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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F85A8C it is the complementary color #07A573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F85A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F85A8C shade: #FD5A87, #FF6C9A, #FF7EAD, #FF90C0 and #FFA2D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F85A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F85A8C shade: #F85A8C, #E74879, #D63666, #C52453 and #B41240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F85A8C shade: #F8598B, #F85960 and #F85959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F85A8C shade: #F8598B, #F859B6, #F859E1, #E459F8 and #B959F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F85A8C shade matches the following richer shades: #F8598B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F85A8C shade: #F8598B, #EA6790, #DC7595, #CE839A and #C091A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F85A8C shade: #F859E0, #F859B6, #F8598B, #F85961 and #F87B59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F85A8C shade: #F40A54, #F6316F, #F8598B, #FA80A7 and #FBA8C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F85A8C shade: #F85A8C, #F8E559 and #59CBF8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F85A8C shade: #F85A8C, #8BF859 and #598BF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F85A8C shade: #F85A8C, #F8E559, #59F8C6 and #596BF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F85A8C shade: #F85A8C, #DBF859, #59F8C6 and #7659F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 44 / 3

HEX #F85A8C

RGB 248 90 140

HSL 341.01, 0.92%, 0.66%

LAB 60.92, 64.1, 5.51

 

Complementary color

CMYK 96 / 0 / 30 / 35

HEX #07A573

RGB 7 165 115

HSL 161.01, 0.92%, 0.34%

LAB 60.06, -48.16, 15.99

 

CMYK 0 / 64 / 47 / 1

HEX #FD5A87

RGB 253 90 135

HSL 343.44, 0.98%, 0.67%

LAB 61.61, 65.14, 9.5

 

CMYK 0 / 58 / 40 / 0

HEX #FF6C9A

RGB 255 108 154

HSL 341.22, 1%, 0.71%

LAB 65.21, 60.01, 3.77

 

CMYK 0 / 51 / 32 / 0

HEX #FF7EAD

RGB 255 126 173

HSL 338.14, 1%, 0.75%

LAB 68.9, 53.85, -1.65

 

CMYK 0 / 44 / 25 / 0

HEX #FF90C0

RGB 255 144 192

HSL 334.05, 1%, 0.78%

LAB 72.9, 47.46, -6.35

 

CMYK 0 / 36 / 17 / 0

HEX #FFA2D3

RGB 255 162 211

HSL 328.39, 1%, 0.82%

LAB 77.16, 41.01, -10.46

 

CMYK 0 / 64 / 44 / 3

HEX #F85A8C

RGB 248 90 140

HSL 341.01, 0.92%, 0.66%

LAB 60.92, 64.1, 5.51

 

CMYK 0 / 69 / 48 / 9

HEX #E74879

RGB 231 72 121

HSL 341.51, 0.77%, 0.59%

LAB 55.08, 64.3, 7.94

 

CMYK 0 / 75 / 52 / 16

HEX #D63666

RGB 214 54 102

HSL 342, 0.66%, 0.53%

LAB 49.37, 64.07, 10.88

 

CMYK 0 / 82 / 58 / 23

HEX #C52453

RGB 197 36 83

HSL 342.48, 0.69%, 0.46%

LAB 43.88, 63.18, 14.51

 

CMYK 0 / 90 / 64 / 29

HEX #B41240

RGB 180 18 64

HSL 342.96, 0.82%, 0.39%

LAB 38.74, 61.29, 19.01

 

CMYK 0 / 64 / 44 / 3

HEX #F8598B

RGB 248 89 139

HSL 341.13, 0.92%, 0.66%

LAB 60.75, 64.41, 5.84

 

CMYK 0 / 64 / 61 / 3

HEX #F85960

RGB 248 89 96

HSL 357.36, 0.92%, 0.66%

LAB 59.84, 61.05, 29.52

 

CMYK 0 / 64 / 64 / 3

HEX #F85959

RGB 248 89 89

HSL 0, 0.92%, 0.66%

LAB 59.73, 60.63, 33.37

 

CMYK 0 / 64 / 44 / 3

HEX #F8598B

RGB 248 89 139

HSL 341.13, 0.92%, 0.66%

LAB 60.75, 64.41, 5.84

 

CMYK 0 / 64 / 27 / 3

HEX #F859B6

RGB 248 89 182

HSL 324.91, 0.92%, 0.66%

LAB 62.07, 69.09, -17.05

 

CMYK 0 / 64 / 9 / 3

HEX #F859E1

RGB 248 89 225

HSL 308.68, 0.92%, 0.66%

LAB 63.78, 74.95, -38.73

 

CMYK 8 / 64 / 0 / 3

HEX #E459F8

RGB 228 89 248

HSL 292.45, 0.92%, 0.66%

LAB 62.01, 74.02, -54.51

 

CMYK 25 / 64 / 0 / 3

HEX #B959F8

RGB 185 89 248

HSL 276.23, 0.92%, 0.66%

LAB 56.32, 64.58, -63.93

 

CMYK 0 / 64 / 44 / 3

HEX #F8598B

RGB 248 89 139

HSL 341.13, 0.92%, 0.66%

LAB 60.75, 64.41, 5.84

 

CMYK 0 / 64 / 44 / 3

HEX #F8598B

RGB 248 89 139

HSL 341.13, 0.92%, 0.66%

LAB 60.75, 64.41, 5.84

 

CMYK 0 / 56 / 38 / 8

HEX #EA6790

RGB 234 103 144

HSL 341.22, 0.76%, 0.66%

LAB 60.96, 54.51, 2.97

 

