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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F84CAA it is the complementary color #07B355. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F84CAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F84CAA shade: #FD4CA5, #FF5EB8, #FF70CB, #FF82DE and #FF94F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F84CAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F84CAA shade: #F84CAA, #E73A97, #D62884, #C51671 and #B4045E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F84CAA shade: #F84FAB, #F84F7E, #F84F50 and #F84F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F84CAA shade: #F84FAB, #F84FD9, #E94FF8, #BC4FF8 and #8E4FF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F84CAA shade matches the following richer shades: #F84FAB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F84CAA shade: #F84FAB, #E95EAA, #DA6CA8, #CB7BA7 and #BC8AA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F84CAA shade: #EA4FF8, #F84FD9, #F84FAC, #F84F7F and #F84F52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F84CAA shade: #EA0A84, #F62798, #F84FAB, #F976BE and #FB9ED1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F84CAA shade: #F84CAA, #F8BD4F and #4FEFF8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F84CAA shade: #F84CAA, #ACF84F and #4FACF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F84CAA shade: #F84CAA, #F8BD4F, #4FF89B and #4F8AF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F84CAA shade: #F84CAA, #F8EF4F, #4FF89B and #4F57F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 31 / 3

HEX #F84CAA

RGB 248 76 170

HSL 327.21, 0.92%, 0.64%

LAB 59.91, 72.48, -13.4

 

Complementary color

CMYK 96 / 0 / 53 / 30

HEX #07B355

RGB 7 179 85

HSL 147.21, 0.92%, 0.36%

LAB 64.11, -59, 37.15

 

CMYK 0 / 70 / 35 / 1

HEX #FD4CA5

RGB 253 76 165

HSL 329.83, 0.98%, 0.65%

LAB 60.58, 73.24, -9.42

 

CMYK 0 / 63 / 28 / 0

HEX #FF5EB8

RGB 255 94 184

HSL 326.46, 1%, 0.68%

LAB 63.94, 69.28, -15.26

 

CMYK 0 / 56 / 20 / 0

HEX #FF70CB

RGB 255 112 203

HSL 321.82, 1%, 0.72%

LAB 67.4, 64.17, -20.75

 

CMYK 0 / 49 / 13 / 0

HEX #FF82DE

RGB 255 130 222

HSL 315.84, 1%, 0.75%

LAB 71.21, 58.66, -25.49

 

CMYK 0 / 42 / 5 / 0

HEX #FF94F1

RGB 255 148 241

HSL 307.85, 1%, 0.79%

LAB 75.32, 52.92, -29.6

 

CMYK 0 / 69 / 31 / 3

HEX #F84CAA

RGB 248 76 170

HSL 327.21, 0.92%, 0.64%

LAB 59.91, 72.48, -13.4

 

CMYK 0 / 75 / 35 / 9

HEX #E73A97

RGB 231 58 151

HSL 327.75, 0.78%, 0.57%

LAB 54.29, 71.89, -11.03

 

CMYK 0 / 81 / 38 / 16

HEX #D62884

RGB 214 40 132

HSL 328.28, 0.69%, 0.5%

LAB 48.86, 70.63, -8.11

 

CMYK 0 / 89 / 43 / 23

HEX #C51671

RGB 197 22 113

HSL 328.8, 0.8%, 0.43%

LAB 43.71, 68.43, -4.47

 

CMYK 0 / 98 / 48 / 29

HEX #B4045E

RGB 180 4 94

HSL 329.32, 0.96%, 0.36%

LAB 38.9, 65.11, 0.01

 

CMYK 0 / 68 / 31 / 3

HEX #F84FAB

RGB 248 79 171

HSL 327.34, 0.92%, 0.64%

LAB 60.33, 71.53, -13.35

 

CMYK 0 / 68 / 49 / 3

HEX #F84F7E

RGB 248 79 126

HSL 343.31, 0.92%, 0.64%

LAB 59.02, 67.1, 10.98

 

CMYK 0 / 68 / 68 / 3

HEX #F84F50

RGB 248 79 80

HSL 359.64, 0.92%, 0.64%

LAB 58.16, 64.06, 36.53

 

CMYK 0 / 68 / 68 / 3

HEX #F84F4F

RGB 248 79 79

HSL 0, 0.92%, 0.64%

LAB 58.14, 64.01, 37.07

 

CMYK 0 / 68 / 31 / 3

HEX #F84FAB

RGB 248 79 171

HSL 327.34, 0.92%, 0.64%

LAB 60.33, 71.53, -13.35

 

CMYK 0 / 68 / 13 / 3

HEX #F84FD9

RGB 248 79 217

HSL 311.01, 0.92%, 0.64%

LAB 62.13, 77.42, -36.82

 

CMYK 6 / 68 / 0 / 3

HEX #E94FF8

RGB 233 79 248

HSL 294.67, 0.92%, 0.64%

LAB 61.39, 78.86, -55.46

 

CMYK 24 / 68 / 0 / 3

HEX #BC4FF8

RGB 188 79 248

HSL 278.7, 0.92%, 0.64%

LAB 55.13, 69.57, -65.83

 

CMYK 43 / 68 / 0 / 3

HEX #8E4FF8

RGB 142 79 248

HSL 262.37, 0.92%, 0.64%

LAB 49.64, 60.85, -74.99

 

CMYK 0 / 68 / 31 / 3

HEX #F84FAB

RGB 248 79 171

HSL 327.34, 0.92%, 0.64%

LAB 60.33, 71.53, -13.35

 

CMYK 0 / 68 / 31 / 3

HEX #F84FAB

RGB 248 79 171

HSL 327.34, 0.92%, 0.64%

LAB 60.33, 71.53, -13.35

 

