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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F88264CE it is the complementary color #077D9BCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F88264CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F88264CE shade: #FD825FCE, #FF9472CE, #FFA685CE, #FFB898CE and #FFCAABCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F88264CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F88264CE shade: #F88264CE, #E77051CE, #D65E3ECE, #C54C2BCE and #B43A18CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F88264CE shade: #F88163 and #F86363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F88264CE shade: #F88163, #F8A963, #F8D163, #F6F863 and #CEF863

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F88264CE shade matches the following richer shades: #F88163

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F88264CE shade: #F88163, #EA8970, #DD917E, #D0998B and #C3A198

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F88264CE shade: #F86395, #F8636D, #F88163, #F8A863 and #F8D063

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F88264CE shade: #F44214, #F6613C, #F88163, #FAA18B and #FBC1B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F88264CE shade: #F88264, #BCF863 and #6381F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F88264CE shade: #F88264, #63F881 and #8163F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F88264CE shade: #F88264, #BCF863, #63DAF8 and #9F63F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F88264CE shade: #F88264, #90F863, #63DAF8 and #CB63F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 48 / 2

HEX #F88264CE

RGBA 248 130 100 0.81

HSLA 12.16, 0.91%, 0.68%, 0.81

LABA 67.16, 42.46, 36.56, 0.81

 

Complementary color

CMYK 77 / 16 / 0 / 32

HEX #077D9BCE

RGBA 7 125 155 0.81

HSLA 192.16, 0.91%, 0.32%, 0.81

LABA 48.36, -17.58, -24.19, 0.81

 

CMYK 0 / 39 / 51 / 1

HEX #FD825FCE

RGBA 253 130 95 0.81

HSLA 13.29, 0.98%, 0.68%, 0.81

LABA 67.78, 44, 40.17, 0.81

 

CMYK 0 / 34 / 45 / 0

HEX #FF9472CE

RGBA 255 148 114 0.81

HSLA 14.47, 1%, 0.72%, 0.81

LABA 72, 37.02, 35.34, 0.81

 

CMYK 0 / 28 / 39 / 0

HEX #FFA685CE

RGBA 255 166 133 0.81

HSLA 16.23, 1%, 0.76%, 0.81

LABA 76.21, 29.34, 30.64, 0.81

 

CMYK 0 / 23 / 33 / 0

HEX #FFB898CE

RGBA 255 184 152 0.81

HSLA 18.64, 1%, 0.8%, 0.81

LABA 80.63, 21.84, 26.43, 0.81

 

CMYK 0 / 17 / 27 / 0

HEX #FFCAABCE

RGBA 255 202 171 0.81

HSLA 22.14, 1%, 0.84%, 0.81

LABA 85.22, 14.61, 22.64, 0.81

 

CMYK 0 / 39 / 48 / 2

HEX #F88264CE

RGBA 248 130 100 0.81

HSLA 12.16, 0.91%, 0.68%, 0.81

LABA 67.16, 42.46, 36.56, 0.81

 

CMYK 0 / 42 / 53 / 8

HEX #E77051CE

RGBA 231 112 81 0.81

HSLA 12.4, 0.76%, 0.61%, 0.81

LABA 60.93, 43.82, 38.67, 0.81

 

CMYK 0 / 45 / 58 / 13

HEX #D65E3ECE

RGBA 214 94 62 0.81

HSLA 12.63, 0.65%, 0.54%, 0.81

LABA 54.71, 45.23, 41, 0.81

 

CMYK 0 / 50 / 63 / 18

HEX #C54C2BCE

RGBA 197 76 43 0.81

HSLA 12.86, 0.64%, 0.47%, 0.81

LABA 48.53, 46.63, 43.49, 0.81

 

CMYK 0 / 55 / 70 / 24

HEX #B43A18CE

RGBA 180 58 24 0.81

HSLA 13.08, 0.76%, 0.4%, 0.81

LABA 42.45, 47.9, 45.87, 0.81

 

CMYK 0 / 48 / 60 / 3

HEX #F88163

RGB 248 129 99

HSL 12.08, 0.91%, 0.68%

LAB 66.94, 42.89, 36.84

 

CMYK 0 / 60 / 60 / 3

HEX #F86363

RGB 248 99 99

HSL 0, 0.91%, 0.68%

LAB 61.46, 57.02, 29.9

 

CMYK 0 / 48 / 60 / 3

HEX #F88163

RGB 248 129 99

HSL 12.08, 0.91%, 0.68%

LAB 66.94, 42.89, 36.84

 

CMYK 0 / 32 / 60 / 3

HEX #F8A963

RGB 248 169 99

HSL 28.19, 0.91%, 0.68%

LAB 75.6, 22.23, 47.35

 

CMYK 0 / 16 / 60 / 3

HEX #F8D163

RGB 248 209 99

HSL 44.3, 0.91%, 0.68%

LAB 85.23, 1.37, 58.48

 

CMYK 1 / 0 / 60 / 3

HEX #F6F863

RGB 246 248 99

HSL 60.81, 0.91%, 0.68%

LAB 95, -18.85, 69.2

 

CMYK 17 / 0 / 60 / 3

HEX #CEF863

RGB 206 248 99

HSL 76.91, 0.91%, 0.68%

LAB 92.2, -34.46, 65.34

 

CMYK 0 / 48 / 60 / 3

HEX #F88163

RGB 248 129 99

HSL 12.08, 0.91%, 0.68%

LAB 66.94, 42.89, 36.84

 

CMYK 0 / 48 / 60 / 3

HEX #F88163

RGB 248 129 99

HSL 12.08, 0.91%, 0.68%

LAB 66.94, 42.89, 36.84

 

