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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8119C it is the complementary color #07EE63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8119C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8119C shade: #FD1197, #FF23AA, #FF35BD, #FF47D0 and #FF59E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8119C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8119C shade: #F8119C, #E70089, #D60076, #C50063 and #B40050

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8119C shade: #F8129C, #F8125E, #F81220 and #F81212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8119C shade: #F8129C, #F812DA, #D712F8, #9912F8 and #5B12F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8119C shade matches the following richer shades: #F8129C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8119C shade: #F8129C, #E42598, #D03994, #BC4D90 and #A8618C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8119C shade: #D512F8, #F812DD, #F8129F, #F81262 and #F81225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8119C shade: #B1056D, #D90785, #F8129C, #F93AAD and #FA62BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8119C shade: #F8119C, #F89812 and #12F8F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8119C shade: #F8119C, #9FF812 and #129FF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8119C shade: #F8119C, #F89812, #12F86A and #1271F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8119C shade: #F8119C, #F8DD12, #12F86A and #122CF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 37 / 3

HEX #F8119C

RGB 248 17 156

HSL 323.9, 0.94%, 0.52%

LAB 54.82, 84.18, -12.88

 

Complementary color

CMYK 97 / 0 / 58 / 7

HEX #07EE63

RGB 7 238 99

HSL 143.9, 0.94%, 0.48%

LAB 82.96, -75.45, 53.17

 

CMYK 0 / 93 / 40 / 1

HEX #FD1197

RGB 253 17 151

HSL 325.93, 0.98%, 0.53%

LAB 55.6, 84.77, -8.65

 

CMYK 0 / 86 / 33 / 0

HEX #FF23AA

RGB 255 35 170

HSL 323.18, 1%, 0.57%

LAB 57.43, 84.68, -17.04

 

CMYK 0 / 79 / 26 / 0

HEX #FF35BD

RGB 255 53 189

HSL 319.6, 1%, 0.6%

LAB 59.42, 83.08, -25.01

 

CMYK 0 / 72 / 18 / 0

HEX #FF47D0

RGB 255 71 208

HSL 315.33, 1%, 0.64%

LAB 61.93, 80.44, -31.97

 

CMYK 0 / 65 / 11 / 0

HEX #FF59E3

RGB 255 89 227

HSL 310.12, 1%, 0.67%

LAB 64.92, 76.94, -37.99

 

CMYK 0 / 93 / 37 / 3

HEX #F8119C

RGB 248 17 156

HSL 323.9, 0.94%, 0.52%

LAB 54.82, 84.18, -12.88

 

CMYK 0 / 100 / 41 / 9

HEX #E70089

RGB 231 0 137

HSL 324.42, 1%, 0.45%

LAB 50.45, 80.22, -8.43

 

CMYK 0 / 100 / 45 / 16

HEX #D60076

RGB 214 0 118

HSL 326.92, 1%, 0.42%

LAB 46.45, 75, -3.13

 

CMYK 0 / 100 / 50 / 23

HEX #C50063

RGB 197 0 99

HSL 329.85, 1%, 0.39%

LAB 42.42, 69.75, 2.39

 

CMYK 0 / 100 / 56 / 29

HEX #B40050

RGB 180 0 80

HSL 333.33, 1%, 0.35%

LAB 38.34, 64.48, 8.2

 

CMYK 0 / 93 / 37 / 3

HEX #F8129C

RGB 248 18 156

HSL 324, 0.94%, 0.52%

LAB 54.85, 84.08, -12.83

 

CMYK 0 / 93 / 62 / 3

HEX #F8125E

RGB 248 18 94

HSL 340.17, 0.94%, 0.52%

LAB 53.16, 79.51, 21.99

 

CMYK 0 / 93 / 87 / 3

HEX #F81220

RGB 248 18 32

HSL 356.35, 0.94%, 0.52%

LAB 52.39, 77.36, 55.83

 

CMYK 0 / 93 / 93 / 3

HEX #F81212

RGB 248 18 18

HSL 0, 0.94%, 0.52%

LAB 52.32, 77.17, 61.27

 

CMYK 0 / 93 / 37 / 3

HEX #F8129C

RGB 248 18 156

HSL 324, 0.94%, 0.52%

LAB 54.85, 84.08, -12.83

 

CMYK 0 / 93 / 12 / 3

HEX #F812DA

RGB 248 18 218

HSL 307.83, 0.94%, 0.52%

LAB 57.51, 90.98, -44.65

 

CMYK 13 / 93 / 0 / 3

HEX #D712F8

RGB 215 18 248

HSL 291.39, 0.94%, 0.52%

LAB 53.66, 89.96, -68.01

 

CMYK 38 / 93 / 0 / 3

HEX #9912F8

RGB 153 18 248

HSL 275.22, 0.94%, 0.52%

LAB 44.21, 82.04, -83.83

 

CMYK 63 / 93 / 0 / 3

HEX #5B12F8

RGB 91 18 248

HSL 259.04, 0.94%, 0.52%

LAB 36.81, 76.91, -96.3

 

CMYK 0 / 93 / 37 / 3

HEX #F8129C

RGB 248 18 156

HSL 324, 0.94%, 0.52%

LAB 54.85, 84.08, -12.83

 

CMYK 0 / 93 / 37 / 3

HEX #F8129C

RGB 248 18 156

HSL 324, 0.94%, 0.52%

LAB 54.85, 84.08, -12.83

 

