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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8481ACE it is the complementary color #07B7E5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8481ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8481ACE shade: #FD4815CE, #FF5A28CE, #FF6C3BCE, #FF7E4ECE and #FF9061CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8481ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8481ACE shade: #F8481ACE, #E73607CE, #D62400CE, #C51200CE and #B40000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8481ACE shade: #F8491B and #F81B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8481ACE shade: #F8491B, #F8851B, #F8C01B, #F4F81B and #B9F81B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8481ACE shade matches the following richer shades: #F8491B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8481ACE shade: #F8491B, #E5542E, #D25F41, #BF6A54 and #AC7667

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8481ACE shade: #F81B65, #F81B2A, #F8481B, #F8821B and #F8BD1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8481ACE shade: #BB2B06, #E33507, #F8491B, #F96943 and #FA896B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8481ACE shade: #F8481A, #A0F81B and #1B48F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8481ACE shade: #F8481A, #1BF848 and #481BF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8481ACE shade: #F8481A, #A0F81B, #1BCCF8 and #741BF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8481ACE shade: #F8481A, #5EF81B, #1BCCF8 and #B61BF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 73 / 2

HEX #F8481ACE

RGBA 248 72 26 0.81

HSLA 12.43, 0.94%, 0.54%, 0.81

LABA 56.75, 64.88, 61.44, 0.81

 

Complementary color

CMYK 79 / 16 / 0 / 8

HEX #07B7E5CE

RGBA 7 183 229 0.81

HSLA 192.43, 0.94%, 0.46%, 0.81

LABA 69.16, -22.3, -33.73, 0.81

 

CMYK 0 / 58 / 74 / 1

HEX #FD4815CE

RGBA 253 72 21 0.81

HSLA 13.19, 0.98%, 0.54%, 0.81

LABA 57.63, 66.36, 64.08, 0.81

 

CMYK 0 / 52 / 68 / 0

HEX #FF5A28CE

RGBA 255 90 40 0.81

HSLA 13.95, 1%, 0.58%, 0.81

LABA 60.54, 60.59, 59.56, 0.81

 

CMYK 0 / 47 / 62 / 0

HEX #FF6C3BCE

RGBA 255 108 59 0.81

HSLA 15, 1%, 0.62%, 0.81

LABA 63.59, 53.42, 53.9, 0.81

 

CMYK 0 / 41 / 56 / 0

HEX #FF7E4ECE

RGBA 255 126 78 0.81

HSLA 16.27, 1%, 0.65%, 0.81

LABA 67.08, 45.75, 48.26, 0.81

 

CMYK 0 / 35 / 50 / 0

HEX #FF9061CE

RGBA 255 144 97 0.81

HSLA 17.85, 1%, 0.69%, 0.81

LABA 70.92, 37.85, 42.98, 0.81

 

CMYK 0 / 57 / 73 / 2

HEX #F8481ACE

RGBA 248 72 26 0.81

HSLA 12.43, 0.94%, 0.54%, 0.81

LABA 56.75, 64.88, 61.44, 0.81

 

CMYK 0 / 62 / 79 / 8

HEX #E73607CE

RGBA 231 54 7 0.81

HSLA 12.59, 0.94%, 0.47%, 0.81

LABA 51.43, 65.37, 61.92, 0.81

 

CMYK 0 / 67 / 81 / 13

HEX #D62400CE

RGBA 214 36 0 0.81

HSLA 10.09, 1%, 0.42%, 0.81

LABA 46.39, 65.2, 59.54, 0.81

 

CMYK 0 / 74 / 81 / 18

HEX #C51200CE

RGBA 197 18 0 0.81

HSLA 5.48, 1%, 0.39%, 0.81

LABA 41.69, 63.99, 55.59, 0.81

 

CMYK 0 / 81 / 81 / 24

HEX #B40000CE

RGBA 180 0 0 0.81

HSLA 0, 1%, 0.35%, 0.81

LABA 37.3, 61.68, 51.72, 0.81

 

CMYK 0 / 71 / 89 / 3

HEX #F8491B

RGB 248 73 27

HSL 12.49, 0.94%, 0.54%

LAB 56.88, 64.54, 61.18

 

CMYK 0 / 89 / 89 / 3

HEX #F81B1B

RGB 248 27 27

HSL 0, 0.94%, 0.54%

LAB 52.75, 76.16, 58.24

 

CMYK 0 / 71 / 89 / 3

HEX #F8491B

RGB 248 73 27

HSL 12.49, 0.94%, 0.54%

LAB 56.88, 64.54, 61.18

 

CMYK 0 / 46 / 89 / 3

HEX #F8851B

RGB 248 133 27

HSL 28.78, 0.94%, 0.54%

LAB 67.13, 37.88, 68.74

 

CMYK 0 / 23 / 89 / 3

HEX #F8C01B

RGB 248 192 27

HSL 44.8, 0.94%, 0.54%

LAB 80.59, 7.17, 78.98

 

CMYK 2 / 0 / 89 / 3

HEX #F4F81B

RGB 244 248 27

HSL 61.09, 0.94%, 0.54%

LAB 94.5, -22.48, 89.63

 

CMYK 25 / 0 / 89 / 3

HEX #B9F81B

RGB 185 248 27

HSL 77.1, 0.94%, 0.54%

LAB 90.56, -45.79, 84.83

 

CMYK 0 / 71 / 89 / 3

HEX #F8491B

RGB 248 73 27

HSL 12.49, 0.94%, 0.54%

LAB 56.88, 64.54, 61.18

 

CMYK 0 / 71 / 89 / 3

HEX #F8491B

RGB 248 73 27

HSL 12.49, 0.94%, 0.54%

LAB 56.88, 64.54, 61.18

 

