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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F86EE2 it is the complementary color #07911D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F86EE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F86EE2 shade: #FD6EDD, #FF80F0, #FF92FF, #FFA4FF and #FFB6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F86EE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F86EE2 shade: #F86EE2, #E75CCF, #D64ABC, #C538A9 and #B42696

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F86EE2 shade: #F86DE2, #F86DBC, #F86D97, #F86D71 and #F86D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F86EE2 shade: #F86DE2, #E96DF8, #C36DF8, #9E6DF8 and #786DF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F86EE2 shade matches the following richer shades: #F86DE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F86EE2 shade: #F86DE2, #EC79D9, #DF86D1, #D392C9 and #C79EC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F86EE2 shade: #C36DF8, #E86DF8, #F86DE3, #F86DBE and #F86D99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F86EE2 shade: #F41ED2, #F645DA, #F86DE2, #FA94EA and #FCBCF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F86EE2 shade: #F86EE2, #F89E6D and #6DF8D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F86EE2 shade: #F86EE2, #E3F86D and #6DE3F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F86EE2 shade: #F86EE2, #F89E6D, #6DF882 and #6DC7F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F86EE2 shade: #F86EE2, #F8C76D, #6DF882 and #6D9EF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 9 / 3

HEX #F86EE2

RGB 248 110 226

HSL 309.57, 0.91%, 0.7%

LAB 66.98, 66.48, -34.32

 

Complementary color

CMYK 95 / 0 / 80 / 43

HEX #07911D

RGB 7 145 29

HSL 129.57, 0.91%, 0.3%

LAB 52.27, -54.85, 48.32

 

CMYK 0 / 57 / 13 / 1

HEX #FD6EDD

RGB 253 110 221

HSL 313.43, 0.97%, 0.71%

LAB 67.47, 67.07, -30.72

 

CMYK 0 / 50 / 6 / 0

HEX #FF80F0

RGB 255 128 240

HSL 307.09, 1%, 0.75%

LAB 71.55, 62.45, -34.88

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 0 / 29 / 0 / 0

HEX #FFB6FF

RGB 255 182 255

HSL 300, 1%, 0.86%

LAB 82.88, 37.91, -25.57

 

CMYK 0 / 56 / 9 / 3

HEX #F86EE2

RGB 248 110 226

HSL 309.57, 0.91%, 0.7%

LAB 66.98, 66.48, -34.32

 

CMYK 0 / 60 / 10 / 9

HEX #E75CCF

RGB 231 92 207

HSL 310.36, 0.74%, 0.63%

LAB 60.91, 66.78, -33.27

 

CMYK 0 / 65 / 12 / 16

HEX #D64ABC

RGB 214 74 188

HSL 311.14, 0.63%, 0.56%

LAB 54.89, 66.8, -31.99

 

CMYK 0 / 72 / 14 / 23

HEX #C538A9

RGB 197 56 169

HSL 311.91, 0.56%, 0.5%

LAB 48.96, 66.38, -30.35

 

CMYK 0 / 79 / 17 / 29

HEX #B42696

RGB 180 38 150

HSL 312.68, 0.65%, 0.43%

LAB 43.2, 65.28, -28.22

 

CMYK 0 / 56 / 9 / 3

HEX #F86DE2

RGB 248 109 226

HSL 309.5, 0.91%, 0.7%

LAB 66.81, 66.92, -34.57

 

CMYK 0 / 56 / 24 / 3

HEX #F86DBC

RGB 248 109 188

HSL 325.9, 0.91%, 0.7%

LAB 65.38, 61.45, -15.46

 

CMYK 0 / 56 / 39 / 3

HEX #F86D97

RGB 248 109 151

HSL 341.87, 0.91%, 0.7%

LAB 64.26, 57.03, 3.98

 

CMYK 0 / 56 / 54 / 3

HEX #F86D71

RGB 248 109 113

HSL 358.27, 0.91%, 0.7%

LAB 63.41, 53.54, 24.51

 

CMYK 0 / 56 / 56 / 3

HEX #F86D6D

RGB 248 109 109

HSL 0, 0.91%, 0.7%

LAB 63.34, 53.23, 26.68

 

CMYK 0 / 56 / 9 / 3

HEX #F86DE2

RGB 248 109 226

HSL 309.5, 0.91%, 0.7%

LAB 66.81, 66.92, -34.57

 

CMYK 6 / 56 / 0 / 3

HEX #E96DF8

RGB 233 109 248

HSL 293.53, 0.91%, 0.7%

LAB 65.78, 66.71, -48.5

 

CMYK 21 / 56 / 0 / 3

HEX #C36DF8

RGB 195 109 248

HSL 277.12, 0.91%, 0.7%

LAB 61.06, 57.3, -56.28

 

CMYK 36 / 56 / 0 / 3

HEX #9E6DF8

RGB 158 109 248

HSL 261.15, 0.91%, 0.7%

LAB 57.06, 48.56, -62.91

 

CMYK 52 / 56 / 0 / 3

HEX #786DF8

RGB 120 109 248

HSL 244.75, 0.91%, 0.7%

LAB 53.72, 40.53, -68.47

 

CMYK 0 / 56 / 9 / 3

HEX #F86DE2

RGB 248 109 226

HSL 309.5, 0.91%, 0.7%

LAB 66.81, 66.92, -34.57

 

CMYK 0 / 56 / 9 / 3

HEX #F86DE2

RGB 248 109 226

HSL 309.5, 0.91%, 0.7%

LAB 66.81, 66.92, -34.57

 