CMYK 0 / 60 / 27 / 9

HEX #E95EAA

RGB 233 94 170

HSL 327.19, 0.76%, 0.64%

LAB 60.1, 61.3, -13.36

 

CMYK 0 / 50 / 23 / 15

HEX #DA6CA8

RGB 218 108 168

HSL 327.27, 0.6%, 0.64%

LAB 60.3, 49.97, -12.12

 

CMYK 0 / 39 / 18 / 20

HEX #CB7BA7

RGB 203 123 167

HSL 327, 0.43%, 0.64%

LAB 61.35, 37.13, -10.16

 

CMYK 0 / 27 / 12 / 26

HEX #BC8AA6

RGB 188 138 166

HSL 326.4, 0.27%, 0.64%

LAB 63.03, 23.49, -7.28

 

CMYK 6 / 68 / 0 / 3

HEX #EA4FF8

RGB 234 79 248

HSL 295.03, 0.92%, 0.64%

LAB 61.53, 79.07, -55.22

 

CMYK 0 / 68 / 13 / 3

HEX #F84FD9

RGB 248 79 217

HSL 311.01, 0.92%, 0.64%

LAB 62.13, 77.42, -36.82

 

CMYK 0 / 68 / 31 / 3

HEX #F84FAC

RGB 248 79 172

HSL 326.98, 0.92%, 0.64%

LAB 60.36, 71.65, -13.88

 

CMYK 0 / 68 / 49 / 3

HEX #F84F7F

RGB 248 79 127

HSL 342.96, 0.92%, 0.64%

LAB 59.05, 67.18, 10.43

 

CMYK 0 / 68 / 67 / 3

HEX #F84F52

RGB 248 79 82

HSL 358.93, 0.92%, 0.64%

LAB 58.19, 64.16, 35.43

 

CMYK 0 / 96 / 44 / 8

HEX #EA0A84

RGB 234 10 132

HSL 327.32, 0.92%, 0.48%

LAB 51.12, 79.68, -4.33

 

CMYK 0 / 84 / 38 / 4

HEX #F62798

RGB 246 39 152

HSL 327.25, 0.92%, 0.56%

LAB 55.39, 80.24, -9.7

 

CMYK 0 / 68 / 31 / 3

HEX #F84FAB

RGB 248 79 171

HSL 327.34, 0.92%, 0.64%

LAB 60.33, 71.53, -13.35

 

CMYK 0 / 53 / 24 / 2

HEX #F976BE

RGB 249 118 190

HSL 327.02, 0.92%, 0.72%

LAB 67.14, 57.9, -13.92

 

CMYK 0 / 37 / 17 / 2

HEX #FB9ED1

RGB 251 158 209

HSL 327.1, 0.92%, 0.8%

LAB 75.8, 41.45, -11.44

 

CMYK 0 / 69 / 31 / 3

HEX #F84CAA

RGB 248 76 170

HSL 327.21, 0.92%, 0.64%

LAB 59.91, 72.48, -13.4

 

CMYK 0 / 24 / 68 / 3

HEX #F8BD4F

RGB 248 189 79

HSL 39.05, 0.92%, 0.64%

LAB 80.13, 10.51, 61.75

 

CMYK 68 / 4 / 0 / 3

HEX #4FEFF8

RGB 79 239 248

HSL 183.2, 0.92%, 0.64%

LAB 87.08, -37.93, -16.46

 

CMYK 0 / 69 / 31 / 3

HEX #F84CAA

RGB 248 76 170

HSL 327.21, 0.92%, 0.64%

LAB 59.91, 72.48, -13.4

 

CMYK 31 / 0 / 68 / 3

HEX #ACF84F

RGB 172 248 79

HSL 86.98, 0.92%, 0.64%

LAB 90.08, -48.31, 70.32

 

CMYK 68 / 31 / 0 / 3

HEX #4FACF8

RGB 79 172 248

HSL 206.98, 0.92%, 0.64%

LAB 67.98, -3.87, -45.84

 

CMYK 0 / 69 / 31 / 3

HEX #F84CAA

RGB 248 76 170

HSL 327.21, 0.92%, 0.64%

LAB 59.91, 72.48, -13.4

 

CMYK 0 / 24 / 68 / 3

HEX #F8BD4F

RGB 248 189 79

HSL 39.05, 0.92%, 0.64%

LAB 80.13, 10.51, 61.75

 

CMYK 68 / 0 / 38 / 3

HEX #4FF89B

RGB 79 248 155

HSL 146.98, 0.92%, 0.64%

LAB 87.56, -63.43, 32.4

 

CMYK 68 / 44 / 0 / 3

HEX #4F8AF8

RGB 79 138 248

HSL 219.05, 0.92%, 0.64%

LAB 58.62, 15.97, -60.7

 

CMYK 0 / 69 / 31 / 3

HEX #F84CAA

RGB 248 76 170

HSL 327.21, 0.92%, 0.64%

LAB 59.91, 72.48, -13.4

 

CMYK 0 / 4 / 68 / 3

HEX #F8EF4F

RGB 248 239 79

HSL 56.8, 0.92%, 0.64%

LAB 92.69, -14.83, 74.6

 

CMYK 68 / 0 / 38 / 3

HEX #4FF89B

RGB 79 248 155

HSL 146.98, 0.92%, 0.64%

LAB 87.56, -63.43, 32.4

 

CMYK 68 / 65 / 0 / 3

HEX #4F57F8

RGB 79 87 248

HSL 237.16, 0.92%, 0.64%

LAB 45.98, 46.99, -81.18

 

Description

Color code: HEX #F84CAA | qconv.com Color code: HEX #F84CAA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 76 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 76 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 31 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 31% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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