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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F85504 it is the complementary color #07AAFB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F85504. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F85504 shade: #FD5500, #FF6712, #FF7925, #FF8B38 and #FF9D4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F85504. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F85504 shade: #F85504, #E74300, #D63100, #C51F00 and #B40D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F85504 shade: #F65404, #F61304 and #F60404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F85504 shade: #F65404, #F69604, #F6D704, #D4F604 and #93F604

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F85504 shade matches the following richer shades: #F65404

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F85504 shade: #F65404, #E25B18, #CE622C, #BA6940 and #A56F55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F85504 shade: #F60438, #F61004, #F65104, #F69104 and #F6D204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F85504 shade: #A53803, #CE4603, #F65404, #FC6E27 and #FC8950

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F85504 shade: #F85504, #79F604 and #0418F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F85504 shade: #F85504, #04F651 and #5104F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F85504 shade: #F85504, #79F604, #04A9F6 and #8104F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F85504 shade: #F85504, #30F604, #04A9F6 and #CA04F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 98 / 3

HEX #F85504

RGB 248 85 4

HSL 19.92, 0.97%, 0.49%

LAB 58.47, 59.78, 67.93

 

Complementary color

CMYK 97 / 32 / 0 / 2

HEX #07AAFB

RGB 7 170 251

HSL 199.92, 0.97%, 0.51%

LAB 66.34, -7.51, -50.15

 

CMYK 0 / 66 / 100 / 1

HEX #FD5500

RGB 253 85 0

HSL 20.16, 1%, 0.5%

LAB 59.32, 61.4, 69.61

 

CMYK 0 / 60 / 93 / 0

HEX #FF6712

RGB 255 103 18

HSL 21.52, 1%, 0.54%

LAB 62.51, 54.72, 68.21

 

CMYK 0 / 53 / 85 / 0

HEX #FF7925

RGB 255 121 37

HSL 23.12, 1%, 0.57%

LAB 65.8, 46.71, 65.07

 

CMYK 0 / 45 / 78 / 0

HEX #FF8B38

RGB 255 139 56

HSL 25.03, 1%, 0.61%

LAB 69.48, 38.36, 61.01

 

CMYK 0 / 38 / 71 / 0

HEX #FF9D4B

RGB 255 157 75

HSL 27.33, 1%, 0.65%

LAB 73.47, 29.92, 56.7

 

CMYK 0 / 66 / 98 / 3

HEX #F85504

RGB 248 85 4

HSL 19.92, 0.97%, 0.49%

LAB 58.47, 59.78, 67.93

 

CMYK 0 / 71 / 100 / 9

HEX #E74300

RGB 231 67 0

HSL 17.4, 1%, 0.45%

LAB 52.95, 61.04, 64.32

 

CMYK 0 / 77 / 100 / 16

HEX #D63100

RGB 214 49 0

HSL 13.74, 1%, 0.42%

LAB 47.61, 61.75, 60.05

 

CMYK 0 / 84 / 100 / 23

HEX #C51F00

RGB 197 31 0

HSL 9.44, 1%, 0.39%

LAB 42.54, 61.58, 55.92

 

CMYK 0 / 93 / 100 / 29

HEX #B40D00

RGB 180 13 0

HSL 4.33, 1%, 0.35%

LAB 37.83, 60.17, 51.93

 

CMYK 0 / 66 / 98 / 4

HEX #F65404

RGB 246 84 4

HSL 19.83, 0.97%, 0.49%

LAB 57.98, 59.51, 67.48

 

CMYK 0 / 92 / 98 / 4

HEX #F61304

RGB 246 19 4

HSL 3.72, 0.97%, 0.49%

LAB 51.91, 76.45, 64.57

 

CMYK 0 / 98 / 98 / 4

HEX #F60404

RGB 246 4 4

HSL 0, 0.97%, 0.49%

LAB 51.48, 77.7, 64.4

 

CMYK 0 / 66 / 98 / 4

HEX #F65404

RGB 246 84 4

HSL 19.83, 0.97%, 0.49%

LAB 57.98, 59.51, 67.48

 

CMYK 0 / 39 / 98 / 4

HEX #F69604

RGB 246 150 4

HSL 36.2, 0.97%, 0.49%

LAB 70.47, 28.04, 75.01

 

CMYK 0 / 13 / 98 / 4

HEX #F6D704

RGB 246 215 4

HSL 52.31, 0.97%, 0.49%

LAB 86.11, -5.72, 85.83

 

CMYK 14 / 0 / 98 / 4

HEX #D4F604

RGB 212 246 4

HSL 68.43, 0.97%, 0.49%

LAB 91.65, -34.77, 88.73

 

CMYK 40 / 0 / 98 / 4

HEX #93F604

RGB 147 246 4

HSL 84.55, 0.97%, 0.49%

LAB 88.03, -58.67, 84.37

 

CMYK 0 / 66 / 98 / 4

HEX #F65404

RGB 246 84 4

HSL 19.83, 0.97%, 0.49%

LAB 57.98, 59.51, 67.48

 

CMYK 0 / 66 / 98 / 4

HEX #F65404

RGB 246 84 4

HSL 19.83, 0.97%, 0.49%

LAB 57.98, 59.51, 67.48

 

CMYK 0 / 60 / 89 / 11

HEX #E25B18

RGB 226 91 24

HSL 19.9, 0.81%, 0.49%

LAB 55.8, 49.8, 59.71

 

