF7C

RGB 248 175 124

HSL 24.68, 0.9%, 0.73%

LAB 77.32, 21.06, 36.7

 

CMYK 0 / 20 / 35 / 2

HEX #FAC7A3

RGB 250 199 163

HSL 24.83, 0.9%, 0.81%

LAB 83.87, 13.31, 24.93

 

CMYK 0 / 12 / 19 / 1

HEX #FCDFCB

RGB 252 223 203

HSL 24.49, 0.89%, 0.89%

LAB 90.68, 6.91, 13.45

 

CMYK 0 / 30 / 50 / 3

HEX #F8AE7B

RGB 248 174 123

HSL 24.48, 0.9%, 0.73%

LAB 77.08, 21.5, 36.9

 

CMYK 30 / 0 / 50 / 3

HEX #AEF87C

RGB 174 248 124

HSL 95.81, 0.9%, 0.73%

LAB 90.59, -43.65, 51.98

 

CMYK 50 / 50 / 0 / 3

HEX #7C7CF8

RGB 124 124 248

HSL 240, 0.9%, 0.73%

LAB 57.54, 32.53, -62.3

 

CMYK 0 / 30 / 50 / 3

HEX #F8AE7B

RGB 248 174 123

HSL 24.48, 0.9%, 0.73%

LAB 77.08, 21.5, 36.9

 

CMYK 50 / 0 / 30 / 3

HEX #7CF8AE

RGB 124 248 174

HSL 144.19, 0.9%, 0.73%

LAB 89.15, -50.89, 25.15

 

CMYK 30 / 50 / 0 / 3

HEX #AE7CF8

RGB 174 124 248

HSL 264.19, 0.9%, 0.73%

LAB 61.82, 44.22, -55.21

 

CMYK 0 / 30 / 50 / 3

HEX #F8AE7B

RGB 248 174 123

HSL 24.48, 0.9%, 0.73%

LAB 77.08, 21.5, 36.9

 

CMYK 30 / 0 / 50 / 3

HEX #AEF87C

RGB 174 248 124

HSL 95.81, 0.9%, 0.73%

LAB 90.59, -43.65, 51.98

 

CMYK 50 / 20 / 0 / 3

HEX #7CC7F8

RGB 124 199 248

HSL 203.71, 0.9%, 0.73%

LAB 77.23, -10.19, -31.32

 

CMYK 20 / 50 / 0 / 3

HEX #C77CF8

RGB 199 124 248

HSL 276.29, 0.9%, 0.73%

LAB 64.43, 50.67, -50.9

 

CMYK 0 / 30 / 50 / 3

HEX #F8AE7B

RGB 248 174 123

HSL 24.48, 0.9%, 0.73%

LAB 77.08, 21.5, 36.9

 

CMYK 45 / 0 / 50 / 3

HEX #89F87C

RGB 137 248 124

HSL 113.71, 0.9%, 0.73%

LAB 88.88, -55.22, 49.5

 

CMYK 50 / 20 / 0 / 3

HEX #7CC7F8

RGB 124 199 248

HSL 203.71, 0.9%, 0.73%

LAB 77.23, -10.19, -31.32

 

CMYK 5 / 50 / 0 / 3

HEX #EC7CF8

RGB 236 124 248

HSL 294.19, 0.9%, 0.73%

LAB 68.77, 60.51, -43.77

 

Description

Color code: HEX #F8AE7B | qconv.com Color code: HEX #F8AE7B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 174 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 174 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 50 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 50% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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