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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F88DD3 it is the complementary color #07722C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F88DD3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F88DD3 shade: #FD8DCE, #FF9FE1, #FFB1F4, #FFC3FF and #FFD5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F88DD3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F88DD3 shade: #F88DD3, #E77BC0, #D669AD, #C5579A and #B44587

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F88DD3 shade: #F88CD2, #F88CB5, #F88C98 and #F88C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F88DD3 shade: #F88CD2, #F88CEF, #E38CF8, #C68CF8 and #A98CF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F88DD3 shade matches the following richer shades: #F88CD2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F88DD3 shade: #F88CD2, #EE96CF, #E4A0CC, #DAAAC9 and #D0B4C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F88DD3 shade: #E28CF8, #F88CF0, #F88CD4, #F88CB7 and #F88C9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F88DD3 shade: #F33EB4, #F565C3, #F88CD2, #FAB3E1 and #FDDAF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F88DD3 shade: #F88DD3, #F8C58C and #8CF8F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F88DD3 shade: #F88DD3, #D4F88C and #8CD4F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F88DD3 shade: #F88DD3, #F8C58C, #8CF8B0 and #8CBEF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F88DD3 shade: #F88DD3, #F8E68C, #8CF8B0 and #8C9EF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 15 / 3

HEX #F88DD3

RGB 248 141 211

HSL 320.75, 0.88%, 0.76%

LAB 72.03, 49.45, -18.25

 

Complementary color

CMYK 94 / 0 / 61 / 55

HEX #07722C

RGB 7 114 44

HSL 140.75, 0.88%, 0.24%

LAB 41.63, -43.31, 30.71

 

CMYK 0 / 44 / 19 / 1

HEX #FD8DCE

RGB 253 141 206

HSL 325.18, 0.97%, 0.77%

LAB 72.49, 50.28, -14.74

 

CMYK 0 / 38 / 12 / 0

HEX #FF9FE1

RGB 255 159 225

HSL 318.75, 1%, 0.81%

LAB 76.98, 44.73, -18.37

 

CMYK 0 / 31 / 4 / 0

HEX #FFB1F4

RGB 255 177 244

HSL 308.46, 1%, 0.85%

LAB 81.42, 38.58, -21.9

 

CMYK 0 / 24 / 0 / 0

HEX #FFC3FF

RGB 255 195 255

HSL 300, 1%, 0.88%

LAB 85.76, 31.1, -21.19

 

CMYK 0 / 16 / 0 / 0

HEX #FFD5FF

RGB 255 213 255

HSL 300, 1%, 0.92%

LAB 89.89, 21.65, -14.97

 

CMYK 0 / 43 / 15 / 3

HEX #F88DD3

RGB 248 141 211

HSL 320.75, 0.88%, 0.76%

LAB 72.03, 49.45, -18.25

 

CMYK 0 / 47 / 17 / 9

HEX #E77BC0

RGB 231 123 192

HSL 321.67, 0.69%, 0.69%

LAB 65.72, 50.19, -17.42

 

CMYK 0 / 51 / 19 / 16

HEX #D669AD

RGB 214 105 173

HSL 322.57, 0.57%, 0.63%

LAB 59.36, 50.89, -16.47

 

CMYK 0 / 56 / 22 / 23

HEX #C5579A

RGB 197 87 154

HSL 323.45, 0.49%, 0.56%

LAB 52.97, 51.51, -15.33

 

CMYK 0 / 62 / 25 / 29

HEX #B44587

RGB 180 69 135

HSL 324.32, 0.45%, 0.49%

LAB 46.59, 51.95, -13.93

 

CMYK 0 / 44 / 15 / 3

HEX #F88CD2

RGB 248 140 210

HSL 321.11, 0.89%, 0.76%

LAB 71.8, 49.8, -18.04

 

CMYK 0 / 44 / 27 / 3

HEX #F88CB5

RGB 248 140 181

HSL 337.22, 0.89%, 0.76%

LAB 70.9, 45.65, -3.28

 

CMYK 0 / 44 / 39 / 3

HEX #F88C98

RGB 248 140 152

HSL 353.33, 0.89%, 0.76%

LAB 70.16, 42.11, 11.84

 

CMYK 0 / 44 / 44 / 3

HEX #F88C8C

RGB 248 140 140

HSL 0, 0.89%, 0.76%

LAB 69.9, 40.83, 18.16

 

CMYK 0 / 44 / 15 / 3

HEX #F88CD2

RGB 248 140 210

HSL 321.11, 0.89%, 0.76%

LAB 71.8, 49.8, -18.04

 

CMYK 0 / 44 / 4 / 3

HEX #F88CEF

RGB 248 140 239

HSL 305, 0.89%, 0.76%

LAB 72.86, 54.49, -32.38

 

CMYK 8 / 44 / 0 / 3

HEX #E38CF8

RGB 227 140 248

HSL 288.33, 0.89%, 0.76%

LAB 70.78, 50.06, -40.71

 

CMYK 20 / 44 / 0 / 3

HEX #C68CF8

RGB 198 140 248

HSL 272.22, 0.89%, 0.76%

LAB 67.68, 41.89, -45.78

 

CMYK 32 / 44 / 0 / 3

HEX #A98CF8

RGB 169 140 248

HSL 256.11, 0.89%, 0.76%

LAB 64.94, 34.02, -50.29

 

CMYK 0 / 44 / 15 / 3

HEX #F88CD2

RGB 248 140 210

HSL 321.11, 0.89%, 0.76%

LAB 71.8, 49.8, -18.04

 

CMYK 0 / 44 / 15 / 3

HEX #F88CD2

RGB 248 140 210

HSL 321.11, 0.89%, 0.76%

LAB 71.8, 49.8, -18.04

 

