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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F85DF6 it is the complementary color #07A209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F85DF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F85DF6 shade: #FD5DF1, #FF6FFF, #FF81FF, #FF93FF and #FFA5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F85DF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F85DF6 shade: #F85DF6, #E74BE3, #D639D0, #C527BD and #B415AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F85DF6 shade: #F85DF6, #F85DCD, #F85DA3, #F85D79 and #F85D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F85DF6 shade: #F85DF6, #D15DF8, #A75DF8, #7D5DF8 and #5D5DF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F85DF6 shade matches the following richer shades: #F85DF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F85DF6 shade: #F85DF6, #EB6BE9, #DD79DC, #CF86CE and #C294C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F85DF6 shade: #A65DF8, #CF5DF8, #F85DF8, #F85DCF and #F85DA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F85DF6 shade: #F50EF2, #F736F4, #F85DF6, #FA85F8 and #FCADFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F85DF6 shade: #F85DF6, #F87C5D and #5DF8BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F85DF6 shade: #F85DF6, #F8F85D and #5DF8F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F85DF6 shade: #F85DF6, #F87C5D, #5DF85D and #5DD9F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F85DF6 shade: #F85DF6, #F8AB5D, #5DF85D and #5DABF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 1 / 3

HEX #F85DF6

RGB 248 93 246

HSL 300.77, 0.92%, 0.67%

LAB 65.31, 76.68, -48

 

Complementary color

CMYK 96 / 0 / 94 / 36

HEX #07A209

RGB 7 162 9

HSL 120.77, 0.92%, 0.33%

LAB 57.95, -60.75, 57.99

 

CMYK 0 / 63 / 5 / 1

HEX #FD5DF1

RGB 253 93 241

HSL 304.5, 0.98%, 0.68%

LAB 65.8, 77.06, -44.42

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 0 / 49 / 0 / 0

HEX #FF81FF

RGB 255 129 255

HSL 300, 1%, 0.75%

LAB 72.35, 64.48, -41.82

 

CMYK 0 / 42 / 0 / 0

HEX #FF93FF

RGB 255 147 255

HSL 300, 1%, 0.79%

LAB 75.67, 55.82, -36.66

 

CMYK 0 / 35 / 0 / 0

HEX #FFA5FF

RGB 255 165 255

HSL 300, 1%, 0.82%

LAB 79.27, 46.73, -31.1

 

CMYK 0 / 63 / 1 / 3

HEX #F85DF6

RGB 248 93 246

HSL 300.77, 0.92%, 0.67%

LAB 65.31, 76.68, -48

 

CMYK 0 / 68 / 2 / 9

HEX #E74BE3

RGB 231 75 227

HSL 301.54, 0.76%, 0.6%

LAB 59.5, 76.42, -46.77

 

CMYK 0 / 73 / 3 / 16

HEX #D639D0

RGB 214 57 208

HSL 302.29, 0.66%, 0.53%

LAB 53.79, 75.68, -45.21

 

CMYK 0 / 80 / 4 / 23

HEX #C527BD

RGB 197 39 189

HSL 303.04, 0.67%, 0.46%

LAB 48.25, 74.24, -43.2

 

CMYK 0 / 88 / 6 / 29

HEX #B415AA

RGB 180 21 170

HSL 303.77, 0.79%, 0.39%

LAB 42.98, 71.8, -40.57

 

CMYK 0 / 63 / 1 / 3

HEX #F85DF6

RGB 248 93 246

HSL 300.77, 0.92%, 0.67%

LAB 65.31, 76.68, -48

 

CMYK 0 / 63 / 17 / 3

HEX #F85DCD

RGB 248 93 205

HSL 316.65, 0.92%, 0.67%

LAB 63.5, 70.53, -27.93

 

CMYK 0 / 63 / 34 / 3

HEX #F85DA3

RGB 248 93 163

HSL 332.9, 0.92%, 0.67%

LAB 62.02, 65.26, -6.2

 

CMYK 0 / 63 / 51 / 3

HEX #F85D79

RGB 248 93 121

HSL 349.16, 0.92%, 0.67%

LAB 60.93, 61.2, 16.55

 

CMYK 0 / 63 / 63 / 3

HEX #F85D5D

RGB 248 93 93

HSL 0, 0.92%, 0.67%

LAB 60.41, 59.21, 31.95

 

CMYK 0 / 63 / 1 / 3

HEX #F85DF6

RGB 248 93 246

HSL 300.77, 0.92%, 0.67%

LAB 65.31, 76.68, -48

 

CMYK 16 / 63 / 0 / 3

HEX #D15DF8

RGB 209 93 248

HSL 284.9, 0.92%, 0.67%

LAB 60.03, 68.08, -57.82

 

CMYK 33 / 63 / 0 / 3

HEX #A75DF8

RGB 167 93 248

HSL 268.65, 0.92%, 0.67%

LAB 54.89, 58.85, -66.36

 

CMYK 50 / 63 / 0 / 3

HEX #7D5DF8

RGB 125 93 248

HSL 252.39, 0.92%, 0.67%

LAB 50.65, 50.55, -73.43

 

CMYK 63 / 63 / 0 / 3

HEX #5D5DF8

RGB 93 93 248

HSL 240, 0.92%, 0.67%

LAB 48.18, 45.32, -77.56

 

CMYK 0 / 63 / 1 / 3

HEX #F85DF6

RGB 248 93 246

HSL 300.77, 0.92%, 0.67%

LAB 65.31, 76.68, -48

 

CMYK 0 / 63 / 1 / 3

HEX #F85DF6

RGB 248 93 246

HSL 300.77, 0.92%, 0.67%

LAB 65.31, 76.68, -48

 

