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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F89971 it is the complementary color #07668E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F89971. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F89971 shade: #FD996C, #FFAB7F, #FFBD92, #FFCFA5 and #FFE1B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F89971. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F89971 shade: #F89971, #E7875E, #D6754B, #C56338 and #B45125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F89971 shade: #F89A72, #F87572 and #F87272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F89971 shade: #F89A72, #F8BE72, #F8E272, #EAF872 and #C6F872

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F89971 shade matches the following richer shades: #F89A72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F89971 shade: #F89A72, #EC9F7E, #E0A38A, #D4A896 and #C8ADA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F89971 shade: #F87293, #F87472, #F89872, #F8BC72 and #F8E072

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F89971 shade: #F56123, #F67D4A, #F89A72, #FAB699 and #FCD2C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F89971 shade: #F89971, #B7F872 and #7281F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F89971 shade: #F89971, #72F898 and #9872F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F89971 shade: #F89971, #B7F872, #72D2F8 and #B372F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F89971 shade: #F89971, #8FF872, #72D2F8 and #DB72F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 54 / 3

HEX #F89971

RGB 248 153 113

HSL 17.78, 0.91%, 0.71%

LAB 72.18, 31.66, 35.93

 

Complementary color

CMYK 95 / 28 / 0 / 44

HEX #07668E

RGB 7 102 142

HSL 197.78, 0.91%, 0.29%

LAB 40.41, -9.32, -28.85

 

CMYK 0 / 40 / 57 / 1

HEX #FD996C

RGB 253 153 108

HSL 18.62, 0.97%, 0.71%

LAB 72.73, 33.22, 39.39

 

CMYK 0 / 33 / 50 / 0

HEX #FFAB7F

RGB 255 171 127

HSL 20.63, 1%, 0.75%

LAB 77.23, 26.18, 35.16

 

CMYK 0 / 26 / 43 / 0

HEX #FFBD92

RGB 255 189 146

HSL 23.67, 1%, 0.79%

LAB 81.69, 18.59, 31.02

 

CMYK 0 / 19 / 35 / 0

HEX #FFCFA5

RGB 255 207 165

HSL 28, 1%, 0.82%

LAB 86.31, 11.3, 27.27

 

CMYK 0 / 12 / 28 / 0

HEX #FFE1B8

RGB 255 225 184

HSL 34.65, 1%, 0.86%

LAB 91.04, 4.36, 23.87

HEX #FFE1B8

CMYK 0 / 38 / 54 / 3

HEX #F89971

RGB 248 153 113

HSL 17.78, 0.91%, 0.71%

LAB 72.18, 31.66, 35.93

 

CMYK 0 / 42 / 59 / 9

HEX #E7875E

RGB 231 135 94

HSL 17.96, 0.74%, 0.64%

LAB 65.85, 32.95, 37.66

 

CMYK 0 / 45 / 65 / 16

HEX #D6754B

RGB 214 117 75

HSL 18.13, 0.63%, 0.57%

LAB 59.46, 34.36, 39.55

 

CMYK 0 / 50 / 72 / 23

HEX #C56338

RGB 197 99 56

HSL 18.3, 0.56%, 0.5%

LAB 53.04, 35.92, 41.58

 

CMYK 0 / 55 / 79 / 29

HEX #B45125

RGB 180 81 37

HSL 18.46, 0.66%, 0.43%

LAB 46.61, 37.59, 43.63

 

CMYK 0 / 38 / 54 / 3

HEX #F89A72

RGB 248 154 114

HSL 17.91, 0.91%, 0.71%

LAB 72.42, 31.22, 35.7

 

CMYK 0 / 53 / 54 / 3

HEX #F87572

RGB 248 117 114

HSL 1.34, 0.91%, 0.71%

LAB 64.88, 49.86, 25.9

 

CMYK 0 / 54 / 54 / 3

HEX #F87272

RGB 248 114 114

HSL 0, 0.91%, 0.71%

LAB 64.33, 51.29, 25.16

 

CMYK 0 / 38 / 54 / 3

HEX #F89A72

RGB 248 154 114

HSL 17.91, 0.91%, 0.71%

LAB 72.42, 31.22, 35.7

 

CMYK 0 / 23 / 54 / 3

HEX #F8BE72

RGB 248 190 114

HSL 34.03, 0.91%, 0.71%

LAB 80.74, 12.33, 46.07

 

CMYK 0 / 9 / 54 / 3

HEX #F8E272

RGB 248 226 114

HSL 50.15, 0.91%, 0.71%

LAB 89.66, -6.16, 56.72

 

CMYK 6 / 0 / 54 / 3

HEX #EAF872

RGB 234 248 114

HSL 66.27, 0.91%, 0.71%

LAB 94.24, -22.51, 61.74

 

CMYK 20 / 0 / 54 / 3

HEX #C6F872

RGB 198 248 114

HSL 82.39, 0.91%, 0.71%

LAB 91.84, -36.18, 58.34

 

CMYK 0 / 38 / 54 / 3

HEX #F89A72

RGB 248 154 114

HSL 17.91, 0.91%, 0.71%

LAB 72.42, 31.22, 35.7

 

CMYK 0 / 38 / 54 / 3

HEX #F89A72

RGB 248 154 114

HSL 17.91, 0.91%, 0.71%

LAB 72.42, 31.22, 35.7

 

CMYK 0 / 33 / 47 / 7

HEX #EC9F7E

RGB 236 159 126

HSL 18, 0.74%, 0.71%

LAB 72.32, 24.97, 28.86

 

