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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F84FB0 it is the complementary color #07B04F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F84FB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F84FB0 shade: #FD4FAB, #FF61BE, #FF73D1, #FF85E4 and #FF97F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F84FB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F84FB0 shade: #F84FB0, #E73D9D, #D62B8A, #C51977 and #B40764

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F84FB0 shade: #F84FB0, #F84F82, #F84F55 and #F84F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F84FB0 shade: #F84FB0, #F84FDD, #E54FF8, #B74FF8 and #894FF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F84FB0 shade matches the following richer shades: #F84FB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F84FB0 shade: #F84FB0, #E95EAE, #DA6CAB, #CB7BA9 and #BC8AA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F84FB0 shade: #E44FF8, #F84FDE, #F84FB1, #F84F84 and #F84F57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F84FB0 shade: #EA0A8B, #F6279E, #F84FB0, #F976C2 and #FB9ED3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F84FB0 shade: #F84FB0, #F8B74F and #4FF5F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F84FB0 shade: #F84FB0, #B1F84F and #4FB1F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F84FB0 shade: #F84FB0, #F8B74F, #4FF895 and #4F8FF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F84FB0 shade: #F84FB0, #F8EA4F, #4FF895 and #4F5DF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 29 / 3

HEX #F84FB0

RGB 248 79 176

HSL 325.56, 0.92%, 0.64%

LAB 60.5, 72.11, -15.98

 

Complementary color

CMYK 96 / 0 / 55 / 31

HEX #07B04F

RGB 7 176 79

HSL 145.56, 0.92%, 0.36%

LAB 63.06, -58.93, 38.82

 

CMYK 0 / 69 / 32 / 1

HEX #FD4FAB

RGB 253 79 171

HSL 328.28, 0.98%, 0.65%

LAB 61.15, 72.86, -12.04

 

CMYK 0 / 62 / 25 / 0

HEX #FF61BE

RGB 255 97 190

HSL 324.68, 1%, 0.69%

LAB 64.59, 68.82, -17.69

 

CMYK 0 / 55 / 18 / 0

HEX #FF73D1

RGB 255 115 209

HSL 319.71, 1%, 0.73%

LAB 68.11, 63.68, -23.01

 

CMYK 0 / 48 / 11 / 0

HEX #FF85E4

RGB 255 133 228

HSL 313.28, 1%, 0.76%

LAB 71.98, 58.16, -27.61

 

CMYK 0 / 41 / 3 / 0

HEX #FF97F7

RGB 255 151 247

HSL 304.62, 1%, 0.8%

LAB 76.14, 52.44, -31.6

 

CMYK 0 / 68 / 29 / 3

HEX #F84FB0

RGB 248 79 176

HSL 325.56, 0.92%, 0.64%

LAB 60.5, 72.11, -15.98

 

CMYK 0 / 74 / 32 / 9

HEX #E73D9D

RGB 231 61 157

HSL 326.12, 0.78%, 0.57%

LAB 54.83, 71.62, -13.77

 

CMYK 0 / 80 / 36 / 16

HEX #D62B8A

RGB 214 43 138

HSL 326.67, 0.68%, 0.5%

LAB 49.32, 70.5, -11.04

 

CMYK 0 / 87 / 40 / 23

HEX #C51977

RGB 197 25 119

HSL 327.21, 0.77%, 0.44%

LAB 44.09, 68.49, -7.63

 

CMYK 0 / 96 / 44 / 29

HEX #B40764

RGB 180 7 100

HSL 327.75, 0.93%, 0.37%

LAB 39.2, 65.29, -3.36

 

CMYK 0 / 68 / 29 / 3

HEX #F84FB0

RGB 248 79 176

HSL 325.56, 0.92%, 0.64%

LAB 60.5, 72.11, -15.98

 

CMYK 0 / 68 / 48 / 3

HEX #F84F82

RGB 248 79 130

HSL 341.89, 0.92%, 0.64%

LAB 59.12, 67.44, 8.77

 

CMYK 0 / 68 / 66 / 3

HEX #F84F55

RGB 248 79 85

HSL 357.87, 0.92%, 0.64%

LAB 58.23, 64.32, 33.78

 

CMYK 0 / 68 / 68 / 3

HEX #F84F4F

RGB 248 79 79

HSL 0, 0.92%, 0.64%

LAB 58.14, 64.01, 37.07

 

CMYK 0 / 68 / 29 / 3

HEX #F84FB0

RGB 248 79 176

HSL 325.56, 0.92%, 0.64%

LAB 60.5, 72.11, -15.98

 

CMYK 0 / 68 / 11 / 3

HEX #F84FDD

RGB 248 79 221

HSL 309.59, 0.92%, 0.64%

LAB 62.31, 77.99, -38.79

 

CMYK 8 / 68 / 0 / 3

HEX #E54FF8

RGB 229 79 248

HSL 293.25, 0.92%, 0.64%

LAB 60.81, 78.02, -56.42

 

CMYK 26 / 68 / 0 / 3

HEX #B74FF8

RGB 183 79 248

HSL 276.92, 0.92%, 0.64%

LAB 54.49, 68.57, -66.91

 

CMYK 45 / 68 / 0 / 3

HEX #894FF8

RGB 137 79 248

HSL 260.59, 0.92%, 0.64%

LAB 49.12, 59.98, -75.87

 

CMYK 0 / 68 / 29 / 3

HEX #F84FB0

RGB 248 79 176

HSL 325.56, 0.92%, 0.64%

LAB 60.5, 72.11, -15.98

 

CMYK 0 / 68 / 29 / 3

HEX #F84FB0

RGB 248 79 176

HSL 325.56, 0.92%, 0.64%

LAB 60.5, 72.11, -15.98

 

