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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F870EE it is the complementary color #078F11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F870EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F870EE shade: #FD70E9, #FF82FC, #FF94FF, #FFA6FF and #FFB8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F870EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F870EE shade: #F870EE, #E75EDB, #D64CC8, #C53AB5 and #B428A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F870EE shade: #F872EE, #F872CA, #F872A6, #F87282 and #F87272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F870EE shade: #F872EE, #DE72F8, #BA72F8, #9572F8 and #7272F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F870EE shade matches the following richer shades: #F872EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F870EE shade: #F872EE, #EC7EE4, #E08ADA, #D496D0 and #C8A2C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F870EE shade: #BA72F8, #DD72F8, #F872EF, #F872CB and #F872A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F870EE shade: #F523E5, #F64AEA, #F872EE, #FA99F3 and #FCC1F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F870EE shade: #F870EE, #F89672 and #72F8CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F870EE shade: #F870EE, #EFF872 and #72EFF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F870EE shade: #F870EE, #F89672, #72F87B and #72D4F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F870EE shade: #F870EE, #F8BE72, #72F87B and #72ACF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 4 / 3

HEX #F870EE

RGB 248 112 238

HSL 304.41, 0.91%, 0.71%

LAB 67.81, 67.51, -39.66

 

Complementary color

CMYK 95 / 0 / 88 / 44

HEX #078F11

RGB 7 143 17

HSL 124.41, 0.91%, 0.29%

LAB 51.53, -54.95, 51.01

 

CMYK 0 / 56 / 8 / 1

HEX #FD70E9

RGB 253 112 233

HSL 308.51, 0.97%, 0.72%

LAB 68.28, 68.03, -36.12

 

CMYK 0 / 49 / 1 / 0

HEX #FF82FC

RGB 255 130 252

HSL 301.44, 1%, 0.75%

LAB 72.4, 63.51, -40.11

 

CMYK 0 / 42 / 0 / 0

HEX #FF94FF

RGB 255 148 255

HSL 300, 1%, 0.79%

LAB 75.86, 55.33, -36.36

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FF

RGB 255 166 255

HSL 300, 1%, 0.83%

LAB 79.47, 46.22, -30.78

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 0 / 55 / 4 / 3

HEX #F870EE

RGB 248 112 238

HSL 304.41, 0.91%, 0.71%

LAB 67.81, 67.51, -39.66

 

CMYK 0 / 59 / 5 / 9

HEX #E75EDB

RGB 231 94 219

HSL 305.26, 0.74%, 0.64%

LAB 61.75, 67.82, -38.74

 

CMYK 0 / 64 / 7 / 16

HEX #D64CC8

RGB 214 76 200

HSL 306.09, 0.63%, 0.57%

LAB 55.72, 67.85, -37.59

 

CMYK 0 / 71 / 8 / 23

HEX #C53AB5

RGB 197 58 181

HSL 306.91, 0.55%, 0.5%

LAB 49.78, 67.47, -36.12

 

CMYK 0 / 78 / 10 / 29

HEX #B428A2

RGB 180 40 162

HSL 307.71, 0.64%, 0.43%

LAB 43.99, 66.44, -34.2

 

CMYK 0 / 54 / 4 / 3

HEX #F872EE

RGB 248 114 238

HSL 304.48, 0.91%, 0.71%

LAB 68.14, 66.62, -39.14

 

CMYK 0 / 54 / 19 / 3

HEX #F872CA

RGB 248 114 202

HSL 320.6, 0.91%, 0.71%

LAB 66.71, 61.11, -21.32

 

CMYK 0 / 54 / 33 / 3

HEX #F872A6

RGB 248 114 166

HSL 336.72, 0.91%, 0.71%

LAB 65.55, 56.41, -2.71

 

CMYK 0 / 54 / 48 / 3

HEX #F87282

RGB 248 114 130

HSL 352.84, 0.91%, 0.71%

LAB 64.65, 52.64, 16.52

 

CMYK 0 / 54 / 54 / 3

HEX #F87272

RGB 248 114 114

HSL 0, 0.91%, 0.71%

LAB 64.33, 51.29, 25.16

 

CMYK 0 / 54 / 4 / 3

HEX #F872EE

RGB 248 114 238

HSL 304.48, 0.91%, 0.71%

LAB 68.14, 66.62, -39.14

 

CMYK 10 / 54 / 0 / 3

HEX #DE72F8

RGB 222 114 248

HSL 288.36, 0.91%, 0.71%

LAB 65.23, 61.62, -49.46

 

CMYK 25 / 54 / 0 / 3

HEX #BA72F8

RGB 186 114 248

HSL 272.24, 0.91%, 0.71%

LAB 61, 52.55, -56.43

 

CMYK 40 / 54 / 0 / 3

HEX #9572F8

RGB 149 114 248

HSL 255.67, 0.91%, 0.71%

LAB 57.27, 43.77, -62.62

 

CMYK 54 / 54 / 0 / 3

HEX #7272F8

RGB 114 114 248

HSL 240, 0.91%, 0.71%

LAB 54.44, 36.44, -67.33

 

CMYK 0 / 54 / 4 / 3

HEX #F872EE

RGB 248 114 238

HSL 304.48, 0.91%, 0.71%

LAB 68.14, 66.62, -39.14

 

CMYK 0 / 54 / 4 / 3

HEX #F872EE

RGB 248 114 238

HSL 304.48, 0.91%, 0.71%

LAB 68.14, 66.62, -39.14

 