CMYK 0 / 52 / 79 / 19

HEX #CE622C

RGB 206 98 44

HSL 20, 0.65%, 0.49%

LAB 54.07, 39.45, 48.99

 

CMYK 0 / 44 / 66 / 27

HEX #BA6940

RGB 186 105 64

HSL 20.16, 0.49%, 0.49%

LAB 52.85, 28.73, 36.71

 

CMYK 0 / 33 / 48 / 35

HEX #A56F55

RGB 165 111 85

HSL 19.5, 0.32%, 0.49%

LAB 51.86, 18.34, 23.14

 

CMYK 0 / 98 / 77 / 4

HEX #F60438

RGB 246 4 56

HSL 347.11, 0.97%, 0.49%

LAB 51.8, 78.56, 42.73

 

CMYK 0 / 93 / 98 / 4

HEX #F61004

RGB 246 16 4

HSL 2.98, 0.97%, 0.49%

LAB 51.81, 76.76, 64.53

 

CMYK 0 / 67 / 98 / 4

HEX #F65104

RGB 246 81 4

HSL 19.09, 0.97%, 0.49%

LAB 57.55, 60.69, 67.25

 

CMYK 0 / 41 / 98 / 4

HEX #F69104

RGB 246 145 4

HSL 34.96, 0.97%, 0.49%

LAB 69.36, 30.65, 74.3

 

CMYK 0 / 15 / 98 / 4

HEX #F6D204

RGB 246 210 4

HSL 51.07, 0.97%, 0.49%

LAB 84.84, -3.19, 84.92

 

CMYK 0 / 66 / 98 / 35

HEX #A53803

RGB 165 56 3

HSL 19.63, 0.96%, 0.33%

LAB 39.3, 43.06, 49.82

 

CMYK 0 / 66 / 99 / 19

HEX #CE4603

RGB 206 70 3

HSL 19.8, 0.97%, 0.41%

LAB 48.89, 51.62, 59.05

 

CMYK 0 / 66 / 98 / 4

HEX #F65404

RGB 246 84 4

HSL 19.83, 0.97%, 0.49%

LAB 57.98, 59.51, 67.48

 

CMYK 0 / 56 / 85 / 1

HEX #FC6E27

RGB 252 110 39

HSL 20, 0.97%, 0.57%

LAB 63.34, 50.84, 62.12

 

CMYK 0 / 46 / 68 / 1

HEX #FC8950

RGB 252 137 80

HSL 19.88, 0.97%, 0.65%

LAB 68.87, 39.25, 49.16

 

CMYK 0 / 66 / 98 / 3

HEX #F85504

RGB 248 85 4

HSL 19.92, 0.97%, 0.49%

LAB 58.47, 59.78, 67.93

 

CMYK 51 / 0 / 98 / 4

HEX #79F604

RGB 121 246 4

HSL 90.99, 0.97%, 0.49%

LAB 86.99, -66.55, 83.11

 

CMYK 98 / 90 / 0 / 4

HEX #0418F6

RGB 4 24 246

HSL 235.04, 0.97%, 0.49%

LAB 32.55, 72.49, -102.38

 

CMYK 0 / 66 / 98 / 3

HEX #F85504

RGB 248 85 4

HSL 19.92, 0.97%, 0.49%

LAB 58.47, 59.78, 67.93

 

CMYK 98 / 0 / 67 / 4

HEX #04F651

RGB 4 246 81

HSL 139.09, 0.97%, 0.49%

LAB 85.27, -79.86, 63.21

 

CMYK 67 / 98 / 0 / 4

HEX #5104F6

RGB 81 4 246

HSL 259.09, 0.97%, 0.49%

LAB 34.98, 77.99, -98.23

 

CMYK 0 / 66 / 98 / 3

HEX #F85504

RGB 248 85 4

HSL 19.92, 0.97%, 0.49%

LAB 58.47, 59.78, 67.93

 

CMYK 51 / 0 / 98 / 4

HEX #79F604

RGB 121 246 4

HSL 90.99, 0.97%, 0.49%

LAB 86.99, -66.55, 83.11

 

CMYK 98 / 31 / 0 / 4

HEX #04A9F6

RGB 4 169 246

HSL 199.09, 0.97%, 0.49%

LAB 65.79, -8.85, -48.28

 

CMYK 48 / 98 / 0 / 4

HEX #8104F6

RGB 129 4 246

HSL 270.99, 0.97%, 0.49%

LAB 40.26, 80.96, -89.32

 

CMYK 0 / 66 / 98 / 3

HEX #F85504

RGB 248 85 4

HSL 19.92, 0.97%, 0.49%

LAB 58.47, 59.78, 67.93

 

CMYK 80 / 0 / 98 / 4

HEX #30F604

RGB 48 246 4

HSL 109.09, 0.97%, 0.49%

LAB 85.28, -80.91, 81.02

 

CMYK 98 / 31 / 0 / 4

HEX #04A9F6

RGB 4 169 246

HSL 199.09, 0.97%, 0.49%

LAB 65.79, -8.85, -48.28

 

CMYK 18 / 98 / 0 / 4

HEX #CA04F6

RGB 202 4 246

HSL 289.09, 0.97%, 0.49%

LAB 51.03, 88.96, -71.25

 

Description

Color code: HEX #F85504 | qconv.com Color code: HEX #F85504 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 85 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 85 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 98 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 98% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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