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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F88EE0 it is the complementary color #07711F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F88EE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F88EE0 shade: #FD8EDB, #FFA0EE, #FFB2FF, #FFC4FF and #FFD6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F88EE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F88EE0 shade: #F88EE0, #E77CCD, #D66ABA, #C558A7 and #B44694

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F88EE0 shade: #F88CDF, #F88CC2, #F88CA5 and #F88C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F88EE0 shade: #F88CDF, #F38CF8, #D68CF8, #B98CF8 and #9C8CF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F88EE0 shade matches the following richer shades: #F88CDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F88EE0 shade: #F88CDF, #EE96DA, #E4A0D4, #DAAACF and #D0B4CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F88EE0 shade: #D68CF8, #F28CF8, #F88CE0, #F88CC4 and #F88CA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F88EE0 shade: #F33ECA, #F565D5, #F88CDF, #FAB3EA and #FDDAF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F88EE0 shade: #F88EE0, #F8B98C and #8CF8E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F88EE0 shade: #F88EE0, #E0F88C and #8CE0F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F88EE0 shade: #F88EE0, #F8B98C, #8CF8A3 and #8CCBF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F88EE0 shade: #F88EE0, #F8D98C, #8CF8A3 and #8CAAF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 10 / 3

HEX #F88EE0

RGB 248 142 224

HSL 313.58, 0.88%, 0.76%

LAB 72.68, 51, -24.42

 

Complementary color

CMYK 94 / 0 / 73 / 56

HEX #07711F

RGB 7 113 31

HSL 133.58, 0.88%, 0.24%

LAB 41.14, -44.6, 36.33

 

CMYK 0 / 44 / 13 / 1

HEX #FD8EDB

RGB 253 142 219

HSL 318.38, 0.97%, 0.77%

LAB 73.12, 51.75, -20.96

 

CMYK 0 / 37 / 7 / 0

HEX #FFA0EE

RGB 255 160 238

HSL 310.74, 1%, 0.81%

LAB 77.62, 46.35, -24.44

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 0 / 43 / 10 / 3

HEX #F88EE0

RGB 248 142 224

HSL 313.58, 0.88%, 0.76%

LAB 72.68, 51, -24.42

 

CMYK 0 / 46 / 11 / 9

HEX #E77CCD

RGB 231 124 205

HSL 314.58, 0.69%, 0.7%

LAB 66.38, 51.71, -23.72

 

CMYK 0 / 50 / 13 / 16

HEX #D66ABA

RGB 214 106 186

HSL 315.56, 0.57%, 0.63%

LAB 60.02, 52.39, -22.9

 

CMYK 0 / 55 / 15 / 23

HEX #C558A7

RGB 197 88 167

HSL 316.51, 0.48%, 0.56%

LAB 53.64, 52.97, -21.93

 

CMYK 0 / 61 / 18 / 29

HEX #B44694

RGB 180 70 148

HSL 317.45, 0.44%, 0.49%

LAB 47.26, 53.37, -20.72

 

CMYK 0 / 44 / 10 / 3

HEX #F88CDF

RGB 248 140 223

HSL 313.89, 0.89%, 0.76%

LAB 72.26, 51.84, -24.52

 

CMYK 0 / 44 / 22 / 3

HEX #F88CC2

RGB 248 140 194

HSL 330, 0.89%, 0.76%

LAB 71.29, 47.44, -9.95

 

CMYK 0 / 44 / 33 / 3

HEX #F88CA5

RGB 248 140 165

HSL 346.11, 0.89%, 0.76%

LAB 70.48, 43.62, 5.02

 

CMYK 0 / 44 / 44 / 3

HEX #F88C8C

RGB 248 140 140

HSL 0, 0.89%, 0.76%

LAB 69.9, 40.83, 18.16

 

CMYK 0 / 44 / 10 / 3

HEX #F88CDF

RGB 248 140 223

HSL 313.89, 0.89%, 0.76%

LAB 72.26, 51.84, -24.52

 

CMYK 2 / 44 / 0 / 3

HEX #F38CF8

RGB 243 140 248

HSL 297.22, 0.89%, 0.76%

LAB 72.62, 54.62, -37.7

 

CMYK 14 / 44 / 0 / 3

HEX #D68CF8

RGB 214 140 248

HSL 281.11, 0.89%, 0.76%

LAB 69.35, 46.37, -43.05

 

CMYK 25 / 44 / 0 / 3

HEX #B98CF8

RGB 185 140 248

HSL 265, 0.89%, 0.76%

LAB 66.4, 38.31, -47.88

 

CMYK 37 / 44 / 0 / 3

HEX #9C8CF8

RGB 156 140 248

HSL 248.89, 0.89%, 0.76%

LAB 63.84, 30.67, -52.1

 

CMYK 0 / 44 / 10 / 3

HEX #F88CDF

RGB 248 140 223

HSL 313.89, 0.89%, 0.76%

LAB 72.26, 51.84, -24.52

 

CMYK 0 / 44 / 10 / 3

HEX #F88CDF

RGB 248 140 223

HSL 313.89, 0.89%, 0.76%

LAB 72.26, 51.84, -24.52

 

CMYK 0 / 37 / 8 / 7

HEX #EE96DA

RGB 238 150 218

HSL 313.64, 0.72%, 0.76%

LAB 72.93, 42.79, -20.86

 

