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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8630C it is the complementary color #079CF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8630C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8630C shade: #FD6307, #FF751A, #FF872D, #FF9940 and #FFAB53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8630C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8630C shade: #F8630C, #E75100, #D63F00, #C52D00 and #B41B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8630C shade: #F8630D, #F8240D and #F80D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8630C shade: #F8630D, #F8A30D, #F8E20D, #CEF80D and #8EF80D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8630C shade matches the following richer shades: #F8630D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8630C shade: #F8630D, #E36921, #CF6E35, #BB7349 and #A7785D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8630C shade: #F80D34, #F8240D, #F8630D, #F8A10D and #F8E00D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8630C shade: #AC4305, #D45207, #F8630D, #F97D35 and #FA975D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8630C shade: #F8630C, #72F80D and #0D14F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8630C shade: #F8630C, #0DF863 and #630DF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8630C shade: #F8630C, #72F80D, #0DA1F8 and #920DF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8630C shade: #F8630C, #2CF80D, #0DA1F8 and #D80DF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 95 / 3

HEX #F8630C

RGB 248 99 12

HSL 22.12, 0.94%, 0.51%

LAB 60.7, 53.95, 67.76

 

Complementary color

CMYK 97 / 36 / 0 / 5

HEX #079CF3

RGB 7 156 243

HSL 202.12, 0.94%, 0.49%

LAB 61.91, -2.5, -52.79

 

CMYK 0 / 61 / 97 / 1

HEX #FD6307

RGB 253 99 7

HSL 22.44, 0.98%, 0.51%

LAB 61.5, 55.67, 69.52

 

CMYK 0 / 54 / 90 / 0

HEX #FF751A

RGB 255 117 26

HSL 23.84, 1%, 0.55%

LAB 65.01, 48.41, 67.9

 

CMYK 0 / 47 / 82 / 0

HEX #FF872D

RGB 255 135 45

HSL 25.71, 1%, 0.59%

LAB 68.59, 40.03, 64.55

 

CMYK 0 / 40 / 75 / 0

HEX #FF9940

RGB 255 153 64

HSL 27.96, 1%, 0.63%

LAB 72.5, 31.5, 60.59

 

CMYK 0 / 33 / 67 / 0

HEX #FFAB53

RGB 255 171 83

HSL 30.7, 1%, 0.66%

LAB 76.69, 23.04, 56.49

 

CMYK 0 / 60 / 95 / 3

HEX #F8630C

RGB 248 99 12

HSL 22.12, 0.94%, 0.51%

LAB 60.7, 53.95, 67.76

 

CMYK 0 / 65 / 100 / 9

HEX #E75100

RGB 231 81 0

HSL 21.04, 1%, 0.45%

LAB 54.94, 55.63, 65.29

 

CMYK 0 / 71 / 100 / 16

HEX #D63F00

RGB 214 63 0

HSL 17.66, 1%, 0.42%

LAB 49.32, 57.03, 60.83

 

CMYK 0 / 77 / 100 / 23

HEX #C52D00

RGB 197 45 0

HSL 13.71, 1%, 0.39%

LAB 43.87, 57.82, 56.47

 

CMYK 0 / 85 / 100 / 29

HEX #B41B00

RGB 180 27 0

HSL 9, 1%, 0.35%

LAB 38.7, 57.66, 52.27

 

CMYK 0 / 60 / 95 / 3

HEX #F8630D

RGB 248 99 13

HSL 21.96, 0.94%, 0.51%

LAB 60.7, 53.96, 67.57

 

CMYK 0 / 85 / 95 / 3

HEX #F8240D

RGB 248 36 13

HSL 5.87, 0.94%, 0.51%

LAB 53.22, 74.5, 63.23

 

CMYK 0 / 95 / 95 / 3

HEX #F80D0D

RGB 248 13 13

HSL 0, 0.94%, 0.51%

LAB 52.14, 77.59, 62.67

 

CMYK 0 / 60 / 95 / 3

HEX #F8630D

RGB 248 99 13

HSL 21.96, 0.94%, 0.51%

LAB 60.7, 53.96, 67.57

 

CMYK 0 / 34 / 95 / 3

HEX #F8A30D

RGB 248 163 13

HSL 38.3, 0.94%, 0.51%

LAB 73.66, 22.15, 76.18

 

CMYK 0 / 9 / 95 / 3

HEX #F8E20D

RGB 248 226 13

HSL 54.38, 0.94%, 0.51%

LAB 89.1, -10.3, 87.33

 

CMYK 17 / 0 / 95 / 3

HEX #CEF80D

RGB 206 248 13

HSL 70.72, 0.94%, 0.51%

LAB 91.81, -37.96, 88

 

CMYK 43 / 0 / 95 / 3

HEX #8EF80D

RGB 142 248 13

HSL 87.06, 0.94%, 0.51%

LAB 88.41, -60.92, 83.87

 

CMYK 0 / 60 / 95 / 3

HEX #F8630D

RGB 248 99 13

HSL 21.96, 0.94%, 0.51%

LAB 60.7, 53.96, 67.57

 

CMYK 0 / 60 / 95 / 3

HEX #F8630D

RGB 248 99 13

HSL 21.96, 0.94%, 0.51%

LAB 60.7, 53.96, 67.57

 

CMYK 0 / 54 / 85 / 11

HEX #E36921

RGB 227 105 33

HSL 22.27, 0.78%, 0.51%

LAB 58.55, 43.76, 58.82

 

