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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F886AB it is the complementary color #077954. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F886AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F886AB shade: #FD86A6, #FF98B9, #FFAACC, #FFBCDF and #FFCEF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F886AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F886AB shade: #F886AB, #E77498, #D66285, #C55072 and #B43E5F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F886AB shade: #F887AB, #F8878D and #F88787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F886AB shade: #F887AB, #F887CA, #F887E9, #E987F8 and #CA87F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F886AB shade matches the following richer shades: #F887AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F886AB shade: #F887AB, #EE91AF, #E39BB3, #D9A5B6 and #CFB0BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F886AB shade: #F887E9, #F887CB, #F887AC, #F8878E and #F89D87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F886AB shade: #F33975, #F66090, #F887AB, #FAAEC6 and #FDD4E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F886AB shade: #F886AB, #F8E987 and #87DAF8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F886AB shade: #F886AB, #ACF887 and #87ACF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F886AB shade: #F886AB, #F8E987, #87F8D2 and #8796F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F886AB shade: #F886AB, #E5F887, #87F8D2 and #9987F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 31 / 3

HEX #F886AB

RGB 248 134 171

HSL 340.53, 0.89%, 0.75%

LAB 69.43, 47.37, 0.15

 

Complementary color

CMYK 94 / 0 / 31 / 53

HEX #077954

RGB 7 121 84

HSL 160.53, 0.89%, 0.25%

LAB 44.74, -38.01, 12.41

 

CMYK 0 / 47 / 34 / 1

HEX #FD86A6

RGB 253 134 166

HSL 343.87, 0.97%, 0.76%

LAB 69.96, 48.46, 3.8

 

CMYK 0 / 40 / 27 / 0

HEX #FF98B9

RGB 255 152 185

HSL 340.78, 1%, 0.8%

LAB 74.33, 42.47, -0.38

 

CMYK 0 / 33 / 20 / 0

HEX #FFAACC

RGB 255 170 204

HSL 336, 1%, 0.83%

LAB 78.68, 35.82, -4.4

 

CMYK 0 / 26 / 13 / 0

HEX #FFBCDF

RGB 255 188 223

HSL 328.66, 1%, 0.87%

LAB 83.21, 29.32, -7.96

 

CMYK 0 / 19 / 5 / 0

HEX #FFCEF2

RGB 255 206 242

HSL 315.92, 1%, 0.9%

LAB 87.88, 23.03, -11.12

 

CMYK 0 / 46 / 31 / 3

HEX #F886AB

RGB 248 134 171

HSL 340.53, 0.89%, 0.75%

LAB 69.43, 47.37, 0.15

 

CMYK 0 / 50 / 34 / 9

HEX #E77498

RGB 231 116 152

HSL 341.22, 0.71%, 0.68%

LAB 63.13, 48.23, 1.46

 

CMYK 0 / 54 / 38 / 16

HEX #D66285

RGB 214 98 133

HSL 341.9, 0.59%, 0.61%

LAB 56.81, 49.05, 2.98

 

CMYK 0 / 59 / 42 / 23

HEX #C55072

RGB 197 80 114

HSL 342.56, 0.5%, 0.54%

LAB 50.48, 49.8, 4.8

 

CMYK 0 / 66 / 47 / 29

HEX #B43E5F

RGB 180 62 95

HSL 343.22, 0.49%, 0.47%

LAB 44.2, 50.34, 7.02

 

CMYK 0 / 46 / 31 / 3

HEX #F887AB

RGB 248 135 171

HSL 340.88, 0.89%, 0.75%

LAB 69.63, 46.87, 0.44

 

CMYK 0 / 46 / 43 / 3

HEX #F8878D

RGB 248 135 141

HSL 356.81, 0.89%, 0.75%

LAB 68.9, 43.46, 16.22

 

CMYK 0 / 46 / 46 / 3

HEX #F88787

RGB 248 135 135

HSL 0, 0.89%, 0.75%

LAB 68.78, 42.87, 19.39

 

CMYK 0 / 46 / 31 / 3

HEX #F887AB

RGB 248 135 171

HSL 340.88, 0.89%, 0.75%

LAB 69.63, 46.87, 0.44

 

CMYK 0 / 46 / 19 / 3

HEX #F887CA

RGB 248 135 202

HSL 324.42, 0.89%, 0.75%

LAB 70.56, 51.09, -15.49

 

CMYK 0 / 46 / 6 / 3

HEX #F887E9

RGB 248 135 233

HSL 307.96, 0.89%, 0.75%

LAB 71.67, 55.94, -30.92

 

CMYK 6 / 46 / 0 / 3

HEX #E987F8

RGB 233 135 248

HSL 292.04, 0.89%, 0.75%

LAB 70.48, 54.29, -41.13

 

CMYK 19 / 46 / 0 / 3

HEX #CA87F8

RGB 202 135 248

HSL 275.58, 0.89%, 0.75%

LAB 67.02, 45.68, -46.79

 

CMYK 0 / 46 / 31 / 3

HEX #F887AB

RGB 248 135 171

HSL 340.88, 0.89%, 0.75%

LAB 69.63, 46.87, 0.44

 

CMYK 0 / 46 / 31 / 3

HEX #F887AB

RGB 248 135 171

HSL 340.88, 0.89%, 0.75%

LAB 69.63, 46.87, 0.44

 

CMYK 0 / 39 / 26 / 7

HEX #EE91AF

RGB 238 145 175

HSL 340.65, 0.73%, 0.75%

LAB 70.54, 38.84, -0.61

 

