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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F85A18CE it is the complementary color #07A5E7CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F85A18CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F85A18CE shade: #FD5A13CE, #FF6C26CE, #FF7E39CE, #FF904CCE and #FFA25FCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F85A18CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F85A18CE shade: #F85A18CE, #E74805CE, #D63600CE, #C52400CE and #B41200CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F85A18CE shade: #F85916, #F81C16 and #F81616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F85A18CE shade: #F85916, #F89616, #F8D216, #E0F816 and #A4F816

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F85A18CE shade matches the following richer shades: #F85916

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F85A18CE shade: #F85916, #E4612A, #D1693D, #BE7151 and #AA7964

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F85A18CE shade: #F8164F, #F81A16, #F85616, #F89216 and #F8CF16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F85A18CE shade: #B63A06, #DE4607, #F85916, #F9753F and #FA9267

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F85A18CE shade: #F85A18, #8BF816 and #1631F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F85A18CE shade: #F85A18, #16F856 and #5616F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F85A18CE shade: #F85A18, #8BF816, #16B8F8 and #8316F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F85A18CE shade: #F85A18, #47F816, #16B8F8 and #C716F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 73 / 2

HEX #F85A18CE

RGBA 248 90 24 0.81

HSLA 17.68, 0.94%, 0.53%, 0.81

LABA 59.28, 57.95, 63.88, 0.81

 

Complementary color

CMYK 79 / 23 / 0 / 8

HEX #07A5E7CE

RGBA 7 165 231 0.81

HSLA 197.68, 0.94%, 0.47%, 0.81

LABA 63.94, -12, -42.98, 0.81

 

CMYK 0 / 52 / 75 / 1

HEX #FD5A13CE

RGBA 253 90 19 0.81

HSLA 18.21, 0.98%, 0.53%, 0.81

LABA 60.11, 59.57, 66.24, 0.81

 

CMYK 0 / 47 / 69 / 0

HEX #FF6C26CE

RGBA 255 108 38 0.81

HSLA 19.35, 1%, 0.57%, 0.81

LABA 63.45, 52.81, 62.78, 0.81

 

CMYK 0 / 41 / 63 / 0

HEX #FF7E39CE

RGBA 255 126 57 0.81

HSLA 20.91, 1%, 0.61%, 0.81

LABA 66.88, 44.86, 58.08, 0.81

 

CMYK 0 / 35 / 57 / 0

HEX #FF904CCE

RGBA 255 144 76 0.81

HSLA 22.79, 1%, 0.65%, 0.81

LABA 70.68, 36.66, 53.24, 0.81

 

CMYK 0 / 30 / 51 / 0

HEX #FFA25FCE

RGBA 255 162 95 0.81

HSLA 25.13, 1%, 0.69%, 0.81

LABA 74.78, 28.44, 48.58, 0.81

 

CMYK 0 / 52 / 73 / 2

HEX #F85A18CE

RGBA 248 90 24 0.81

HSLA 17.68, 0.94%, 0.53%, 0.81

LABA 59.28, 57.95, 63.88, 0.81

 

CMYK 0 / 56 / 79 / 8

HEX #E74805CE

RGBA 231 72 5 0.81

HSLA 17.79, 0.96%, 0.46%, 0.81

LABA 53.64, 59.24, 63.53, 0.81

 

CMYK 0 / 61 / 81 / 13

HEX #D63600CE

RGBA 214 54 0 0.81

HSLA 15.14, 1%, 0.42%, 0.81

LABA 48.18, 60.18, 60.3, 0.81

 

CMYK 0 / 66 / 81 / 18

HEX #C52400CE

RGBA 197 36 0 0.81

HSLA 10.96, 1%, 0.39%, 0.81

LABA 42.96, 60.37, 56.09, 0.81

 

CMYK 0 / 73 / 81 / 24

HEX #B41200CE

RGBA 180 18 0 0.81

HSLA 6, 1%, 0.35%, 0.81

LABA 38.09, 59.43, 52.03, 0.81

 

CMYK 0 / 64 / 91 / 3

HEX #F85916

RGB 248 89 22

HSL 17.79, 0.94%, 0.53%

LAB 59.12, 58.33, 64.36

 

CMYK 0 / 89 / 91 / 3

HEX #F81C16

RGB 248 28 22

HSL 1.59, 0.94%, 0.53%

LAB 52.78, 75.94, 60.17

 

CMYK 0 / 91 / 91 / 3

HEX #F81616

RGB 248 22 22

HSL 0, 0.94%, 0.53%

LAB 52.5, 76.76, 59.99

 

CMYK 0 / 64 / 91 / 3

HEX #F85916

RGB 248 89 22

HSL 17.79, 0.94%, 0.53%

LAB 59.12, 58.33, 64.36

 

CMYK 0 / 40 / 91 / 3

HEX #F89616

RGB 248 150 22

HSL 33.98, 0.94%, 0.53%

LAB 70.75, 29.06, 72.59

 

CMYK 0 / 15 / 91 / 3

HEX #F8D216

RGB 248 210 22

HSL 49.91, 0.94%, 0.53%

LAB 85.05, -2.16, 83.23

 

CMYK 10 / 0 / 91 / 3

HEX #E0F816

RGB 224 248 22

HSL 66.37, 0.94%, 0.53%

LAB 93.03, -30.69, 88.53

 

CMYK 34 / 0 / 91 / 3

HEX #A4F816

RGB 164 248 22

HSL 82.3, 0.94%, 0.53%

LAB 89.43, -53.47, 84.14

 

CMYK 0 / 64 / 91 / 3

HEX #F85916

RGB 248 89 22

HSL 17.79, 0.94%, 0.53%

LAB 59.12, 58.33, 64.36

 