CMYK 0 / 41 / 52 / 8

HEX #EA8970

RGB 234 137 112

HSL 12.3, 0.74%, 0.68%

LAB 66.94, 34.5, 29.37

 

CMYK 0 / 34 / 43 / 13

HEX #DD917E

RGB 221 145 126

HSL 12, 0.58%, 0.68%

LAB 67.37, 26.57, 21.93

 

CMYK 0 / 26 / 33 / 18

HEX #D0998B

RGB 208 153 139

HSL 12.17, 0.42%, 0.68%

LAB 68.06, 18.69, 15.44

 

CMYK 0 / 17 / 22 / 24

HEX #C3A198

RGB 195 161 152

HSL 12.56, 0.26%, 0.68%

LAB 69.01, 11.12, 9.38

 

CMYK 0 / 60 / 40 / 3

HEX #F86395

RGB 248 99 149

HSL 339.87, 0.91%, 0.68%

LAB 62.55, 61.24, 2.65

 

CMYK 0 / 60 / 56 / 3

HEX #F8636D

RGB 248 99 109

HSL 355.97, 0.91%, 0.68%

LAB 61.64, 57.72, 24.43

 

CMYK 0 / 48 / 60 / 3

HEX #F88163

RGB 248 129 99

HSL 12.08, 0.91%, 0.68%

LAB 66.94, 42.89, 36.84

 

CMYK 0 / 32 / 60 / 3

HEX #F8A863

RGB 248 168 99

HSL 27.79, 0.91%, 0.68%

LAB 75.37, 22.75, 47.08

 

CMYK 0 / 16 / 60 / 3

HEX #F8D063

RGB 248 208 99

HSL 43.89, 0.91%, 0.68%

LAB 84.98, 1.88, 58.2

 

CMYK 0 / 73 / 92 / 4

HEX #F44214

RGB 244 66 20

HSL 12.32, 0.91%, 0.52%

LAB 55.26, 65.61, 62.05

 

CMYK 0 / 61 / 76 / 4

HEX #F6613C

RGB 246 97 60

HSL 11.94, 0.91%, 0.6%

LAB 60.31, 55.2, 49.59

 

CMYK 0 / 48 / 60 / 3

HEX #F88163

RGB 248 129 99

HSL 12.08, 0.91%, 0.68%

LAB 66.94, 42.89, 36.84

 

CMYK 0 / 36 / 44 / 2

HEX #FAA18B

RGB 250 161 139

HSL 11.89, 0.92%, 0.76%

LAB 74.62, 30.62, 25.19

 

CMYK 0 / 23 / 29 / 2

HEX #FBC1B2

RGB 251 193 178

HSL 12.33, 0.9%, 0.84%

LAB 82.84, 18.71, 15.57

 

CMYK 0 / 48 / 60 / 3

HEX #F88264

RGB 248 130 100

HSL 12.16, 0.91%, 0.68%

LAB 67.16, 42.46, 36.56

 

CMYK 24 / 0 / 60 / 3

HEX #BCF863

RGB 188 248 99

HSL 84.16, 0.91%, 0.68%

LAB 91.11, -41.13, 63.83

 

CMYK 60 / 48 / 0 / 3

HEX #6381F8

RGB 99 129 248

HSL 227.92, 0.91%, 0.68%

LAB 57.2, 24.67, -62.92

 

CMYK 0 / 48 / 60 / 3

HEX #F88264

RGB 248 130 100

HSL 12.16, 0.91%, 0.68%

LAB 67.16, 42.46, 36.56

 

CMYK 60 / 0 / 48 / 3

HEX #63F881

RGB 99 248 129

HSL 132.08, 0.91%, 0.68%

LAB 87.67, -63.97, 45.35

 

CMYK 48 / 60 / 0 / 3

HEX #8163F8

RGB 129 99 248

HSL 252.08, 0.91%, 0.68%

LAB 52.25, 47.97, -70.81

 

CMYK 0 / 48 / 60 / 3

HEX #F88264

RGB 248 130 100

HSL 12.16, 0.91%, 0.68%

LAB 67.16, 42.46, 36.56

 

CMYK 24 / 0 / 60 / 3

HEX #BCF863

RGB 188 248 99

HSL 84.16, 0.91%, 0.68%

LAB 91.11, -41.13, 63.83

 

CMYK 60 / 12 / 0 / 3

HEX #63DAF8

RGB 99 218 248

HSL 192.08, 0.91%, 0.68%

LAB 81.61, -24.88, -24.7

 

CMYK 36 / 60 / 0 / 3

HEX #9F63F8

RGB 159 99 248

HSL 264.16, 0.91%, 0.68%

LAB 55.15, 54.1, -65.98

 

CMYK 0 / 48 / 60 / 3

HEX #F88264

RGB 248 130 100

HSL 12.16, 0.91%, 0.68%

LAB 67.16, 42.46, 36.56

 

CMYK 42 / 0 / 60 / 3

HEX #90F863

RGB 144 248 99

HSL 101.88, 0.91%, 0.68%

LAB 88.91, -55.89, 60.76

 

CMYK 60 / 12 / 0 / 3

HEX #63DAF8

RGB 99 218 248

HSL 192.08, 0.91%, 0.68%

LAB 81.61, -24.88, -24.7

 

CMYK 18 / 60 / 0 / 3

HEX #CB63F8

RGB 203 99 248

HSL 281.88, 0.91%, 0.68%

LAB 60.25, 64.01, -57.52

 

Description

Color code: HEX #F88264CE | qconv.com Color code: HEX #F88264CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 130 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 130 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 48 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 48% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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