CMYK 0 / 32 / 21 / 11

HEX #E39BB3

RGB 227 155 179

HSL 340, 0.56%, 0.75%

LAB 71.57, 30.25, -1.47

 

CMYK 0 / 24 / 16 / 15

HEX #D9A5B6

RGB 217 165 182

HSL 340.38, 0.41%, 0.75%

LAB 72.92, 21.74, -1.29

 

CMYK 0 / 15 / 10 / 19

HEX #CFB0BA

RGB 207 176 186

HSL 340.65, 0.24%, 0.75%

LAB 74.74, 12.84, -0.93

 

CMYK 0 / 46 / 6 / 3

HEX #F887E9

RGB 248 135 233

HSL 307.96, 0.89%, 0.75%

LAB 71.67, 55.94, -30.92

 

CMYK 0 / 46 / 18 / 3

HEX #F887CB

RGB 248 135 203

HSL 323.89, 0.89%, 0.75%

LAB 70.59, 51.24, -16

 

CMYK 0 / 46 / 31 / 3

HEX #F887AC

RGB 248 135 172

HSL 340.35, 0.89%, 0.75%

LAB 69.66, 47, -0.08

 

CMYK 0 / 46 / 43 / 3

HEX #F8878E

RGB 248 135 142

HSL 356.28, 0.89%, 0.75%

LAB 68.92, 43.57, 15.69

 

CMYK 0 / 37 / 46 / 3

HEX #F89D87

RGB 248 157 135

HSL 11.68, 0.89%, 0.75%

LAB 73.43, 31.55, 25.72

 

CMYK 0 / 77 / 52 / 5

HEX #F33975

RGB 243 57 117

HSL 340.65, 0.89%, 0.59%

LAB 55.34, 72.22, 11

 

CMYK 0 / 61 / 41 / 4

HEX #F66090

RGB 246 96 144

HSL 340.8, 0.89%, 0.67%

LAB 61.63, 61.4, 4.17

 

CMYK 0 / 46 / 31 / 3

HEX #F887AB

RGB 248 135 171

HSL 340.88, 0.89%, 0.75%

LAB 69.63, 46.87, 0.44

 

CMYK 0 / 30 / 21 / 2

HEX #FAAEC6

RGB 250 174 198

HSL 341.05, 0.88%, 0.83%

LAB 78.85, 31.11, -0.94

 

CMYK 0 / 16 / 11 / 1

HEX #FDD4E1

RGB 253 212 225

HSL 340.98, 0.91%, 0.91%

LAB 88.64, 16.36, -1.04

 

CMYK 0 / 46 / 31 / 3

HEX #F886AB

RGB 248 134 171

HSL 340.53, 0.89%, 0.75%

LAB 69.43, 47.37, 0.15

 

CMYK 0 / 6 / 46 / 3

HEX #F8E987

RGB 248 233 135

HSL 52.04, 0.89%, 0.75%

LAB 91.68, -7.86, 49.23

 

CMYK 46 / 12 / 0 / 3

HEX #87DAF8

RGB 135 218 248

HSL 195.93, 0.89%, 0.75%

LAB 82.95, -17.56, -22.53

 

CMYK 0 / 46 / 31 / 3

HEX #F886AB

RGB 248 134 171

HSL 340.53, 0.89%, 0.75%

LAB 69.43, 47.37, 0.15

 

CMYK 31 / 0 / 46 / 3

HEX #ACF887

RGB 172 248 135

HSL 100.35, 0.89%, 0.75%

LAB 90.62, -43.04, 46.81

 

CMYK 46 / 31 / 0 / 3

HEX #87ACF8

RGB 135 172 248

HSL 220.35, 0.89%, 0.75%

LAB 70.48, 7.14, -41.75

 

CMYK 0 / 46 / 31 / 3

HEX #F886AB

RGB 248 134 171

HSL 340.53, 0.89%, 0.75%

LAB 69.43, 47.37, 0.15

 

CMYK 0 / 6 / 46 / 3

HEX #F8E987

RGB 248 233 135

HSL 52.04, 0.89%, 0.75%

LAB 91.68, -7.86, 49.23

 

CMYK 46 / 0 / 15 / 3

HEX #87F8D2

RGB 135 248 210

HSL 159.82, 0.89%, 0.75%

LAB 90.29, -41.02, 8.29

 

CMYK 46 / 40 / 0 / 3

HEX #8796F8

RGB 135 150 248

HSL 232.04, 0.89%, 0.75%

LAB 64.76, 19.74, -50.75

 

CMYK 0 / 46 / 31 / 3

HEX #F886AB

RGB 248 134 171

HSL 340.53, 0.89%, 0.75%

LAB 69.43, 47.37, 0.15

 

CMYK 8 / 0 / 46 / 3

HEX #E5F887

RGB 229 248 135

HSL 70.09, 0.89%, 0.75%

LAB 94.12, -22.56, 51.91

 

CMYK 46 / 0 / 15 / 3

HEX #87F8D2

RGB 135 248 210

HSL 159.82, 0.89%, 0.75%

LAB 90.29, -41.02, 8.29

 

CMYK 38 / 46 / 0 / 3

HEX #9987F8

RGB 153 135 248

HSL 249.56, 0.89%, 0.75%

LAB 62.4, 32.78, -54.39

 

Description

Color code: HEX #F886AB | qconv.com Color code: HEX #F886AB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 134 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 134 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 31 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 31% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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