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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8909D00 it is the complementary color #076F6200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8909D00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8909D00 shade: #FD909800, #FFA2AB00, #FFB4BE00, #FFC6D100 and #FFD8E400

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8909D00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8909D00 shade: #F8909D00, #E77E8A00, #D66C7700, #C55A6400 and #B4485100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8909D00 shade: #F8919E and #F89191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8909D00 shade: #F8919E, #F891B9, #F891D5, #F891F1 and #E391F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8909D00 shade matches the following richer shades: #F8919E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8909D00 shade: #F8919E, #EE9AA5, #E5A4AC, #DBADB3 and #D2B7BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8909D00 shade: #F891D6, #F891BA, #F8919F, #F89F91 and #F8BA91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8909D00 shade: #F34359, #F56A7B, #F8919E, #FAB8C0 and #FDDEE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8909D00 shade: #F8909D, #F1F891 and #91C8F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8909D00 shade: #F8909D, #9FF891 and #919FF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8909D00 shade: #F8909D, #F1F891, #91F8EA and #9891F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8909D00 shade: #F8909D, #D2F891, #91F8EA and #B791F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #F8909D00

RGBA 248 144 157 0

HSLA 352.5, 0.88%, 0.77%, 0

LABA 71.1, 40.63, 10.38, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #076F6200

RGBA 7 111 98 0

HSLA 172.5, 0.88%, 0.23%, 0

LABA 41.68, -29.72, -0.3, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FD909800

RGBA 253 144 152 0

HSLA 355.6, 0.96%, 0.78%, 0

LABA 71.62, 41.86, 13.98, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFA2AB00

RGBA 255 162 171 0

HSLA 354.19, 1%, 0.82%, 0

LABA 76.09, 35.53, 9.87, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFB4BE00

RGBA 255 180 190 0

HSLA 352, 1%, 0.85%, 0

LABA 80.53, 28.6, 5.89, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFC6D100

RGBA 255 198 209 0

HSLA 348.42, 1%, 0.89%, 0

LABA 85.12, 21.89, 2.35, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFD8E400

RGBA 255 216 228 0

HSLA 341.54, 1%, 0.92%, 0

LABA 89.85, 15.45, -0.83, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F8909D00

RGBA 248 144 157 0

HSLA 352.5, 0.88%, 0.77%, 0

LABA 71.1, 40.63, 10.38, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E77E8A00

RGBA 231 126 138 0

HSLA 353.14, 0.69%, 0.7%, 0

LABA 64.76, 41.6, 11.78, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D66C7700

RGBA 214 108 119 0

HSLA 353.77, 0.56%, 0.63%, 0

LABA 58.37, 42.61, 13.37, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C55A6400

RGBA 197 90 100 0

HSLA 354.39, 0.48%, 0.56%, 0

LABA 51.95, 43.64, 15.24, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B4485100

RGBA 180 72 81 0

HSLA 355, 0.43%, 0.49%, 0

LABA 45.54, 44.61, 17.48, 0

 

CMYK 0 / 42 / 36 / 3

HEX #F8919E

RGB 248 145 158

HSL 352.43, 0.88%, 0.77%

LAB 71.33, 40.24, 10.15

 

CMYK 0 / 42 / 42 / 3

HEX #F89191

RGB 248 145 145

HSL 0, 0.88%, 0.77%

LAB 71.04, 38.79, 16.97

 

CMYK 0 / 42 / 36 / 3

HEX #F8919E

RGB 248 145 158

HSL 352.43, 0.88%, 0.77%

LAB 71.33, 40.24, 10.15

 

CMYK 0 / 42 / 25 / 3

HEX #F891B9

RGB 248 145 185

HSL 336.7, 0.88%, 0.77%

LAB 72.03, 43.65, -3.84

 

CMYK 0 / 42 / 14 / 3

HEX #F891D5

RGB 248 145 213

HSL 320.39, 0.88%, 0.77%

LAB 72.9, 47.74, -18.04

 

CMYK 0 / 42 / 3 / 3

HEX #F891F1

RGB 248 145 241

HSL 304.08, 0.88%, 0.77%

LAB 73.91, 52.34, -31.84

 

CMYK 8 / 42 / 0 / 3

HEX #E391F8

RGB 227 145 248

HSL 287.77, 0.88%, 0.77%

LAB 71.8, 47.47, -39.12

 

CMYK 0 / 42 / 36 / 3

HEX #F8919E

RGB 248 145 158

HSL 352.43, 0.88%, 0.77%

LAB 71.33, 40.24, 10.15

 

CMYK 0 / 42 / 36 / 3

HEX #F8919E

RGB 248 145 158

HSL 352.43, 0.88%, 0.77%

LAB 71.33, 40.24, 10.15

 

CMYK 0 / 35 / 31 / 7

HEX #EE9AA5

RGB 238 154 165

HSL 352.14, 0.71%, 0.77%

LAB 72.23, 32.8, 7.39

 

CMYK 0 / 28 / 25 / 10

HEX #E5A4AC

RGB 229 164 172

HSL 352.62, 0.56%, 0.77%

LAB 73.67, 25.14, 5.46

 

