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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F874BE it is the complementary color #078B41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F874BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F874BE shade: #FD74B9, #FF86CC, #FF98DF, #FFAAF2 and #FFBCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F874BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F874BE shade: #F874BE, #E762AB, #D65098, #C53E85 and #B42C72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F874BE shade: #F872BD, #F87299, #F87275 and #F87272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F874BE shade: #F872BD, #F872E1, #EA72F8, #C672F8 and #A372F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F874BE shade matches the following richer shades: #F872BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F874BE shade: #F872BD, #EC7EBC, #E08ABA, #D496B9 and #C8A2B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F874BE shade: #EA72F8, #F872E1, #F872BE, #F8729A and #F87277

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F874BE shade: #F32498, #F64BAB, #F872BD, #FA9AD0 and #FCC1E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F874BE shade: #F874BE, #F8C772 and #72F3F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F874BE shade: #F874BE, #BEF872 and #72BEF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F874BE shade: #F874BE, #F8C772, #72F8AC and #72A3F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F874BE shade: #F874BE, #F8EF72, #72F8AC and #727BF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 23 / 3

HEX #F874BE

RGB 248 116 190

HSL 326.36, 0.9%, 0.71%

LAB 66.65, 58.52, -14.67

 

Complementary color

CMYK 95 / 0 / 53 / 45

HEX #078B41

RGB 7 139 65

HSL 146.36, 0.9%, 0.29%

LAB 50.56, -48.72, 30.62

 

CMYK 0 / 54 / 27 / 1

HEX #FD74B9

RGB 253 116 185

HSL 329.78, 0.97%, 0.72%

LAB 67.18, 59.39, -10.97

 

CMYK 0 / 47 / 20 / 0

HEX #FF86CC

RGB 255 134 204

HSL 325.29, 1%, 0.76%

LAB 71.33, 54.07, -15.35

 

CMYK 0 / 40 / 13 / 0

HEX #FF98DF

RGB 255 152 223

HSL 318.64, 1%, 0.8%

LAB 75.48, 47.98, -19.54

 

CMYK 0 / 33 / 5 / 0

HEX #FFAAF2

RGB 255 170 242

HSL 309.18, 1%, 0.83%

LAB 79.85, 41.88, -23.21

 

CMYK 0 / 26 / 0 / 0

HEX #FFBCFF

RGB 255 188 255

HSL 300, 1%, 0.87%

LAB 84.2, 34.77, -23.56

 

CMYK 0 / 53 / 23 / 3

HEX #F874BE

RGB 248 116 190

HSL 326.36, 0.9%, 0.71%

LAB 66.65, 58.52, -14.67

 

CMYK 0 / 58 / 26 / 9

HEX #E762AB

RGB 231 98 171

HSL 327.07, 0.73%, 0.65%

LAB 60.48, 59.08, -13.38

 

CMYK 0 / 63 / 29 / 16

HEX #D65098

RGB 214 80 152

HSL 327.76, 0.62%, 0.58%

LAB 54.34, 59.45, -11.83

 

CMYK 0 / 69 / 32 / 23

HEX #C53E85

RGB 197 62 133

HSL 328.44, 0.54%, 0.51%

LAB 48.27, 59.51, -9.91

 

CMYK 0 / 76 / 37 / 29

HEX #B42C72

RGB 180 44 114

HSL 329.12, 0.61%, 0.44%

LAB 42.34, 59.04, -7.48

 

CMYK 0 / 54 / 24 / 3

HEX #F872BD

RGB 248 114 189

HSL 326.42, 0.91%, 0.71%

LAB 66.26, 59.31, -14.68

 

CMYK 0 / 54 / 38 / 3

HEX #F87299

RGB 248 114 153

HSL 342.54, 0.91%, 0.71%

LAB 65.19, 54.94, 4.17

 

CMYK 0 / 54 / 53 / 3

HEX #F87275

RGB 248 114 117

HSL 358.66, 0.91%, 0.71%

LAB 64.38, 51.53, 23.54

 

CMYK 0 / 54 / 54 / 3

HEX #F87272

RGB 248 114 114

HSL 0, 0.91%, 0.71%

LAB 64.33, 51.29, 25.16

 

CMYK 0 / 54 / 24 / 3

HEX #F872BD

RGB 248 114 189

HSL 326.42, 0.91%, 0.71%

LAB 66.26, 59.31, -14.68

 

CMYK 0 / 54 / 9 / 3

HEX #F872E1

RGB 248 114 225

HSL 310.3, 0.91%, 0.71%

LAB 67.6, 64.55, -32.8

 

CMYK 6 / 54 / 0 / 3

HEX #EA72F8

RGB 234 114 248

HSL 293.73, 0.91%, 0.71%

LAB 66.75, 64.69, -46.96

 

CMYK 20 / 54 / 0 / 3

HEX #C672F8

RGB 198 114 248

HSL 277.61, 0.91%, 0.71%

LAB 62.35, 55.54, -54.2

 

CMYK 34 / 54 / 0 / 3

HEX #A372F8

RGB 163 114 248

HSL 261.94, 0.91%, 0.71%

LAB 58.6, 47, -60.41

 

CMYK 0 / 54 / 24 / 3

HEX #F872BD

RGB 248 114 189

HSL 326.42, 0.91%, 0.71%

LAB 66.26, 59.31, -14.68

 

CMYK 0 / 54 / 24 / 3

HEX #F872BD

RGB 248 114 189

HSL 326.42, 0.91%, 0.71%

LAB 66.26, 59.31, -14.68

 

