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Color name
HEX #F825EE

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F825EE it is the complementary color #07DA11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F825EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F825EE shade: #FD25E9, #FF37FC, #FF49FF, #FF5BFF and #FF6DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F825EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F825EE shade: #F825EE, #E713DB, #D601C8, #C500B5 and #B400A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F825EE shade: #F825EE, #F825B5, #F8257D, #F82544 and #F82525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F825EE shade: #F825EE, #C925F8, #9025F8, #5825F8 and #2525F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F825EE shade matches the following richer shades: #F825EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F825EE shade: #F825EE, #E637DE, #D44ACD, #C25CBD and #B06EAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F825EE shade: #8F25F8, #C725F8, #F825F1, #F825B9 and #F82581

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F825EE shade: #C506BC, #ED07E2, #F825EE, #FA4DF1 and #FB75F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F825EE shade: #F825EE, #F85725 and #25F8AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F825EE shade: #F825EE, #F1F825 and #25F1F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F825EE shade: #F825EE, #F85725, #25F82C and #25C7F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F825EE shade: #F825EE, #F89625, #25F82C and #2588F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 4 / 3

HEX #F825EE

RGB 248 37 238

HSL 302.84, 0.94%, 0.56%

LAB 59.39, 91.2, -52.93

 

Complementary color

CMYK 97 / 0 / 92 / 15

HEX #07DA11

RGB 7 218 17

HSL 122.84, 0.94%, 0.44%

LAB 76.21, -75.99, 72.2

 

CMYK 0 / 85 / 8 / 1

HEX #FD25E9

RGB 253 37 233

HSL 305.56, 0.98%, 0.57%

LAB 59.97, 91.41, -49.16

 

CMYK 0 / 78 / 1 / 0

HEX #FF37FC

RGB 255 55 252

HSL 300.9, 1%, 0.61%

LAB 62.53, 90.87, -55.66

 

CMYK 0 / 71 / 0 / 0

HEX #FF49FF

RGB 255 73 255

HSL 300, 1%, 0.64%

LAB 64.36, 86.49, -54.4

 

CMYK 0 / 64 / 0 / 0

HEX #FF5BFF

RGB 255 91 255

HSL 300, 1%, 0.68%

LAB 66.49, 80.46, -51.02

 

CMYK 0 / 57 / 0 / 0

HEX #FF6DFF

RGB 255 109 255

HSL 300, 1%, 0.71%

LAB 69.05, 73.36, -46.99

 

CMYK 0 / 85 / 4 / 3

HEX #F825EE

RGB 248 37 238

HSL 302.84, 0.94%, 0.56%

LAB 59.39, 91.2, -52.93

 

CMYK 0 / 92 / 5 / 9

HEX #E713DB

RGB 231 19 219

HSL 303.4, 0.85%, 0.49%

LAB 54.63, 88.07, -49.98

 

CMYK 0 / 100 / 7 / 16

HEX #D601C8

RGB 214 1 200

HSL 303.94, 0.99%, 0.42%

LAB 50.08, 84.04, -46.5

 

CMYK 0 / 100 / 8 / 23

HEX #C500B5

RGB 197 0 181

HSL 304.87, 1%, 0.39%

LAB 45.92, 78.65, -42.22

 

CMYK 0 / 100 / 10 / 29

HEX #B400A2

RGB 180 0 162

HSL 306, 1%, 0.35%

LAB 41.71, 73.08, -37.8

 

CMYK 0 / 85 / 4 / 3

HEX #F825EE

RGB 248 37 238

HSL 302.84, 0.94%, 0.56%

LAB 59.39, 91.2, -52.93

 

CMYK 0 / 85 / 27 / 3

HEX #F825B5

RGB 248 37 181

HSL 319.05, 0.94%, 0.56%

LAB 56.7, 84.02, -24.68

 

CMYK 0 / 85 / 50 / 3

HEX #F8257D

RGB 248 37 125

HSL 334.98, 0.94%, 0.56%

LAB 54.82, 78.78, 5.6

 

CMYK 0 / 85 / 73 / 3

HEX #F82544

RGB 248 37 68

HSL 351.18, 0.94%, 0.56%

LAB 53.7, 75.54, 38.1

 

CMYK 0 / 85 / 85 / 3

HEX #F82525

RGB 248 37 37

HSL 0, 0.94%, 0.56%

LAB 53.4, 74.64, 54.35

 

CMYK 0 / 85 / 4 / 3

HEX #F825EE

RGB 248 37 238

HSL 302.84, 0.94%, 0.56%

LAB 59.39, 91.2, -52.93

 

CMYK 19 / 85 / 0 / 3

HEX #C925F8

RGB 201 37 248

HSL 286.64, 0.94%, 0.56%

LAB 52.42, 85, -70.13

 

CMYK 42 / 85 / 0 / 3

HEX #9025F8

RGB 144 37 248

HSL 270.43, 0.94%, 0.56%

LAB 44.28, 77.21, -83.76

 

CMYK 65 / 85 / 0 / 3

HEX #5825F8

RGB 88 37 248

HSL 254.5, 0.94%, 0.56%

LAB 38.15, 71.83, -94.07

 

CMYK 85 / 85 / 0 / 3

HEX #2525F8

RGB 37 37 248

HSL 240, 0.94%, 0.56%

LAB 34.99, 69.29, -99.42

 

CMYK 0 / 85 / 4 / 3

HEX #F825EE

RGB 248 37 238

HSL 302.84, 0.94%, 0.56%

LAB 59.39, 91.2, -52.93

 

CMYK 0 / 85 / 4 / 3

HEX #F825EE

RGB 248 37 238

HSL 302.84, 0.94%, 0.56%

LAB 59.39, 91.2, -52.93

 