CMYK 0 / 37 / 13 / 7

HEX #EE96CF

RGB 238 150 207

HSL 321.14, 0.72%, 0.76%

LAB 72.56, 40.99, -15.36

 

CMYK 0 / 30 / 11 / 11

HEX #E4A0CC

RGB 228 160 204

HSL 321.18, 0.56%, 0.76%

LAB 73.54, 31.87, -12.35

 

CMYK 0 / 22 / 8 / 15

HEX #DAAAC9

RGB 218 170 201

HSL 321.25, 0.39%, 0.76%

LAB 74.74, 22.54, -9.01

 

CMYK 0 / 13 / 5 / 18

HEX #D0B4C6

RGB 208 180 198

HSL 321.43, 0.23%, 0.76%

LAB 76.15, 13.12, -5.39

 

CMYK 9 / 44 / 0 / 3

HEX #E28CF8

RGB 226 140 248

HSL 287.78, 0.89%, 0.76%

LAB 70.67, 49.77, -40.89

 

CMYK 0 / 44 / 3 / 3

HEX #F88CF0

RGB 248 140 240

HSL 304.44, 0.89%, 0.76%

LAB 72.89, 54.66, -32.86

 

CMYK 0 / 44 / 15 / 3

HEX #F88CD4

RGB 248 140 212

HSL 320, 0.89%, 0.76%

LAB 71.87, 50.1, -19.05

 

CMYK 0 / 44 / 26 / 3

HEX #F88CB7

RGB 248 140 183

HSL 336.11, 0.89%, 0.76%

LAB 70.96, 45.92, -4.31

 

CMYK 0 / 44 / 38 / 3

HEX #F88C9A

RGB 248 140 154

HSL 352.22, 0.89%, 0.76%

LAB 70.21, 42.33, 10.78

 

CMYK 0 / 74 / 26 / 5

HEX #F33EB4

RGB 243 62 180

HSL 320.88, 0.88%, 0.6%

LAB 57.84, 76.89, -22.41

 

CMYK 0 / 59 / 20 / 4

HEX #F565C3

RGB 245 101 195

HSL 320.83, 0.88%, 0.68%

LAB 63.88, 65.03, -21.73

 

CMYK 0 / 44 / 15 / 3

HEX #F88CD2

RGB 248 140 210

HSL 321.11, 0.89%, 0.76%

LAB 71.8, 49.8, -18.04

 

CMYK 0 / 28 / 10 / 2

HEX #FAB3E1

RGB 250 179 225

HSL 321.13, 0.88%, 0.84%

LAB 80.74, 32.69, -12.76

 

CMYK 0 / 14 / 5 / 1

HEX #FDDAF0

RGB 253 218 240

HSL 322.29, 0.9%, 0.92%

LAB 90.47, 15.73, -6.25

 

CMYK 0 / 43 / 15 / 3

HEX #F88DD3

RGB 248 141 211

HSL 320.75, 0.88%, 0.76%

LAB 72.03, 49.45, -18.25

 

CMYK 0 / 21 / 44 / 3

HEX #F8C58C

RGB 248 197 140

HSL 31.67, 0.89%, 0.76%

LAB 82.8, 11.05, 35.47

 

CMYK 44 / 0 / 3 / 3

HEX #8CF8F0

RGB 140 248 240

HSL 175.56, 0.89%, 0.76%

LAB 91.23, -33.04, -5.9

 

CMYK 0 / 43 / 15 / 3

HEX #F88DD3

RGB 248 141 211

HSL 320.75, 0.88%, 0.76%

LAB 72.03, 49.45, -18.25

 

CMYK 15 / 0 / 44 / 3

HEX #D4F88C

RGB 212 248 140

HSL 80, 0.89%, 0.76%

LAB 93.03, -28.4, 47.93

 

CMYK 44 / 15 / 0 / 3

HEX #8CD4F8

RGB 140 212 248

HSL 200, 0.89%, 0.76%

LAB 81.53, -13.3, -24.66

 

CMYK 0 / 43 / 15 / 3

HEX #F88DD3

RGB 248 141 211

HSL 320.75, 0.88%, 0.76%

LAB 72.03, 49.45, -18.25

 

CMYK 0 / 21 / 44 / 3

HEX #F8C58C

RGB 248 197 140

HSL 31.67, 0.89%, 0.76%

LAB 82.8, 11.05, 35.47

 

CMYK 44 / 0 / 29 / 3

HEX #8CF8B0

RGB 140 248 176

HSL 140, 0.89%, 0.76%

LAB 89.79, -46.47, 25.1

 

CMYK 44 / 23 / 0 / 3

HEX #8CBEF8

RGB 140 190 248

HSL 212.22, 0.89%, 0.76%

LAB 75.56, -1.62, -33.82

 

CMYK 0 / 43 / 15 / 3

HEX #F88DD3

RGB 248 141 211

HSL 320.75, 0.88%, 0.76%

LAB 72.03, 49.45, -18.25

 

CMYK 0 / 7 / 44 / 3

HEX #F8E68C

RGB 248 230 140

HSL 50, 0.89%, 0.76%

LAB 90.98, -5.88, 45.94

 

CMYK 44 / 0 / 29 / 3

HEX #8CF8B0

RGB 140 248 176

HSL 140, 0.89%, 0.76%

LAB 89.79, -46.47, 25.1

 

CMYK 44 / 36 / 0 / 3

HEX #8C9EF8

RGB 140 158 248

HSL 230, 0.89%, 0.76%

LAB 67.13, 16.32, -46.97

 

Description

Color code: HEX #F88DD3 | qconv.com Color code: HEX #F88DD3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 141 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 141 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 15 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 15% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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