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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8A232 it is the complementary color #075DCD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8A232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8A232 shade: #FDA22D, #FFB440, #FFC653, #FFD866 and #FFEA79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8A232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8A232 shade: #F8A232, #E7901F, #D67E0C, #C56C00 and #B45A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8A232 shade: #F8A130, #F86B30, #F83630 and #F83030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8A232 shade: #F8A130, #F8D730, #E3F830, #ADF830 and #77F830

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8A232 shade matches the following richer shades: #F8A130

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8A232 shade: #F8A130, #E69F42, #D59C53, #C49A64 and #B29876

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8A232 shade: #F83430, #F86930, #F89E30, #F8D330 and #E7F830

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8A232 shade: #CE7807, #F68F09, #F8A130, #F9B358 and #FAC580

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8A232 shade: #F8A232, #62F830 and #4E30F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8A232 shade: #F8A232, #30F89E and #9E30F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8A232 shade: #F8A232, #62F830, #308AF8 and #C630F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8A232 shade: #F8A232, #30F83A, #308AF8 and #F830EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 80 / 3

HEX #F8A232

RGB 248 162 50

HSL 33.94, 0.93%, 0.58%

LAB 73.56, 23.43, 66.82

 

Complementary color

CMYK 97 / 55 / 0 / 20

HEX #075DCD

RGB 7 93 205

HSL 213.94, 0.93%, 0.42%

LAB 41.66, 21.79, -63.95

 

CMYK 0 / 36 / 82 / 1

HEX #FDA22D

RGB 253 162 45

HSL 33.75, 0.98%, 0.58%

LAB 74.13, 25.36, 69.27

 

CMYK 0 / 29 / 75 / 0

HEX #FFB440

RGB 255 180 64

HSL 36.44, 1%, 0.63%

LAB 78.62, 17.43, 66.6

 

CMYK 0 / 22 / 67 / 0

HEX #FFC653

RGB 255 198 83

HSL 40.12, 1%, 0.66%

LAB 83.06, 8.97, 63.34

 

CMYK 0 / 15 / 60 / 0

HEX #FFD866

RGB 255 216 102

HSL 44.71, 1%, 0.7%

LAB 87.65, 0.87, 60.03

 

CMYK 0 / 8 / 53 / 0

HEX #FFEA79

RGB 255 234 121

HSL 50.6, 1%, 0.74%

LAB 92.35, -6.8, 56.79

 

CMYK 0 / 35 / 80 / 3

HEX #F8A232

RGB 248 162 50

HSL 33.94, 0.93%, 0.58%

LAB 73.56, 23.43, 66.82

 

CMYK 0 / 38 / 87 / 9

HEX #E7901F

RGB 231 144 31

HSL 33.9, 0.81%, 0.51%

LAB 67.3, 25.29, 66.81

 

CMYK 0 / 41 / 94 / 16

HEX #D67E0C

RGB 214 126 12

HSL 33.86, 0.89%, 0.44%

LAB 61, 27.38, 65.53

 

CMYK 0 / 45 / 100 / 23

HEX #C56C00

RGB 197 108 0

HSL 32.89, 1%, 0.39%

LAB 54.65, 29.68, 62.33

 

CMYK 0 / 50 / 100 / 29

HEX #B45A00

RGB 180 90 0

HSL 30, 1%, 0.35%

LAB 48.28, 32.14, 57.2

 

CMYK 0 / 35 / 81 / 3

HEX #F8A130

RGB 248 161 48

HSL 33.9, 0.93%, 0.58%

LAB 73.32, 23.89, 67.31

 

CMYK 0 / 57 / 81 / 3

HEX #F86B30

RGB 248 107 48

HSL 17.7, 0.93%, 0.58%

LAB 62.24, 51.01, 57.24

 

CMYK 0 / 78 / 81 / 3

HEX #F83630

RGB 248 54 48

HSL 1.8, 0.93%, 0.58%

LAB 54.87, 70.96, 50.29

 

CMYK 0 / 81 / 81 / 3

HEX #F83030

RGB 248 48 48

HSL 0, 0.93%, 0.58%

LAB 54.33, 72.5, 49.76

 

CMYK 0 / 35 / 81 / 3

HEX #F8A130

RGB 248 161 48

HSL 33.9, 0.93%, 0.58%

LAB 73.32, 23.89, 67.31

 

CMYK 0 / 13 / 81 / 3

HEX #F8D730

RGB 248 215 48

HSL 50.1, 0.93%, 0.58%

LAB 86.39, -4.13, 78.76

 

CMYK 8 / 0 / 81 / 3

HEX #E3F830

RGB 227 248 48

HSL 66.3, 0.93%, 0.58%

LAB 93.31, -28.9, 84.08

 

CMYK 30 / 0 / 81 / 3

HEX #ADF830

RGB 173 248 48

HSL 82.5, 0.93%, 0.58%

LAB 89.97, -49.57, 79.86

 

CMYK 52 / 0 / 81 / 3

HEX #77F830

RGB 119 248 48

HSL 98.7, 0.93%, 0.58%

LAB 87.62, -66.67, 76.86

 

CMYK 0 / 35 / 81 / 3

HEX #F8A130

RGB 248 161 48

HSL 33.9, 0.93%, 0.58%

LAB 73.32, 23.89, 67.31

 

CMYK 0 / 35 / 81 / 3

HEX #F8A130

RGB 248 161 48

HSL 33.9, 0.93%, 0.58%

LAB 73.32, 23.89, 67.31

 