CMYK 0 / 84 / 33 / 11

HEX #E42598

RGB 228 37 152

HSL 323.87, 0.78%, 0.52%

LAB 51.93, 76.58, -15.24

 

CMYK 0 / 73 / 29 / 18

HEX #D03994

RGB 208 57 148

HSL 323.84, 0.62%, 0.52%

LAB 50.07, 66.02, -16.02

 

CMYK 0 / 59 / 23 / 26

HEX #BC4D90

RGB 188 77 144

HSL 323.78, 0.45%, 0.52%

LAB 49.51, 52, -14.78

 

CMYK 0 / 42 / 17 / 34

HEX #A8618C

RGB 168 97 140

HSL 323.66, 0.29%, 0.52%

LAB 50.41, 34.76, -11.31

 

CMYK 14 / 93 / 0 / 3

HEX #D512F8

RGB 213 18 248

HSL 290.87, 0.94%, 0.52%

LAB 53.34, 89.67, -68.55

 

CMYK 0 / 93 / 11 / 3

HEX #F812DD

RGB 248 18 221

HSL 307.04, 0.94%, 0.52%

LAB 57.66, 91.36, -46.11

 

CMYK 0 / 93 / 36 / 3

HEX #F8129F

RGB 248 18 159

HSL 323.22, 0.94%, 0.52%

LAB 54.96, 84.37, -14.45

 

CMYK 0 / 93 / 60 / 3

HEX #F81262

RGB 248 18 98

HSL 339.13, 0.94%, 0.52%

LAB 53.24, 79.73, 19.68

 

CMYK 0 / 93 / 85 / 3

HEX #F81225

RGB 248 18 37

HSL 355.04, 0.94%, 0.52%

LAB 52.42, 77.45, 53.53

 

CMYK 0 / 97 / 38 / 31

HEX #B1056D

RGB 177 5 109

HSL 323.72, 0.95%, 0.36%

LAB 38.83, 65.68, -9.68

 

CMYK 0 / 97 / 39 / 15

HEX #D90785

RGB 217 7 133

HSL 324, 0.94%, 0.44%

LAB 47.75, 76.38, -10.33

 

CMYK 0 / 93 / 37 / 3

HEX #F8129C

RGB 248 18 156

HSL 324, 0.94%, 0.52%

LAB 54.85, 84.08, -12.83

 

CMYK 0 / 77 / 31 / 2

HEX #F93AAD

RGB 249 58 173

HSL 323.87, 0.94%, 0.6%

LAB 58.21, 78.64, -17.7

 

CMYK 0 / 61 / 24 / 2

HEX #FA62BD

RGB 250 98 189

HSL 324.08, 0.94%, 0.68%

LAB 63.94, 66.9, -18.16

 

CMYK 0 / 93 / 37 / 3

HEX #F8119C

RGB 248 17 156

HSL 323.9, 0.94%, 0.52%

LAB 54.82, 84.18, -12.88

 

CMYK 0 / 39 / 93 / 3

HEX #F89812

RGB 248 152 18

HSL 34.96, 0.94%, 0.52%

LAB 71.18, 27.96, 73.67

 

CMYK 93 / 0 / 2 / 3

HEX #12F8F4

RGB 18 248 244

HSL 178.96, 0.94%, 0.52%

LAB 88.83, -47.81, -11.83

 

CMYK 0 / 93 / 37 / 3

HEX #F8119C

RGB 248 17 156

HSL 323.9, 0.94%, 0.52%

LAB 54.82, 84.18, -12.88

 

CMYK 36 / 0 / 93 / 3

HEX #9FF812

RGB 159 248 18

HSL 83.22, 0.94%, 0.52%

LAB 89.18, -55.27, 84.32

 

CMYK 93 / 36 / 0 / 3

HEX #129FF8

RGB 18 159 248

HSL 203.22, 0.94%, 0.52%

LAB 63.1, -2.05, -53.64

 

CMYK 0 / 93 / 37 / 3

HEX #F8119C

RGB 248 17 156

HSL 323.9, 0.94%, 0.52%

LAB 54.82, 84.18, -12.88

 

CMYK 0 / 39 / 93 / 3

HEX #F89812

RGB 248 152 18

HSL 34.96, 0.94%, 0.52%

LAB 71.18, 27.96, 73.67

 

CMYK 93 / 0 / 57 / 3

HEX #12F86A

RGB 18 248 106

HSL 142.96, 0.94%, 0.52%

LAB 86.16, -77.18, 53.83

 

CMYK 93 / 54 / 0 / 3

HEX #1271F8

RGB 18 113 248

HSL 215.22, 0.94%, 0.52%

LAB 50.35, 26.01, -74.13

 

CMYK 0 / 93 / 37 / 3

HEX #F8119C

RGB 248 17 156

HSL 323.9, 0.94%, 0.52%

LAB 54.82, 84.18, -12.88

 

CMYK 0 / 11 / 93 / 3

HEX #F8DD12

RGB 248 221 18

HSL 52.96, 0.94%, 0.52%

LAB 87.83, -7.76, 85.85

 

CMYK 93 / 0 / 57 / 3

HEX #12F86A

RGB 18 248 106

HSL 142.96, 0.94%, 0.52%

LAB 86.16, -77.18, 53.83

 

CMYK 93 / 82 / 0 / 3

HEX #122CF8

RGB 18 44 248

HSL 233.22, 0.94%, 0.52%

LAB 35.41, 66.01, -98.73

 

Description

Color code: HEX #F8119C | qconv.com Color code: HEX #F8119C | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 17 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 17 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 37 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 37% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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