CMYK 0 / 47 / 74 / 19

HEX #CF6E35

RGB 207 110 53

HSL 22.21, 0.62%, 0.51%

LAB 56.76, 34.05, 47.49

 

CMYK 0 / 39 / 61 / 27

HEX #BB7349

RGB 187 115 73

HSL 22.11, 0.46%, 0.51%

LAB 55.39, 24.3, 34.89

 

CMYK 0 / 28 / 44 / 35

HEX #A7785D

RGB 167 120 93

HSL 21.89, 0.3%, 0.51%

LAB 54.49, 14.93, 22.08

 

CMYK 0 / 95 / 79 / 3

HEX #F80D34

RGB 248 13 52

HSL 350.04, 0.94%, 0.51%

LAB 52.39, 78.27, 45.71

 

CMYK 0 / 85 / 95 / 3

HEX #F8240D

RGB 248 36 13

HSL 5.87, 0.94%, 0.51%

LAB 53.22, 74.5, 63.23

 

CMYK 0 / 60 / 95 / 3

HEX #F8630D

RGB 248 99 13

HSL 21.96, 0.94%, 0.51%

LAB 60.7, 53.96, 67.57

 

CMYK 0 / 35 / 95 / 3

HEX #F8A10D

RGB 248 161 13

HSL 37.79, 0.94%, 0.51%

LAB 73.2, 23.2, 75.87

 

CMYK 0 / 10 / 95 / 3

HEX #F8E00D

RGB 248 224 13

HSL 53.87, 0.94%, 0.51%

LAB 88.59, -9.31, 86.95

 

CMYK 0 / 61 / 97 / 33

HEX #AC4305

RGB 172 67 5

HSL 22.28, 0.94%, 0.35%

LAB 42.45, 40.64, 51.7

 

CMYK 0 / 61 / 97 / 17

HEX #D45207

RGB 212 82 7

HSL 21.95, 0.94%, 0.43%

LAB 51.89, 48.58, 60.37

 

CMYK 0 / 60 / 95 / 3

HEX #F8630D

RGB 248 99 13

HSL 21.96, 0.94%, 0.51%

LAB 60.7, 53.96, 67.57

 

CMYK 0 / 50 / 79 / 2

HEX #F97D35

RGB 249 125 53

HSL 22.04, 0.94%, 0.59%

LAB 65.8, 42.93, 58.48

 

CMYK 0 / 40 / 63 / 2

HEX #FA975D

RGB 250 151 93

HSL 22.17, 0.94%, 0.67%

LAB 71.72, 32.04, 45.84

 

CMYK 0 / 60 / 95 / 3

HEX #F8630C

RGB 248 99 12

HSL 22.12, 0.94%, 0.51%

LAB 60.7, 53.95, 67.76

 

CMYK 54 / 0 / 95 / 3

HEX #72F80D

RGB 114 248 13

HSL 94.21, 0.94%, 0.51%

LAB 87.36, -69.02, 82.59

 

CMYK 95 / 92 / 0 / 3

HEX #0D14F8

RGB 13 20 248

HSL 238.21, 0.94%, 0.51%

LAB 32.62, 74.12, -103.39

 

CMYK 0 / 60 / 95 / 3

HEX #F8630C

RGB 248 99 12

HSL 22.12, 0.94%, 0.51%

LAB 60.7, 53.95, 67.76

 

CMYK 95 / 0 / 60 / 3

HEX #0DF863

RGB 13 248 99

HSL 141.96, 0.94%, 0.51%

LAB 86.07, -78.23, 56.77

 

CMYK 60 / 95 / 0 / 3

HEX #630DF8

RGB 99 13 248

HSL 261.96, 0.94%, 0.51%

LAB 37.33, 78.2, -95.41

 

CMYK 0 / 60 / 95 / 3

HEX #F8630C

RGB 248 99 12

HSL 22.12, 0.94%, 0.51%

LAB 60.7, 53.95, 67.76

 

CMYK 54 / 0 / 95 / 3

HEX #72F80D

RGB 114 248 13

HSL 94.21, 0.94%, 0.51%

LAB 87.36, -69.02, 82.59

 

CMYK 95 / 35 / 0 / 3

HEX #0DA1F8

RGB 13 161 248

HSL 202.21, 0.94%, 0.51%

LAB 63.63, -3.37, -52.79

 

CMYK 41 / 95 / 0 / 3

HEX #920DF8

RGB 146 13 248

HSL 273.96, 0.94%, 0.51%

LAB 43.03, 81.95, -85.8

 

CMYK 0 / 60 / 95 / 3

HEX #F8630C

RGB 248 99 12

HSL 22.12, 0.94%, 0.51%

LAB 60.7, 53.95, 67.76

 

CMYK 82 / 0 / 95 / 3

HEX #2CF80D

RGB 44 248 13

HSL 112.09, 0.94%, 0.51%

LAB 85.86, -81.75, 80.75

 

CMYK 95 / 35 / 0 / 3

HEX #0DA1F8

RGB 13 161 248

HSL 202.21, 0.94%, 0.51%

LAB 63.63, -3.37, -52.79

 

CMYK 13 / 95 / 0 / 3

HEX #D80DF8

RGB 216 13 248

HSL 291.83, 0.94%, 0.51%

LAB 53.67, 90.57, -67.99

 

Description

Color code: HEX #F8630C | qconv.com Color code: HEX #F8630C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 99 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 99 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 95 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 95% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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