CMYK 0 / 47 / 20 / 7

HEX #EC7EBC

RGB 236 126 188

HSL 326.18, 0.74%, 0.71%

LAB 66.81, 49.69, -13.45

 

CMYK 0 / 38 / 17 / 12

HEX #E08ABA

RGB 224 138 186

HSL 326.51, 0.58%, 0.71%

LAB 67.7, 39.29, -11.15

 

CMYK 0 / 29 / 13 / 17

HEX #D496B9

RGB 212 150 185

HSL 326.13, 0.42%, 0.71%

LAB 68.98, 28.59, -8.83

 

CMYK 0 / 19 / 9 / 22

HEX #C8A2B7

RGB 200 162 183

HSL 326.84, 0.26%, 0.71%

LAB 70.55, 17.46, -5.51

 

CMYK 6 / 54 / 0 / 3

HEX #EA72F8

RGB 234 114 248

HSL 293.73, 0.91%, 0.71%

LAB 66.75, 64.69, -46.96

 

CMYK 0 / 54 / 9 / 3

HEX #F872E1

RGB 248 114 225

HSL 310.3, 0.91%, 0.71%

LAB 67.6, 64.55, -32.8

 

CMYK 0 / 54 / 23 / 3

HEX #F872BE

RGB 248 114 190

HSL 325.97, 0.91%, 0.71%

LAB 66.3, 59.45, -15.2

 

CMYK 0 / 54 / 38 / 3

HEX #F8729A

RGB 248 114 154

HSL 342.09, 0.91%, 0.71%

LAB 65.22, 55.05, 3.64

 

CMYK 0 / 54 / 52 / 3

HEX #F87277

RGB 248 114 119

HSL 357.76, 0.91%, 0.71%

LAB 64.42, 51.69, 22.46

 

CMYK 0 / 85 / 37 / 5

HEX #F32498

RGB 243 36 152

HSL 326.38, 0.9%, 0.55%

LAB 54.64, 80.12, -10.88

 

CMYK 0 / 70 / 30 / 4

HEX #F64BAB

RGB 246 75 171

HSL 326.32, 0.9%, 0.63%

LAB 59.49, 72.42, -14.64

 

CMYK 0 / 54 / 24 / 3

HEX #F872BD

RGB 248 114 189

HSL 326.42, 0.91%, 0.71%

LAB 66.26, 59.31, -14.68

 

CMYK 0 / 38 / 17 / 2

HEX #FA9AD0

RGB 250 154 208

HSL 326.25, 0.91%, 0.79%

LAB 74.82, 43.02, -12.38

 

CMYK 0 / 23 / 10 / 1

HEX #FCC1E2

RGB 252 193 226

HSL 326.44, 0.91%, 0.87%

LAB 84.14, 26.16, -8.22

 

CMYK 0 / 53 / 23 / 3

HEX #F874BE

RGB 248 116 190

HSL 326.36, 0.9%, 0.71%

LAB 66.65, 58.52, -14.67

 

CMYK 0 / 20 / 54 / 3

HEX #F8C772

RGB 248 199 114

HSL 38.06, 0.91%, 0.71%

LAB 82.92, 7.64, 48.72

 

CMYK 54 / 2 / 0 / 3

HEX #72F3F8

RGB 114 243 248

HSL 182.24, 0.91%, 0.71%

LAB 89.14, -34.18, -13.28

 

CMYK 0 / 53 / 23 / 3

HEX #F874BE

RGB 248 116 190

HSL 326.36, 0.9%, 0.71%

LAB 66.65, 58.52, -14.67

 

CMYK 23 / 0 / 54 / 3

HEX #BEF872

RGB 190 248 114

HSL 85.97, 0.91%, 0.71%

LAB 91.37, -39.09, 57.67

 

CMYK 54 / 23 / 0 / 3

HEX #72BEF8

RGB 114 190 248

HSL 205.97, 0.91%, 0.71%

LAB 74.31, -7.52, -35.87

 

CMYK 0 / 53 / 23 / 3

HEX #F874BE

RGB 248 116 190

HSL 326.36, 0.9%, 0.71%

LAB 66.65, 58.52, -14.67

 

CMYK 0 / 20 / 54 / 3

HEX #F8C772

RGB 248 199 114

HSL 38.06, 0.91%, 0.71%

LAB 82.92, 7.64, 48.72

 

CMYK 54 / 0 / 31 / 3

HEX #72F8AC

RGB 114 248 172

HSL 145.97, 0.91%, 0.71%

LAB 88.78, -53.58, 25.6

 

CMYK 54 / 34 / 0 / 3

HEX #72A3F8

RGB 114 163 248

HSL 218.06, 0.91%, 0.71%

LAB 66.94, 7.53, -47.38

 

CMYK 0 / 53 / 23 / 3

HEX #F874BE

RGB 248 116 190

HSL 326.36, 0.9%, 0.71%

LAB 66.65, 58.52, -14.67

 

CMYK 0 / 4 / 54 / 3

HEX #F8EF72

RGB 248 239 114

HSL 55.97, 0.91%, 0.71%

LAB 92.97, -12.62, 60.56

 

CMYK 54 / 0 / 31 / 3

HEX #72F8AC

RGB 114 248 172

HSL 145.97, 0.91%, 0.71%

LAB 88.78, -53.58, 25.6

 

CMYK 54 / 50 / 0 / 3

HEX #727BF8

RGB 114 123 248

HSL 235.97, 0.91%, 0.71%

LAB 56.61, 31.09, -63.83

 

Description

Color code: HEX #F874BE | qconv.com Color code: HEX #F874BE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 116 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 116 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 23 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 23% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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