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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F87EB0 it is the complementary color #07814F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F87EB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F87EB0 shade: #FD7EAB, #FF90BE, #FFA2D1, #FFB4E4 and #FFC6F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F87EB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F87EB0 shade: #F87EB0, #E76C9D, #D65A8A, #C54877 and #B43664

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F87EB0 shade: #F87CAF, #F87C8E and #F87C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F87EB0 shade: #F87CAF, #F87CD0, #F87CF2, #DD7CF8 and #BC7CF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F87EB0 shade matches the following richer shades: #F87CAF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F87EB0 shade: #F87CAF, #ED87B1, #E292B3, #D79EB5 and #CCA9B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F87EB0 shade: #F87CF2, #F87CD1, #F87CB0, #F87C8F and #F88B7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F87EB0 shade: #F42E7F, #F65597, #F87CAF, #FAA3C7 and #FCCBDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F87EB0 shade: #F87EB0, #F8DD7C and #7CE1F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F87EB0 shade: #F87EB0, #B0F87C and #7CB0F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F87EB0 shade: #F87EB0, #F8DD7C, #7CF8C4 and #7C97F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F87EB0 shade: #F87EB0, #EEF87C, #7CF8C4 and #877CF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 29 / 3

HEX #F87EB0

RGB 248 126 176

HSL 335.41, 0.9%, 0.73%

LAB 68.03, 51.94, -4.72

 

Complementary color

CMYK 95 / 0 / 39 / 49

HEX #07814F

RGB 7 129 79

HSL 155.41, 0.9%, 0.27%

LAB 47.38, -42.38, 18.88

 

CMYK 0 / 50 / 32 / 1

HEX #FD7EAB

RGB 253 126 171

HSL 338.74, 0.97%, 0.74%

LAB 68.57, 52.95, -1.03

 

CMYK 0 / 44 / 25 / 0

HEX #FF90BE

RGB 255 144 190

HSL 335.14, 1%, 0.78%

LAB 72.84, 47.18, -5.33

 

CMYK 0 / 36 / 18 / 0

HEX #FFA2D1

RGB 255 162 209

HSL 329.68, 1%, 0.82%

LAB 77.1, 40.71, -9.45

 

CMYK 0 / 29 / 11 / 0

HEX #FFB4E4

RGB 255 180 228

HSL 321.6, 1%, 0.85%

LAB 81.57, 34.32, -13.08

 

CMYK 0 / 22 / 3 / 0

HEX #FFC6F7

RGB 255 198 247

HSL 308.42, 1%, 0.89%

LAB 86.19, 28.1, -16.3

 

CMYK 0 / 49 / 29 / 3

HEX #F87EB0

RGB 248 126 176

HSL 335.41, 0.9%, 0.73%

LAB 68.03, 51.94, -4.72

 

CMYK 0 / 53 / 32 / 9

HEX #E76C9D

RGB 231 108 157

HSL 336.1, 0.72%, 0.66%

LAB 61.78, 52.7, -3.39

 

CMYK 0 / 58 / 36 / 16

HEX #D65A8A

RGB 214 90 138

HSL 336.77, 0.6%, 0.6%

LAB 55.53, 53.38, -1.82

 

CMYK 0 / 63 / 40 / 23

HEX #C54877

RGB 197 72 119

HSL 337.44, 0.52%, 0.53%

LAB 49.3, 53.88, 0.07

 

CMYK 0 / 70 / 44 / 29

HEX #B43664

RGB 180 54 100

HSL 338.1, 0.54%, 0.46%

LAB 43.15, 54.06, 2.43

 

CMYK 0 / 50 / 29 / 3

HEX #F87CAF

RGB 248 124 175

HSL 335.32, 0.9%, 0.73%

LAB 67.63, 52.78, -4.75

 

CMYK 0 / 50 / 43 / 3

HEX #F87C8E

RGB 248 124 142

HSL 351.29, 0.9%, 0.73%

LAB 66.77, 49.02, 12.67

 

CMYK 0 / 50 / 50 / 3

HEX #F87C7C

RGB 248 124 124

HSL 0, 0.9%, 0.73%

LAB 66.39, 47.31, 22.3

 

CMYK 0 / 50 / 29 / 3

HEX #F87CAF

RGB 248 124 175

HSL 335.32, 0.9%, 0.73%

LAB 67.63, 52.78, -4.75

 

CMYK 0 / 50 / 16 / 3

HEX #F87CD0

RGB 248 124 208

HSL 319.35, 0.9%, 0.73%

LAB 68.7, 57.32, -21.65

 

CMYK 0 / 50 / 2 / 3

HEX #F87CF2

RGB 248 124 242

HSL 302.9, 0.9%, 0.73%

LAB 70.02, 62.72, -38.41

 

CMYK 11 / 50 / 0 / 3

HEX #DD7CF8

RGB 221 124 248

HSL 286.94, 0.9%, 0.73%

LAB 66.95, 56.5, -46.76

 

CMYK 24 / 50 / 0 / 3

HEX #BC7CF8

RGB 188 124 248

HSL 270.97, 0.9%, 0.73%

LAB 63.25, 47.8, -52.85

 

CMYK 0 / 50 / 29 / 3

HEX #F87CAF

RGB 248 124 175

HSL 335.32, 0.9%, 0.73%

LAB 67.63, 52.78, -4.75

 

CMYK 0 / 50 / 29 / 3

HEX #F87CAF

RGB 248 124 175

HSL 335.32, 0.9%, 0.73%

LAB 67.63, 52.78, -4.75

 

