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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F82B8E it is the complementary color #07D471. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F82B8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F82B8E shade: #FD2B89, #FF3D9C, #FF4FAF, #FF61C2 and #FF73D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F82B8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F82B8E shade: #F82B8E, #E7197B, #D60768, #C50055 and #B40042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F82B8E shade: #F82A8E, #F82A56 and #F82A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F82B8E shade: #F82A8E, #F82AC5, #F42AF8, #BC2AF8 and #852AF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F82B8E shade matches the following richer shades: #F82A8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F82B8E shade: #F82A8E, #E73C8E, #D54E8F, #C36090 and #B17190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F82B8E shade: #F52AF8, #F82AC5, #F82A8E, #F82A57 and #F8352A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F82B8E shade: #CA0665, #F20779, #F82A8E, #FA52A3 and #FB7AB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F82B8E shade: #F82B8E, #F8BE2A and #2AE0F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F82B8E shade: #F82B8E, #8EF82A and #2A8EF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F82B8E shade: #F82B8E, #F8BE2A, #2AF895 and #2A65F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F82B8E shade: #F82B8E, #F5F82A, #2AF895 and #2E2AF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 43 / 3

HEX #F82B8E

RGB 248 43 142

HSL 331.02, 0.94%, 0.57%

LAB 55.72, 78.98, -3.24

 

Complementary color

CMYK 97 / 0 / 47 / 17

HEX #07D471

RGB 7 212 113

HSL 151.02, 0.94%, 0.43%

LAB 75.03, -65.27, 36.9

 

CMYK 0 / 83 / 46 / 1

HEX #FD2B89

RGB 253 43 137

HSL 333.14, 0.98%, 0.58%

LAB 56.5, 79.73, 0.99

 

CMYK 0 / 76 / 39 / 0

HEX #FF3D9C

RGB 255 61 156

HSL 330.62, 1%, 0.62%

LAB 58.97, 77.51, -6.54

 

CMYK 0 / 69 / 31 / 0

HEX #FF4FAF

RGB 255 79 175

HSL 327.27, 1%, 0.65%

LAB 61.61, 73.83, -13.62

 

CMYK 0 / 62 / 24 / 0

HEX #FF61C2

RGB 255 97 194

HSL 323.16, 1%, 0.69%

LAB 64.73, 69.33, -19.74

 

CMYK 0 / 55 / 16 / 0

HEX #FF73D5

RGB 255 115 213

HSL 318, 1%, 0.73%

LAB 68.26, 64.25, -25.02

 

CMYK 0 / 83 / 43 / 3

HEX #F82B8E

RGB 248 43 142

HSL 331.02, 0.94%, 0.57%

LAB 55.72, 78.98, -3.24

 

CMYK 0 / 89 / 47 / 9

HEX #E7197B

RGB 231 25 123

HSL 331.46, 0.81%, 0.5%

LAB 50.82, 76.66, 0.61

 

CMYK 0 / 97 / 51 / 16

HEX #D60768

RGB 214 7 104

HSL 331.88, 0.94%, 0.43%

LAB 46.24, 73.31, 5.22

 

CMYK 0 / 100 / 57 / 23

HEX #C50055

RGB 197 0 85

HSL 334.11, 1%, 0.39%

LAB 42.04, 68.75, 10.71

 

CMYK 0 / 100 / 63 / 29

HEX #B40042

RGB 180 0 66

HSL 338, 1%, 0.35%

LAB 38.02, 63.6, 16.77

 

CMYK 0 / 83 / 43 / 3

HEX #F82A8E

RGB 248 42 142

HSL 330.87, 0.94%, 0.57%

LAB 55.65, 79.19, -3.34

 

CMYK 0 / 83 / 65 / 3

HEX #F82A56

RGB 248 42 86

HSL 347.18, 0.94%, 0.57%

LAB 54.33, 75.33, 28.3

 

CMYK 0 / 83 / 83 / 3

HEX #F82A2A

RGB 248 42 42

HSL 0, 0.94%, 0.57%

LAB 53.79, 73.73, 52.28

 

CMYK 0 / 83 / 43 / 3

HEX #F82A8E

RGB 248 42 142

HSL 330.87, 0.94%, 0.57%

LAB 55.65, 79.19, -3.34

 

CMYK 0 / 83 / 21 / 3

HEX #F82AC5

RGB 248 42 197

HSL 314.85, 0.94%, 0.57%

LAB 57.7, 84.93, -32.37

 

CMYK 2 / 83 / 0 / 3

HEX #F42AF8

RGB 244 42 248

HSL 298.83, 0.94%, 0.57%

LAB 59.59, 91.05, -58.24

 

CMYK 24 / 83 / 0 / 3

HEX #BC2AF8

RGB 188 42 248

HSL 282.52, 0.94%, 0.57%

LAB 50.83, 81.91, -72.79

 

CMYK 46 / 83 / 0 / 3

HEX #852AF8

RGB 133 42 248

HSL 266.5, 0.94%, 0.57%

LAB 43.39, 74.49, -85.27

 

CMYK 0 / 83 / 43 / 3

HEX #F82A8E

RGB 248 42 142

HSL 330.87, 0.94%, 0.57%

LAB 55.65, 79.19, -3.34

 

CMYK 0 / 83 / 43 / 3

HEX #F82A8E

RGB 248 42 142

HSL 330.87, 0.94%, 0.57%

LAB 55.65, 79.19, -3.34

 

CMYK 0 / 74 / 39 / 9

HEX #E73C8E

RGB 231 60 142

HSL 331.23, 0.78%, 0.57%

LAB 54.21, 70.35, -5.81

 

