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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F83B56 it is the complementary color #07C4A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F83B56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F83B56 shade: #FD3B51, #FF4D64, #FF5F77, #FF718A and #FF839D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F83B56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F83B56 shade: #F83B56, #E72943, #D61730, #C5051D and #B4000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F83B56 shade: #F83A55 and #F83A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F83B56 shade: #F83A55, #F83A88, #F83ABC, #F83AEF and #CE3AF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F83B56 shade matches the following richer shades: #F83A55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F83B56 shade: #F83A55, #E74B61, #D75B6D, #C66C79 and #B67C84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F83B56 shade: #F83ABC, #F83A89, #F83A57, #F8503A and #F8833A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F83B56 shade: #D80826, #F61233, #F83A55, #F96278 and #FB8A9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F83B56 shade: #F83B56, #EEF83A and #3AA2F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F83B56 shade: #F83B56, #57F83A and #3A57F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F83B56 shade: #F83B56, #EEF83A, #3AF8DB and #443AF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F83B56 shade: #F83B56, #B5F83A, #3AF8DB and #7D3AF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 65 / 3

HEX #F83B56

RGB 248 59 86

HSL 351.43, 0.93%, 0.6%

LAB 55.84, 71.03, 30.22

 

Complementary color

CMYK 96 / 0 / 14 / 23

HEX #07C4A9

RGB 7 196 169

HSL 171.43, 0.93%, 0.4%

LAB 71.14, -46.96, 2.05

 

CMYK 0 / 77 / 68 / 1

HEX #FD3B51

RGB 253 59 81

HSL 353.2, 0.98%, 0.61%

LAB 56.69, 72.18, 34.38

 

CMYK 0 / 70 / 61 / 0

HEX #FF4D64

RGB 255 77 100

HSL 352.25, 1%, 0.65%

LAB 59.42, 68.01, 26.91

 

CMYK 0 / 63 / 53 / 0

HEX #FF5F77

RGB 255 95 119

HSL 351, 1%, 0.69%

LAB 62.32, 62.42, 19.79

 

CMYK 0 / 56 / 46 / 0

HEX #FF718A

RGB 255 113 138

HSL 349.44, 1%, 0.72%

LAB 65.67, 56.19, 13.55

 

CMYK 0 / 49 / 38 / 0

HEX #FF839D

RGB 255 131 157

HSL 347.42, 1%, 0.76%

LAB 69.42, 49.59, 8.11

 

CMYK 0 / 76 / 65 / 3

HEX #F83B56

RGB 248 59 86

HSL 351.43, 0.93%, 0.6%

LAB 55.84, 71.03, 30.22

 

CMYK 0 / 82 / 71 / 9

HEX #E72943

RGB 231 41 67

HSL 351.79, 0.8%, 0.53%

LAB 50.66, 70.22, 34.28

 

CMYK 0 / 89 / 78 / 16

HEX #D61730

RGB 214 23 48

HSL 352.15, 0.81%, 0.46%

LAB 45.8, 68.56, 38.93

 

CMYK 0 / 97 / 85 / 23

HEX #C5051D

RGB 197 5 29

HSL 352.5, 0.95%, 0.4%

LAB 41.32, 65.85, 43.84

 

CMYK 0 / 100 / 94 / 29

HEX #B4000A

RGB 180 0 10

HSL 356.67, 1%, 0.35%

LAB 37.34, 61.79, 47.85

 

CMYK 0 / 77 / 66 / 3

HEX #F83A55

RGB 248 58 85

HSL 351.47, 0.93%, 0.6%

LAB 55.72, 71.27, 30.65

 

CMYK 0 / 77 / 77 / 3

HEX #F83A3A

RGB 248 58 58

HSL 0, 0.93%, 0.6%

LAB 55.37, 70.13, 45.54

 

CMYK 0 / 77 / 66 / 3

HEX #F83A55

RGB 248 58 85

HSL 351.47, 0.93%, 0.6%

LAB 55.72, 71.27, 30.65

 

CMYK 0 / 77 / 45 / 3

HEX #F83A88

RGB 248 58 136

HSL 335.37, 0.93%, 0.6%

LAB 56.84, 74.77, 1.96

 

CMYK 0 / 77 / 24 / 3

HEX #F83ABC

RGB 248 58 188

HSL 318.95, 0.93%, 0.6%

LAB 58.61, 80.12, -25.77

 

CMYK 0 / 77 / 4 / 3

HEX #F83AEF

RGB 248 58 239

HSL 302.84, 0.93%, 0.6%

LAB 60.97, 86.91, -50.98

 

CMYK 17 / 77 / 0 / 3

HEX #CE3AF8

RGB 206 58 248

HSL 286.74, 0.93%, 0.6%

LAB 55, 80.51, -65.93

 

CMYK 0 / 77 / 66 / 3

HEX #F83A55

RGB 248 58 85

HSL 351.47, 0.93%, 0.6%

LAB 55.72, 71.27, 30.65

 

CMYK 0 / 77 / 66 / 3

HEX #F83A55

RGB 248 58 85

HSL 351.47, 0.93%, 0.6%

LAB 55.72, 71.27, 30.65

 

CMYK 0 / 68 / 58 / 9

HEX #E74B61

RGB 231 75 97

HSL 351.54, 0.76%, 0.6%

LAB 54.95, 61.31, 22.01

 

