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Color name
HEX #F878B3

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F878B3 it is the complementary color #07874C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F878B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F878B3 shade: #FD78AE, #FF8AC1, #FF9CD4, #FFAEE7 and #FFC0FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F878B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F878B3 shade: #F878B3, #E766A0, #D6548D, #C5427A and #B43067

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F878B3 shade: #F877B3, #F87790 and #F87777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F878B3 shade: #F877B3, #F877D5, #F877F8, #D577F8 and #B377F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F878B3 shade matches the following richer shades: #F877B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F878B3 shade: #F877B3, #EC83B3, #E18EB4, #D59AB5 and #CAA6B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F878B3 shade: #F877F8, #F877D6, #F877B3, #F87791 and #F88077

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F878B3 shade: #F42986, #F6509D, #F877B3, #FA9FC9 and #FCC6DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F878B3 shade: #F878B3, #F8D677 and #77E7F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F878B3 shade: #F878B3, #B3F877 and #77B3F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F878B3 shade: #F878B3, #F8D677, #77F8BC and #779AF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F878B3 shade: #F878B3, #F4F877, #77F8BC and #7C77F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 28 / 3

HEX #F878B3

RGB 248 120 179

HSL 332.34, 0.9%, 0.72%

LAB 67.01, 55.2, -7.92

 

Complementary color

CMYK 95 / 0 / 44 / 47

HEX #07874C

RGB 7 135 76

HSL 152.34, 0.9%, 0.28%

LAB 49.37, -45.28, 23.19

 

CMYK 0 / 53 / 31 / 1

HEX #FD78AE

RGB 253 120 174

HSL 335.64, 0.97%, 0.73%

LAB 67.55, 56.16, -4.21

 

CMYK 0 / 46 / 24 / 0

HEX #FF8AC1

RGB 255 138 193

HSL 331.79, 1%, 0.77%

LAB 71.75, 50.58, -8.61

 

CMYK 0 / 39 / 17 / 0

HEX #FF9CD4

RGB 255 156 212

HSL 326.06, 1%, 0.81%

LAB 75.94, 44.25, -12.83

 

CMYK 0 / 32 / 9 / 0

HEX #FFAEE7

RGB 255 174 231

HSL 317.78, 1%, 0.84%

LAB 80.35, 37.95, -16.53

 

CMYK 0 / 25 / 2 / 0

HEX #FFC0FA

RGB 255 192 250

HSL 304.76, 1%, 0.88%

LAB 84.93, 31.78, -19.8

 

CMYK 0 / 52 / 28 / 3

HEX #F878B3

RGB 248 120 179

HSL 332.34, 0.9%, 0.72%

LAB 67.01, 55.2, -7.92

 

CMYK 0 / 56 / 31 / 9

HEX #E766A0

RGB 231 102 160

HSL 333.02, 0.73%, 0.65%

LAB 60.81, 55.87, -6.56

 

CMYK 0 / 61 / 34 / 16

HEX #D6548D

RGB 214 84 141

HSL 333.69, 0.61%, 0.58%

LAB 54.62, 56.41, -4.93

 

CMYK 0 / 66 / 38 / 23

HEX #C5427A

RGB 197 66 122

HSL 334.35, 0.53%, 0.52%

LAB 48.48, 56.7, -2.95

 

CMYK 0 / 73 / 43 / 29

HEX #B43067

RGB 180 48 103

HSL 335, 0.58%, 0.45%

LAB 42.45, 56.55, -0.46

 

CMYK 0 / 52 / 28 / 3

HEX #F877B3

RGB 248 119 179

HSL 332.09, 0.9%, 0.72%

LAB 66.83, 55.67, -8.19

 

CMYK 0 / 52 / 42 / 3

HEX #F87790

RGB 248 119 144

HSL 348.37, 0.9%, 0.72%

LAB 65.88, 51.63, 10.28

 

CMYK 0 / 52 / 52 / 3

HEX #F87777

RGB 248 119 119

HSL 0, 0.9%, 0.72%

LAB 65.34, 49.31, 23.7

 

CMYK 0 / 52 / 28 / 3

HEX #F877B3

RGB 248 119 179

HSL 332.09, 0.9%, 0.72%

LAB 66.83, 55.67, -8.19

 

CMYK 0 / 52 / 14 / 3

HEX #F877D5

RGB 248 119 213

HSL 316.28, 0.9%, 0.72%

LAB 67.99, 60.42, -25.52

 

CMYK 0 / 52 / 0 / 3

HEX #F877F8

RGB 248 119 248

HSL 300, 0.9%, 0.72%

LAB 69.42, 66.04, -42.65

 

CMYK 14 / 52 / 0 / 3

HEX #D577F8

RGB 213 119 248

HSL 283.72, 0.9%, 0.72%

LAB 65.06, 56.87, -49.81

 

CMYK 28 / 52 / 0 / 3

HEX #B377F8

RGB 179 119 248

HSL 267.91, 0.9%, 0.72%

LAB 61.27, 48.18, -56.06

 

CMYK 0 / 52 / 28 / 3

HEX #F877B3

RGB 248 119 179

HSL 332.09, 0.9%, 0.72%

LAB 66.83, 55.67, -8.19

 

CMYK 0 / 52 / 28 / 3

HEX #F877B3

RGB 248 119 179

HSL 332.09, 0.9%, 0.72%

LAB 66.83, 55.67, -8.19

 

CMYK 0 / 44 / 24 / 7

HEX #EC83B3

RGB 236 131 179

HSL 332.57, 0.73%, 0.72%

LAB 67.52, 45.9, -7.34

 