CMYK 0 / 47 / 3 / 7

HEX #EC7EE4

RGB 236 126 228

HSL 304.36, 0.74%, 0.71%

LAB 68.28, 56.02, -33.52

 

CMYK 0 / 38 / 3 / 12

HEX #E08ADA

RGB 224 138 218

HSL 304.19, 0.58%, 0.71%

LAB 68.81, 44.63, -27.29

 

CMYK 0 / 29 / 2 / 17

HEX #D496D0

RGB 212 150 208

HSL 303.87, 0.42%, 0.71%

LAB 69.73, 32.61, -20.47

 

CMYK 0 / 19 / 1 / 22

HEX #C8A2C6

RGB 200 162 198

HSL 303.16, 0.26%, 0.71%

LAB 71.01, 20.17, -13.13

 

CMYK 25 / 54 / 0 / 3

HEX #BA72F8

RGB 186 114 248

HSL 272.24, 0.91%, 0.71%

LAB 61, 52.55, -56.43

 

CMYK 11 / 54 / 0 / 3

HEX #DD72F8

RGB 221 114 248

HSL 287.91, 0.91%, 0.71%

LAB 65.11, 61.37, -49.66

 

CMYK 0 / 54 / 4 / 3

HEX #F872EF

RGB 248 114 239

HSL 304.03, 0.91%, 0.71%

LAB 68.18, 66.79, -39.63

 

CMYK 0 / 54 / 18 / 3

HEX #F872CB

RGB 248 114 203

HSL 320.15, 0.91%, 0.71%

LAB 66.75, 61.25, -21.82

 

CMYK 0 / 54 / 32 / 3

HEX #F872A8

RGB 248 114 168

HSL 335.82, 0.91%, 0.71%

LAB 65.61, 56.65, -3.76

 

CMYK 0 / 86 / 7 / 4

HEX #F523E5

RGB 245 35 229

HSL 304.57, 0.91%, 0.55%

LAB 58.29, 89.75, -49.66

 

CMYK 0 / 70 / 5 / 4

HEX #F64AEA

RGB 246 74 234

HSL 304.19, 0.91%, 0.63%

LAB 62.02, 81.12, -46.55

 

CMYK 0 / 54 / 4 / 3

HEX #F872EE

RGB 248 114 238

HSL 304.48, 0.91%, 0.71%

LAB 68.14, 66.62, -39.14

 

CMYK 0 / 39 / 3 / 2

HEX #FA99F3

RGB 250 153 243

HSL 304.33, 0.91%, 0.79%

LAB 75.81, 49.24, -29.98

 

CMYK 0 / 23 / 2 / 1

HEX #FCC1F8

RGB 252 193 248

HSL 304.07, 0.91%, 0.87%

LAB 84.8, 29.93, -18.95

 

CMYK 0 / 55 / 4 / 3

HEX #F870EE

RGB 248 112 238

HSL 304.41, 0.91%, 0.71%

LAB 67.81, 67.51, -39.66

 

CMYK 0 / 40 / 54 / 3

HEX #F89672

RGB 248 150 114

HSL 16.12, 0.91%, 0.71%

LAB 71.54, 33.3, 34.58

 

CMYK 54 / 0 / 18 / 3

HEX #72F8CB

RGB 114 248 203

HSL 159.85, 0.91%, 0.71%

LAB 89.4, -47.27, 10.54

 

CMYK 0 / 55 / 4 / 3

HEX #F870EE

RGB 248 112 238

HSL 304.41, 0.91%, 0.71%

LAB 67.81, 67.51, -39.66

 

CMYK 4 / 0 / 54 / 3

HEX #EFF872

RGB 239 248 114

HSL 64.03, 0.91%, 0.71%

LAB 94.61, -20.55, 62.25

 

CMYK 54 / 4 / 0 / 3

HEX #72EFF8

RGB 114 239 248

HSL 184.03, 0.91%, 0.71%

LAB 88.01, -32.3, -14.97

 

CMYK 0 / 55 / 4 / 3

HEX #F870EE

RGB 248 112 238

HSL 304.41, 0.91%, 0.71%

LAB 67.81, 67.51, -39.66

 

CMYK 0 / 40 / 54 / 3

HEX #F89672

RGB 248 150 114

HSL 16.12, 0.91%, 0.71%

LAB 71.54, 33.3, 34.58

 

CMYK 54 / 0 / 50 / 3

HEX #72F87B

RGB 114 248 123

HSL 124.03, 0.91%, 0.71%

LAB 88.04, -61.41, 48.74

 

CMYK 54 / 15 / 0 / 3

HEX #72D4F8

RGB 114 212 248

HSL 196.12, 0.91%, 0.71%

LAB 80.43, -19.06, -26.45

 

CMYK 0 / 55 / 4 / 3

HEX #F870EE

RGB 248 112 238

HSL 304.41, 0.91%, 0.71%

LAB 67.81, 67.51, -39.66

 

CMYK 0 / 23 / 54 / 3

HEX #F8BE72

RGB 248 190 114

HSL 34.03, 0.91%, 0.71%

LAB 80.74, 12.33, 46.07

 

CMYK 54 / 0 / 50 / 3

HEX #72F87B

RGB 114 248 123

HSL 124.03, 0.91%, 0.71%

LAB 88.04, -61.41, 48.74

 

CMYK 54 / 31 / 0 / 3

HEX #72ACF8

RGB 114 172 248

HSL 214.03, 0.91%, 0.71%

LAB 69.37, 2.41, -43.56

 

Description

Color code: HEX #F870EE | qconv.com Color code: HEX #F870EE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 112 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 112 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 4 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 4% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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