CMYK 0 / 31 / 71 / 10

HEX #E69F42

RGB 230 159 66

HSL 34.02, 0.77%, 0.58%

LAB 70.88, 18.12, 57.1

 

CMYK 0 / 27 / 61 / 16

HEX #D59C53

RGB 213 156 83

HSL 33.69, 0.61%, 0.58%

LAB 68.42, 13.57, 45.9

 

CMYK 0 / 21 / 49 / 23

HEX #C49A64

RGB 196 154 100

HSL 33.75, 0.45%, 0.58%

LAB 66.34, 8.91, 34.21

 

CMYK 0 / 15 / 34 / 30

HEX #B29876

RGB 178 152 118

HSL 34, 0.28%, 0.58%

LAB 64.35, 4.6, 21.49

 

CMYK 0 / 79 / 81 / 3

HEX #F83430

RGB 248 52 48

HSL 1.2, 0.93%, 0.58%

LAB 54.68, 71.49, 50.11

 

CMYK 0 / 58 / 81 / 3

HEX #F86930

RGB 248 105 48

HSL 17.1, 0.93%, 0.58%

LAB 61.89, 51.93, 56.92

 

CMYK 0 / 36 / 81 / 3

HEX #F89E30

RGB 248 158 48

HSL 33, 0.93%, 0.58%

LAB 72.64, 25.47, 66.7

 

CMYK 0 / 15 / 81 / 3

HEX #F8D330

RGB 248 211 48

HSL 48.9, 0.93%, 0.58%

LAB 85.38, -2.11, 77.89

 

CMYK 7 / 0 / 81 / 3

HEX #E7F830

RGB 231 248 48

HSL 65.1, 0.93%, 0.58%

LAB 93.6, -27.29, 84.44

 

CMYK 0 / 42 / 97 / 19

HEX #CE7807

RGB 206 120 7

HSL 34.07, 0.93%, 0.42%

LAB 58.57, 27.15, 64.2

 

CMYK 0 / 42 / 96 / 4

HEX #F68F09

RGB 246 143 9

HSL 33.92, 0.93%, 0.5%

LAB 68.94, 31.72, 73.36

 

CMYK 0 / 35 / 81 / 3

HEX #F8A130

RGB 248 161 48

HSL 33.9, 0.93%, 0.58%

LAB 73.32, 23.89, 67.31

 

CMYK 0 / 28 / 65 / 2

HEX #F9B358

RGB 249 179 88

HSL 33.91, 0.93%, 0.66%

LAB 77.92, 16.67, 55.36

 

CMYK 0 / 21 / 49 / 2

HEX #FAC580

RGB 250 197 128

HSL 33.93, 0.92%, 0.74%

LAB 82.81, 10.68, 41.66

 

CMYK 0 / 35 / 80 / 3

HEX #F8A232

RGB 248 162 50

HSL 33.94, 0.93%, 0.58%

LAB 73.56, 23.43, 66.82

 

CMYK 60 / 0 / 81 / 3

HEX #62F830

RGB 98 248 48

HSL 105, 0.93%, 0.58%

LAB 86.97, -71.85, 76.03

 

CMYK 69 / 81 / 0 / 3

HEX #4E30F8

RGB 78 48 248

HSL 249, 0.93%, 0.58%

LAB 38.74, 66.99, -93.12

 

CMYK 0 / 35 / 80 / 3

HEX #F8A232

RGB 248 162 50

HSL 33.94, 0.93%, 0.58%

LAB 73.56, 23.43, 66.82

 

CMYK 81 / 0 / 36 / 3

HEX #30F89E

RGB 48 248 158

HSL 153, 0.93%, 0.58%

LAB 87.11, -66.78, 30.2

 

CMYK 36 / 81 / 0 / 3

HEX #9E30F8

RGB 158 48 248

HSL 273, 0.93%, 0.58%

LAB 47.18, 75.85, -78.92

 

CMYK 0 / 35 / 80 / 3

HEX #F8A232

RGB 248 162 50

HSL 33.94, 0.93%, 0.58%

LAB 73.56, 23.43, 66.82

 

CMYK 60 / 0 / 81 / 3

HEX #62F830

RGB 98 248 48

HSL 105, 0.93%, 0.58%

LAB 86.97, -71.85, 76.03

 

CMYK 81 / 44 / 0 / 3

HEX #308AF8

RGB 48 138 248

HSL 213, 0.93%, 0.58%

LAB 57.64, 12.29, -62.33

 

CMYK 20 / 81 / 0 / 3

HEX #C630F8

RGB 198 48 248

HSL 285, 0.93%, 0.58%

LAB 52.84, 81.97, -69.47

 

CMYK 0 / 35 / 80 / 3

HEX #F8A232

RGB 248 162 50

HSL 33.94, 0.93%, 0.58%

LAB 73.56, 23.43, 66.82

 

CMYK 81 / 0 / 77 / 3

HEX #30F83A

RGB 48 248 58

HSL 123, 0.93%, 0.58%

LAB 86.04, -79.58, 72.03

 

CMYK 81 / 44 / 0 / 3

HEX #308AF8

RGB 48 138 248

HSL 213, 0.93%, 0.58%

LAB 57.64, 12.29, -62.33

 

CMYK 0 / 81 / 4 / 3

HEX #F830EE

RGB 248 48 238

HSL 303, 0.93%, 0.58%

LAB 60.11, 89.11, -51.79

 

Description

Color code: HEX #F8A232 | qconv.com Color code: HEX #F8A232 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 162 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 162 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 80 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 80% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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