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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F82DA4 it is the complementary color #07D25B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F82DA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F82DA4 shade: #FD2D9F, #FF3FB2, #FF51C5, #FF63D8 and #FF75EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F82DA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F82DA4 shade: #F82DA4, #E71B91, #D6097E, #C5006B and #B40058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F82DA4 shade: #F82AA3, #F82A6C, #F82A34 and #F82A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F82DA4 shade: #F82AA3, #F82ADB, #DF2AF8, #A72AF8 and #6F2AF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F82DA4 shade matches the following richer shades: #F82AA3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F82DA4 shade: #F82AA3, #E73CA0, #D54E9D, #C3609A and #B17197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F82DA4 shade: #DD2AF8, #F82ADD, #F82AA6, #F82A6F and #F82A38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F82DA4 shade: #CA0679, #F20791, #F82AA3, #FA52B4 and #FB7AC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F82DA4 shade: #F82DA4, #F8A62A and #2AF8F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F82DA4 shade: #F82DA4, #A6F82A and #2AA6F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F82DA4 shade: #F82DA4, #F8A62A, #2AF87D and #2A7DF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F82DA4 shade: #F82DA4, #F8E42A, #2AF87D and #2A3FF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 34 / 3

HEX #F82DA4

RGB 248 45 164

HSL 324.83, 0.94%, 0.57%

LAB 56.6, 80.63, -14.91

 

Complementary color

CMYK 97 / 0 / 57 / 18

HEX #07D25B

RGB 7 210 91

HSL 144.83, 0.94%, 0.43%

LAB 74.12, -68, 46.37

 

CMYK 0 / 82 / 37 / 1

HEX #FD2D9F

RGB 253 45 159

HSL 327.12, 0.98%, 0.58%

LAB 57.33, 81.27, -10.78

 

CMYK 0 / 75 / 30 / 0

HEX #FF3FB2

RGB 255 63 178

HSL 324.06, 1%, 0.62%

LAB 59.92, 79.22, -17.91

 

CMYK 0 / 68 / 23 / 0

HEX #FF51C5

RGB 255 81 197

HSL 320, 1%, 0.66%

LAB 62.66, 75.75, -24.61

 

CMYK 0 / 61 / 15 / 0

HEX #FF63D8

RGB 255 99 216

HSL 315, 1%, 0.69%

LAB 65.86, 71.49, -30.39

 

CMYK 0 / 54 / 8 / 0

HEX #FF75EB

RGB 255 117 235

HSL 308.7, 1%, 0.73%

LAB 69.46, 66.67, -35.37

 

CMYK 0 / 82 / 34 / 3

HEX #F82DA4

RGB 248 45 164

HSL 324.83, 0.94%, 0.57%

LAB 56.6, 80.63, -14.91

 

CMYK 0 / 88 / 37 / 9

HEX #E71B91

RGB 231 27 145

HSL 325.29, 0.81%, 0.51%

LAB 51.63, 78.31, -11.46

 

CMYK 0 / 96 / 41 / 16

HEX #D6097E

RGB 214 9 126

HSL 325.76, 0.92%, 0.44%

LAB 46.97, 74.93, -7.28

 

CMYK 0 / 100 / 46 / 23

HEX #C5006B

RGB 197 0 107

HSL 327.41, 1%, 0.39%

LAB 42.66, 70.39, -2.28

 

CMYK 0 / 100 / 51 / 29

HEX #B40058

RGB 180 0 88

HSL 330.67, 1%, 0.35%

LAB 38.56, 65.07, 3.37

 

CMYK 0 / 83 / 34 / 3

HEX #F82AA3

RGB 248 42 163

HSL 324.76, 0.94%, 0.57%

LAB 56.34, 81.16, -14.71

 

CMYK 0 / 83 / 56 / 3

HEX #F82A6C

RGB 248 42 108

HSL 340.78, 0.94%, 0.57%

LAB 54.76, 76.59, 15.71

 

CMYK 0 / 83 / 79 / 3

HEX #F82A34

RGB 248 42 52

HSL 357.09, 0.94%, 0.57%

LAB 53.88, 73.99, 47.22

 

CMYK 0 / 83 / 83 / 3

HEX #F82A2A

RGB 248 42 42

HSL 0, 0.94%, 0.57%

LAB 53.79, 73.73, 52.28

 

CMYK 0 / 83 / 34 / 3

HEX #F82AA3

RGB 248 42 163

HSL 324.76, 0.94%, 0.57%

LAB 56.34, 81.16, -14.71

 

CMYK 0 / 83 / 12 / 3

HEX #F82ADB

RGB 248 42 219

HSL 308.45, 0.94%, 0.57%

LAB 58.72, 87.72, -43.31

 

CMYK 10 / 83 / 0 / 3

HEX #DF2AF8

RGB 223 42 248

HSL 292.72, 0.94%, 0.57%

LAB 56.21, 87.49, -63.84

 

CMYK 33 / 83 / 0 / 3

HEX #A72AF8

RGB 167 42 248

HSL 276.41, 0.94%, 0.57%

LAB 47.81, 78.85, -77.84

 

CMYK 55 / 83 / 0 / 3

HEX #6F2AF8

RGB 111 42 248

HSL 260.1, 0.94%, 0.57%

LAB 40.92, 72.13, -89.43

 

CMYK 0 / 83 / 34 / 3

HEX #F82AA3

RGB 248 42 163

HSL 324.76, 0.94%, 0.57%

LAB 56.34, 81.16, -14.71

 

CMYK 0 / 83 / 34 / 3

HEX #F82AA3

RGB 248 42 163

HSL 324.76, 0.94%, 0.57%

LAB 56.34, 81.16, -14.71

 