CMYK 0 / 27 / 38 / 12

HEX #E0A38A

RGB 224 163 138

HSL 17.44, 0.58%, 0.71%

LAB 72.15, 19.4, 21.89

 

CMYK 0 / 21 / 29 / 17

HEX #D4A896

RGB 212 168 150

HSL 17.42, 0.42%, 0.71%

LAB 72.36, 13.55, 15.44

 

CMYK 0 / 14 / 19 / 22

HEX #C8ADA2

RGB 200 173 162

HSL 17.37, 0.26%, 0.71%

LAB 72.74, 8, 9.25

 

CMYK 0 / 54 / 41 / 3

HEX #F87293

RGB 248 114 147

HSL 345.22, 0.91%, 0.71%

LAB 65.04, 54.3, 7.38

 

CMYK 0 / 53 / 54 / 3

HEX #F87472

RGB 248 116 114

HSL 0.9, 0.91%, 0.71%

LAB 64.69, 50.34, 25.65

 

CMYK 0 / 39 / 54 / 3

HEX #F89872

RGB 248 152 114

HSL 17.01, 0.91%, 0.71%

LAB 71.98, 32.26, 35.14

 

CMYK 0 / 24 / 54 / 3

HEX #F8BC72

RGB 248 188 114

HSL 33.13, 0.91%, 0.71%

LAB 80.26, 13.38, 45.48

 

CMYK 0 / 10 / 54 / 3

HEX #F8E072

RGB 248 224 114

HSL 49.25, 0.91%, 0.71%

LAB 89.15, -5.16, 56.12

 

CMYK 0 / 60 / 86 / 4

HEX #F56123

RGB 245 97 35

HSL 17.71, 0.91%, 0.55%

LAB 59.96, 54.11, 60.4

 

CMYK 0 / 49 / 70 / 4

HEX #F67D4A

RGB 246 125 74

HSL 17.79, 0.91%, 0.63%

LAB 65.56, 42.66, 48.23

 

CMYK 0 / 38 / 54 / 3

HEX #F89A72

RGB 248 154 114

HSL 17.91, 0.91%, 0.71%

LAB 72.42, 31.22, 35.7

 

CMYK 0 / 27 / 39 / 2

HEX #FAB699

RGB 250 182 153

HSL 17.94, 0.91%, 0.79%

LAB 79.66, 21.08, 24.49

 

CMYK 0 / 17 / 23 / 1

HEX #FCD2C1

RGB 252 210 193

HSL 17.29, 0.91%, 0.87%

LAB 87.31, 12.21, 13.92

 

CMYK 0 / 38 / 54 / 3

HEX #F89971

RGB 248 153 113

HSL 17.78, 0.91%, 0.71%

LAB 72.18, 31.66, 35.93

 

CMYK 26 / 0 / 54 / 3

HEX #B7F872

RGB 183 248 114

HSL 89.1, 0.91%, 0.71%

LAB 90.97, -41.58, 57.1

 

CMYK 54 / 48 / 0 / 3

HEX #7281F8

RGB 114 129 248

HSL 233.28, 0.91%, 0.71%

LAB 58.09, 27.51, -61.45

 

CMYK 0 / 38 / 54 / 3

HEX #F89971

RGB 248 153 113

HSL 17.78, 0.91%, 0.71%

LAB 72.18, 31.66, 35.93

 

CMYK 54 / 0 / 39 / 3

HEX #72F898

RGB 114 248 152

HSL 137.01, 0.91%, 0.71%

LAB 88.44, -57.1, 35.22

 

CMYK 39 / 54 / 0 / 3

HEX #9872F8

RGB 152 114 248

HSL 257.01, 0.91%, 0.71%

LAB 57.55, 44.45, -62.16

 

CMYK 0 / 38 / 54 / 3

HEX #F89971

RGB 248 153 113

HSL 17.78, 0.91%, 0.71%

LAB 72.18, 31.66, 35.93

 

CMYK 26 / 0 / 54 / 3

HEX #B7F872

RGB 183 248 114

HSL 89.1, 0.91%, 0.71%

LAB 90.97, -41.58, 57.1

 

CMYK 54 / 15 / 0 / 3

HEX #72D2F8

RGB 114 210 248

HSL 197.01, 0.91%, 0.71%

LAB 79.87, -18.04, -27.3

 

CMYK 28 / 54 / 0 / 3

HEX #B372F8

RGB 179 114 248

HSL 269.1, 0.91%, 0.71%

LAB 60.24, 50.84, -57.69

 

CMYK 0 / 38 / 54 / 3

HEX #F89971

RGB 248 153 113

HSL 17.78, 0.91%, 0.71%

LAB 72.18, 31.66, 35.93

 

CMYK 42 / 0 / 54 / 3

HEX #8FF872

RGB 143 248 114

HSL 107.01, 0.91%, 0.71%

LAB 89.01, -54.65, 54.31

 

CMYK 54 / 15 / 0 / 3

HEX #72D2F8

RGB 114 210 248

HSL 197.01, 0.91%, 0.71%

LAB 79.87, -18.04, -27.3

 

CMYK 12 / 54 / 0 / 3

HEX #DB72F8

RGB 219 114 248

HSL 287.01, 0.91%, 0.71%

LAB 64.86, 60.86, -50.07

 

Description

Color code: HEX #F89971 | qconv.com Color code: HEX #F89971 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 153 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 153 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 54 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 54% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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