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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8874B it is the complementary color #0778B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8874B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8874B shade: #FD8746, #FF9959, #FFAB6C, #FFBD7F and #FFCF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8874B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8874B shade: #F8874B, #E77538, #D66325, #C55112 and #B43F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8874B shade: #F88649, #F85649 and #F84949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8874B shade: #F88649, #F8B549, #F8E449, #DDF849 and #AEF849

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8874B shade matches the following richer shades: #F88649

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8874B shade: #F88649, #E98A58, #DA8F67, #CB9477 and #BB9886

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8874B shade: #F8496C, #F85549, #F88349, #F8B249 and #F8E149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8874B shade: #E65508, #F76B21, #F88649, #FAA071 and #FBBB99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8874B shade: #F8874B, #9BF849 and #4955F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8874B shade: #F8874B, #49F883 and #8349F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8874B shade: #F8874B, #9BF849, #49BEF8 and #A649F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8874B shade: #F8874B, #66F849, #49BEF8 and #DB49F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 70 / 3

HEX #F8874B

RGB 248 135 75

HSL 20.81, 0.93%, 0.63%

LAB 67.87, 38.45, 50.37

 

Complementary color

CMYK 96 / 33 / 0 / 29

HEX #0778B4

RGB 7 120 180

HSL 200.81, 0.93%, 0.37%

LAB 47.97, -5.29, -39.36

 

CMYK 0 / 47 / 72 / 1

HEX #FD8746

RGB 253 135 70

HSL 21.31, 0.98%, 0.63%

LAB 68.5, 40.15, 53.67

 

CMYK 0 / 40 / 65 / 0

HEX #FF9959

RGB 255 153 89

HSL 23.13, 1%, 0.67%

LAB 72.74, 32.74, 49.19

 

CMYK 0 / 33 / 58 / 0

HEX #FFAB6C

RGB 255 171 108

HSL 25.71, 1%, 0.71%

LAB 76.96, 24.64, 44.66

 

CMYK 0 / 26 / 50 / 0

HEX #FFBD7F

RGB 255 189 127

HSL 29.06, 1%, 0.75%

LAB 81.39, 16.76, 40.48

 

CMYK 0 / 19 / 43 / 0

HEX #FFCF92

RGB 255 207 146

HSL 33.58, 1%, 0.79%

LAB 85.99, 9.21, 36.67

 

CMYK 0 / 46 / 70 / 3

HEX #F8874B

RGB 248 135 75

HSL 20.81, 0.93%, 0.63%

LAB 67.87, 38.45, 50.37

 

CMYK 0 / 49 / 76 / 9

HEX #E77538

RGB 231 117 56

HSL 20.91, 0.78%, 0.56%

LAB 61.65, 40.08, 52.18

 

CMYK 0 / 54 / 83 / 16

HEX #D66325

RGB 214 99 37

HSL 21.02, 0.71%, 0.49%

LAB 55.43, 41.83, 53.79

 

CMYK 0 / 59 / 91 / 23

HEX #C55112

RGB 197 81 18

HSL 21.12, 0.83%, 0.42%

LAB 49.25, 43.64, 54.66

 

CMYK 0 / 65 / 100 / 29

HEX #B43F00

RGB 180 63 0

HSL 21, 1%, 0.35%

LAB 43.15, 45.38, 54.32

 

CMYK 0 / 46 / 71 / 3

HEX #F88649

RGB 248 134 73

HSL 20.91, 0.93%, 0.63%

LAB 67.64, 38.86, 51.1

 

CMYK 0 / 65 / 71 / 3

HEX #F85649

RGB 248 86 73

HSL 4.46, 0.93%, 0.63%

LAB 59.06, 61.02, 41.48

 

CMYK 0 / 71 / 71 / 3

HEX #F84949

RGB 248 73 73

HSL 0, 0.93%, 0.63%

LAB 57.27, 65.9, 39.41

 

CMYK 0 / 46 / 71 / 3

HEX #F88649

RGB 248 134 73

HSL 20.91, 0.93%, 0.63%

LAB 67.64, 38.86, 51.1

 

CMYK 0 / 27 / 71 / 3

HEX #F8B549

RGB 248 181 73

HSL 37.03, 0.93%, 0.63%

LAB 78.16, 14.39, 62.24

 

CMYK 0 / 8 / 71 / 3

HEX #F8E449

RGB 248 228 73

HSL 53.14, 0.93%, 0.63%

LAB 89.82, -9.7, 73.94

 

CMYK 11 / 0 / 71 / 3

HEX #DDF849

RGB 221 248 73

HSL 69.26, 0.93%, 0.63%

LAB 93.01, -30.28, 76.35

 

CMYK 30 / 0 / 71 / 3

HEX #AEF849

RGB 174 248 73

HSL 85.37, 0.93%, 0.63%

LAB 90.14, -47.99, 72.56

 

CMYK 0 / 46 / 71 / 3

HEX #F88649

RGB 248 134 73

HSL 20.91, 0.93%, 0.63%

LAB 67.64, 38.86, 51.1

 

CMYK 0 / 46 / 71 / 3

HEX #F88649

RGB 248 134 73

HSL 20.91, 0.93%, 0.63%

LAB 67.64, 38.86, 51.1

 

CMYK 0 / 41 / 62 / 9

HEX #E98A58

RGB 233 138 88

HSL 20.69, 0.77%, 0.63%

LAB 66.68, 31.75, 41.89

 