CMYK 0 / 76 / 3 / 10

HEX #E637DE

RGB 230 55 222

HSL 302.74, 0.78%, 0.56%

LAB 56.91, 81.64, -48.06

 

CMYK 0 / 65 / 3 / 17

HEX #D44ACD

RGB 212 74 205

HSL 303.04, 0.62%, 0.56%

LAB 55.38, 68.94, -41

 

CMYK 0 / 53 / 3 / 24

HEX #C25CBD

RGB 194 92 189

HSL 302.94, 0.46%, 0.56%

LAB 54.86, 53.82, -32.82

 

CMYK 0 / 38 / 2 / 31

HEX #B06EAD

RGB 176 110 173

HSL 302.73, 0.29%, 0.56%

LAB 55.48, 36.15, -22.82

 

CMYK 42 / 85 / 0 / 3

HEX #8F25F8

RGB 143 37 248

HSL 270.14, 0.94%, 0.56%

LAB 44.15, 77.09, -83.98

 

CMYK 20 / 85 / 0 / 3

HEX #C725F8

RGB 199 37 248

HSL 286.07, 0.94%, 0.56%

LAB 52.11, 84.7, -70.64

 

CMYK 0 / 85 / 3 / 3

HEX #F825F1

RGB 248 37 241

HSL 301.99, 0.94%, 0.56%

LAB 59.55, 91.63, -54.35

 

CMYK 0 / 85 / 25 / 3

HEX #F825B9

RGB 248 37 185

HSL 317.91, 0.94%, 0.56%

LAB 56.86, 84.47, -26.74

 

CMYK 0 / 85 / 48 / 3

HEX #F82581

RGB 248 37 129

HSL 333.84, 0.94%, 0.56%

LAB 54.93, 79.09, 3.36

 

CMYK 0 / 97 / 5 / 23

HEX #C506BC

RGB 197 6 188

HSL 302.83, 0.94%, 0.4%

LAB 46.49, 79.1, -45.42

 

CMYK 0 / 97 / 5 / 7

HEX #ED07E2

RGB 237 7 226

HSL 302.87, 0.94%, 0.48%

LAB 55.73, 90.98, -52.12

 

CMYK 0 / 85 / 4 / 3

HEX #F825EE

RGB 248 37 238

HSL 302.84, 0.94%, 0.56%

LAB 59.39, 91.2, -52.93

 

CMYK 0 / 69 / 4 / 2

HEX #FA4DF1

RGB 250 77 241

HSL 303.12, 0.95%, 0.64%

LAB 63.33, 82.06, -48.34

 

CMYK 0 / 53 / 3 / 2

HEX #FB75F4

RGB 251 117 244

HSL 303.13, 0.94%, 0.72%

LAB 69.3, 67.06, -40.61

 

CMYK 0 / 85 / 4 / 3

HEX #F825EE

RGB 248 37 238

HSL 302.84, 0.94%, 0.56%

LAB 59.39, 91.2, -52.93

 

CMYK 0 / 65 / 85 / 3

HEX #F85725

RGB 248 87 37

HSL 14.22, 0.94%, 0.56%

LAB 58.89, 59.41, 58.93

 

CMYK 85 / 0 / 31 / 3

HEX #25F8AB

RGB 37 248 171

HSL 158.1, 0.94%, 0.56%

LAB 87.23, -65.07, 23.74

 

CMYK 0 / 85 / 4 / 3

HEX #F825EE

RGB 248 37 238

HSL 302.84, 0.94%, 0.56%

LAB 59.39, 91.2, -52.93

 

CMYK 3 / 0 / 85 / 3

HEX #F1F825

RGB 241 248 37

HSL 61.99, 0.94%, 0.56%

LAB 94.3, -23.51, 87.7

 

CMYK 85 / 3 / 0 / 3

HEX #25F1F8

RGB 37 241 248

HSL 181.99, 0.94%, 0.56%

LAB 87.04, -42.77, -16.59

 

CMYK 0 / 85 / 4 / 3

HEX #F825EE

RGB 248 37 238

HSL 302.84, 0.94%, 0.56%

LAB 59.39, 91.2, -52.93

 

CMYK 0 / 65 / 85 / 3

HEX #F85725

RGB 248 87 37

HSL 14.22, 0.94%, 0.56%

LAB 58.89, 59.41, 58.93

 

CMYK 85 / 0 / 82 / 3

HEX #25F82C

RGB 37 248 44

HSL 121.99, 0.94%, 0.56%

LAB 85.86, -81.41, 75.6

 

CMYK 85 / 20 / 0 / 3

HEX #25C7F8

RGB 37 199 248

HSL 193.93, 0.94%, 0.56%

LAB 74.84, -22.77, -35.21

 

CMYK 0 / 85 / 4 / 3

HEX #F825EE

RGB 248 37 238

HSL 302.84, 0.94%, 0.56%

LAB 59.39, 91.2, -52.93

 

CMYK 0 / 40 / 85 / 3

HEX #F89625

RGB 248 150 37

HSL 32.13, 0.94%, 0.56%

LAB 70.8, 29.34, 68.76

 

CMYK 85 / 0 / 82 / 3

HEX #25F82C

RGB 37 248 44

HSL 121.99, 0.94%, 0.56%

LAB 85.86, -81.41, 75.6

 

CMYK 85 / 45 / 0 / 3

HEX #2588F8

RGB 37 136 248

HSL 211.85, 0.94%, 0.56%

LAB 56.86, 12.64, -63.59

 

Description

Color code: HEX #F825EE | qconv.com Color code: HEX #F825EE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 37 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 37 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 4 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 4% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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