CMYK 0 / 43 / 25 / 7

HEX #ED87B1

RGB 237 135 177

HSL 335.29, 0.74%, 0.73%

LAB 68.39, 43.93, -4.9

 

CMYK 0 / 35 / 21 / 11

HEX #E292B3

RGB 226 146 179

HSL 335.25, 0.58%, 0.73%

LAB 69.46, 34.69, -4.6

 

CMYK 0 / 27 / 16 / 16

HEX #D79EB5

RGB 215 158 181

HSL 335.79, 0.42%, 0.73%

LAB 71.03, 24.66, -3.53

 

CMYK 0 / 17 / 10 / 20

HEX #CCA9B7

RGB 204 169 183

HSL 336, 0.26%, 0.73%

LAB 72.65, 15.06, -2.38

 

CMYK 0 / 50 / 2 / 3

HEX #F87CF2

RGB 248 124 242

HSL 302.9, 0.9%, 0.73%

LAB 70.02, 62.72, -38.41

 

CMYK 0 / 50 / 16 / 3

HEX #F87CD1

RGB 248 124 209

HSL 318.87, 0.9%, 0.73%

LAB 68.73, 57.47, -22.15

 

CMYK 0 / 50 / 29 / 3

HEX #F87CB0

RGB 248 124 176

HSL 334.84, 0.9%, 0.73%

LAB 67.66, 52.91, -5.27

 

CMYK 0 / 50 / 42 / 3

HEX #F87C8F

RGB 248 124 143

HSL 350.81, 0.9%, 0.73%

LAB 66.79, 49.12, 12.14

 

CMYK 0 / 44 / 50 / 3

HEX #F88B7C

RGB 248 139 124

HSL 7.26, 0.9%, 0.73%

LAB 69.38, 39.82, 26.32

 

CMYK 0 / 81 / 48 / 4

HEX #F42E7F

RGB 244 46 127

HSL 335.45, 0.9%, 0.57%

LAB 54.78, 76.09, 4.25

 

CMYK 0 / 65 / 39 / 4

HEX #F65597

RGB 246 85 151

HSL 335.4, 0.9%, 0.65%

LAB 60.18, 66.58, -2.01

 

CMYK 0 / 50 / 29 / 3

HEX #F87CAF

RGB 248 124 175

HSL 335.32, 0.9%, 0.73%

LAB 67.63, 52.78, -4.75

 

CMYK 0 / 35 / 20 / 2

HEX #FAA3C7

RGB 250 163 199

HSL 335.17, 0.9%, 0.81%

LAB 76.46, 37.02, -5

 

CMYK 0 / 19 / 12 / 1

HEX #FCCBDF

RGB 252 203 223

HSL 335.51, 0.89%, 0.89%

LAB 86.37, 20.41, -3.31

 

CMYK 0 / 49 / 29 / 3

HEX #F87EB0

RGB 248 126 176

HSL 335.41, 0.9%, 0.73%

LAB 68.03, 51.94, -4.72

 

CMYK 0 / 11 / 50 / 3

HEX #F8DD7C

RGB 248 221 124

HSL 46.94, 0.9%, 0.73%

LAB 88.51, -2.82, 50.64

 

CMYK 50 / 9 / 0 / 3

HEX #7CE1F8

RGB 124 225 248

HSL 191.13, 0.9%, 0.73%

LAB 84.44, -23.51, -20.32

 

CMYK 0 / 49 / 29 / 3

HEX #F87EB0

RGB 248 126 176

HSL 335.41, 0.9%, 0.73%

LAB 68.03, 51.94, -4.72

 

CMYK 29 / 0 / 50 / 3

HEX #B0F87C

RGB 176 248 124

HSL 94.84, 0.9%, 0.73%

LAB 90.7, -42.97, 52.13

 

CMYK 50 / 29 / 0 / 3

HEX #7CB0F8

RGB 124 176 248

HSL 214.84, 0.9%, 0.73%

LAB 70.95, 2.34, -41.06

 

CMYK 0 / 49 / 29 / 3

HEX #F87EB0

RGB 248 126 176

HSL 335.41, 0.9%, 0.73%

LAB 68.03, 51.94, -4.72

 

CMYK 0 / 11 / 50 / 3

HEX #F8DD7C

RGB 248 221 124

HSL 46.94, 0.9%, 0.73%

LAB 88.51, -2.82, 50.64

 

CMYK 50 / 0 / 21 / 3

HEX #7CF8C4

RGB 124 248 196

HSL 154.84, 0.9%, 0.73%

LAB 89.58, -46.57, 14.46

 

CMYK 50 / 39 / 0 / 3

HEX #7C97F8

RGB 124 151 248

HSL 226.94, 0.9%, 0.73%

LAB 64.32, 16.64, -51.48

 

CMYK 0 / 49 / 29 / 3

HEX #F87EB0

RGB 248 126 176

HSL 335.41, 0.9%, 0.73%

LAB 68.03, 51.94, -4.72

 

CMYK 4 / 0 / 50 / 3

HEX #EEF87C

RGB 238 248 124

HSL 64.84, 0.9%, 0.73%

LAB 94.64, -20.12, 57.79

 

CMYK 50 / 0 / 21 / 3

HEX #7CF8C4

RGB 124 248 196

HSL 154.84, 0.9%, 0.73%

LAB 89.58, -46.57, 14.46

 

CMYK 46 / 50 / 0 / 3

HEX #877CF8

RGB 135 124 248

HSL 245.32, 0.9%, 0.73%

LAB 58.36, 34.91, -60.93

 

Description

Color code: HEX #F87EB0 | qconv.com Color code: HEX #F87EB0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 126 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 126 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 29 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 29% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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