CMYK 0 / 47 / 32 / 14

HEX #DC7595

RGB 220 117 149

HSL 341.36, 0.6%, 0.66%

LAB 61.75, 43.6, 0.98

 

CMYK 0 / 36 / 25 / 19

HEX #CE839A

RGB 206 131 154

HSL 341.6, 0.43%, 0.66%

LAB 63.08, 31.94, -0.14

 

CMYK 0 / 24 / 17 / 25

HEX #C091A0

RGB 192 145 160

HSL 340.85, 0.27%, 0.66%

LAB 64.96, 20.06, -0.99

 

CMYK 0 / 64 / 10 / 3

HEX #F859E0

RGB 248 89 224

HSL 309.06, 0.92%, 0.66%

LAB 63.74, 74.81, -38.24

 

CMYK 0 / 64 / 27 / 3

HEX #F859B6

RGB 248 89 182

HSL 324.91, 0.92%, 0.66%

LAB 62.07, 69.09, -17.05

 

CMYK 0 / 64 / 44 / 3

HEX #F8598B

RGB 248 89 139

HSL 341.13, 0.92%, 0.66%

LAB 60.75, 64.41, 5.84

 

CMYK 0 / 64 / 61 / 3

HEX #F85961

RGB 248 89 97

HSL 356.98, 0.92%, 0.66%

LAB 59.86, 61.11, 28.97

 

CMYK 0 / 50 / 64 / 3

HEX #F87B59

RGB 248 123 89

HSL 12.83, 0.92%, 0.66%

LAB 65.63, 45.22, 40.59

 

CMYK 0 / 96 / 66 / 4

HEX #F40A54

RGB 244 10 84

HSL 341.03, 0.92%, 0.5%

LAB 51.94, 78.76, 26.28

 

CMYK 0 / 80 / 55 / 4

HEX #F6316F

RGB 246 49 111

HSL 341.12, 0.92%, 0.58%

LAB 55.01, 74.69, 14.2

 

CMYK 0 / 64 / 44 / 3

HEX #F8598B

RGB 248 89 139

HSL 341.13, 0.92%, 0.66%

LAB 60.75, 64.41, 5.84

 

CMYK 0 / 49 / 33 / 2

HEX #FA80A7

RGB 250 128 167

HSL 340.82, 0.92%, 0.74%

LAB 68.43, 50.51, 0.96

 

CMYK 0 / 33 / 23 / 2

HEX #FBA8C2

RGB 251 168 194

HSL 341.2, 0.91%, 0.82%

LAB 77.53, 34.03, -0.7

 

CMYK 0 / 64 / 44 / 3

HEX #F85A8C

RGB 248 90 140

HSL 341.01, 0.92%, 0.66%

LAB 60.92, 64.1, 5.51

 

CMYK 0 / 8 / 64 / 3

HEX #F8E559

RGB 248 229 89

HSL 52.83, 0.92%, 0.66%

LAB 90.19, -9.36, 68.19

 

CMYK 64 / 18 / 0 / 3

HEX #59CBF8

RGB 89 203 248

HSL 196.98, 0.92%, 0.66%

LAB 77.05, -18.97, -31.7

 

CMYK 0 / 64 / 44 / 3

HEX #F85A8C

RGB 248 90 140

HSL 341.01, 0.92%, 0.66%

LAB 60.92, 64.1, 5.51

 

CMYK 44 / 0 / 64 / 3

HEX #8BF859

RGB 139 248 89

HSL 101.13, 0.92%, 0.66%

LAB 88.61, -58.3, 64.48

 

CMYK 64 / 44 / 0 / 3

HEX #598BF8

RGB 89 139 248

HSL 221.13, 0.92%, 0.66%

LAB 59.31, 16.93, -59.57

 

CMYK 0 / 64 / 44 / 3

HEX #F85A8C

RGB 248 90 140

HSL 341.01, 0.92%, 0.66%

LAB 60.92, 64.1, 5.51

 

CMYK 0 / 8 / 64 / 3

HEX #F8E559

RGB 248 229 89

HSL 52.83, 0.92%, 0.66%

LAB 90.19, -9.36, 68.19

 

CMYK 64 / 0 / 20 / 3

HEX #59F8C6

RGB 89 248 198

HSL 161.13, 0.92%, 0.66%

LAB 88.61, -53.05, 11.91

 

CMYK 64 / 57 / 0 / 3

HEX #596BF8

RGB 89 107 248

HSL 233.21, 0.92%, 0.66%

LAB 51.17, 36.37, -72.69

 

CMYK 0 / 64 / 44 / 3

HEX #F85A8C

RGB 248 90 140

HSL 341.01, 0.92%, 0.66%

LAB 60.92, 64.1, 5.51

 

CMYK 12 / 0 / 64 / 3

HEX #DBF859

RGB 219 248 89

HSL 70.94, 0.92%, 0.66%

LAB 92.98, -30.16, 70.44

 

CMYK 64 / 0 / 20 / 3

HEX #59F8C6

RGB 89 248 198

HSL 161.13, 0.92%, 0.66%

LAB 88.61, -53.05, 11.91

 

CMYK 52 / 64 / 0 / 3

HEX #7659F8

RGB 118 89 248

HSL 250.94, 0.92%, 0.66%

LAB 49.22, 51.52, -75.78

 

Description

Color code: HEX #F85A8C | qconv.com Color code: HEX #F85A8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 90 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 90 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 44 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 44% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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