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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F87D87CE it is the complementary color #078278CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F87D87CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F87D87CE shade: #FD7D82CE, #FF8F95CE, #FFA1A8CE, #FFB3BBCE and #FFC5CECE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F87D87CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F87D87CE shade: #F87D87CE, #E76B74CE, #D65961CE, #C5474ECE and #B4353BCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F87D87CE shade: #F87C86 and #F87C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F87D87CE shade: #F87C86, #F87CA8, #F87CC9, #F87CEB and #E47CF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F87D87CE shade matches the following richer shades: #F87C86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F87D87CE shade: #F87C86, #ED8790, #E29299, #D79EA2 and #CCA9AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F87D87CE shade: #F87CC9, #F87CA8, #F87C87, #F8937C and #F8B47C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F87D87CE shade: #F42E3E, #F65562, #F87C86, #FAA3AA and #FCCBCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F87D87CE shade: #F87D87, #EAF87C and #7CB8F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F87D87CE shade: #F87D87, #87F87C and #7C87F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F87D87CE shade: #F87D87, #EAF87C, #7CF8EE and #8B7CF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F87D87CE shade: #F87D87, #C4F87C, #7CF8EE and #B07CF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 37 / 2

HEX #F87D87CE

RGBA 248 125 135 0.81

HSLA 355.12, 0.9%, 0.73%, 0.81

LABA 66.8, 47.84, 16.67, 0.81

 

Complementary color

CMYK 77 / 0 / 6 / 40

HEX #078278CE

RGBA 7 130 120 0.81

HSLA 175.12, 0.9%, 0.27%, 0.81

LABA 48.72, -31.94, -3.08, 0.81

 

CMYK 0 / 41 / 39 / 1

HEX #FD7D82CE

RGBA 253 125 130 0.81

HSLA 357.66, 0.97%, 0.74%, 0.81

LABA 67.4, 49.13, 20.42, 0.81

 

CMYK 0 / 36 / 34 / 0

HEX #FF8F95CE

RGBA 255 143 149 0.81

HSLA 356.79, 1%, 0.78%, 0.81

LABA 71.61, 42.77, 15.66, 0.81

 

CMYK 0 / 30 / 28 / 0

HEX #FFA1A8CE

RGBA 255 161 168 0.81

HSLA 355.53, 1%, 0.82%, 0.81

LABA 75.81, 35.68, 11.11, 0.81

 

CMYK 0 / 24 / 22 / 0

HEX #FFB3BBCE

RGBA 255 179 187 0.81

HSLA 353.68, 1%, 0.85%, 0.81

LABA 80.23, 28.72, 7.08, 0.81

 

CMYK 0 / 18 / 16 / 0

HEX #FFC5CECE

RGBA 255 197 206 0.81

HSLA 350.69, 1%, 0.89%, 0.81

LABA 84.82, 21.97, 3.5, 0.81

 

CMYK 0 / 40 / 37 / 2

HEX #F87D87CE

RGBA 248 125 135 0.81

HSLA 355.12, 0.9%, 0.73%, 0.81

LABA 66.8, 47.84, 16.67, 0.81

 

CMYK 0 / 43 / 40 / 8

HEX #E76B74CE

RGBA 231 107 116 0.81

HSLA 355.65, 0.72%, 0.66%, 0.81

LABA 60.57, 48.85, 18.53, 0.81

 

CMYK 0 / 47 / 44 / 13

HEX #D65961CE

RGBA 214 89 97 0.81

HSLA 356.16, 0.6%, 0.59%, 0.81

LABA 54.35, 49.83, 20.7, 0.81

 

CMYK 0 / 52 / 49 / 18

HEX #C5474ECE

RGBA 197 71 78 0.81

HSLA 356.67, 0.52%, 0.53%, 0.81

LABA 48.17, 50.69, 23.29, 0.81

 

CMYK 0 / 57 / 54 / 24

HEX #B4353BCE

RGBA 180 53 59 0.81

HSLA 357.17, 0.55%, 0.46%, 0.81

LABA 42.1, 51.28, 26.41, 0.81

 

CMYK 0 / 50 / 46 / 3

HEX #F87C86

RGB 248 124 134

HSL 355.16, 0.9%, 0.73%

LAB 66.59, 48.23, 16.94

 

CMYK 0 / 50 / 50 / 3

HEX #F87C7C

RGB 248 124 124

HSL 0, 0.9%, 0.73%

LAB 66.39, 47.31, 22.3

 

CMYK 0 / 50 / 46 / 3

HEX #F87C86

RGB 248 124 134

HSL 355.16, 0.9%, 0.73%

LAB 66.59, 48.23, 16.94

 

CMYK 0 / 50 / 32 / 3

HEX #F87CA8

RGB 248 124 168

HSL 338.71, 0.9%, 0.73%

LAB 67.43, 51.91, -1.09

 

CMYK 0 / 50 / 19 / 3

HEX #F87CC9

RGB 248 124 201

HSL 322.74, 0.9%, 0.73%

LAB 68.45, 56.3, -18.12

 

CMYK 0 / 50 / 5 / 3

HEX #F87CEB

RGB 248 124 235

HSL 306.29, 0.9%, 0.73%

LAB 69.73, 61.55, -35.02

 

CMYK 8 / 50 / 0 / 3

HEX #E47CF8

RGB 228 124 248

HSL 290.32, 0.9%, 0.73%

LAB 67.79, 58.37, -45.38

 

CMYK 0 / 50 / 46 / 3

HEX #F87C86

RGB 248 124 134

HSL 355.16, 0.9%, 0.73%

LAB 66.59, 48.23, 16.94

 

CMYK 0 / 50 / 46 / 3

HEX #F87C86

RGB 248 124 134

HSL 355.16, 0.9%, 0.73%

LAB 66.59, 48.23, 16.94

 