CMYK 0 / 64 / 91 / 3

HEX #F85916

RGB 248 89 22

HSL 17.79, 0.94%, 0.53%

LAB 59.12, 58.33, 64.36

 

CMYK 0 / 57 / 82 / 11

HEX #E4612A

RGB 228 97 42

HSL 17.74, 0.78%, 0.53%

LAB 57.28, 48.19, 54.14

 

CMYK 0 / 50 / 71 / 18

HEX #D1693D

RGB 209 105 61

HSL 17.84, 0.62%, 0.53%

LAB 56.08, 37.81, 42.85

 

CMYK 0 / 41 / 57 / 25

HEX #BE7151

RGB 190 113 81

HSL 17.61, 0.46%, 0.53%

LAB 55.43, 27.25, 30.63

 

CMYK 0 / 29 / 41 / 33

HEX #AA7964

RGB 170 121 100

HSL 18, 0.29%, 0.53%

LAB 55.22, 16.41, 19.11

 

CMYK 0 / 91 / 68 / 3

HEX #F8164F

RGB 248 22 79

HSL 344.87, 0.94%, 0.53%

LAB 53.05, 78.33, 30.86

 

CMYK 0 / 90 / 91 / 3

HEX #F81A16

RGB 248 26 22

HSL 1.06, 0.94%, 0.53%

LAB 52.68, 76.23, 60.11

 

CMYK 0 / 65 / 91 / 3

HEX #F85616

RGB 248 86 22

HSL 16.99, 0.94%, 0.53%

LAB 58.67, 59.55, 64.05

 

CMYK 0 / 41 / 91 / 3

HEX #F89216

RGB 248 146 22

HSL 32.92, 0.94%, 0.53%

LAB 69.88, 31.14, 71.95

 

CMYK 0 / 17 / 91 / 3

HEX #F8CF16

RGB 248 207 22

HSL 49.12, 0.94%, 0.53%

LAB 84.3, -0.63, 82.66

 

CMYK 0 / 68 / 97 / 29

HEX #B63A06

RGB 182 58 6

HSL 17.73, 0.94%, 0.37%

LAB 42.74, 48.3, 52.49

 

CMYK 0 / 68 / 97 / 13

HEX #DE4607

RGB 222 70 7

HSL 17.58, 0.94%, 0.45%

LAB 51.75, 57.07, 61.2

 

CMYK 0 / 64 / 91 / 3

HEX #F85916

RGB 248 89 22

HSL 17.79, 0.94%, 0.53%

LAB 59.12, 58.33, 64.36

 

CMYK 0 / 53 / 75 / 2

HEX #F9753F

RGB 249 117 63

HSL 17.42, 0.94%, 0.61%

LAB 64.34, 47.2, 52.46

 

CMYK 0 / 42 / 59 / 2

HEX #FA9267

RGB 250 146 103

HSL 17.55, 0.94%, 0.69%

LAB 70.78, 35.31, 39.52

 

CMYK 0 / 64 / 90 / 3

HEX #F85A18

RGB 248 90 24

HSL 17.68, 0.94%, 0.53%

LAB 59.28, 57.95, 63.88

 

CMYK 44 / 0 / 91 / 3

HEX #8BF816

RGB 139 248 22

HSL 88.94, 0.94%, 0.53%

LAB 88.3, -61.71, 82.75

 

CMYK 91 / 80 / 0 / 3

HEX #1631F8

RGB 22 49 248

HSL 232.83, 0.94%, 0.53%

LAB 36.26, 63.84, -97.32

 

CMYK 0 / 64 / 90 / 3

HEX #F85A18

RGB 248 90 24

HSL 17.68, 0.94%, 0.53%

LAB 59.28, 57.95, 63.88

 

CMYK 91 / 0 / 65 / 3

HEX #16F856

RGB 22 248 86

HSL 136.99, 0.94%, 0.53%

LAB 86, -79.29, 62.07

 

CMYK 65 / 91 / 0 / 3

HEX #5616F8

RGB 86 22 248

HSL 256.99, 0.94%, 0.53%

LAB 36.61, 75.82, -96.64

 

CMYK 0 / 64 / 90 / 3

HEX #F85A18

RGB 248 90 24

HSL 17.68, 0.94%, 0.53%

LAB 59.28, 57.95, 63.88

 

CMYK 44 / 0 / 91 / 3

HEX #8BF816

RGB 139 248 22

HSL 88.94, 0.94%, 0.53%

LAB 88.3, -61.71, 82.75

 

CMYK 91 / 26 / 0 / 3

HEX #16B8F8

RGB 22 184 248

HSL 196.99, 0.94%, 0.53%

LAB 70.34, -15.76, -42.22

 

CMYK 47 / 91 / 0 / 3

HEX #8316F8

RGB 131 22 248

HSL 268.94, 0.94%, 0.53%

LAB 41.5, 79.19, -88.4

 

CMYK 0 / 64 / 90 / 3

HEX #F85A18

RGB 248 90 24

HSL 17.68, 0.94%, 0.53%

LAB 59.28, 57.95, 63.88

 

CMYK 71 / 0 / 91 / 3

HEX #47F816

RGB 71 248 22

HSL 106.99, 0.94%, 0.53%

LAB 86.27, -78.03, 80.25

 

CMYK 91 / 26 / 0 / 3

HEX #16B8F8

RGB 22 184 248

HSL 196.99, 0.94%, 0.53%

LAB 70.34, -15.76, -42.22

 

CMYK 20 / 91 / 0 / 3

HEX #C716F8

RGB 199 22 248

HSL 286.99, 0.94%, 0.53%

LAB 51.26, 87.21, -72.02

 

Description

Color code: HEX #F85A18CE | qconv.com Color code: HEX #F85A18CE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 90 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 90 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 73 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 73% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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