CMYK 0 / 34 / 53 / 15

HEX #DA8F67

RGB 218 143 103

HSL 20.87, 0.61%, 0.63%

LAB 66.16, 24.22, 32.87

 

CMYK 0 / 27 / 41 / 20

HEX #CB9477

RGB 203 148 119

HSL 20.71, 0.45%, 0.63%

LAB 65.91, 17.04, 23.48

 

CMYK 0 / 19 / 28 / 27

HEX #BB9886

RGB 187 152 134

HSL 20.38, 0.28%, 0.63%

LAB 65.55, 10.35, 14.39

 

CMYK 0 / 71 / 56 / 3

HEX #F8496C

RGB 248 73 108

HSL 348, 0.93%, 0.63%

LAB 57.85, 67.88, 19.93

 

CMYK 0 / 66 / 71 / 3

HEX #F85549

RGB 248 85 73

HSL 4.11, 0.93%, 0.63%

LAB 58.91, 61.42, 41.31

 

CMYK 0 / 47 / 71 / 3

HEX #F88349

RGB 248 131 73

HSL 19.89, 0.93%, 0.63%

LAB 67.03, 40.37, 50.43

 

CMYK 0 / 28 / 71 / 3

HEX #F8B249

RGB 248 178 73

HSL 36, 0.93%, 0.63%

LAB 77.45, 15.96, 61.51

 

CMYK 0 / 9 / 71 / 3

HEX #F8E149

RGB 248 225 73

HSL 52.11, 0.93%, 0.63%

LAB 89.06, -8.21, 73.19

 

CMYK 0 / 63 / 97 / 10

HEX #E65508

RGB 230 85 8

HSL 20.81, 0.93%, 0.47%

LAB 55.42, 53.68, 63.82

 

CMYK 0 / 57 / 87 / 3

HEX #F76B21

RGB 247 107 33

HSL 20.75, 0.93%, 0.55%

LAB 62, 50.27, 62.89

 

CMYK 0 / 46 / 71 / 3

HEX #F88649

RGB 248 134 73

HSL 20.91, 0.93%, 0.63%

LAB 67.64, 38.86, 51.1

 

CMYK 0 / 36 / 55 / 2

HEX #FAA071

RGB 250 160 113

HSL 20.58, 0.93%, 0.71%

LAB 73.97, 28.79, 38.24

 

CMYK 0 / 25 / 39 / 2

HEX #FBBB99

RGB 251 187 153

HSL 20.82, 0.92%, 0.79%

LAB 80.93, 18.84, 26.24

 

CMYK 0 / 46 / 70 / 3

HEX #F8874B

RGB 248 135 75

HSL 20.81, 0.93%, 0.63%

LAB 67.87, 38.45, 50.37

 

CMYK 38 / 0 / 71 / 3

HEX #9BF849

RGB 155 248 73

HSL 91.89, 0.93%, 0.63%

LAB 89.2, -54.47, 71.3

 

CMYK 71 / 66 / 0 / 3

HEX #4955F8

RGB 73 85 248

HSL 235.89, 0.93%, 0.63%

LAB 45.21, 47.48, -82.47

 

CMYK 0 / 46 / 70 / 3

HEX #F8874B

RGB 248 135 75

HSL 20.81, 0.93%, 0.63%

LAB 67.87, 38.45, 50.37

 

CMYK 71 / 0 / 47 / 3

HEX #49F883

RGB 73 248 131

HSL 139.89, 0.93%, 0.63%

LAB 87.09, -68.38, 43.55

 

CMYK 47 / 71 / 0 / 3

HEX #8349F8

RGB 131 73 248

HSL 259.89, 0.93%, 0.63%

LAB 47.45, 61.88, -78.61

 

CMYK 0 / 46 / 70 / 3

HEX #F8874B

RGB 248 135 75

HSL 20.81, 0.93%, 0.63%

LAB 67.87, 38.45, 50.37

 

CMYK 38 / 0 / 71 / 3

HEX #9BF849

RGB 155 248 73

HSL 91.89, 0.93%, 0.63%

LAB 89.2, -54.47, 71.3

 

CMYK 71 / 23 / 0 / 3

HEX #49BEF8

RGB 73 190 248

HSL 199.89, 0.93%, 0.63%

LAB 72.91, -14.53, -38.15

 

CMYK 33 / 71 / 0 / 3

HEX #A649F8

RGB 166 73 248

HSL 271.89, 0.93%, 0.63%

LAB 51.44, 67.88, -71.95

 

CMYK 0 / 46 / 70 / 3

HEX #F8874B

RGB 248 135 75

HSL 20.81, 0.93%, 0.63%

LAB 67.87, 38.45, 50.37

 

CMYK 59 / 0 / 71 / 3

HEX #66F849

RGB 102 248 73

HSL 110.06, 0.93%, 0.63%

LAB 87.21, -69.41, 68.64

 

CMYK 71 / 23 / 0 / 3

HEX #49BEF8

RGB 73 190 248

HSL 199.89, 0.93%, 0.63%

LAB 72.91, -14.53, -38.15

 

CMYK 12 / 71 / 0 / 3

HEX #DB49F8

RGB 219 73 248

HSL 290.06, 0.93%, 0.63%

LAB 58.6, 78.09, -60.03

 

Description

Color code: HEX #F8874B | qconv.com Color code: HEX #F8874B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 135 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 135 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 70 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 70% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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