CMYK 0 / 58 / 49 / 16

HEX #D75B6D

RGB 215 91 109

HSL 351.29, 0.61%, 0.6%

LAB 55.11, 50.26, 14.7

 

CMYK 0 / 45 / 39 / 22

HEX #C66C79

RGB 198 108 121

HSL 351.33, 0.44%, 0.6%

LAB 56.2, 37, 8.83

 

CMYK 0 / 32 / 27 / 29

HEX #B67C84

RGB 182 124 132

HSL 351.72, 0.28%, 0.6%

LAB 58.06, 23.69, 4.84

 

CMYK 0 / 77 / 24 / 3

HEX #F83ABC

RGB 248 58 188

HSL 318.95, 0.93%, 0.6%

LAB 58.61, 80.12, -25.77

 

CMYK 0 / 77 / 45 / 3

HEX #F83A89

RGB 248 58 137

HSL 335.05, 0.93%, 0.6%

LAB 56.87, 74.85, 1.41

 

CMYK 0 / 77 / 65 / 3

HEX #F83A57

RGB 248 58 87

HSL 350.84, 0.93%, 0.6%

LAB 55.76, 71.38, 29.52

 

CMYK 0 / 68 / 77 / 3

HEX #F8503A

RGB 248 80 58

HSL 6.95, 0.93%, 0.6%

LAB 58.04, 62.75, 48.34

 

CMYK 0 / 47 / 77 / 3

HEX #F8833A

RGB 248 131 58

HSL 23.05, 0.93%, 0.6%

LAB 66.9, 39.73, 57.32

 

CMYK 0 / 96 / 82 / 15

HEX #D80826

RGB 216 8 38

HSL 351.35, 0.93%, 0.44%

LAB 45.51, 70.51, 44.36

 

CMYK 0 / 93 / 79 / 4

HEX #F61233

RGB 246 18 51

HSL 351.32, 0.93%, 0.52%

LAB 52.13, 77.29, 45.87

 

CMYK 0 / 77 / 66 / 3

HEX #F83A55

RGB 248 58 85

HSL 351.47, 0.93%, 0.6%

LAB 55.72, 71.27, 30.65

 

CMYK 0 / 61 / 52 / 2

HEX #F96278

RGB 249 98 120

HSL 351.26, 0.93%, 0.68%

LAB 61.85, 59.32, 18.43

 

CMYK 0 / 45 / 39 / 2

HEX #FB8A9A

RGB 251 138 154

HSL 351.5, 0.93%, 0.76%

LAB 70.19, 44.4, 10.81

 

CMYK 0 / 76 / 65 / 3

HEX #F83B56

RGB 248 59 86

HSL 351.43, 0.93%, 0.6%

LAB 55.84, 71.03, 30.22

 

CMYK 4 / 0 / 77 / 3

HEX #EEF83A

RGB 238 248 58

HSL 63.16, 0.93%, 0.6%

LAB 94.15, -24.13, 82.51

 

CMYK 77 / 35 / 0 / 3

HEX #3AA2F8

RGB 58 162 248

HSL 207.16, 0.93%, 0.6%

LAB 64.58, -0.91, -51.25

 

CMYK 0 / 76 / 65 / 3

HEX #F83B56

RGB 248 59 86

HSL 351.43, 0.93%, 0.6%

LAB 55.84, 71.03, 30.22

 

CMYK 65 / 0 / 77 / 3

HEX #57F83A

RGB 87 248 58

HSL 110.84, 0.93%, 0.6%

LAB 86.73, -73.64, 72.94

 

CMYK 77 / 65 / 0 / 3

HEX #3A57F8

RGB 58 87 248

HSL 230.84, 0.93%, 0.6%

LAB 44.93, 44.8, -82.95

 

CMYK 0 / 76 / 65 / 3

HEX #F83B56

RGB 248 59 86

HSL 351.43, 0.93%, 0.6%

LAB 55.84, 71.03, 30.22

 

CMYK 4 / 0 / 77 / 3

HEX #EEF83A

RGB 238 248 58

HSL 63.16, 0.93%, 0.6%

LAB 94.15, -24.13, 82.51

 

CMYK 77 / 0 / 12 / 3

HEX #3AF8DB

RGB 58 248 219

HSL 170.84, 0.93%, 0.6%

LAB 88.52, -52.07, 0.79

 

CMYK 73 / 77 / 0 / 3

HEX #443AF8

RGB 68 58 248

HSL 243.16, 0.93%, 0.6%

LAB 39.63, 61.7, -91.66

 

CMYK 0 / 76 / 65 / 3

HEX #F83B56

RGB 248 59 86

HSL 351.43, 0.93%, 0.6%

LAB 55.84, 71.03, 30.22

 

CMYK 27 / 0 / 77 / 3

HEX #B5F83A

RGB 181 248 58

HSL 81.16, 0.93%, 0.6%

LAB 90.44, -46.26, 77.76

 

CMYK 77 / 0 / 12 / 3

HEX #3AF8DB

RGB 58 248 219

HSL 170.84, 0.93%, 0.6%

LAB 88.52, -52.07, 0.79

 

CMYK 50 / 77 / 0 / 3

HEX #7D3AF8

RGB 125 58 248

HSL 261.16, 0.93%, 0.6%

LAB 44.47, 67.7, -83.53

 

Description

Color code: HEX #F83B56 | qconv.com Color code: HEX #F83B56 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 59 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 59 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 65 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 65% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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