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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8353ACE it is the complementary color #07CAC5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8353ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8353ACE shade: #FD3535CE, #FF4748CE, #FF595BCE, #FF6B6ECE and #FF7D81CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8353ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8353ACE shade: #F8353ACE, #E72327CE, #D61114CE, #C50001CE and #B40000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8353ACE shade: #F8353A and #F83535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8353ACE shade: #F8353A, #F8356F, #F835A3, #F835D8 and #E335F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8353ACE shade matches the following richer shades: #F8353A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8353ACE shade: #F8353A, #E7464A, #D6575A, #C5686A and #B4797A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8353ACE shade: #F835A3, #F83570, #F8353C, #F86335 and #F89635

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8353ACE shade: #D3080D, #F60D13, #F8353A, #F95D61 and #FB8588

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8353ACE shade: #F8353A, #D7F835 and #3589F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8353ACE shade: #F8353A, #3CF835 and #353CF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8353ACE shade: #F8353A, #D7F835, #35F8F1 and #5635F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8353ACE shade: #F8353A, #9DF835, #35F8F1 and #9035F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 62 / 2

HEX #F8353ACE

RGBA 248 53 58 0.81

HSLA 358.46, 0.93%, 0.59%, 0.81

LABA 54.87, 71.52, 45.01, 0.81

 

Complementary color

CMYK 78 / 0 / 2 / 17

HEX #07CAC5CE

RGBA 7 202 197 0.81

HSLA 178.46, 0.93%, 0.41%, 0.81

LABA 73.75, -41.63, -9.33, 0.81

 

CMYK 0 / 64 / 64 / 1

HEX #FD3535CE

RGBA 253 53 53 0.81

HSLA 0, 0.98%, 0.6%, 0.81

LABA 55.77, 72.75, 48.91, 0.81

 

CMYK 0 / 58 / 58 / 0

HEX #FF4748CE

RGBA 255 71 72 0.81

HSLA 359.67, 1%, 0.64%, 0.81

LABA 58.26, 68.64, 41.43, 0.81

 

CMYK 0 / 53 / 52 / 0

HEX #FF595BCE

RGBA 255 89 91 0.81

HSLA 359.28, 1%, 0.67%, 0.81

LABA 60.92, 62.98, 33.98, 0.81

 

CMYK 0 / 47 / 46 / 0

HEX #FF6B6ECE

RGBA 255 107 110 0.81

HSLA 358.78, 1%, 0.71%, 0.81

LABA 64.08, 56.59, 27.29, 0.81

 

CMYK 0 / 41 / 40 / 0

HEX #FF7D81CE

RGBA 255 125 129 0.81

HSLA 358.15, 1%, 0.75%, 0.81

LABA 67.66, 49.74, 21.38, 0.81

 

CMYK 0 / 64 / 62 / 2

HEX #F8353ACE

RGBA 248 53 58 0.81

HSLA 358.46, 0.93%, 0.59%, 0.81

LABA 54.87, 71.52, 45.01, 0.81

 

CMYK 0 / 69 / 67 / 8

HEX #E72327CE

RGBA 231 35 39 0.81

HSLA 358.78, 0.8%, 0.52%, 0.81

LABA 49.9, 70.6, 49.01, 0.81

 

CMYK 0 / 75 / 73 / 13

HEX #D61114CE

RGBA 214 17 20 0.81

HSLA 359.09, 0.85%, 0.45%, 0.81

LABA 45.29, 68.76, 52.64, 0.81

 

CMYK 0 / 81 / 81 / 18

HEX #C50001CE

RGBA 197 0 1 0.81

HSLA 359.7, 1%, 0.39%, 0.81

LABA 41.01, 65.97, 54.98, 0.81

 

CMYK 0 / 81 / 81 / 24

HEX #B40000CE

RGBA 180 0 0 0.81

HSLA 0, 1%, 0.35%, 0.81

LABA 37.3, 61.68, 51.72, 0.81

 

CMYK 0 / 79 / 77 / 3

HEX #F8353A

RGB 248 53 58

HSL 358.46, 0.93%, 0.59%

LAB 54.87, 71.52, 45.01

 

CMYK 0 / 79 / 79 / 3

HEX #F83535

RGB 248 53 53

HSL 0, 0.93%, 0.59%

LAB 54.82, 71.37, 47.65

 

CMYK 0 / 79 / 77 / 3

HEX #F8353A

RGB 248 53 58

HSL 358.46, 0.93%, 0.59%

LAB 54.87, 71.52, 45.01

 

CMYK 0 / 79 / 55 / 3

HEX #F8356F

RGB 248 53 111

HSL 342.15, 0.93%, 0.59%

LAB 55.74, 74.19, 15.26

 

CMYK 0 / 79 / 34 / 3

HEX #F835A3

RGB 248 53 163

HSL 326.15, 0.93%, 0.59%

LAB 57.22, 78.65, -13.39

 

CMYK 0 / 79 / 13 / 3

HEX #F835D8

RGB 248 53 216

HSL 309.85, 0.93%, 0.59%

LAB 59.4, 84.94, -40.54

 

CMYK 8 / 79 / 0 / 3

HEX #E335F8

RGB 227 53 248

HSL 293.54, 0.93%, 0.59%

LAB 57.71, 85.64, -61.4

 

CMYK 0 / 79 / 77 / 3

HEX #F8353A

RGB 248 53 58

HSL 358.46, 0.93%, 0.59%

LAB 54.87, 71.52, 45.01

 

CMYK 0 / 79 / 77 / 3

HEX #F8353A

RGB 248 53 58

HSL 358.46, 0.93%, 0.59%

LAB 54.87, 71.52, 45.01

 