CMYK 0 / 60 / 25 / 9

HEX #E95EAE

RGB 233 94 174

HSL 325.47, 0.76%, 0.64%

LAB 60.24, 61.81, -15.45

 

CMYK 0 / 50 / 22 / 15

HEX #DA6CAB

RGB 218 108 171

HSL 325.64, 0.6%, 0.64%

LAB 60.4, 50.39, -13.69

 

CMYK 0 / 39 / 17 / 20

HEX #CB7BA9

RGB 203 123 169

HSL 325.5, 0.43%, 0.64%

LAB 61.42, 37.44, -11.21

 

CMYK 0 / 27 / 11 / 26

HEX #BC8AA7

RGB 188 138 167

HSL 325.2, 0.27%, 0.64%

LAB 63.06, 23.66, -7.8

 

CMYK 8 / 68 / 0 / 3

HEX #E44FF8

RGB 228 79 248

HSL 292.9, 0.92%, 0.64%

LAB 60.66, 77.81, -56.66

 

CMYK 0 / 68 / 10 / 3

HEX #F84FDE

RGB 248 79 222

HSL 309.23, 0.92%, 0.64%

LAB 62.36, 78.13, -39.28

 

CMYK 0 / 68 / 29 / 3

HEX #F84FB1

RGB 248 79 177

HSL 325.21, 0.92%, 0.64%

LAB 60.54, 72.23, -16.5

 

CMYK 0 / 68 / 47 / 3

HEX #F84F84

RGB 248 79 132

HSL 341.18, 0.92%, 0.64%

LAB 59.17, 67.61, 7.67

 

CMYK 0 / 68 / 65 / 3

HEX #F84F57

RGB 248 79 87

HSL 357.16, 0.92%, 0.64%

LAB 58.26, 64.42, 32.68

 

CMYK 0 / 96 / 41 / 8

HEX #EA0A8B

RGB 234 10 139

HSL 325.45, 0.92%, 0.48%

LAB 51.35, 80.28, -8.22

 

CMYK 0 / 84 / 36 / 4

HEX #F6279E

RGB 246 39 158

HSL 325.51, 0.92%, 0.56%

LAB 55.6, 80.81, -12.93

 

CMYK 0 / 68 / 29 / 3

HEX #F84FB0

RGB 248 79 176

HSL 325.56, 0.92%, 0.64%

LAB 60.5, 72.11, -15.98

 

CMYK 0 / 53 / 22 / 2

HEX #F976C2

RGB 249 118 194

HSL 325.19, 0.92%, 0.72%

LAB 67.27, 58.44, -15.97

 

CMYK 0 / 37 / 16 / 2

HEX #FB9ED3

RGB 251 158 211

HSL 325.81, 0.92%, 0.8%

LAB 75.86, 41.75, -12.45

 

CMYK 0 / 68 / 29 / 3

HEX #F84FB0

RGB 248 79 176

HSL 325.56, 0.92%, 0.64%

LAB 60.5, 72.11, -15.98

 

CMYK 0 / 26 / 68 / 3

HEX #F8B74F

RGB 248 183 79

HSL 36.92, 0.92%, 0.64%

LAB 78.69, 13.65, 60.22

 

CMYK 68 / 1 / 0 / 3

HEX #4FF5F8

RGB 79 245 248

HSL 181.07, 0.92%, 0.64%

LAB 88.8, -40.65, -13.88

 

CMYK 0 / 68 / 29 / 3

HEX #F84FB0

RGB 248 79 176

HSL 325.56, 0.92%, 0.64%

LAB 60.5, 72.11, -15.98

 

CMYK 29 / 0 / 68 / 3

HEX #B1F84F

RGB 177 248 79

HSL 85.21, 0.92%, 0.64%

LAB 90.34, -46.55, 70.68

 

CMYK 68 / 29 / 0 / 3

HEX #4FB1F8

RGB 79 177 248

HSL 205.21, 0.92%, 0.64%

LAB 69.39, -6.65, -43.63

 

CMYK 0 / 68 / 29 / 3

HEX #F84FB0

RGB 248 79 176

HSL 325.56, 0.92%, 0.64%

LAB 60.5, 72.11, -15.98

 

CMYK 0 / 26 / 68 / 3

HEX #F8B74F

RGB 248 183 79

HSL 36.92, 0.92%, 0.64%

LAB 78.69, 13.65, 60.22

 

CMYK 68 / 0 / 40 / 3

HEX #4FF895

RGB 79 248 149

HSL 144.85, 0.92%, 0.64%

LAB 87.47, -64.5, 35.27

 

CMYK 68 / 42 / 0 / 3

HEX #4F8FF8

RGB 79 143 248

HSL 217.28, 0.92%, 0.64%

LAB 59.96, 12.96, -58.55

 

CMYK 0 / 68 / 29 / 3

HEX #F84FB0

RGB 248 79 176

HSL 325.56, 0.92%, 0.64%

LAB 60.5, 72.11, -15.98

 

CMYK 0 / 6 / 68 / 3

HEX #F8EA4F

RGB 248 234 79

HSL 55.03, 0.92%, 0.64%

LAB 91.4, -12.38, 73.31

 

CMYK 68 / 0 / 40 / 3

HEX #4FF895

RGB 79 248 149

HSL 144.85, 0.92%, 0.64%

LAB 87.47, -64.5, 35.27

 

CMYK 68 / 63 / 0 / 3

HEX #4F5DF8

RGB 79 93 248

HSL 235.03, 0.92%, 0.64%

LAB 47.32, 43.44, -78.99

 

Description

Color code: HEX #F84FB0 | qconv.com Color code: HEX #F84FB0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 79 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 79 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 29 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 29% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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