CMYK 0 / 63 / 80 / 10

HEX #E5542E

RGB 229 84 46

HSL 12.46, 0.78%, 0.54%

LAB 55.27, 54.47, 50.48

 

CMYK 0 / 55 / 69 / 18

HEX #D25F41

RGB 210 95 65

HSL 12.41, 0.62%, 0.54%

LAB 54.31, 43.41, 38.76

 

CMYK 0 / 45 / 56 / 25

HEX #BF6A54

RGB 191 106 84

HSL 12.34, 0.46%, 0.54%

LAB 54.05, 31.69, 27.21

 

CMYK 0 / 31 / 40 / 33

HEX #AC7667

RGB 172 118 103

HSL 13.04, 0.29%, 0.54%

LAB 54.77, 19.29, 16.81

 

CMYK 0 / 89 / 59 / 3

HEX #F81B65

RGB 248 27 101

HSL 339.91, 0.94%, 0.54%

LAB 53.69, 78.81, 18.46

 

CMYK 0 / 89 / 83 / 3

HEX #F81B2A

RGB 248 27 42

HSL 355.93, 0.94%, 0.54%

LAB 52.85, 76.43, 51.43

 

CMYK 0 / 71 / 89 / 3

HEX #F8481B

RGB 248 72 27

HSL 12.22, 0.94%, 0.54%

LAB 56.75, 64.9, 61.09

 

CMYK 0 / 48 / 89 / 3

HEX #F8821B

RGB 248 130 27

HSL 27.96, 0.94%, 0.54%

LAB 66.52, 39.39, 68.28

 

CMYK 0 / 24 / 89 / 3

HEX #F8BD1B

RGB 248 189 27

HSL 43.98, 0.94%, 0.54%

LAB 79.86, 8.73, 78.41

 

CMYK 0 / 77 / 97 / 27

HEX #BB2B06

RGB 187 43 6

HSL 12.27, 0.94%, 0.38%

LAB 41.7, 55.43, 52.4

 

CMYK 0 / 77 / 97 / 11

HEX #E33507

RGB 227 53 7

HSL 12.55, 0.94%, 0.46%

LAB 50.56, 64.48, 61.05

 

CMYK 0 / 71 / 89 / 3

HEX #F8491B

RGB 248 73 27

HSL 12.49, 0.94%, 0.54%

LAB 56.88, 64.54, 61.18

 

CMYK 0 / 58 / 73 / 2

HEX #F96943

RGB 249 105 67

HSL 12.53, 0.94%, 0.62%

LAB 62.21, 52.97, 48.22

 

CMYK 0 / 45 / 57 / 2

HEX #FA896B

RGB 250 137 107

HSL 12.59, 0.93%, 0.7%

LAB 68.95, 40.19, 35.1

 

CMYK 0 / 71 / 90 / 3

HEX #F8481A

RGB 248 72 26

HSL 12.43, 0.94%, 0.54%

LAB 56.75, 64.88, 61.44

 

CMYK 35 / 0 / 89 / 3

HEX #A0F81B

RGB 160 248 27

HSL 83.89, 0.94%, 0.54%

LAB 89.25, -54.75, 83.21

 

CMYK 89 / 71 / 0 / 3

HEX #1B48F8

RGB 27 72 248

HSL 227.78, 0.94%, 0.54%

LAB 40.65, 51.8, -90.04

 

CMYK 0 / 71 / 90 / 3

HEX #F8481A

RGB 248 72 26

HSL 12.43, 0.94%, 0.54%

LAB 56.75, 64.88, 61.44

 

CMYK 89 / 0 / 71 / 3

HEX #1BF848

RGB 27 248 72

HSL 132.22, 0.94%, 0.54%

LAB 85.92, -80.3, 67.26

 

CMYK 71 / 89 / 0 / 3

HEX #481BF8

RGB 72 27 248

HSL 252.22, 0.94%, 0.54%

LAB 35.87, 73.87, -97.91

 

CMYK 0 / 71 / 90 / 3

HEX #F8481A

RGB 248 72 26

HSL 12.43, 0.94%, 0.54%

LAB 56.75, 64.88, 61.44

 

CMYK 35 / 0 / 89 / 3

HEX #A0F81B

RGB 160 248 27

HSL 83.89, 0.94%, 0.54%

LAB 89.25, -54.75, 83.21

 

CMYK 89 / 18 / 0 / 3

HEX #1BCCF8

RGB 27 204 248

HSL 191.95, 0.94%, 0.54%

LAB 76.19, -25.86, -33.12

 

CMYK 53 / 89 / 0 / 3

HEX #741BF8

RGB 116 27 248

HSL 264.16, 0.94%, 0.54%

LAB 40.04, 76.83, -90.86

 

CMYK 0 / 71 / 90 / 3

HEX #F8481A

RGB 248 72 26

HSL 12.43, 0.94%, 0.54%

LAB 56.75, 64.88, 61.44

 

CMYK 62 / 0 / 89 / 3

HEX #5EF81B

RGB 94 248 27

HSL 101.81, 0.94%, 0.54%

LAB 86.8, -73.52, 80.17

 

CMYK 89 / 18 / 0 / 3

HEX #1BCCF8

RGB 27 204 248

HSL 191.95, 0.94%, 0.54%

LAB 76.19, -25.86, -33.12

 

CMYK 27 / 89 / 0 / 3

HEX #B61BF8

RGB 182 27 248

HSL 282.08, 0.94%, 0.54%

LAB 48.89, 84.14, -75.99

 

Description

Color code: HEX #F8481ACE | qconv.com Color code: HEX #F8481ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 72 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 72 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 73 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 73% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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