CMYK 0 / 70 / 68 / 9

HEX #E7464A

RGB 231 70 74

HSL 358.51, 0.77%, 0.59%

LAB 53.88, 61.82, 34.08

 

CMYK 0 / 59 / 58 / 16

HEX #D6575A

RGB 214 87 90

HSL 358.58, 0.61%, 0.59%

LAB 53.87, 50.21, 24.17

 

CMYK 0 / 47 / 46 / 23

HEX #C5686A

RGB 197 104 106

HSL 358.71, 0.44%, 0.59%

LAB 54.88, 37.1, 15.73

 

CMYK 0 / 33 / 32 / 29

HEX #B4797A

RGB 180 121 122

HSL 358.98, 0.28%, 0.59%

LAB 56.86, 23.21, 8.88

 

CMYK 0 / 79 / 34 / 3

HEX #F835A3

RGB 248 53 163

HSL 326.15, 0.93%, 0.59%

LAB 57.22, 78.65, -13.39

 

CMYK 0 / 79 / 55 / 3

HEX #F83570

RGB 248 53 112

HSL 341.85, 0.93%, 0.59%

LAB 55.76, 74.26, 14.7

 

CMYK 0 / 79 / 76 / 3

HEX #F8353C

RGB 248 53 60

HSL 357.85, 0.93%, 0.59%

LAB 54.9, 71.59, 43.94

 

CMYK 0 / 60 / 79 / 3

HEX #F86335

RGB 248 99 53

HSL 14.15, 0.93%, 0.59%

LAB 60.9, 54.77, 53.7

 

CMYK 0 / 40 / 79 / 3

HEX #F89635

RGB 248 150 53

HSL 29.85, 0.93%, 0.59%

LAB 70.89, 29.81, 63.24

 

CMYK 0 / 96 / 94 / 17

HEX #D3080D

RGB 211 8 13

HSL 358.52, 0.93%, 0.43%

LAB 44.31, 68.84, 54.3

 

CMYK 0 / 95 / 92 / 4

HEX #F60D13

RGB 246 13 19

HSL 358.45, 0.93%, 0.51%

LAB 51.76, 77.16, 60.39

 

CMYK 0 / 79 / 77 / 3

HEX #F8353A

RGB 248 53 58

HSL 358.46, 0.93%, 0.59%

LAB 54.87, 71.52, 45.01

 

CMYK 0 / 63 / 61 / 2

HEX #F95D61

RGB 249 93 97

HSL 358.46, 0.93%, 0.67%

LAB 60.63, 59.79, 30

 

CMYK 0 / 47 / 46 / 2

HEX #FB8588

RGB 251 133 136

HSL 358.47, 0.94%, 0.75%

LAB 68.8, 45.04, 18.93

 

CMYK 0 / 79 / 77 / 3

HEX #F8353A

RGB 248 53 58

HSL 358.46, 0.93%, 0.59%

LAB 54.87, 71.52, 45.01

 

CMYK 13 / 0 / 79 / 3

HEX #D7F835

RGB 215 248 53

HSL 70.15, 0.93%, 0.59%

LAB 92.5, -33.51, 81.79

 

CMYK 79 / 45 / 0 / 3

HEX #3589F8

RGB 53 137 248

HSL 214.15, 0.93%, 0.59%

LAB 57.49, 13.37, -62.56

 

CMYK 0 / 79 / 77 / 3

HEX #F8353A

RGB 248 53 58

HSL 358.46, 0.93%, 0.59%

LAB 54.87, 71.52, 45.01

 

CMYK 76 / 0 / 79 / 3

HEX #3CF835

RGB 60 248 53

HSL 117.85, 0.93%, 0.59%

LAB 86.18, -78.43, 73.67

 

CMYK 79 / 76 / 0 / 3

HEX #353CF8

RGB 53 60 248

HSL 237.85, 0.93%, 0.59%

LAB 39.18, 59.67, -92.43

 

CMYK 0 / 79 / 77 / 3

HEX #F8353A

RGB 248 53 58

HSL 358.46, 0.93%, 0.59%

LAB 54.87, 71.52, 45.01

 

CMYK 13 / 0 / 79 / 3

HEX #D7F835

RGB 215 248 53

HSL 70.15, 0.93%, 0.59%

LAB 92.5, -33.51, 81.79

 

CMYK 79 / 0 / 3 / 3

HEX #35F8F1

RGB 53 248 241

HSL 177.85, 0.93%, 0.59%

LAB 89.04, -46.68, -9.92

 

CMYK 65 / 79 / 0 / 3

HEX #5635F8

RGB 86 53 248

HSL 250.15, 0.93%, 0.59%

LAB 40.08, 65.5, -90.88

 

CMYK 0 / 79 / 77 / 3

HEX #F8353A

RGB 248 53 58

HSL 358.46, 0.93%, 0.59%

LAB 54.87, 71.52, 45.01

 

CMYK 37 / 0 / 79 / 3

HEX #9DF835

RGB 157 248 53

HSL 88, 0.93%, 0.59%

LAB 89.19, -54.9, 77.55

 

CMYK 79 / 0 / 3 / 3

HEX #35F8F1

RGB 53 248 241

HSL 177.85, 0.93%, 0.59%

LAB 89.04, -46.68, -9.92

 

CMYK 42 / 79 / 0 / 3

HEX #9035F8

RGB 144 53 248

HSL 268, 0.93%, 0.59%

LAB 45.98, 72.21, -80.97

 

Description

Color code: HEX #F8353ACE | qconv.com Color code: HEX #F8353ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 53 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 53 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 62 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 62% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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