CMYK 0 / 37 / 20 / 12

HEX #E18EB4

RGB 225 142 180

HSL 332.53, 0.58%, 0.72%

LAB 68.5, 36.61, -6.59

 

CMYK 0 / 28 / 15 / 16

HEX #D59AB5

RGB 213 154 181

HSL 332.54, 0.41%, 0.72%

LAB 69.89, 26.11, -5.24

 

CMYK 0 / 18 / 10 / 21

HEX #CAA6B6

RGB 202 166 182

HSL 333.33, 0.25%, 0.72%

LAB 71.69, 15.81, -3.25

 

CMYK 0 / 52 / 0 / 3

HEX #F877F8

RGB 248 119 248

HSL 300, 0.9%, 0.72%

LAB 69.42, 66.04, -42.65

 

CMYK 0 / 52 / 14 / 3

HEX #F877D6

RGB 248 119 214

HSL 315.81, 0.9%, 0.72%

LAB 68.02, 60.57, -26.02

 

CMYK 0 / 52 / 28 / 3

HEX #F877B3

RGB 248 119 179

HSL 332.09, 0.9%, 0.72%

LAB 66.83, 55.67, -8.19

 

CMYK 0 / 52 / 42 / 3

HEX #F87791

RGB 248 119 145

HSL 347.91, 0.9%, 0.72%

LAB 65.9, 51.74, 9.74

 

CMYK 0 / 48 / 52 / 3

HEX #F88077

RGB 248 128 119

HSL 4.19, 0.9%, 0.72%

LAB 67.07, 44.91, 26.01

 

CMYK 0 / 83 / 45 / 4

HEX #F42986

RGB 244 41 134

HSL 332.51, 0.9%, 0.56%

LAB 54.6, 77.76, -0.21

 

CMYK 0 / 67 / 36 / 4

HEX #F6509D

RGB 246 80 157

HSL 332.17, 0.9%, 0.64%

LAB 59.68, 69.09, -6.24

 

CMYK 0 / 52 / 28 / 3

HEX #F877B3

RGB 248 119 179

HSL 332.09, 0.9%, 0.72%

LAB 66.83, 55.67, -8.19

 

CMYK 0 / 36 / 20 / 2

HEX #FA9FC9

RGB 250 159 201

HSL 332.31, 0.9%, 0.8%

LAB 75.66, 39.39, -7.28

 

CMYK 0 / 21 / 12 / 1

HEX #FCC6DF

RGB 252 198 223

HSL 332.22, 0.9%, 0.88%

LAB 85.21, 23.03, -5.03

 

CMYK 0 / 52 / 28 / 3

HEX #F878B3

RGB 248 120 179

HSL 332.34, 0.9%, 0.72%

LAB 67.01, 55.2, -7.92

 

CMYK 0 / 14 / 52 / 3

HEX #F8D677

RGB 248 214 119

HSL 44.19, 0.9%, 0.72%

LAB 86.69, 0.32, 50.85

 

CMYK 52 / 7 / 0 / 3

HEX #77E7F8

RGB 119 231 248

HSL 187.91, 0.9%, 0.72%

LAB 85.93, -27.49, -18.08

 

CMYK 0 / 52 / 28 / 3

HEX #F878B3

RGB 248 120 179

HSL 332.34, 0.9%, 0.72%

LAB 67.01, 55.2, -7.92

 

CMYK 28 / 0 / 52 / 3

HEX #B3F877

RGB 179 248 119

HSL 92.09, 0.9%, 0.72%

LAB 90.8, -42.47, 54.59

 

CMYK 52 / 28 / 0 / 3

HEX #77B3F8

RGB 119 179 248

HSL 212.09, 0.9%, 0.72%

LAB 71.51, -0.44, -40.19

 

CMYK 0 / 52 / 28 / 3

HEX #F878B3

RGB 248 120 179

HSL 332.34, 0.9%, 0.72%

LAB 67.01, 55.2, -7.92

 

CMYK 0 / 14 / 52 / 3

HEX #F8D677

RGB 248 214 119

HSL 44.19, 0.9%, 0.72%

LAB 86.69, 0.32, 50.85

 

CMYK 52 / 0 / 24 / 3

HEX #77F8BC

RGB 119 248 188

HSL 152.09, 0.9%, 0.72%

LAB 89.25, -49.34, 18.09

 

CMYK 52 / 38 / 0 / 3

HEX #779AF8

RGB 119 154 248

HSL 223.72, 0.9%, 0.72%

LAB 64.81, 13.79, -50.72

 

CMYK 0 / 52 / 28 / 3

HEX #F878B3

RGB 248 120 179

HSL 332.34, 0.9%, 0.72%

LAB 67.01, 55.2, -7.92

 

CMYK 2 / 0 / 52 / 3

HEX #F4F877

RGB 244 248 119

HSL 61.86, 0.9%, 0.72%

LAB 95.03, -18.2, 60.62

 

CMYK 52 / 0 / 24 / 3

HEX #77F8BC

RGB 119 248 188

HSL 152.09, 0.9%, 0.72%

LAB 89.25, -49.34, 18.09

 

CMYK 50 / 52 / 0 / 3

HEX #7C77F8

RGB 124 119 248

HSL 242.33, 0.9%, 0.72%

LAB 56.34, 35.48, -64.22

 

Description

Color code: HEX #F878B3 | qconv.com Color code: HEX #F878B3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 120 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 120 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 28 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 28% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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