CMYK 0 / 74 / 31 / 9

HEX #E73CA0

RGB 231 60 160

HSL 324.91, 0.78%, 0.57%

LAB 54.82, 72.26, -15.54

 

CMYK 0 / 63 / 26 / 16

HEX #D54E9D

RGB 213 78 157

HSL 324.89, 0.62%, 0.57%

LAB 54.06, 60.63, -15.21

 

CMYK 0 / 51 / 21 / 24

HEX #C3609A

RGB 195 96 154

HSL 324.85, 0.45%, 0.57%

LAB 54.34, 46.5, -13.28

 

CMYK 0 / 36 / 15 / 31

HEX #B17197

RGB 177 113 151

HSL 324.38, 0.29%, 0.57%

LAB 55.47, 30.92, -10.06

 

CMYK 11 / 83 / 0 / 3

HEX #DD2AF8

RGB 221 42 248

HSL 292.14, 0.94%, 0.57%

LAB 55.89, 87.15, -64.36

 

CMYK 0 / 83 / 11 / 3

HEX #F82ADD

RGB 248 42 221

HSL 307.86, 0.94%, 0.57%

LAB 58.82, 87.98, -44.28

 

CMYK 0 / 83 / 33 / 3

HEX #F82AA6

RGB 248 42 166

HSL 323.88, 0.94%, 0.57%

LAB 56.45, 81.47, -16.3

 

CMYK 0 / 83 / 55 / 3

HEX #F82A6F

RGB 248 42 111

HSL 339.9, 0.94%, 0.57%

LAB 54.82, 76.79, 14

 

CMYK 0 / 83 / 77 / 3

HEX #F82A38

RGB 248 42 56

HSL 355.92, 0.94%, 0.57%

LAB 53.92, 74.11, 45.1

 

CMYK 0 / 97 / 40 / 21

HEX #CA0679

RGB 202 6 121

HSL 324.8, 0.94%, 0.41%

LAB 44.33, 72.15, -8.4

 

CMYK 0 / 97 / 40 / 5

HEX #F20791

RGB 242 7 145

HSL 324.77, 0.94%, 0.49%

LAB 53.03, 82.7, -9.15

 

CMYK 0 / 83 / 34 / 3

HEX #F82AA3

RGB 248 42 163

HSL 324.76, 0.94%, 0.57%

LAB 56.34, 81.16, -14.71

 

CMYK 0 / 67 / 28 / 2

HEX #FA52B4

RGB 250 82 180

HSL 325, 0.94%, 0.65%

LAB 61.35, 72.02, -16.95

 

CMYK 0 / 51 / 21 / 2

HEX #FB7AC6

RGB 251 122 198

HSL 324.65, 0.94%, 0.73%

LAB 68.39, 57.73, -16.49

 

CMYK 0 / 82 / 34 / 3

HEX #F82DA4

RGB 248 45 164

HSL 324.83, 0.94%, 0.57%

LAB 56.6, 80.63, -14.91

 

CMYK 0 / 33 / 83 / 3

HEX #F8A62A

RGB 248 166 42

HSL 36.12, 0.94%, 0.57%

LAB 74.44, 21.1, 70.26

 

CMYK 83 / 0 / 0 / 3

HEX #2AF8F8

RGB 42 248 248

HSL 180, 0.94%, 0.57%

LAB 89.11, -45.54, -13.47

 

CMYK 0 / 82 / 34 / 3

HEX #F82DA4

RGB 248 45 164

HSL 324.83, 0.94%, 0.57%

LAB 56.6, 80.63, -14.91

 

CMYK 33 / 0 / 83 / 3

HEX #A6F82A

RGB 166 248 42

HSL 83.88, 0.94%, 0.57%

LAB 89.58, -52.26, 80.79

 

CMYK 83 / 33 / 0 / 3

HEX #2AA6F8

RGB 42 166 248

HSL 203.88, 0.94%, 0.57%

LAB 65.39, -4.68, -49.98

 

CMYK 0 / 82 / 34 / 3

HEX #F82DA4

RGB 248 45 164

HSL 324.83, 0.94%, 0.57%

LAB 56.6, 80.63, -14.91

 

CMYK 0 / 33 / 83 / 3

HEX #F8A62A

RGB 248 166 42

HSL 36.12, 0.94%, 0.57%

LAB 74.44, 21.1, 70.26

 

CMYK 83 / 0 / 50 / 3

HEX #2AF87D

RGB 42 248 125

HSL 144.17, 0.94%, 0.57%

LAB 86.56, -72.99, 45.64

 

CMYK 83 / 50 / 0 / 3

HEX #2A7DF8

RGB 42 125 248

HSL 215.83, 0.94%, 0.57%

LAB 53.96, 19.79, -68.26

 

CMYK 0 / 82 / 34 / 3

HEX #F82DA4

RGB 248 45 164

HSL 324.83, 0.94%, 0.57%

LAB 56.6, 80.63, -14.91

 

CMYK 0 / 8 / 83 / 3

HEX #F8E42A

RGB 248 228 42

HSL 54.17, 0.94%, 0.57%

LAB 89.68, -10.8, 83.07

 

CMYK 83 / 0 / 50 / 3

HEX #2AF87D

RGB 42 248 125

HSL 144.17, 0.94%, 0.57%

LAB 86.56, -72.99, 45.64

 

CMYK 83 / 75 / 0 / 3

HEX #2A3FF8

RGB 42 63 248

HSL 233.88, 0.94%, 0.57%

LAB 39.28, 57.49, -92.28

 

Description

Color code: HEX #F82DA4 | qconv.com Color code: HEX #F82DA4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 45 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 45 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 34 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 34% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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