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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F89D4D it is the complementary color #0762B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F89D4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F89D4D shade: #FD9D48, #FFAF5B, #FFC16E, #FFD381 and #FFE594

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F89D4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F89D4D shade: #F89D4D, #E78B3A, #D67927, #C56714 and #B45501

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F89D4D shade: #F79D4E, #F7704E and #F74E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F89D4D shade: #F79D4E, #F7CB4E, #F6F74E, #C8F74E and #9BF74E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F89D4D shade matches the following richer shades: #F79D4E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F89D4D shade: #F79D4E, #E89E5D, #D99F6C, #CBA07B and #BCA18A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F89D4D shade: #F74E5A, #F7704E, #F79D4E, #F7CA4E and #F7F74E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F89D4D shade: #EA7209, #F68727, #F79D4E, #F9B376 and #FAC99D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F89D4D shade: #F89D4D, #87F74E and #5A4EF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F89D4D shade: #F89D4D, #4EF79D and #9D4EF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F89D4D shade: #F89D4D, #87F74E, #4EA8F7 and #BF4EF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F89D4D shade: #F89D4D, #54F74E, #4EA8F7 and #F24EF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 69 / 3

HEX #F89D4D

RGB 248 157 77

HSL 28.07, 0.92%, 0.64%

LAB 72.63, 27.19, 54.62

 

Complementary color

CMYK 96 / 45 / 0 / 30

HEX #0762B2

RGB 7 98 178

HSL 208.07, 0.92%, 0.36%

LAB 41.21, 7.62, -48.98

 

CMYK 0 / 38 / 72 / 1

HEX #FD9D48

RGB 253 157 72

HSL 28.18, 0.98%, 0.64%

LAB 73.2, 28.97, 57.7

 

CMYK 0 / 31 / 64 / 0

HEX #FFAF5B

RGB 255 175 91

HSL 30.73, 1%, 0.68%

LAB 77.68, 21.41, 53.86

 

CMYK 0 / 24 / 57 / 0

HEX #FFC16E

RGB 255 193 110

HSL 34.34, 1%, 0.72%

LAB 82.12, 13.29, 49.88

 

CMYK 0 / 17 / 49 / 0

HEX #FFD381

RGB 255 211 129

HSL 39.05, 1%, 0.75%

LAB 86.72, 5.53, 46.15

 

CMYK 0 / 10 / 42 / 0

HEX #FFE594

RGB 255 229 148

HSL 45.42, 1%, 0.79%

LAB 91.43, -1.84, 42.69

 

CMYK 0 / 37 / 69 / 3

HEX #F89D4D

RGB 248 157 77

HSL 28.07, 0.92%, 0.64%

LAB 72.63, 27.19, 54.62

 

CMYK 0 / 40 / 75 / 9

HEX #E78B3A

RGB 231 139 58

HSL 28.09, 0.78%, 0.57%

LAB 66.34, 28.8, 56.01

 

CMYK 0 / 43 / 82 / 16

HEX #D67927

RGB 214 121 39

HSL 28.11, 0.69%, 0.5%

LAB 59.99, 30.6, 57.07

 

CMYK 0 / 48 / 90 / 23

HEX #C56714

RGB 197 103 20

HSL 28.14, 0.82%, 0.43%

LAB 53.62, 32.6, 57.31

 

CMYK 0 / 53 / 99 / 29

HEX #B45501

RGB 180 85 1

HSL 28.16, 0.99%, 0.35%

LAB 47.24, 34.77, 56.33

 

CMYK 0 / 36 / 68 / 3

HEX #F79D4E

RGB 247 157 78

HSL 28.05, 0.91%, 0.64%

LAB 72.52, 26.83, 54

 

CMYK 0 / 55 / 68 / 3

HEX #F7704E

RGB 247 112 78

HSL 12.07, 0.91%, 0.64%

LAB 63.27, 49.53, 43.62

 

CMYK 0 / 68 / 68 / 3

HEX #F74E4E

RGB 247 78 78

HSL 0, 0.91%, 0.64%

LAB 57.82, 64.02, 37.21

 

CMYK 0 / 36 / 68 / 3

HEX #F79D4E

RGB 247 157 78

HSL 28.05, 0.91%, 0.64%

LAB 72.52, 26.83, 54

 

CMYK 0 / 18 / 68 / 3

HEX #F7CB4E

RGB 247 203 78

HSL 44.38, 0.91%, 0.64%

LAB 83.46, 2.78, 65.61

 

CMYK 0 / 0 / 68 / 3

HEX #F6F74E

RGB 246 247 78

HSL 60.36, 0.91%, 0.64%

LAB 94.6, -19.56, 76.79

 

CMYK 19 / 0 / 68 / 3

HEX #C8F74E

RGB 200 247 78

HSL 76.69, 0.91%, 0.64%

LAB 91.39, -37.7, 72.54

 

CMYK 37 / 0 / 68 / 3

HEX #9BF74E

RGB 155 247 78

HSL 92.66, 0.91%, 0.64%

LAB 88.94, -53.74, 69.25

 

CMYK 0 / 36 / 68 / 3

HEX #F79D4E

RGB 247 157 78

HSL 28.05, 0.91%, 0.64%

LAB 72.52, 26.83, 54

 

CMYK 0 / 36 / 68 / 3

HEX #F79D4E

RGB 247 157 78

HSL 28.05, 0.91%, 0.64%

LAB 72.52, 26.83, 54

 

CMYK 0 / 32 / 60 / 9

HEX #E89E5D

RGB 232 158 93

HSL 28.06, 0.75%, 0.64%

LAB 71.15, 21.1, 44.63

 