CMYK 0 / 54 / 1 / 8

HEX #EB6BE9

RGB 235 107 233

HSL 300.94, 0.76%, 0.67%

LAB 65.01, 65.51, -41.4

 

CMYK 0 / 45 / 0 / 13

HEX #DD79DC

RGB 221 121 220

HSL 300.6, 0.6%, 0.67%

LAB 65.13, 52.77, -34.12

 

CMYK 0 / 35 / 0 / 19

HEX #CF86CE

RGB 207 134 206

HSL 300.82, 0.43%, 0.67%

LAB 65.57, 39.25, -25.76

 

CMYK 0 / 24 / 1 / 24

HEX #C294C1

RGB 194 148 193

HSL 301.3, 0.27%, 0.67%

LAB 66.9, 24.91, -16.6

 

CMYK 33 / 63 / 0 / 3

HEX #A65DF8

RGB 166 93 248

HSL 268.26, 0.92%, 0.67%

LAB 54.78, 58.64, -66.54

 

CMYK 17 / 63 / 0 / 3

HEX #CF5DF8

RGB 207 93 248

HSL 284.13, 0.92%, 0.67%

LAB 59.77, 67.63, -58.25

 

CMYK 0 / 63 / 0 / 3

HEX #F85DF8

RGB 248 93 248

HSL 300, 0.92%, 0.67%

LAB 65.41, 77, -48.95

 

CMYK 0 / 63 / 17 / 3

HEX #F85DCF

RGB 248 93 207

HSL 315.87, 0.92%, 0.67%

LAB 63.58, 70.8, -28.94

 

CMYK 0 / 63 / 33 / 3

HEX #F85DA6

RGB 248 93 166

HSL 331.74, 0.92%, 0.67%

LAB 62.12, 65.59, -7.79

 

CMYK 0 / 94 / 1 / 4

HEX #F50EF2

RGB 245 14 242

HSL 300.78, 0.92%, 0.51%

LAB 58.17, 94.02, -57.15

 

CMYK 0 / 78 / 1 / 3

HEX #F736F4

RGB 247 54 244

HSL 300.93, 0.92%, 0.59%

LAB 60.73, 88.44, -54.16

 

CMYK 0 / 63 / 1 / 3

HEX #F85DF6

RGB 248 93 246

HSL 300.77, 0.92%, 0.67%

LAB 65.31, 76.68, -48

 

CMYK 0 / 47 / 1 / 2

HEX #FA85F8

RGB 250 133 248

HSL 301.03, 0.92%, 0.75%

LAB 72.15, 60.02, -38.37

 

CMYK 0 / 31 / 0 / 1

HEX #FCADFB

RGB 252 173 251

HSL 300.76, 0.93%, 0.83%

LAB 80.49, 40.96, -27.11

 

CMYK 0 / 63 / 1 / 3

HEX #F85DF6

RGB 248 93 246

HSL 300.77, 0.92%, 0.67%

LAB 65.31, 76.68, -48

 

CMYK 0 / 50 / 63 / 3

HEX #F87C5D

RGB 248 124 93

HSL 12, 0.92%, 0.67%

LAB 65.87, 44.97, 38.75

 

CMYK 63 / 0 / 25 / 3

HEX #5DF8BA

RGB 93 248 186

HSL 156, 0.92%, 0.67%

LAB 88.45, -54.99, 17.9

 

CMYK 0 / 63 / 1 / 3

HEX #F85DF6

RGB 248 93 246

HSL 300.77, 0.92%, 0.67%

LAB 65.31, 76.68, -48

 

CMYK 0 / 0 / 63 / 3

HEX #F8F85D

RGB 248 248 93

HSL 60, 0.92%, 0.67%

LAB 95.11, -18.42, 71.76

 

CMYK 63 / 0 / 0 / 3

HEX #5DF8F8

RGB 93 248 248

HSL 180, 0.92%, 0.67%

LAB 89.97, -40.05, -12.1

 

CMYK 0 / 63 / 1 / 3

HEX #F85DF6

RGB 248 93 246

HSL 300.77, 0.92%, 0.67%

LAB 65.31, 76.68, -48

 

CMYK 0 / 50 / 63 / 3

HEX #F87C5D

RGB 248 124 93

HSL 12, 0.92%, 0.67%

LAB 65.87, 44.97, 38.75

 

CMYK 63 / 0 / 63 / 3

HEX #5DF85D

RGB 93 248 93

HSL 120, 0.92%, 0.67%

LAB 87.12, -69.61, 60.78

 

CMYK 63 / 13 / 0 / 3

HEX #5DD9F8

RGB 93 217 248

HSL 192, 0.92%, 0.67%

LAB 81.14, -25.39, -25.42

 

CMYK 0 / 63 / 1 / 3

HEX #F85DF6

RGB 248 93 246

HSL 300.77, 0.92%, 0.67%

LAB 65.31, 76.68, -48

 

CMYK 0 / 31 / 63 / 3

HEX #F8AB5D

RGB 248 171 93

HSL 30.19, 0.92%, 0.67%

LAB 75.99, 20.77, 50.76

 

CMYK 63 / 0 / 63 / 3

HEX #5DF85D

RGB 93 248 93

HSL 120, 0.92%, 0.67%

LAB 87.12, -69.61, 60.78

 

CMYK 63 / 31 / 0 / 3

HEX #5DABF8

RGB 93 171 248

HSL 209.81, 0.92%, 0.67%

LAB 68.19, -1.06, -45.48

 

Description

Color code: HEX #F85DF6 | qconv.com Color code: HEX #F85DF6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 93 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 93 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 1 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 1% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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