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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8713A it is the complementary color #078EC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8713A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8713A shade: #FD7135, #FF8348, #FF955B, #FFA76E and #FFB981

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8713A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8713A shade: #F8713A, #E75F27, #D64D14, #C53B01 and #B42900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8713A shade: #F8713A, #F83E3A and #F83A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8713A shade: #F8713A, #F8A43A, #F8D73A, #E5F83A and #B2F83A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8713A shade matches the following richer shades: #F8713A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8713A shade: #F8713A, #E7784B, #D77F5B, #C6866C and #B68D7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8713A shade: #F83A6A, #F83D3A, #F8703A, #F8A23A and #F8D53A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8713A shade: #D84408, #F65412, #F8713A, #F98E62 and #FBAA8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8713A shade: #F8713A, #9CF83A and #3A50F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8713A shade: #F8713A, #3AF870 and #703AF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8713A shade: #F8713A, #9CF83A, #3AC2F8 and #963AF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8713A shade: #F8713A, #63F83A, #3AC2F8 and #CF3AF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 77 / 3

HEX #F8713A

RGB 248 113 58

HSL 17.37, 0.93%, 0.6%

LAB 63.4, 48.54, 53.83

 

Complementary color

CMYK 96 / 28 / 0 / 23

HEX #078EC5

RGB 7 142 197

HSL 197.37, 0.93%, 0.4%

LAB 55.5, -11.62, -37.24

 

CMYK 0 / 55 / 79 / 1

HEX #FD7135

RGB 253 113 53

HSL 18, 0.98%, 0.6%

LAB 64.12, 50.2, 57.08

 

CMYK 0 / 49 / 72 / 0

HEX #FF8348

RGB 255 131 72

HSL 19.34, 1%, 0.64%

LAB 67.99, 43.01, 52.25

 

CMYK 0 / 42 / 64 / 0

HEX #FF955B

RGB 255 149 91

HSL 21.22, 1%, 0.68%

LAB 71.9, 34.92, 47.22

 

CMYK 0 / 35 / 57 / 0

HEX #FFA76E

RGB 255 167 110

HSL 23.59, 1%, 0.72%

LAB 76.08, 26.88, 42.56

 

CMYK 0 / 27 / 49 / 0

HEX #FFB981

RGB 255 185 129

HSL 26.67, 1%, 0.75%

LAB 80.48, 19.03, 38.3

 

CMYK 0 / 54 / 77 / 3

HEX #F8713A

RGB 248 113 58

HSL 17.37, 0.93%, 0.6%

LAB 63.4, 48.54, 53.83

 

CMYK 0 / 59 / 83 / 9

HEX #E75F27

RGB 231 95 39

HSL 17.5, 0.8%, 0.53%

LAB 57.39, 50.12, 55.71

 

CMYK 0 / 64 / 91 / 16

HEX #D64D14

RGB 214 77 20

HSL 17.63, 0.83%, 0.46%

LAB 51.44, 51.65, 56.92

 

CMYK 0 / 70 / 99 / 23

HEX #C53B01

RGB 197 59 1

HSL 17.76, 0.99%, 0.39%

LAB 45.63, 52.95, 57

 

CMYK 0 / 77 / 100 / 29

HEX #B42900

RGB 180 41 0

HSL 13.67, 1%, 0.35%

LAB 40.06, 53.82, 52.84

 

CMYK 0 / 54 / 77 / 3

HEX #F8713A

RGB 248 113 58

HSL 17.37, 0.93%, 0.6%

LAB 63.4, 48.54, 53.83

 

CMYK 0 / 75 / 77 / 3

HEX #F83E3A

RGB 248 62 58

HSL 1.26, 0.93%, 0.6%

LAB 55.79, 68.94, 45.99

 

CMYK 0 / 77 / 77 / 3

HEX #F83A3A

RGB 248 58 58

HSL 0, 0.93%, 0.6%

LAB 55.37, 70.13, 45.54

 

CMYK 0 / 54 / 77 / 3

HEX #F8713A

RGB 248 113 58

HSL 17.37, 0.93%, 0.6%

LAB 63.4, 48.54, 53.83

 

CMYK 0 / 34 / 77 / 3

HEX #F8A43A

RGB 248 164 58

HSL 33.47, 0.93%, 0.6%

LAB 74.07, 22.66, 64.29

 

CMYK 0 / 13 / 77 / 3

HEX #F8D73A

RGB 248 215 58

HSL 49.58, 0.93%, 0.6%

LAB 86.44, -3.8, 75.83

 

CMYK 8 / 0 / 77 / 3

HEX #E5F83A

RGB 229 248 58

HSL 66, 0.93%, 0.6%

LAB 93.49, -27.75, 81.67

 

CMYK 28 / 0 / 77 / 3

HEX #B2F83A

RGB 178 248 58

HSL 82.11, 0.93%, 0.6%

LAB 90.28, -47.35, 77.54

 

CMYK 0 / 54 / 77 / 3

HEX #F8713A

RGB 248 113 58

HSL 17.37, 0.93%, 0.6%

LAB 63.4, 48.54, 53.83

 

CMYK 0 / 54 / 77 / 3

HEX #F8713A

RGB 248 113 58

HSL 17.37, 0.93%, 0.6%

LAB 63.4, 48.54, 53.83

 

CMYK 0 / 48 / 68 / 9

HEX #E7784B

RGB 231 120 75

HSL 17.31, 0.76%, 0.6%

LAB 62.45, 39.47, 43.63

 