CMYK 0 / 21 / 18 / 14

HEX #DBADB3

RGB 219 173 179

HSL 352.17, 0.39%, 0.77%

LAB 74.95, 17.67, 3.35

 

CMYK 0 / 13 / 11 / 18

HEX #D2B7BA

RGB 210 183 186

HSL 353.33, 0.23%, 0.77%

LAB 76.75, 10.14, 2.03

 

CMYK 0 / 42 / 14 / 3

HEX #F891D6

RGB 248 145 214

HSL 319.81, 0.88%, 0.77%

LAB 72.93, 47.9, -18.54

 

CMYK 0 / 42 / 25 / 3

HEX #F891BA

RGB 248 145 186

HSL 336.12, 0.88%, 0.77%

LAB 72.06, 43.78, -4.36

 

CMYK 0 / 42 / 36 / 3

HEX #F8919F

RGB 248 145 159

HSL 351.84, 0.88%, 0.77%

LAB 71.36, 40.35, 9.63

 

CMYK 0 / 36 / 42 / 3

HEX #F89F91

RGB 248 159 145

HSL 8.16, 0.88%, 0.77%

LAB 74.06, 31.53, 21.13

 

CMYK 0 / 25 / 42 / 3

HEX #F8BA91

RGB 248 186 145

HSL 23.88, 0.88%, 0.77%

LAB 80.25, 17.33, 29.49

 

CMYK 0 / 72 / 63 / 5

HEX #F34359

RGB 243 67 89

HSL 352.5, 0.88%, 0.61%

LAB 55.88, 67.28, 28.32

 

CMYK 0 / 57 / 50 / 4

HEX #F56A7B

RGB 245 106 123

HSL 352.66, 0.87%, 0.69%

LAB 62.63, 54.71, 17.67

 

CMYK 0 / 42 / 36 / 3

HEX #F8919E

RGB 248 145 158

HSL 352.43, 0.88%, 0.77%

LAB 71.33, 40.24, 10.15

 

CMYK 0 / 26 / 23 / 2

HEX #FAB8C0

RGB 250 184 192

HSL 352.73, 0.87%, 0.85%

LAB 80.97, 24.98, 5.37

 

CMYK 0 / 12 / 11 / 1

HEX #FDDEE2

RGB 253 222 226

HSL 352.26, 0.89%, 0.93%

LAB 91.06, 11.32, 1.97

 

CMYK 0 / 42 / 37 / 3

HEX #F8909D

RGB 248 144 157

HSL 352.5, 0.88%, 0.77%

LAB 71.1, 40.63, 10.38

 

CMYK 3 / 0 / 42 / 3

HEX #F1F891

RGB 241 248 145

HSL 64.08, 0.88%, 0.77%

LAB 95.11, -16.98, 48.57

 

CMYK 42 / 19 / 0 / 3

HEX #91C8F8

RGB 145 200 248

HSL 207.96, 0.88%, 0.77%

LAB 78.52, -5.76, -29.24

 

CMYK 0 / 42 / 37 / 3

HEX #F8909D

RGB 248 144 157

HSL 352.5, 0.88%, 0.77%

LAB 71.1, 40.63, 10.38

 

CMYK 36 / 0 / 42 / 3

HEX #9FF891

RGB 159 248 145

HSL 111.84, 0.88%, 0.77%

LAB 90.11, -45.91, 41.2

 

CMYK 42 / 36 / 0 / 3

HEX #919FF8

RGB 145 159 248

HSL 231.84, 0.88%, 0.77%

LAB 67.72, 16.99, -46.03

 

CMYK 0 / 42 / 37 / 3

HEX #F8909D

RGB 248 144 157

HSL 352.5, 0.88%, 0.77%

LAB 71.1, 40.63, 10.38

 

CMYK 3 / 0 / 42 / 3

HEX #F1F891

RGB 241 248 145

HSL 64.08, 0.88%, 0.77%

LAB 95.11, -16.98, 48.57

 

CMYK 42 / 0 / 6 / 3

HEX #91F8EA

RGB 145 248 234

HSL 171.84, 0.88%, 0.77%

LAB 91.28, -33.26, -2.7

 

CMYK 39 / 42 / 0 / 3

HEX #9891F8

RGB 152 145 248

HSL 244.08, 0.88%, 0.77%

LAB 64.73, 26.79, -50.71

 

CMYK 0 / 42 / 37 / 3

HEX #F8909D

RGB 248 144 157

HSL 352.5, 0.88%, 0.77%

LAB 71.1, 40.63, 10.38

 

CMYK 15 / 0 / 42 / 3

HEX #D2F891

RGB 210 248 145

HSL 82.14, 0.88%, 0.77%

LAB 92.96, -28.57, 45.41

 

CMYK 42 / 0 / 6 / 3

HEX #91F8EA

RGB 145 248 234

HSL 171.84, 0.88%, 0.77%

LAB 91.28, -33.26, -2.7

 

CMYK 26 / 42 / 0 / 3

HEX #B791F8

RGB 183 145 248

HSL 262.14, 0.88%, 0.77%

LAB 67.35, 34.99, -46.4

 

Description

Color code: HEX #F8909D00 | qconv.com Color code: HEX #F8909D00 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 144 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 144 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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