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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F87331 it is the complementary color #078CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F87331. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F87331 shade: #FD732C, #FF853F, #FF9752, #FFA965 and #FFBB78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F87331. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F87331 shade: #F87331, #E7611E, #D64F0B, #C53D00 and #B42B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F87331 shade: #F87230, #F83D30 and #F83030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F87331 shade: #F87230, #F8A830, #F8DE30, #DBF830 and #A6F830

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F87331 shade matches the following richer shades: #F87230

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F87331 shade: #F87230, #E67842, #D57E53, #C48464 and #B28A76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F87331 shade: #F8305B, #F83A30, #F86F30, #F8A530 and #F8DA30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F87331 shade: #CE4907, #F65709, #F87230, #F98D58 and #FAA980

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F87331 shade: #F87331, #91F830 and #3041F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F87331 shade: #F87331, #30F86F and #6F30F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F87331 shade: #F87331, #91F830, #30B8F8 and #9730F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F87331 shade: #F87331, #55F830, #30B8F8 and #D330F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 80 / 3

HEX #F87331

RGB 248 115 49

HSL 19.9, 0.93%, 0.58%

LAB 63.7, 47.28, 58.17

 

Complementary color

CMYK 97 / 32 / 0 / 19

HEX #078CCE

RGB 7 140 206

HSL 199.9, 0.93%, 0.42%

LAB 55.34, -7.12, -42.59

 

CMYK 0 / 55 / 83 / 1

HEX #FD732C

RGB 253 115 44

HSL 20.38, 0.98%, 0.58%

LAB 64.42, 48.99, 61.17

 

CMYK 0 / 48 / 75 / 0

HEX #FF853F

RGB 255 133 63

HSL 21.88, 1%, 0.62%

LAB 68.31, 41.63, 56.81

 

CMYK 0 / 41 / 68 / 0

HEX #FF9752

RGB 255 151 82

HSL 23.93, 1%, 0.66%

LAB 72.23, 33.38, 52.05

 

CMYK 0 / 34 / 60 / 0

HEX #FFA965

RGB 255 169 101

HSL 26.49, 1%, 0.7%

LAB 76.42, 25.19, 47.53

 

CMYK 0 / 27 / 53 / 0

HEX #FFBB78

RGB 255 187 120

HSL 29.78, 1%, 0.74%

LAB 80.83, 17.21, 43.33

 

CMYK 0 / 54 / 80 / 3

HEX #F87331

RGB 248 115 49

HSL 19.9, 0.93%, 0.58%

LAB 63.7, 47.28, 58.17

 

CMYK 0 / 58 / 87 / 9

HEX #E7611E

RGB 231 97 30

HSL 20, 0.81%, 0.51%

LAB 57.69, 48.99, 59.46

 

CMYK 0 / 63 / 95 / 16

HEX #D64F0B

RGB 214 79 11

HSL 20.1, 0.9%, 0.44%

LAB 51.74, 50.67, 59.58

 

CMYK 0 / 69 / 100 / 23

HEX #C53D00

RGB 197 61 0

HSL 18.58, 1%, 0.39%

LAB 45.92, 52.16, 57.42

 

CMYK 0 / 76 / 100 / 29

HEX #B42B00

RGB 180 43 0

HSL 14.33, 1%, 0.35%

LAB 40.3, 53.17, 52.94

 

CMYK 0 / 54 / 81 / 3

HEX #F87230

RGB 248 114 48

HSL 19.8, 0.93%, 0.58%

LAB 63.51, 47.73, 58.42

 

CMYK 0 / 75 / 81 / 3

HEX #F83D30

RGB 248 61 48

HSL 3.9, 0.93%, 0.58%

LAB 55.59, 68.94, 50.98

 

CMYK 0 / 81 / 81 / 3

HEX #F83030

RGB 248 48 48

HSL 0, 0.93%, 0.58%

LAB 54.33, 72.5, 49.76

 

CMYK 0 / 54 / 81 / 3

HEX #F87230

RGB 248 114 48

HSL 19.8, 0.93%, 0.58%

LAB 63.51, 47.73, 58.42

 

CMYK 0 / 32 / 81 / 3

HEX #F8A830

RGB 248 168 48

HSL 36, 0.93%, 0.58%

LAB 74.94, 20.22, 68.74

 

CMYK 0 / 10 / 81 / 3

HEX #F8DE30

RGB 248 222 48

HSL 52.2, 0.93%, 0.58%

LAB 88.17, -7.65, 80.29

 

CMYK 12 / 0 / 81 / 3

HEX #DBF830

RGB 219 248 48

HSL 68.7, 0.93%, 0.58%

LAB 92.75, -32.1, 83.38

 

CMYK 33 / 0 / 81 / 3

HEX #A6F830

RGB 166 248 48

HSL 84.6, 0.93%, 0.58%

LAB 89.61, -52.04, 79.4

 

CMYK 0 / 54 / 81 / 3

HEX #F87230

RGB 248 114 48

HSL 19.8, 0.93%, 0.58%

LAB 63.51, 47.73, 58.42

 

CMYK 0 / 54 / 81 / 3

HEX #F87230

RGB 248 114 48

HSL 19.8, 0.93%, 0.58%

LAB 63.51, 47.73, 58.42

 

CMYK 0 / 48 / 71 / 10

HEX #E67842

RGB 230 120 66

HSL 19.76, 0.77%, 0.58%

LAB 62.21, 38.62, 47.9

 

