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Color name
HEX #F89D05

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F89D05 it is the complementary color #0762FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F89D05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F89D05 shade: #FD9D00, #FFAF13, #FFC126, #FFD339 and #FFE54C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F89D05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F89D05 shade: #F89D05, #E78B00, #D67900, #C56700 and #B45500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F89D05 shade: #FA9E05, #FA5C05, #FA1A05 and #FA0505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F89D05 shade: #FA9E05, #FAE005, #D2FA05, #90FA05 and #4EFA05

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F89D05 shade matches the following richer shades: #FA9E05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F89D05 shade: #FA9E05, #E5991A, #D1942E, #BC8F43 and #A78A58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F89D05 shade: #FA1A05, #FA5B05, #FA9C05, #FADD05 and #D5FA05

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F89D05 shade: #A96B03, #D18504, #FA9E05, #FBAE2E and #FCBE56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F89D05 shade: #F89D05, #32FA05 and #3A05FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F89D05 shade: #F89D05, #05FA9C and #9C05FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F89D05 shade: #F89D05, #32FA05, #0563FA and #CD05FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F89D05 shade: #F89D05, #05FA22, #0563FA and #FA05DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 98 / 3

HEX #F89D05

RGB 248 157 5

HSL 37.53, 0.96%, 0.5%

LAB 72.28, 25.23, 76.21

 

Complementary color

CMYK 97 / 61 / 0 / 2

HEX #0762FA

RGB 7 98 250

HSL 217.53, 0.96%, 0.5%

LAB 46.56, 36.01, -81.45

 

CMYK 0 / 38 / 100 / 1

HEX #FD9D00

RGB 253 157 0

HSL 37.23, 1%, 0.5%

LAB 72.89, 27.27, 77.51

 

CMYK 0 / 31 / 93 / 0

HEX #FFAF13

RGB 255 175 19

HSL 39.66, 1%, 0.54%

LAB 77.26, 18.89, 78.24

 

CMYK 0 / 24 / 85 / 0

HEX #FFC126

RGB 255 193 38

HSL 42.86, 1%, 0.57%

LAB 81.59, 9.85, 77.63

 

CMYK 0 / 17 / 78 / 0

HEX #FFD339

RGB 255 211 57

HSL 46.67, 1%, 0.61%

LAB 86.08, 1.14, 76.06

 

CMYK 0 / 10 / 70 / 0

HEX #FFE54C

RGB 255 229 76

HSL 51.28, 1%, 0.65%

LAB 90.7, -7.16, 73.91

 

CMYK 0 / 37 / 98 / 3

HEX #F89D05

RGB 248 157 5

HSL 37.53, 0.96%, 0.5%

LAB 72.28, 25.23, 76.21

 

CMYK 0 / 40 / 100 / 9

HEX #E78B00

RGB 231 139 0

HSL 36.1, 1%, 0.45%

LAB 66.1, 27.52, 71.8

 

CMYK 0 / 43 / 100 / 16

HEX #D67900

RGB 214 121 0

HSL 33.93, 1%, 0.42%

LAB 59.86, 29.91, 66.74

 

CMYK 0 / 48 / 100 / 23

HEX #C56700

RGB 197 103 0

HSL 31.37, 1%, 0.39%

LAB 53.57, 32.34, 61.66

 

CMYK 0 / 53 / 100 / 29

HEX #B45500

RGB 180 85 0

HSL 28.33, 1%, 0.35%

LAB 47.24, 34.75, 56.58

 

CMYK 0 / 37 / 98 / 2

HEX #FA9E05

RGB 250 158 5

HSL 37.47, 0.96%, 0.5%

LAB 72.75, 25.54, 76.64

 

CMYK 0 / 63 / 98 / 2

HEX #FA5C05

RGB 250 92 5

HSL 21.31, 0.96%, 0.5%

LAB 59.88, 57.6, 68.69

 

CMYK 0 / 90 / 98 / 2

HEX #FA1A05

RGB 250 26 5

HSL 5.14, 0.96%, 0.5%

LAB 53.03, 76.59, 65.28

 

CMYK 0 / 98 / 98 / 2

HEX #FA0505

RGB 250 5 5

HSL 0, 0.96%, 0.5%

LAB 52.33, 78.6, 64.98

 

CMYK 0 / 37 / 98 / 2

HEX #FA9E05

RGB 250 158 5

HSL 37.47, 0.96%, 0.5%

LAB 72.75, 25.54, 76.64

 

CMYK 0 / 10 / 98 / 2

HEX #FAE005

RGB 250 224 5

HSL 53.63, 0.96%, 0.5%

LAB 88.76, -8.53, 87.82

 

CMYK 16 / 0 / 98 / 2

HEX #D2FA05

RGB 210 250 5

HSL 69.8, 0.96%, 0.5%

LAB 92.61, -37.36, 89.33

 

CMYK 42 / 0 / 98 / 2

HEX #90FA05

RGB 144 250 5

HSL 85.96, 0.96%, 0.5%

LAB 89.07, -61.14, 85.06

 

CMYK 69 / 0 / 98 / 2

HEX #4EFA05

RGB 78 250 5

HSL 102.12, 0.96%, 0.5%

LAB 87, -77.71, 82.54

 

CMYK 0 / 37 / 98 / 2

HEX #FA9E05

RGB 250 158 5

HSL 37.47, 0.96%, 0.5%

LAB 72.75, 25.54, 76.64

 

CMYK 0 / 37 / 98 / 2

HEX #FA9E05

RGB 250 158 5

HSL 37.47, 0.96%, 0.5%

LAB 72.75, 25.54, 76.64

 