CMYK 0 / 30 / 7 / 11

HEX #E4A0D4

RGB 228 160 212

HSL 314.12, 0.56%, 0.76%

LAB 73.8, 33.23, -16.35

 

CMYK 0 / 22 / 5 / 15

HEX #DAAACF

RGB 218 170 207

HSL 313.75, 0.39%, 0.76%

LAB 74.93, 23.6, -12.02

 

CMYK 0 / 13 / 3 / 18

HEX #D0B4CA

RGB 208 180 202

HSL 312.86, 0.23%, 0.76%

LAB 76.26, 13.84, -7.4

 

CMYK 14 / 44 / 0 / 3

HEX #D68CF8

RGB 214 140 248

HSL 281.11, 0.89%, 0.76%

LAB 69.35, 46.37, -43.05

 

CMYK 2 / 44 / 0 / 3

HEX #F28CF8

RGB 242 140 248

HSL 296.67, 0.89%, 0.76%

LAB 72.5, 54.34, -37.89

 

CMYK 0 / 44 / 10 / 3

HEX #F88CE0

RGB 248 140 224

HSL 313.33, 0.89%, 0.76%

LAB 72.29, 52, -25.02

 

CMYK 0 / 44 / 21 / 3

HEX #F88CC4

RGB 248 140 196

HSL 328.89, 0.89%, 0.76%

LAB 71.35, 47.72, -10.97

 

CMYK 0 / 44 / 33 / 3

HEX #F88CA7

RGB 248 140 167

HSL 345, 0.89%, 0.76%

LAB 70.53, 43.86, 3.98

 

CMYK 0 / 74 / 17 / 5

HEX #F33ECA

RGB 243 62 202

HSL 313.59, 0.88%, 0.6%

LAB 58.76, 79.64, -33.65

 

CMYK 0 / 59 / 13 / 4

HEX #F565D5

RGB 245 101 213

HSL 313.33, 0.88%, 0.68%

LAB 64.58, 67.59, -30.8

 

CMYK 0 / 44 / 10 / 3

HEX #F88CDF

RGB 248 140 223

HSL 313.89, 0.89%, 0.76%

LAB 72.26, 51.84, -24.52

 

CMYK 0 / 28 / 6 / 2

HEX #FAB3EA

RGB 250 179 234

HSL 313.52, 0.88%, 0.84%

LAB 81.02, 34.2, -17.19

 

CMYK 0 / 14 / 3 / 1

HEX #FDDAF5

RGB 253 218 245

HSL 313.71, 0.9%, 0.92%

LAB 90.61, 16.6, -8.67

 

CMYK 0 / 43 / 10 / 3

HEX #F88EE0

RGB 248 142 224

HSL 313.58, 0.88%, 0.76%

LAB 72.68, 51, -24.42

 

CMYK 0 / 25 / 44 / 3

HEX #F8B98C

RGB 248 185 140

HSL 25, 0.89%, 0.76%

LAB 79.92, 17.33, 31.7

 

CMYK 44 / 0 / 8 / 3

HEX #8CF8E4

RGB 140 248 228

HSL 168.89, 0.89%, 0.76%

LAB 90.92, -35.83, -0.12

 

CMYK 0 / 43 / 10 / 3

HEX #F88EE0

RGB 248 142 224

HSL 313.58, 0.88%, 0.76%

LAB 72.68, 51, -24.42

 

CMYK 10 / 0 / 44 / 3

HEX #E0F88C

RGB 224 248 140

HSL 73.33, 0.89%, 0.76%

LAB 93.83, -23.94, 49.1

 

CMYK 44 / 10 / 0 / 3

HEX #8CE0F8

RGB 140 224 248

HSL 193.33, 0.89%, 0.76%

LAB 84.82, -19.42, -19.67

 

CMYK 0 / 43 / 10 / 3

HEX #F88EE0

RGB 248 142 224

HSL 313.58, 0.88%, 0.76%

LAB 72.68, 51, -24.42

 

CMYK 0 / 25 / 44 / 3

HEX #F8B98C

RGB 248 185 140

HSL 25, 0.89%, 0.76%

LAB 79.92, 17.33, 31.7

 

CMYK 44 / 0 / 34 / 3

HEX #8CF8A3

RGB 140 248 163

HSL 132.78, 0.89%, 0.76%

LAB 89.56, -48.71, 31.38

 

CMYK 44 / 18 / 0 / 3

HEX #8CCBF8

RGB 140 203 248

HSL 205, 0.89%, 0.76%

LAB 79.08, -8.59, -28.41

 

CMYK 0 / 43 / 10 / 3

HEX #F88EE0

RGB 248 142 224

HSL 313.58, 0.88%, 0.76%

LAB 72.68, 51, -24.42

 

CMYK 0 / 13 / 44 / 3

HEX #F8D98C

RGB 248 217 140

HSL 42.78, 0.89%, 0.76%

LAB 87.72, 0.71, 41.8

 

CMYK 44 / 0 / 34 / 3

HEX #8CF8A3

RGB 140 248 163

HSL 132.78, 0.89%, 0.76%

LAB 89.56, -48.71, 31.38

 

CMYK 44 / 31 / 0 / 3

HEX #8CAAF8

RGB 140 170 248

HSL 223.33, 0.89%, 0.76%

LAB 70.25, 9.48, -42.09

 

Description

Color code: HEX #F88EE0 | qconv.com Color code: HEX #F88EE0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 142 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 142 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 10 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 10% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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