CMYK 0 / 41 / 61 / 16

HEX #D57E53

RGB 213 126 83

HSL 19.85, 0.61%, 0.58%

LAB 61.39, 29.74, 37.56

 

CMYK 0 / 33 / 49 / 23

HEX #C48464

RGB 196 132 100

HSL 20, 0.45%, 0.58%

LAB 60.92, 20.98, 27.24

 

CMYK 0 / 22 / 34 / 30

HEX #B28A76

RGB 178 138 118

HSL 20, 0.28%, 0.58%

LAB 60.74, 12.36, 16.55

 

CMYK 0 / 81 / 63 / 3

HEX #F8305B

RGB 248 48 91

HSL 347.1, 0.93%, 0.58%

LAB 54.89, 74.23, 26.05

 

CMYK 0 / 77 / 81 / 3

HEX #F83A30

RGB 248 58 48

HSL 3, 0.93%, 0.58%

LAB 55.27, 69.83, 50.67

 

CMYK 0 / 55 / 81 / 3

HEX #F86F30

RGB 248 111 48

HSL 18.9, 0.93%, 0.58%

LAB 62.96, 49.15, 57.91

 

CMYK 0 / 33 / 81 / 3

HEX #F8A530

RGB 248 165 48

HSL 35.1, 0.93%, 0.58%

LAB 74.24, 21.8, 68.13

 

CMYK 0 / 12 / 81 / 3

HEX #F8DA30

RGB 248 218 48

HSL 51, 0.93%, 0.58%

LAB 87.15, -5.65, 79.42

 

CMYK 0 / 65 / 97 / 19

HEX #CE4907

RGB 206 73 7

HSL 19.9, 0.93%, 0.42%

LAB 49.38, 50.4, 58.35

 

CMYK 0 / 65 / 96 / 4

HEX #F65709

RGB 246 87 9

HSL 19.75, 0.93%, 0.5%

LAB 58.44, 58.34, 66.79

 

CMYK 0 / 54 / 81 / 3

HEX #F87230

RGB 248 114 48

HSL 19.8, 0.93%, 0.58%

LAB 63.51, 47.73, 58.42

 

CMYK 0 / 43 / 65 / 2

HEX #F98D58

RGB 249 141 88

HSL 19.75, 0.93%, 0.66%

LAB 69.39, 36.5, 45.62

 

CMYK 0 / 32 / 49 / 2

HEX #FAA980

RGB 250 169 128

HSL 20.16, 0.92%, 0.74%

LAB 76.23, 25.36, 33.22

 

CMYK 0 / 54 / 80 / 3

HEX #F87331

RGB 248 115 49

HSL 19.9, 0.93%, 0.58%

LAB 63.7, 47.28, 58.17

 

CMYK 42 / 0 / 81 / 3

HEX #91F830

RGB 145 248 48

HSL 90.9, 0.93%, 0.58%

LAB 88.62, -59.03, 78.15

 

CMYK 81 / 74 / 0 / 3

HEX #3041F8

RGB 48 65 248

HSL 234.9, 0.93%, 0.58%

LAB 39.89, 56.74, -91.27

 

CMYK 0 / 54 / 80 / 3

HEX #F87331

RGB 248 115 49

HSL 19.9, 0.93%, 0.58%

LAB 63.7, 47.28, 58.17

 

CMYK 81 / 0 / 55 / 3

HEX #30F86F

RGB 48 248 111

HSL 138.9, 0.93%, 0.58%

LAB 86.46, -74.41, 52.01

 

CMYK 55 / 81 / 0 / 3

HEX #6F30F8

RGB 111 48 248

HSL 258.9, 0.93%, 0.58%

LAB 41.64, 69.99, -88.23

 

CMYK 0 / 54 / 80 / 3

HEX #F87331

RGB 248 115 49

HSL 19.9, 0.93%, 0.58%

LAB 63.7, 47.28, 58.17

 

CMYK 42 / 0 / 81 / 3

HEX #91F830

RGB 145 248 48

HSL 90.9, 0.93%, 0.58%

LAB 88.62, -59.03, 78.15

 

CMYK 81 / 26 / 0 / 3

HEX #30B8F8

RGB 48 184 248

HSL 199.2, 0.93%, 0.58%

LAB 70.65, -14.1, -41.7

 

CMYK 39 / 81 / 0 / 3

HEX #9730F8

RGB 151 48 248

HSL 270.9, 0.93%, 0.58%

LAB 46.27, 74.88, -80.45

 

CMYK 0 / 54 / 80 / 3

HEX #F87331

RGB 248 115 49

HSL 19.9, 0.93%, 0.58%

LAB 63.7, 47.28, 58.17

 

CMYK 66 / 0 / 81 / 3

HEX #55F830

RGB 85 248 48

HSL 108.9, 0.93%, 0.58%

LAB 86.64, -74.58, 75.61

 

CMYK 81 / 26 / 0 / 3

HEX #30B8F8

RGB 48 184 248

HSL 199.2, 0.93%, 0.58%

LAB 70.65, -14.1, -41.7

 

CMYK 15 / 81 / 0 / 3

HEX #D330F8

RGB 211 48 248

HSL 288.9, 0.93%, 0.58%

LAB 54.8, 84.12, -66.2

 

Description

Color code: HEX #F87331 | qconv.com Color code: HEX #F87331 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 115 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 115 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 80 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 80% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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