CMYK 0 / 49 / 8 / 7

HEX #EC79D9

RGB 236 121 217

HSL 309.91, 0.75%, 0.7%

LAB 66.91, 56.61, -29.54

 

CMYK 0 / 40 / 6 / 13

HEX #DF86D1

RGB 223 134 209

HSL 309.44, 0.58%, 0.7%

LAB 67.53, 44.82, -24.27

 

CMYK 0 / 31 / 5 / 17

HEX #D392C9

RGB 211 146 201

HSL 309.23, 0.42%, 0.7%

LAB 68.48, 33.17, -18.5

 

CMYK 0 / 21 / 4 / 22

HEX #C79EC0

RGB 199 158 192

HSL 310.24, 0.27%, 0.7%

LAB 69.75, 20.91, -11.7

 

CMYK 21 / 56 / 0 / 3

HEX #C36DF8

RGB 195 109 248

HSL 277.12, 0.91%, 0.7%

LAB 61.06, 57.3, -56.28

 

CMYK 6 / 56 / 0 / 3

HEX #E86DF8

RGB 232 109 248

HSL 293.09, 0.91%, 0.7%

LAB 65.65, 66.46, -48.72

 

CMYK 0 / 56 / 8 / 3

HEX #F86DE3

RGB 248 109 227

HSL 309.06, 0.91%, 0.7%

LAB 66.85, 67.08, -35.06

 

CMYK 0 / 56 / 23 / 3

HEX #F86DBE

RGB 248 109 190

HSL 325.04, 0.91%, 0.7%

LAB 65.45, 61.71, -16.48

 

CMYK 0 / 56 / 38 / 3

HEX #F86D99

RGB 248 109 153

HSL 341.01, 0.91%, 0.7%

LAB 64.32, 57.24, 2.91

 

CMYK 0 / 88 / 14 / 4

HEX #F41ED2

RGB 244 30 210

HSL 309.53, 0.91%, 0.54%

LAB 56.89, 87.82, -41.12

 

CMYK 0 / 72 / 11 / 4

HEX #F645DA

RGB 246 69 218

HSL 309.49, 0.91%, 0.62%

LAB 60.7, 80.38, -39.65

 

CMYK 0 / 56 / 9 / 3

HEX #F86DE2

RGB 248 109 226

HSL 309.5, 0.91%, 0.7%

LAB 66.81, 66.92, -34.57

 

CMYK 0 / 41 / 6 / 2

HEX #FA94EA

RGB 250 148 234

HSL 309.41, 0.91%, 0.78%

LAB 74.47, 50.24, -27.14

 

CMYK 0 / 25 / 4 / 1

HEX #FCBCF2

RGB 252 188 242

HSL 309.38, 0.91%, 0.86%

LAB 83.48, 31.5, -17.74

 

CMYK 0 / 56 / 9 / 3

HEX #F86EE2

RGB 248 110 226

HSL 309.57, 0.91%, 0.7%

LAB 66.98, 66.48, -34.32

 

CMYK 0 / 36 / 56 / 3

HEX #F89E6D

RGB 248 158 109

HSL 21.15, 0.91%, 0.7%

LAB 73.23, 28.73, 39.36

 

CMYK 56 / 0 / 14 / 3

HEX #6DF8D5

RGB 109 248 213

HSL 164.89, 0.91%, 0.7%

LAB 89.48, -46.03, 5.45

 

CMYK 0 / 56 / 9 / 3

HEX #F86EE2

RGB 248 110 226

HSL 309.57, 0.91%, 0.7%

LAB 66.98, 66.48, -34.32

 

CMYK 8 / 0 / 56 / 3

HEX #E3F86D

RGB 227 248 109

HSL 69.06, 0.91%, 0.7%

LAB 93.7, -25.63, 63.16

 

CMYK 56 / 8 / 0 / 3

HEX #6DE3F8

RGB 109 227 248

HSL 189.06, 0.91%, 0.7%

LAB 84.47, -27.49, -20.32

 

CMYK 0 / 56 / 9 / 3

HEX #F86EE2

RGB 248 110 226

HSL 309.57, 0.91%, 0.7%

LAB 66.98, 66.48, -34.32

 

CMYK 0 / 36 / 56 / 3

HEX #F89E6D

RGB 248 158 109

HSL 21.15, 0.91%, 0.7%

LAB 73.23, 28.73, 39.36

 

CMYK 56 / 0 / 48 / 3

HEX #6DF882

RGB 109 248 130

HSL 129.06, 0.91%, 0.7%

LAB 87.97, -61.63, 45.32

 

CMYK 56 / 20 / 0 / 3

HEX #6DC7F8

RGB 109 199 248

HSL 201.15, 0.91%, 0.7%

LAB 76.6, -13.32, -32.33

 

CMYK 0 / 56 / 9 / 3

HEX #F86EE2

RGB 248 110 226

HSL 309.57, 0.91%, 0.7%

LAB 66.98, 66.48, -34.32

 

CMYK 0 / 20 / 56 / 3

HEX #F8C76D

RGB 248 199 109

HSL 38.85, 0.91%, 0.7%

LAB 82.86, 7.25, 51.08

 

CMYK 56 / 0 / 48 / 3

HEX #6DF882

RGB 109 248 130

HSL 129.06, 0.91%, 0.7%

LAB 87.97, -61.63, 45.32

 

CMYK 56 / 36 / 0 / 3

HEX #6D9EF8

RGB 109 158 248

HSL 218.85, 0.91%, 0.7%

LAB 65.34, 9.38, -49.91

 

Description

Color code: HEX #F86EE2 | qconv.com Color code: HEX #F86EE2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 110 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 110 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 9 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 9% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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