CMYK 0 / 43 / 39 / 7

HEX #ED8790

RGB 237 135 144

HSL 354.71, 0.74%, 0.73%

LAB 67.54, 39.82, 12.41

 

CMYK 0 / 35 / 32 / 11

HEX #E29299

RGB 226 146 153

HSL 354.75, 0.58%, 0.73%

LAB 68.77, 31.1, 8.93

 

CMYK 0 / 27 / 25 / 16

HEX #D79EA2

RGB 215 158 162

HSL 355.79, 0.42%, 0.73%

LAB 70.53, 21.77, 6.28

 

CMYK 0 / 17 / 16 / 20

HEX #CCA9AC

RGB 204 169 172

HSL 354.86, 0.26%, 0.73%

LAB 72.36, 13.24, 3.25

 

CMYK 0 / 50 / 19 / 3

HEX #F87CC9

RGB 248 124 201

HSL 322.74, 0.9%, 0.73%

LAB 68.45, 56.3, -18.12

 

CMYK 0 / 50 / 32 / 3

HEX #F87CA8

RGB 248 124 168

HSL 338.71, 0.9%, 0.73%

LAB 67.43, 51.91, -1.09

 

CMYK 0 / 50 / 46 / 3

HEX #F87C87

RGB 248 124 135

HSL 354.68, 0.9%, 0.73%

LAB 66.61, 48.32, 16.41

 

CMYK 0 / 41 / 50 / 3

HEX #F8937C

RGB 248 147 124

HSL 11.13, 0.9%, 0.73%

LAB 71.06, 35.71, 28.55

 

CMYK 0 / 27 / 50 / 3

HEX #F8B47C

RGB 248 180 124

HSL 27.1, 0.9%, 0.73%

LAB 78.49, 18.43, 38.19

 

CMYK 0 / 81 / 75 / 4

HEX #F42E3E

RGB 244 46 62

HSL 355.15, 0.9%, 0.57%

LAB 53.53, 72.34, 41.12

 

CMYK 0 / 65 / 60 / 4

HEX #F65562

RGB 246 85 98

HSL 355.16, 0.9%, 0.65%

LAB 58.95, 62.15, 27.16

 

CMYK 0 / 50 / 46 / 3

HEX #F87C86

RGB 248 124 134

HSL 355.16, 0.9%, 0.73%

LAB 66.59, 48.23, 16.94

 

CMYK 0 / 35 / 32 / 2

HEX #FAA3AA

RGB 250 163 170

HSL 355.17, 0.9%, 0.81%

LAB 75.71, 33.07, 9.79

 

CMYK 0 / 19 / 18 / 1

HEX #FCCBCF

RGB 252 203 207

HSL 355.1, 0.89%, 0.89%

LAB 85.96, 17.9, 4.59

 

CMYK 0 / 50 / 46 / 3

HEX #F87D87

RGB 248 125 135

HSL 355.12, 0.9%, 0.73%

LAB 66.8, 47.84, 16.67

 

CMYK 6 / 0 / 50 / 3

HEX #EAF87C

RGB 234 248 124

HSL 66.77, 0.9%, 0.73%

LAB 94.35, -21.67, 57.37

 

CMYK 50 / 26 / 0 / 3

HEX #7CB8F8

RGB 124 184 248

HSL 210.97, 0.9%, 0.73%

LAB 73.12, -2.1, -37.68

 

CMYK 0 / 50 / 46 / 3

HEX #F87D87

RGB 248 125 135

HSL 355.12, 0.9%, 0.73%

LAB 66.8, 47.84, 16.67

 

CMYK 46 / 0 / 50 / 3

HEX #87F87C

RGB 135 248 124

HSL 114.68, 0.9%, 0.73%

LAB 88.8, -55.78, 49.38

 

CMYK 50 / 46 / 0 / 3

HEX #7C87F8

RGB 124 135 248

HSL 234.68, 0.9%, 0.73%

LAB 60.24, 26.04, -57.97

 

CMYK 0 / 50 / 46 / 3

HEX #F87D87

RGB 248 125 135

HSL 355.12, 0.9%, 0.73%

LAB 66.8, 47.84, 16.67

 

CMYK 6 / 0 / 50 / 3

HEX #EAF87C

RGB 234 248 124

HSL 66.77, 0.9%, 0.73%

LAB 94.35, -21.67, 57.37

 

CMYK 50 / 0 / 4 / 3

HEX #7CF8EE

RGB 124 248 238

HSL 175.16, 0.9%, 0.73%

LAB 90.59, -37.04, -5.87

 

CMYK 44 / 50 / 0 / 3

HEX #8B7CF8

RGB 139 124 248

HSL 247.26, 0.9%, 0.73%

LAB 58.68, 35.8, -60.41

 

CMYK 0 / 50 / 46 / 3

HEX #F87D87

RGB 248 125 135

HSL 355.12, 0.9%, 0.73%

LAB 66.8, 47.84, 16.67

 

CMYK 21 / 0 / 50 / 3

HEX #C4F87C

RGB 196 248 124

HSL 85.16, 0.9%, 0.73%

LAB 91.83, -35.94, 53.76

 

CMYK 50 / 0 / 4 / 3

HEX #7CF8EE

RGB 124 248 238

HSL 175.16, 0.9%, 0.73%

LAB 90.59, -37.04, -5.87

 

CMYK 29 / 50 / 0 / 3

HEX #B07CF8

RGB 176 124 248

HSL 265.16, 0.9%, 0.73%

LAB 62.02, 44.72, -54.88

 

Description

Color code: HEX #F87D87CE | qconv.com Color code: HEX #F87D87CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 125 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 125 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 37 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 37% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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