CMYK 0 / 27 / 50 / 15

HEX #D99F6C

RGB 217 159 108

HSL 28.07, 0.59%, 0.64%

LAB 69.92, 15.64, 34.96

 

CMYK 0 / 21 / 39 / 20

HEX #CBA07B

RGB 203 160 123

HSL 27.75, 0.43%, 0.64%

LAB 68.95, 10.95, 25.36

 

CMYK 0 / 14 / 27 / 26

HEX #BCA18A

RGB 188 161 138

HSL 27.6, 0.27%, 0.64%

LAB 68.03, 6.36, 15.65

 

CMYK 0 / 68 / 64 / 3

HEX #F74E5A

RGB 247 78 90

HSL 355.74, 0.91%, 0.64%

LAB 58, 64.66, 30.59

 

CMYK 0 / 55 / 68 / 3

HEX #F7704E

RGB 247 112 78

HSL 12.07, 0.91%, 0.64%

LAB 63.27, 49.53, 43.62

 

CMYK 0 / 36 / 68 / 3

HEX #F79D4E

RGB 247 157 78

HSL 28.05, 0.91%, 0.64%

LAB 72.52, 26.83, 54

 

CMYK 0 / 18 / 68 / 3

HEX #F7CA4E

RGB 247 202 78

HSL 44.02, 0.91%, 0.64%

LAB 83.21, 3.3, 65.35

 

CMYK 0 / 0 / 68 / 3

HEX #F7F74E

RGB 247 247 78

HSL 60, 0.91%, 0.64%

LAB 94.67, -19.16, 76.89

 

CMYK 0 / 51 / 96 / 8

HEX #EA7209

RGB 234 114 9

HSL 28, 0.93%, 0.48%

LAB 61.26, 41.67, 67.55

 

CMYK 0 / 45 / 84 / 4

HEX #F68727

RGB 246 135 39

HSL 27.83, 0.92%, 0.56%

LAB 67.33, 36.32, 65.12

 

CMYK 0 / 36 / 68 / 3

HEX #F79D4E

RGB 247 157 78

HSL 28.05, 0.91%, 0.64%

LAB 72.52, 26.83, 54

 

CMYK 0 / 28 / 53 / 2

HEX #F9B376

RGB 249 179 118

HSL 27.94, 0.92%, 0.72%

LAB 78.28, 18.83, 41.03

 

CMYK 0 / 20 / 37 / 2

HEX #FAC99D

RGB 250 201 157

HSL 28.39, 0.9%, 0.8%

LAB 84.24, 11.57, 28.58

 

CMYK 0 / 37 / 69 / 3

HEX #F89D4D

RGB 248 157 77

HSL 28.07, 0.92%, 0.64%

LAB 72.63, 27.19, 54.62

 

CMYK 45 / 0 / 68 / 3

HEX #87F74E

RGB 135 247 78

HSL 99.76, 0.91%, 0.64%

LAB 88.08, -59.98, 68.08

 

CMYK 64 / 68 / 0 / 3

HEX #5A4EF7

RGB 90 78 247

HSL 244.26, 0.91%, 0.64%

LAB 44.71, 53.14, -82.68

 

CMYK 0 / 37 / 69 / 3

HEX #F89D4D

RGB 248 157 77

HSL 28.07, 0.92%, 0.64%

LAB 72.63, 27.19, 54.62

 

CMYK 68 / 0 / 36 / 3

HEX #4EF79D

RGB 78 247 157

HSL 148.05, 0.91%, 0.64%

LAB 87.28, -62.86, 31.01

 

CMYK 36 / 68 / 0 / 3

HEX #9D4EF7

RGB 157 78 247

HSL 268.05, 0.91%, 0.64%

LAB 51.07, 63.79, -72.03

 

CMYK 0 / 37 / 69 / 3

HEX #F89D4D

RGB 248 157 77

HSL 28.07, 0.92%, 0.64%

LAB 72.63, 27.19, 54.62

 

CMYK 45 / 0 / 68 / 3

HEX #87F74E

RGB 135 247 78

HSL 99.76, 0.91%, 0.64%

LAB 88.08, -59.98, 68.08

 

CMYK 68 / 32 / 0 / 3

HEX #4EA8F7

RGB 78 168 247

HSL 208.05, 0.91%, 0.64%

LAB 66.78, -2.1, -47.19

 

CMYK 23 / 68 / 0 / 3

HEX #BF4EF7

RGB 191 78 247

HSL 280.12, 0.91%, 0.64%

LAB 55.32, 70.38, -64.96

 

CMYK 0 / 37 / 69 / 3

HEX #F89D4D

RGB 248 157 77

HSL 28.07, 0.92%, 0.64%

LAB 72.63, 27.19, 54.62

 

CMYK 66 / 0 / 68 / 3

HEX #54F74E

RGB 84 247 78

HSL 117.87, 0.91%, 0.64%

LAB 86.48, -72.45, 65.92

 

CMYK 68 / 32 / 0 / 3

HEX #4EA8F7

RGB 78 168 247

HSL 208.05, 0.91%, 0.64%

LAB 66.78, -2.1, -47.19

 

CMYK 2 / 68 / 0 / 3

HEX #F24EF7

RGB 242 78 247

HSL 298.22, 0.91%, 0.64%

LAB 62.54, 80.95, -52.99

 

Description

Color code: HEX #F89D4D | qconv.com Color code: HEX #F89D4D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 157 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 157 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 69 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 69% 3% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

51% - 喵星网欢迎你
Link: http://www.mmiiaaoo.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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