CMYK 0 / 33 / 89 / 10

HEX #E5991A

RGB 229 153 26

HSL 37.54, 0.8%, 0.5%

LAB 69.12, 19.56, 69.44

 

CMYK 0 / 29 / 78 / 18

HEX #D1942E

RGB 209 148 46

HSL 37.55, 0.64%, 0.5%

LAB 65.7, 14.18, 59.39

 

CMYK 0 / 24 / 64 / 26

HEX #BC8F43

RGB 188 143 67

HSL 37.69, 0.47%, 0.5%

LAB 62.29, 8.84, 46.03

 

CMYK 0 / 17 / 47 / 35

HEX #A78A58

RGB 167 138 88

HSL 37.97, 0.31%, 0.5%

LAB 59.06, 4.26, 30.81

 

CMYK 0 / 90 / 98 / 2

HEX #FA1A05

RGB 250 26 5

HSL 5.14, 0.96%, 0.5%

LAB 53.03, 76.59, 65.28

 

CMYK 0 / 64 / 98 / 2

HEX #FA5B05

RGB 250 91 5

HSL 21.06, 0.96%, 0.5%

LAB 59.72, 58.02, 68.6

 

CMYK 0 / 38 / 98 / 2

HEX #FA9C05

RGB 250 156 5

HSL 36.98, 0.96%, 0.5%

LAB 72.3, 26.58, 76.34

 

CMYK 0 / 12 / 98 / 2

HEX #FADD05

RGB 250 221 5

HSL 52.9, 0.96%, 0.5%

LAB 87.99, -7.03, 87.27

 

CMYK 15 / 0 / 98 / 2

HEX #D5FA05

RGB 213 250 5

HSL 69.06, 0.96%, 0.5%

LAB 92.81, -36.18, 89.56

 

CMYK 0 / 37 / 98 / 34

HEX #A96B03

RGB 169 107 3

HSL 37.59, 0.97%, 0.34%

LAB 50.64, 18.07, 57.26

 

CMYK 0 / 36 / 98 / 18

HEX #D18504

RGB 209 133 4

HSL 37.76, 0.96%, 0.42%

LAB 61.95, 21.4, 67.13

 

CMYK 0 / 37 / 98 / 2

HEX #FA9E05

RGB 250 158 5

HSL 37.47, 0.96%, 0.5%

LAB 72.75, 25.54, 76.64

 

CMYK 0 / 31 / 82 / 2

HEX #FBAE2E

RGB 251 174 46

HSL 37.46, 0.96%, 0.58%

LAB 76.67, 18.27, 71.05

 

CMYK 0 / 25 / 66 / 1

HEX #FCBE56

RGB 252 190 86

HSL 37.59, 0.97%, 0.66%

LAB 80.85, 12.04, 59.58

 

CMYK 0 / 37 / 98 / 3

HEX #F89D05

RGB 248 157 5

HSL 37.53, 0.96%, 0.5%

LAB 72.28, 25.23, 76.21

 

CMYK 80 / 0 / 98 / 2

HEX #32FA05

RGB 50 250 5

HSL 108.98, 0.96%, 0.5%

LAB 86.53, -81.78, 81.97

 

CMYK 77 / 98 / 0 / 2

HEX #3A05FA

RGB 58 5 250

HSL 252.98, 0.96%, 0.5%

LAB 33.8, 78, -102.51

 

CMYK 0 / 37 / 98 / 3

HEX #F89D05

RGB 248 157 5

HSL 37.53, 0.96%, 0.5%

LAB 72.28, 25.23, 76.21

 

CMYK 98 / 0 / 38 / 2

HEX #05FA9C

RGB 5 250 156

HSL 156.98, 0.96%, 0.5%

LAB 87.39, -70.17, 31.53

 

CMYK 38 / 98 / 0 / 2

HEX #9C05FA

RGB 156 5 250

HSL 276.98, 0.96%, 0.5%

LAB 44.35, 84.14, -84.71

 

CMYK 0 / 37 / 98 / 3

HEX #F89D05

RGB 248 157 5

HSL 37.53, 0.96%, 0.5%

LAB 72.28, 25.23, 76.21

 

CMYK 80 / 0 / 98 / 2

HEX #32FA05

RGB 50 250 5

HSL 108.98, 0.96%, 0.5%

LAB 86.53, -81.78, 81.97

 

CMYK 98 / 60 / 0 / 2

HEX #0563FA

RGB 5 99 250

HSL 216.98, 0.96%, 0.5%

LAB 46.79, 35.33, -81.07

 

CMYK 18 / 98 / 0 / 2

HEX #CD05FA

RGB 205 5 250

HSL 288.98, 0.96%, 0.5%

LAB 51.83, 89.95, -72.18

 

CMYK 0 / 37 / 98 / 3

HEX #F89D05

RGB 248 157 5

HSL 37.53, 0.96%, 0.5%

LAB 72.28, 25.23, 76.21

 

CMYK 98 / 0 / 86 / 2

HEX #05FA22

RGB 5 250 34

HSL 127.1, 0.96%, 0.5%

LAB 86.27, -84, 78.04

 

CMYK 98 / 60 / 0 / 2

HEX #0563FA

RGB 5 99 250

HSL 216.98, 0.96%, 0.5%

LAB 46.79, 35.33, -81.07

 

CMYK 0 / 98 / 12 / 2

HEX #FA05DD

RGB 250 5 221

HSL 307.1, 0.96%, 0.5%

LAB 57.71, 92.62, -46.02

 

Description

Color code: HEX #F89D05 | qconv.com Color code: HEX #F89D05 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 157 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 157 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 98 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 98% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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