CMYK 0 / 63 / 33 / 16

HEX #D54E8F

RGB 213 78 143

HSL 331.11, 0.62%, 0.57%

LAB 53.58, 58.9, -7.68

 

CMYK 0 / 51 / 26 / 24

HEX #C36090

RGB 195 96 144

HSL 330.91, 0.45%, 0.57%

LAB 54.01, 45.07, -7.91

 

CMYK 0 / 36 / 19 / 31

HEX #B17190

RGB 177 113 144

HSL 330.94, 0.29%, 0.57%

LAB 55.25, 29.78, -6.32

 

CMYK 1 / 83 / 0 / 3

HEX #F52AF8

RGB 245 42 248

HSL 299.13, 0.94%, 0.57%

LAB 59.75, 91.23, -57.97

 

CMYK 0 / 83 / 21 / 3

HEX #F82AC5

RGB 248 42 197

HSL 314.85, 0.94%, 0.57%

LAB 57.7, 84.93, -32.37

 

CMYK 0 / 83 / 43 / 3

HEX #F82A8E

RGB 248 42 142

HSL 330.87, 0.94%, 0.57%

LAB 55.65, 79.19, -3.34

 

CMYK 0 / 83 / 65 / 3

HEX #F82A57

RGB 248 42 87

HSL 346.89, 0.94%, 0.57%

LAB 54.34, 75.38, 27.72

 

CMYK 0 / 79 / 83 / 3

HEX #F8352A

RGB 248 53 42

HSL 3.2, 0.94%, 0.57%

LAB 54.73, 71.07, 53.13

 

CMYK 0 / 97 / 50 / 21

HEX #CA0665

RGB 202 6 101

HSL 330.92, 0.94%, 0.41%

LAB 43.69, 70.46, 3.11

 

CMYK 0 / 97 / 50 / 5

HEX #F20779

RGB 242 7 121

HSL 330.89, 0.94%, 0.49%

LAB 52.3, 80.76, 4.23

 

CMYK 0 / 83 / 43 / 3

HEX #F82A8E

RGB 248 42 142

HSL 330.87, 0.94%, 0.57%

LAB 55.65, 79.19, -3.34

 

CMYK 0 / 67 / 35 / 2

HEX #FA52A3

RGB 250 82 163

HSL 331.07, 0.94%, 0.65%

LAB 60.78, 70.1, -8.01

 

CMYK 0 / 51 / 27 / 2

HEX #FB7AB8

RGB 251 122 184

HSL 331.16, 0.94%, 0.73%

LAB 67.94, 55.85, -9.31

 

CMYK 0 / 83 / 43 / 3

HEX #F82B8E

RGB 248 43 142

HSL 331.02, 0.94%, 0.57%

LAB 55.72, 78.98, -3.24

 

CMYK 0 / 23 / 83 / 3

HEX #F8BE2A

RGB 248 190 42

HSL 43.11, 0.94%, 0.57%

LAB 80.15, 8.53, 75.09

 

CMYK 83 / 10 / 0 / 3

HEX #2AE0F8

RGB 42 224 248

HSL 186.99, 0.94%, 0.57%

LAB 82.15, -34.67, -23.97

 

CMYK 0 / 83 / 43 / 3

HEX #F82B8E

RGB 248 43 142

HSL 331.02, 0.94%, 0.57%

LAB 55.72, 78.98, -3.24

 

CMYK 43 / 0 / 83 / 3

HEX #8EF82A

RGB 142 248 42

HSL 90.87, 0.94%, 0.57%

LAB 88.47, -60.21, 79.39

 

CMYK 83 / 43 / 0 / 3

HEX #2A8EF8

RGB 42 142 248

HSL 210.87, 0.94%, 0.57%

LAB 58.62, 9.36, -60.76

 

CMYK 0 / 83 / 43 / 3

HEX #F82B8E

RGB 248 43 142

HSL 331.02, 0.94%, 0.57%

LAB 55.72, 78.98, -3.24

 

CMYK 0 / 23 / 83 / 3

HEX #F8BE2A

RGB 248 190 42

HSL 43.11, 0.94%, 0.57%

LAB 80.15, 8.53, 75.09

 

CMYK 83 / 0 / 40 / 3

HEX #2AF895

RGB 42 248 149

HSL 151.17, 0.94%, 0.57%

LAB 86.9, -68.99, 34.41

 

CMYK 83 / 59 / 0 / 3

HEX #2A65F8

RGB 42 101 248

HSL 222.82, 0.94%, 0.57%

LAB 47.72, 34.87, -78.4

 

CMYK 0 / 83 / 43 / 3

HEX #F82B8E

RGB 248 43 142

HSL 331.02, 0.94%, 0.57%

LAB 55.72, 78.98, -3.24

 

CMYK 1 / 0 / 83 / 3

HEX #F5F82A

RGB 245 248 42

HSL 60.87, 0.94%, 0.57%

LAB 94.62, -21.76, 87.08

 

CMYK 83 / 0 / 40 / 3

HEX #2AF895

RGB 42 248 149

HSL 151.17, 0.94%, 0.57%

LAB 86.9, -68.99, 34.41

 

CMYK 81 / 83 / 0 / 3

HEX #2E2AF8

RGB 46 42 248

HSL 241.17, 0.94%, 0.57%

LAB 36.01, 67.64, -97.71

 

Description

Color code: HEX #F82B8E | qconv.com Color code: HEX #F82B8E | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 43 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 43 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 43 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 43% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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