CMYK 0 / 41 / 58 / 16

HEX #D77F5B

RGB 215 127 91

HSL 17.42, 0.61%, 0.6%

LAB 61.98, 30.6, 34.03

 

CMYK 0 / 32 / 45 / 22

HEX #C6866C

RGB 198 134 108

HSL 17.33, 0.44%, 0.6%

LAB 61.77, 21.51, 23.95

 

CMYK 0 / 23 / 32 / 29

HEX #B68D7C

RGB 182 141 124

HSL 17.59, 0.28%, 0.6%

LAB 62.04, 13.09, 15.04

 

CMYK 0 / 77 / 57 / 3

HEX #F83A6A

RGB 248 58 106

HSL 344.84, 0.93%, 0.6%

LAB 56.11, 72.5, 18.76

 

CMYK 0 / 75 / 77 / 3

HEX #F83D3A

RGB 248 61 58

HSL 0.95, 0.93%, 0.6%

LAB 55.68, 69.25, 45.87

 

CMYK 0 / 55 / 77 / 3

HEX #F8703A

RGB 248 112 58

HSL 17.05, 0.93%, 0.6%

LAB 63.22, 49.01, 53.65

 

CMYK 0 / 35 / 77 / 3

HEX #F8A23A

RGB 248 162 58

HSL 32.84, 0.93%, 0.6%

LAB 73.61, 23.71, 63.85

 

CMYK 0 / 14 / 77 / 3

HEX #F8D53A

RGB 248 213 58

HSL 48.95, 0.93%, 0.6%

LAB 85.93, -2.79, 75.37

 

CMYK 0 / 69 / 96 / 15

HEX #D84408

RGB 216 68 8

HSL 17.31, 0.93%, 0.44%

LAB 50.39, 55.87, 59.63

 

CMYK 0 / 66 / 93 / 4

HEX #F65412

RGB 246 84 18

HSL 17.37, 0.93%, 0.52%

LAB 58.02, 59.63, 64.57

 

CMYK 0 / 54 / 77 / 3

HEX #F8713A

RGB 248 113 58

HSL 17.37, 0.93%, 0.6%

LAB 63.4, 48.54, 53.83

 

CMYK 0 / 43 / 61 / 2

HEX #F98E62

RGB 249 142 98

HSL 17.48, 0.93%, 0.68%

LAB 69.73, 36.62, 40.84

 

CMYK 0 / 32 / 45 / 2

HEX #FBAA8A

RGB 251 170 138

HSL 16.99, 0.93%, 0.76%

LAB 76.74, 26.19, 28.59

 

CMYK 0 / 54 / 77 / 3

HEX #F8713A

RGB 248 113 58

HSL 17.37, 0.93%, 0.6%

LAB 63.4, 48.54, 53.83

 

CMYK 37 / 0 / 77 / 3

HEX #9CF83A

RGB 156 248 58

HSL 89.05, 0.93%, 0.6%

LAB 89.16, -55, 76.1

 

CMYK 77 / 68 / 0 / 3

HEX #3A50F8

RGB 58 80 248

HSL 233.05, 0.93%, 0.6%

LAB 43.38, 48.97, -85.5

 

CMYK 0 / 54 / 77 / 3

HEX #F8713A

RGB 248 113 58

HSL 17.37, 0.93%, 0.6%

LAB 63.4, 48.54, 53.83

 

CMYK 77 / 0 / 55 / 3

HEX #3AF870

RGB 58 248 112

HSL 137.05, 0.93%, 0.6%

LAB 86.61, -73.16, 51.77

 

CMYK 55 / 77 / 0 / 3

HEX #703AF8

RGB 112 58 248

HSL 257.05, 0.93%, 0.6%

LAB 43.13, 66.06, -85.77

 

CMYK 0 / 54 / 77 / 3

HEX #F8713A

RGB 248 113 58

HSL 17.37, 0.93%, 0.6%

LAB 63.4, 48.54, 53.83

 

CMYK 37 / 0 / 77 / 3

HEX #9CF83A

RGB 156 248 58

HSL 89.05, 0.93%, 0.6%

LAB 89.16, -55, 76.1

 

CMYK 77 / 22 / 0 / 3

HEX #3AC2F8

RGB 58 194 248

HSL 197.05, 0.93%, 0.6%

LAB 73.71, -18.42, -36.92

 

CMYK 40 / 77 / 0 / 3

HEX #963AF8

RGB 150 58 248

HSL 269.05, 0.93%, 0.6%

LAB 47.35, 71.24, -78.69

 

CMYK 0 / 54 / 77 / 3

HEX #F8713A

RGB 248 113 58

HSL 17.37, 0.93%, 0.6%

LAB 63.4, 48.54, 53.83

 

CMYK 60 / 0 / 77 / 3

HEX #63F83A

RGB 99 248 58

HSL 107.05, 0.93%, 0.6%

LAB 87.04, -71.1, 73.34

 

CMYK 77 / 22 / 0 / 3

HEX #3AC2F8

RGB 58 194 248

HSL 197.05, 0.93%, 0.6%

LAB 73.71, -18.42, -36.92

 

CMYK 17 / 77 / 0 / 3

HEX #CF3AF8

RGB 207 58 248

HSL 287.05, 0.93%, 0.6%

LAB 55.14, 80.69, -65.68

 

Description

Color code: HEX #F8713A | qconv.com Color code: HEX #F8713A | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 113 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 113 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 77 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 77% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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